Dec 162018
 

When we think of independent bottlers, all the usual suspects out of Europe usually come to mind — Velier, Rum Nation, L’Esprit, the Compagnie, the whisky boys up north who indulge themselves in the odd single cask expression from time to time, SMWS, Bristol Spirits, and the list goes on.

These well-known names obscure the fact that smaller operations — stores and even individuals — can and do in fact issue single barrel offerings as well.  For example, Kensington Wine Market in Calgary does it with whiskies quite often; a bunch of redditors recently got together and bought a cask of a 2005 Foursquare rum; and in the case of the rum under review today, K&L Wines out of California bought a single cask of Uitvlugt Savalle-still juice from an independent warehouse in Scotland, and issued it in the States.

It excites equal parts curiosity and admiration, and not just because of the retro-cool label – although that’s quite attractive. I mean, it’s not as if the US is known for independent bottlings – they’re much more into going the whole hog and creating entire new distilleries (however small). The rum is twenty years old (1994-2014), a robust 52.8% and for once seems not to have been sourced from Scheer.  The name “Faultline” is what K&L uses for its own bottlings, and I gather that The Two Davids of K&L happened to be in Scotland in early 2014 and found two Demeraras (Enmore, Uitvlugt) and a Jamaican Hampden mouldering away, and manned up and bought the lot to issue as was – not a trivial exercise for them, since (as they put it), these casks were “much more expensive than single malt whiskies despite the fact that they’re half as desirable.”

Half as desirable?  To American audiences maybe, but I submit that were they to try this thing, the scales would be rather more evenly adjusted.  The nose of an Uitvlugt rum, deriving as it does from a Savalle column still, is a great counterpoint to the woodsy Enmore and PM and Versailles rums (the UF30E remains one of the best Guyanese rums ever made, in my own estimation) — here it delivered quite well. It began with a nose of old leather shoes, well polished and long broken in. It provided smoke, a faint rubber background, and after opening up, the light florals of a fabric softener and freshly sun-dried laundry.  There were more traditional aromas of caramel, vanilla, molasses, cumin, tea leaves and aromatic tobacco, with rich deep fruits (peaches, apples, apricots) dancing around these smells, but never overwhelming them.

The palate was also very approachable and tasty. Soft and warm, tasting of brine and red Moroccan olives (they’re slightly sweeter than the green ones); leather and wooden floors, old and well worn and well polished, so to speak. Fruitiness is again generally light – green grapes, peaches, some lemon zest, raisins – resting well on a bed of salty caramel, butter and cinnamon.  Overall, not too concentrated or overwhelming, and the strength is just about perfect for what it does. It teases and doles out delicate, clear notes in a sort of delicate assembly that invites further sipping, and the finish goes in yet other directions: dry and somewhat tannic, hinting at strong black unsweetened tea, oakiness, some raisins and stewed apples, toffee, toblerone and coffee grounds. Plus a last whiff of those fruity hints to round things out.

There’s not really a true periodic stable of such rum releases by K&L who are more into an “as and when” approach, and therefore such bottlings are, I submit, more like personalized number plates lending street cred to the issuer…something like vanity rums. Fun to get, fun to drink, interesting to have, great to taste, cool to point to — but not really meant to build a brand or a rum-issuing company: K&L is after all a liquor emporium, not an outfit specializing in indie bottlings. So a rum like this serves to draw attention to the store that sells them, providing a sort of exclusive cachet that you can only get if you shop there.  Well, that’s fair, I don’t rain on capitalism – but it does make that kind of release something of a one-off. It doesn’t support a wider array of brands or draw attention to other rums released by the same company, since there aren’t that many to be going on with.

That doesn’t invalidate the Uitvlugt 1994 though.  It’s lovely. It exists, smells the way it smells, tastes as it does, and is a real nice piece of work. I think what it points to is something often ignored by the larger American rum tippling public and the press —  that they have the same potential to issue good single-barrel, limited-edition, cask-strength rums as anyone else…and come up with something pretty nifty at the back-end when they try. This rum, limited as it is and even with its price tag, is really quite good…and single barrel or not, I’m sure the Davids weren’t disappointed with what they got.  I know that I wasn’t.

