Oct 142019
 

At the opposite end of the scale from the elegant and complex mid-range rum of the Appleton 12 year old – a Key Rum in its own right – lies that long-standing rum favourite of proles and puritans, princes and peasants — the rough ‘n’ tough, cheerfully cussin’ and eight-pack powerful rippedness of the  J. Wray & Nephew White overproof, an unaged white rum bottled at a barely bearable 63%, and whose screaming yellow and green label is a fixture in just about every bar around the world I’ve ever been in and escorted out of, head held high and feet held higher.

This is a rum that was one of the first I ever wrote about back in the day when I wasn’t handing out scores, a regular fixture on the cocktail circuit, and an enormously popular rum even after all these years.  It sells like crazy both locally and in foreign lands, is bought by poor and rich alike, and no-one who’s ever penned a rum review could dare ignore it (nor should they). I don’t know what its sales numbers are like, but I honestly believe that if one goes just by word of mouth, online mentions and perusal of any bar’s rumshelf, then this must be one of the most well regarded Jamaican (or even West Indian) rums on the planet, as well as one of the most versatile.

Even in its home country the rum has enormous street cred.  Like the Guyanese Superior High Wine, it’s a local staple of the drinking scene and supposedly accounts for more than three quarters of all rum sold in Jamaica, and it is tightly woven into the entire cultural fabric of the island. It’s to be found at every bottom-house lime, jump-up or get-together.  Every household – expatriate or homeboys – has a bottle taking up shelf space, for pleasure, for business, for friends or for medicinal purposes. It has all sorts of social traditions: crack a bottle and immediately you pour a capful on the ground to return some to those who aren’t with you. Have a housewarming, and grace the floor with a drop or two; touch of the rheumatiz? – rub dem joints with a shot; mek a pickney…put a dab ‘pon he forehead if he sick; got a cold…tek a shot and rub a shot. And so on. 

This is not even counting its extraordinary market penetration in the tiki and bar scene (Martin Cate remarked that the White with Ting is the greatest highball in the world). There aren’t many rums in the world which have such high brand awareness, or this kind of enduring popularity across all strata of society.  Like the Appleton 12, it almost stands in for all of Jamaica in a way all of its competitors, old and new, seek to emulate. What’s behind it? Is it the way it smells, the way it tastes? Is it the affordable price, the strength? The marketing? Because sure as hell, it ranks high in all the metrics that make a rum visible and appreciated, and that’s even with the New Jamaicans from Worthy park and Hampden snapping at its heels.

Coming back at it after so many years made me remember something of its fierce and uncompromising nature which so startled me back in 2010. It’s a pot and column still blend (and always has been), yet one could be forgiven for thinking that here, the raw and rank pot-still hooligan took over and kicked column’s battie. It reeked of glue and acetones mixed up with a bit of gasoline good only for 1950s-era Land Rovers.  What was interesting about it was the pungent herbal and grassy background, the rotting fruits and funky pineapple and black bananas, flowers, sugar water, smoke, cinnamon, dill, all sharp and delivered with serious aggro.

Taste wise, it was clear that the thing was a mixing agent, far too sharp and flavourful to have by itself, though I know most Islanders would take it with ice and coconut water, or in a more conventional mix.  It presented rough and raw and joyous and sweaty and was definitely not for the meek and mild