(#579)(85/100)


  • Big thank you to Quazi4Moto for the sample. It’s taken a while, but I got to it at last.
Nov 222018
 

It’s an old joke of mine that when it comes to Cadenhead, they produce great rums and confusing letter combos. To use this one as an example, the label might lead more to head-scratching confusion than actual enlightenment (for nerd or neophyte alike) but a little background research can ferret out the basic details fairly well when it comes to Guyanese rums. In this instance, the “MPM” moniker probably stands for Main Port Mourant or some variation thereof – the key fact it purports to convey is that the rum within is from a pot still rum from there, which any devoted mudland rum-lover would then be able to recognize.

The Port Mourant double wooden pot still started life in Port Mourant in Berbice, then got moved to Albion as part of Booker’s consolidation strategy in the 1950s; when the Albion distillery itself was shuttered in the sixties, the stills went to Uitvlugt estate, where all subsequent PM rums were made until 1999.  At that point DDL shifted the stills to Diamond estate on the Demerara river, where they currently reside. If nothing else, it makes deciphering the “Uitvlugt” portion of the label problematic because more than just the PM still was in operation during those decades, and the taste profile as described below is (to me) not very PM-like at all.

For now, let’s just leave the historical info there (though if your curiosity has been piqued, Marco’s magnificent essay on the Guyanese estates and their marques remains the best and most comprehensive treatment ever posted and deserves a read).  The technical details are as follows: golden coloured rum, 12 years old, distilled in 1998 and bottled in 2010, a massive 62% of proof – the outturn quantity is unfortunately unknown. Cadenhead, of course, has a reputation for cask strength rums issued straight out of the barrel without filtration or additives, so that’s all very positive.

The MPM, unlike some tropically- matured juice of equal age, is not a particularly smoothly sedate affair to smell – a relatively young continentally aged rum of such puissance (I love that word and always wanted to use it) is a much sharper experience. Clear, blade-like aromas of paint thinner and furniture polish come out fast, alongside flowers, cereals and crushed nuts with white chocolate and almonds; soursop, green mangoes and unripe guavas (the red ones, which are more tart than the white ones). Caramel, smoke and vanilla….and very little licorice or anise or sawdust / woody scents that so characterize the PM mark. As it opens it goes more in the salty direction: vegetable soup and maggi cubes, a takeaway ramen soup flavoured with lemongrass, but fortunately this is kept very much in the background and doesn’t detract measurably from the overall aromas.

Palate…yummy. Hot, sharp, deep, opening the party with the lacquer, paint and plastic of a newly refurbished house.  Salt, caramel, chocolate oranges, blueberries and raisins, dates, vanilla, some oaky sharpness, not bitter at all. Although it was a bid harsh in the mid palate, it did calm down after  few minutes and was really good — kinda sweet, quite drinkable within the limits of the Boss-level strength. Additional flavours of butterscotch, unsweetened chocolate, and anise were noticeable and as things moved to a conclusion, the citrus took a back seat, which kept the tart acidity under control, leading to a long and aromatic finish – there we had caramel, fruits, nuts, vanilla and tangerine rind, more a summing up than anything particularly original.

For a continentally aged rum, twelve years is right on the edge of being a bit too young when bottled at this kind of strength.  The ameliorating influence of the casks is not enough to tame the fierce pungency of a 62% spirit – though admittedly, some will like it for precisely that reason. This is one of those rums where a little water to bring it down would probably be a good idea.  I’m not a proselytizer for tropical ageing as a general standard for Caribbean rums, but tasting a backdam beefcake rum like this one makes you understand why it’s sometimes the right thing.

As a separate matter, after tasting it completely blind I wasn’t entirely convinced that it was actually a Port Mourant rum.  Granted, your average rum junkie might not care – it’s pretty good, after all – but I’ve had quite a few in my time, and the profiles of the wooden stills, whether Versailles, Port Mourant or Enmore, are very distinctive, almost defined by the anise / licorice / sawdust aromas and tastes that run through them all.  Here I simply did not sense much of that, leading me to wonder whether the rum is from the Uitvlugt Savalle still rather than the wooden one. For what it’s worth, Marco Freyr tried this 1998 MPM back in 2013 and he had no trouble identifying the anise/licorice notes much more concretely than I could or did: and it would be interesting to know if anyone else’s experiences parallel mine…or his.

But those two points aside, the MPM is a strong and assured rum, rarely stepping wrong.  It nicely showcases the dusky heaviness and solid assembly of any number of Guyanese rums issued by various independents.  The nose was intense, the flavours were tasty, the arrival and departure were appropriately massive. No matter which still it hails from, no matter how young it is, and irrespective of where it was aged, it’s still a rum that will leave you breathing hard and sipping carefully, trying to identify that last biting taste from the glass.  And perhaps that’s as good as we can ask for, even for a rum that’s a “mere” twelve years old.

(#570)(84/100)


Other Notes

Cadenhead has issued several MPM variations, as well as some others from Uitvlugt.  You can see why there’s occasional confusion with their letter labels.

  • Cadenhead Diamond Distillery (Port Mourant) “MPM” 2003-2017 14 YO, 59.1%
  • Cadenhead’s Uitvlugt Distillery (Port Mourant) “MPM” 1999-2018 18 YO, 58.7%
  • Cadenhead’s Uitvlugt Distillery (Port Mourant) “GM” 1974-2005 30YO, 60.3%
  • Cadenhead’s Uitvlugt Distillery “MUI” 1998-2014 16YO, 60.2%

Single Cask Rum has tried quite a few – although not this precise one – and it’s worth a look to see what he has to say about them.  Also, Marco’s 2013 review of this 1998 PM is available, in German for the curious.

 

 

 

Sep 192018
 

Every rum drinker who’s been at it for a while has a personal unicorn.  It might not always be some hoary old grandfather of a rum, forgotten by all but barking-mad rum nerds, or the miniscule output of a distillery no-one now remembers (like the Heisenberg Distillery) — sometimes it’s just a rum that’s hard to get and isn’t for sale in local markets. Occasionally it’s even one they possess already but which evokes strong positive memories.

One of mine has always been the Skeldon 1978, which was too rare or too expensive (usually both) for me to acquire. It finally became available to try at the Tasting of the Century that Luca Gargano tacked on to the formal launching of the new Hampden Estate rums in September 2018, and to say I jumped at the chance would be to understate the matter, not just because of the Skeldon itself, but because of the chance to try it in the company of blogging friends, along with other amazing rums.

The history of the Skeldon 1978 bottling from a long-dismantled Savalle still is an odd one: the plantation is on the far eastern side of Guyana and the distillery has been shut down since 1960, though the original sugar factory’s remains continue to moulder away there, now replaced by a modern white elephant.  It’s possible that the Savalle still which made it was taken elsewhere (Uitvlugt is the unconfirmed suspect) and this distillate hails from there rather than Skeldon — but certainly the “SWR” barrels ended up at Diamond, where Luca  saw them gathering dust in the warehouse and convinced Yesu Persaud (the chairman of DDL at the time) to part with them.  The 4-barrel 544-bottle outturn of the 1973 Edition was issued as was, but when the prototypes of the 1978 came to Genoa for final tasting, Luca noted something different in them, and later he challenged Mr. Persaud on what they were – and it was admitted that the three barrels of 1978 were deemed insufficient (whatever that means) and they mixed in some leftover 1973. Luca was so pissed off that he sat on both editions for almost a year before finally issuing them to the market in early 2006, and what we are getting is a 688-bottle blend, the precise proportions of which are unknown — I was told the 1973 component was quite minimal.

Fortunately, whatever the mix, the rum was (spoiler alert) almost as stunning as the 1973, which is the only other rum to which it can perhaps be compared.  In the large balloon glasses we were given it smelled dark and pungently rich, and Lordie, there was so much of it. Chocolate, coffee, deep anise and molasses, raisins, some floral notes, fleshy fruits, honey, crushed walnuts, nougat, cream cheese, unsweetened yoghurt and light olives. Tired yet?  Too bad, there’s more – bread, cloves and vanilla, and then, after about half an hour, the thing turned chewy: boiled beef bouillon, lentil soup, maggi cubes, marmite and more molasses and burnt sugar, all held together with some delicate herbs, very much in the background. Gregers and I looked at each other and almost in unison we laughed and said “We gotta get us some glasses like these.”

Although things at the Tasting were going faster than I was able to write (and listen), this was not a rum I wanted to be hurried with after waiting so long, and certainly it’s one with which to take one’s time. It unfolded gradually on the tongue, almost languorously and even at 60.4%, it was amazing how entirely under control it remained the entire time. Most of the tastes in the nose carried over, primarily anise, coffee and bitter chocolate, oranges, strong black tea, cumin, and that lentil soup / beef broth meatiness I remarked on earlier.  But there were also more muted, subtler hints of papaya and fleshy fruits, aromatic tobacco, flambeed bananas and salty caramel. A rather dry note of over-roasted nuts came into play at the back end, a slight indeterminate bitterness (something like a manager who can never compliment your work without a closing criticism), but fortunately the muskier fruit and creamy notes ameliorated it for the most part. And while the finish was more a last bow on the stage than a true epilogue that added a few extra fillips of flavour, it was in no way disappointing, leaving me with a memory of coffee, nougat, salt caramel ice cream, fruits, raisins, licorice and light chocolate oranges.

This was quite a rum, to be sure, and while I don’t think it quite eclipsed the Skeldon 1973, it sang its own distinct tune, hot and delicious, yet paradoxically quite clean and clear, with powerful tastes bolted on to a profile of generous complexity. In fine, the Skeldon 1978 is a black drop of Guyanese-Italian oomph in a bottle, and making it a blend didn’t hurt it one bit. It’s a well-made rum, produced with care and affection, and through the alchemy of its selection, turned a mere rum into a Rum, big, bold, badass….one to be remembered. To have tasted it in tandem with other amazingly old rums and in the company of old (and new) friends, was an experience I’m not likely to be forgetting any time soon.  

(#550)(90/100)


Other notes

 

 

Sep 082018
 

The Enmore wooden coffey still is one of the most famous in the rumiverse, and is linked indelibly with Guyana and DDL.  Somewhat subtler than the Port Mourant double wooden pot still and more elegant than the Versailles single wooden pot, rums deriving from it don’t always succeed – I believe it takes real skill to make a top-end 90-point rum from its output. But when it works well and is done well — as this one does and is — then it shines. It’s an unfortunate thing that DDL did such low key marketing for the Rares 2.0, because to my mind, the second release is better than the first, and this Enmore is the best of the lot.  I’ve been harsh with DDL in the past, but just as I’ve given them hard card for fallin’ down ‘pon de wuk, praise for success must be equally prominent, since they deserve it here. And this a very good rum indeed.

Distilled at a rough and ready 57.2% (a sniff less than the PM 1997 from last week), the Enmore Rare is a true 20 year old rum, aged in Guyana between 1996 and 2017, and each and every one of those years is on display for the discerning drinker.  Consider first the nose — for that kind of strength, the aromas presented as almost gentle, and gave the PM that was tried alongside it a run for its money. They were not sharp and rough at all, rather, rich and pungent with pencil shavings and fresh sawdust, mixing things up with harsh coffee grounds, bitter chocolate, vanilla and a little nail polish.  This was followed by a very rich blancmange and creme brulee, molasses, caramel, flowers and mint, in a sensuous amalgam of soft and sweet and crisp and musky, really well balanced off. I must admit I blinked a bit and then dived in again – it was unusual for me to detect quite that much in the first ten minutes, but yes, there they were, and I enjoyed them all.

The rum also tasted remarkably well, suggesting a texture that eased across the tongue with both firmness and edge (not as easy to describe as to try), and at no point did it lose any of the qualities the nose advertised.  The sawdust and sharper pencil shavings remained, and here the fruitiness emerged as a more dominant actor – cherries, raisins, fried sweet bananas, ripe apples, black grapes, and even some red olives (they’re not quite as salty as the green ones).  Not content with that panoply, the Enmore proceeded to cough up creme brulee, light anise and molasses, flowers, coconut shavings and a sort of musky driness that reminded me of rain falling on parched ground, all ending up in a finish that was a neat high-wire act between the muskier and sharper flavours, without tumbling over the edge to either side  – fruits, citrus, coconut shavings, coffee, caramel and vanilla, with a nice background of thyme.

The entire experience was excellent. It lacked real full-proof force and fury while simultaneously being just the slightest bit untamed and edgy, and at all times giving a balanced series of delicious flavours with which I had little fault to find. Honesty compels me to admit that I wondered about additives, and while I have no idea whether it has been dosed or not (I was unable to test it), the overall profile muted any such concerns for me (while not eliminating them entirely – DDL has yet to earn my unquestioning trust; though for the record, the Rares have mostly been known as being unmessed with).

As noted above, DDL’s consistent and continual lack of engagement with the rum blogosphere is as mystifying as the quiet release of the Rares 2.0.  Aside from a small blurb here or there, I can’t remember seeing a serious blanket-all-the-channels press release from them, not for the Rares, not for the 2016 15 YO “finished” series, or for the 2018 12 YO series. About the only consistent thing is that all are seen as overpriced.  And that’s a shame, because leaving aside the standard strength tipple which I don’t buy much of any more, the Enmore 1996 really is a damn’ fine dram. Yes it costs some stiff coin, but come on, it’s twenty years of tropical ageing with what must be a massive angel’s share and the result is simply superb.  In my opinion, it’s the best of its kind DDL have made to date.

Summing up, the Enmore, then, excites equal parts annoyance and respect: respect because it’s so good and we can now all heave a sigh of relief that DDL is putting cool tropical juice out for the geek crowd; and annoyance because we hardly knew it was out there and remain mostly unaware how good it is.  Oh well. At least the wondering is over, the mystery solved: we know DDL can make these rums exceptional when they really try. Just don’t blink, or you’ll miss it when it comes out in your local liquor emporium.

(#547)(90/100)

 

Sep 052018
 

DDL kinda snuck behind our backs and released another set of rums from the Rare Collection back in 2017, and the mere fact that I would have to mention this fact in my opening remarks shows how quietly the whole thing was handled, to the probable mystification of many.  The DDL and El Dorado Facebook pages don’t mention them, the El Dorado web page is out of action (either by itself or as a redirect from the DDL page) and even the big FB rumclubs hardly make mention of it – except a couple of days ago when some questions came out regarding the Diamond 1998 on the Global Rum Club.

For the benefit of those who are interested, Release II of the Rares consists of the following rums (to the best of my knowledge):

  • Diamond DLR 1998-2017 20YO 55.1% (CBH 20th Anniversary Edition)
  • PM+Diamond PM<SVW> 2001-2017 16YO 54.3% (Velier 70th Anniversary Edition)
  • Port Mourant PM 1997-2017 20YO 57.9%
  • Enmore EHP 1996-2017 20YO 57.2%

Today we’ll look at the Port Mourant, because of all the wooden stills’ outturns, that marque remains my favourite – Enmore is usually good though somewhat hit or miss depending on who’s making it, Versailles takes real skill to elevate to the heights, and the Savalle still makes a different profile from the wooden ones….but the PM is consistently top class (even if only in my personal estimation). This one, bottled in a dark green bottle, is 20 years old and 57.9% with an unknown outturn, and not the best of the Release II set, but still a very good drink when compared with the first editions that came out with such fanfare (and opprobrium) in early 2016.

The way it smells seems like a more elemental, “cleaner” version of the Port Mourant-Diamond PM<SVW> which was Velier’s 70th Anniversary edition – in that purity of focus may reside a quality that is slightly higher. It represented PM’s standard profile in fine style, perhaps because it wasn’t trying to make nice with another still’s divergent (if complementary) profile. Bags of fruit came wafting out of course, sweet dark prunes, dates, raisins, vanilla, and of course anise.  It was deep and dark and rich, offset somewhat by a lighter line of flowers and faint citrus, bitter chocolate and coffee, and I make no bones about enjoying that familiar series of aromas which has become almost a standard for the PM still.

Even at 57.9%, the strength was well handled, excellently controlled – the depth and warmth of the rum, its heaviness, muted any overproofed bitchiness that sometimes sneaks through such rums, and made it taste dark and warm rather than light and sharp.  The palate led off with the caramel-infused (strong) coffee, more bitter chocolate and licorice — but there were intriguing notes of aromatic sawdust and pencil shavings lurking in the background as well. To that, over time, were added fruity flavours of sweet plums, blackberries, peaches, and a little orange peel and perhaps a flirt of cinnamon, and they were well integrated into a cohesive whole that was really a treat to sip, all leading into the finish which summed up most of the preceding flavours – cinnamon, oak, sawdust, coffee grounds, chocolate and anise, long and lasting.  It was definitely a level above the original PM.

When Release I of the Rares appeared in early 2016, Velier lovers went quietly apesh*t, evenly split between those who hated on DDL for replacing what were already seen to be rums that it would be heresy to mess with, and those who felt the prices were out to lunch.  The situation hasn’t appreciably changed between then and now, except in one respect – Release II is, in my opinion, better. The R1 PM 1999-2015 16YO garnered a rather lackluster 83 points from me and other writers were not particularly chuffed about it either. This one is a few points better, and shows that DDL has definitely worked on upping their game, so if it comes down to decision time, it’s the R2 version that would get my bucks — because it demonstrates many of the hallmarks of quality for which I and others search so assiduously when selecting a cask strength rum. That, and the fact that it’s just a damned fine example of the Port Mourant still itself.  So even if we don’t have the Velier Demeraras any longer, at least the replacements are right up there too.  What a relief.

(#546)(86.5/100)


Other notes

This rum was one of the eight Demeraras from DDL and Velier I ran past each other a few months ago.

Aug 032018
 

This is the sixth and last short form review of the six “finished” variations of the 15 year old El Dorado rums.  Because they’re all based on the standard 15 year old which is very well known, I’ll be briefer than usual in my descriptions, rather than provide an essay in each case.  Tomorrow I’ll wrap them all up with a summary and such observations as seem relevant.

The rums were all tasted together, blind, in a four-hour session, using the original (retasted) El Dorado 15 with a non-blind score of 82, as a control baseline.  All point scores relate to that rum.


As for all these finished El Dorados, the basic component is the 15 year old, and an additional 18-24 months of finishing is done…strictly speaking that makes it (and all the others) at least a 16 year old rum, which is nice. In this case, the finish is done in casks that once held (were “seasoned with”) Sauternes wine, a sweet white from the Sauternais region in Bourdeaux characterized by concentrated and distinctive flavours. And like with the Sweet and Dry Madeira-finished rums, the source estate of the casks is not named, for whatever obscure reason.

Colour – Amber

Strength as labelled – 43%

Strength as measured (RumShopBoy) – 42%

Nose – In a subtle way this is different from the others. It opens with aromatic tobacco, white almond-stuffed chocolate and nail polish before remembering what it’s supposed to be and retreating to the standard profile of salty caramel, molasses, vanilla, cherries, raisins, lemon peel and oak, quite a bit of oak, all rather sere.

Palate – The tobacco remains but the familiar El Dorado profile is more robust: vanilla, chocolate, coffee, molasses and quite a bit more dried dark fruit notes of raisins, plums, dates, and a quick hint of anise. The oak is quite noticeable for all the rum’s softness, somewhat mitigated by salt caramel and toffee. It is also quite dry, and much of the near-cloying sweetness of the regular El Dorado 15 YO is absent.

Finish – Nope, no joy here, soft, wispy, short and over way too quick. Raisins and unsweetened chocolate, some almonds, and just a hint of orange zest.

Thoughts – Well, it’s intriguing to say the least, and when you have a number  of rums all of generally similar profiles, it’s always interesting to have one that’s a bit bent. I liked it, but not enough to dethrone either the Standard 15 YO or my own pet favourite of the series, the Sweet Madeira.

(#534)(78/100)


Links to other rums in the “additional finish” series:

Aug 022018
 

This is the fifth short form review of the six “finished” variations of the 15 year old El Dorado rums.  Because they’re all based on the standard 15 year old which is very well known, I’ll be briefer than usual in my descriptions, rather than provide an essay in each case; and then wrap them all up with a summary on the last day.

The rums were all tasted together, blind, in a four-hour session, using the original (retasted) El Dorado 15 with a non-blind score of 82, as a control baseline.  All point scores relate to that rum.


As for all these finished El Dorados, the basic component is the 15 year old, and an additional 18-24 months of finishing is done. In this case, the finish is accomplished in French oak casks which once held a sweet madeira wine from an unnamed estate on the Portuguese island of Madeira, so it may be the same estate as the “Dry” I looked at yesterday.  I’m unclear why the estate is a point of secrecy, and, as with all others in the series, the rum is noted as a limited edition without ever actually coming out and stating the true outturn (I’ve read it’s around 3,000 bottles) – so how limited it truly is remains an open question.

Colour – Orange-Amber

Strength as labelled – 43%

Strength as measured (RumShopBoy) – 40.7%

Nose – Leaving aside a slight sweetish note (which I suppose is to be expected, though still not entirely welcome), it noses relatively darker and richer and fruitier than just about all the others except the “Dry”…within the limits of its strength and mild adulteration.  Peaches, raisins, cinnamon, cloves, caramel, peanut butter, cherries in syrup and candied oranges, even a little bitter chocolate. It’s all rather delicate, but quite pleasant.

Palate – Also pretty nice, if somewhat mild, but that’s an issue I have with all of them so let’s move on. Soft is a good word to describe it, there’s almost no sharp edge at all, though it is somewhat dry – more so (and more pleasingly so) than the Dry version. The oak is more forward here (while still restrained), plus raisins, cloves and cinnamon carrying on from the nose, and the fruitiness of peaches in syrup, cherries, plus toffee, salt caramel

Finish – Dry, rather longish (always nice), final aromas of almond chocolate, raisins, cloves.

Thoughts – It is supposedly finished in Sweet Madeira casks, but it’s actually less sweet than the Dry Madeira, and more dry. That makes it pretty good in my book, and I felt it was the best of the six.

(#533)(81/100)


Links to other rums in the “additional finish” series:

Aug 012018
 

This is the fourth short form review of the six “finished” variations of the 15 year old El Dorado rums.  The 15 year old is the core of it all, and so I’ll be briefer than usual in my descriptions, rather than provide an essay in each case; and then wrap them all up with a summary on the last day.

The rums were all tasted together, blind, in a four-hour session, using the original (retasted) El Dorado 15 with a non-blind score of 82, as a control baseline.  All point scores relate to that rum.


As for all these finished El Dorados, the basic component is the 15 year old, and an additional 18-24 months of finishing is done, which is edging close to a double maturation territory rather than just a finish, but I’m not a total pedant in this matter, so it’s just noted for completeness. In this case, the finish is accomplished in French oak casks which once held (or were “previously seasoned with”) a dry madeira wine from an unnamed estate on the Portuguese island of Madeira – which, as an aside, is getting its own quiet rep for some interesting rums these days.

Colour – Amber

Strength as labelled – 43%

Strength as measured (RumShopBoy) – 40.5%

Nose – By far the best nose of the six, really liked this one a lot: sawdust and biting dark fruit undertones of plums, juicy pears, raisins, black grapes. Leavened with ripe orange peel, peaches and olives before muskier aromas of toffee and chocolate take over (as they do in all of these rums, eventually).

Palate – Very smooth, but some of the sharp citrus-y element of the nose disappears. Salted butter and caramel drizzled over vanilla ice cream.  Softer fruits here, not sharper ones – bananas, kiwi fruit, oranges gone off.  Oh, and some spices – cinnamon and cloves.  Nice, but weak (which is something all these rums seem to have in common).

Finish – Peanut butter and soya linger alongside toffee and chocolate orange fumes, quite short.

Thoughts – Certainly the best nose, and very nice depth and complexity, though writing this, I wonder where the tartness supposedly characteristic of a dry Madeira went and hid itself (such wines are not quite the same as the red wine, ruby port or white port – they tend to be somewhat sweet, quite dry and have a somewhat tart, or acidic, profile). I also felt that even the taste, for all its complexity, let it down somewhat by — again — being just too delicate. In a mix of any kind, the subtleties of those flavours would all disappear almost completely, and I personally prefer something more distinct or forceful when sipped neat (as this one absolutely can be).  Nevertheless, a good rum by any standard for its strength.

(#532)(80/100)


Links to other rums in the “additional finish” series:

Jul 312018
 

This is the third short form review of the six “finished” variations of the 15 year old El Dorado rums.  Because the basic information is similar in general – the original 15 year old is the core of it all, of course – I’ll be briefer than usual in my descriptions, rather than provide an essay in each case; and then wrap them all up with a summary on the last day.

The rums were all tasted together, blind, in a four-hour session, using the original (retasted) El Dorado 15 with a non-blind score of 82, as a control baseline.  All point scores relate to that rum.


As for all these finished El Dorados, the basic component is the 15 year old, and an additional 18-24 months of finishing is done, which is edging close to a double maturation territory rather than just a finish. In this case, that finish is accomplished in French oak casks which once held (or were “previously seasoned with”, whatever that means) White Port from the Douro valley in north-west Portugal.

Colour – Amber

Strength as labelled – 43%

Strength as measured (RumShopBoy) – 40.6%

Nose – At first there didn’t seem to be much of anything there, it was so mild as to be lightly flavoured alcohol.  But after some minutes it got into gear and revved up some, with a solid core of light brown sugar, molasses, salt caramel, some sweet soya.  Not much deep fruitiness here, just light grapefruit, bananas and nuttiness, and sweet white chocolate.

Palate – I came back to this one rum over and over again, thinking it was me, that this weak-kneed profile was palate fatigue or something, but no, there really wasn’t much to talk about both at the beginning of the tasting session, or at the end. There was citrus, toffee, chocolate, caramel, brine, bananas – all the hits from the nose – some vanilla and breakfast spices, and if there was more, I certainly couldn’t get it (which may be my problem, not yours). More subtlety than force here.

Finish – Better: nice and dry, a combination of sweet and tart and salt all at once.  Restrained oakiness, vanilla, nutmeg, citrus peel, and the nuttiness remains consistently noticeable and in the background throughout.

Thoughts – Well, it’s subtle all right – so much so that it actually felt watered down. Weakest of the bunch for me.  If ever there was a case to be made for moving to higher proofs in some rums, this one is a good example of why. I have to point you to Simon’s review here, because he was much more enthusiastic than I was, so for balance, read his notes.

(#531)(76/100)


Links to other rums in the “additional finish” series:

Jul 302018
 

This is the second quick look of the six “finished” variations of the 15 year old El Dorado rums.  Because the basic information is similar in general – the original 15 year old is the core of it all, of course – I’ll use the short form to describe them rather than an essay in each case, and then wrap them all up with a summary on the last day.

The rums were all tasted together, blind, in a four-hour session, using the original (retasted) El Dorado 15 with a non-blind score of 82, as a control baseline.  All point scores relate to that rum.


This rum is also finished in a French oak cask, one which held Ruby Port (a fortified red wine from the Douro valley), which is characterized by being bottled young and maintaining a rich fruity flavour.  As for all these finished El Dorados, the basic component is the 15 year old, and an additional 18-24 months of finishing is done, which is edging close to a double maturation territory so effectively colonized by Foursquare in recent years.

Colour – Amber

Strength as labelled – 43%

Strength as measured (RumShopBoy) – 40.5%

Nose – This has a light, sweet, almost delicate series of smells.  There are acetones, flowers and some faint medicinal, varnish and glue aromas floating around (I liked those – they added something different), and initially the rum noses as surprisingly dry (another point I enjoyed). These then morph gradually into a more fruity melange – tinned cherries in syrup, ripe pears, pineapples, watermelons – while remaining quite crisp. It also hinted at salted caramel, crunchy peanut butter, breakfast spices and a little brine, and the balance among all these seemingly competing elements is handled really well.

Palate – Not sure what happened between nose and palate, but it comes across on the tongue as rather watery and mild. The fruits exist, pears, watermelons and so on, as well as the caramel, anise and toffee, but the overwhelming mental image that I get is of rum-and-syrup-soaked pears, and those chocolates with a soft cognac filling.  All very quiet and restrained, with little else.

Finish – Wispy and faint, short, weakest point of the exercise. Plums and cherries, with some vanilla and okay undertones.

Thoughts – Some Ruby Port wines are dry and some quite sweet, but after the nose, little of the former and more of the latter were in evidence with this rum.  Strength remains an issue for me here, I think 43% is simply insufficient to properly showcase the effects of the finish.  It’s there, just not enough of it and it rather chokes on the taste, where the mildness becomes a factor in trying to separate out the various components.  Still, this one is pretty good, and the nose is outstanding, well balanced and a joy to sniff for a long time.

(#530)(80/100)


Links to other rums in the “additional finish” series: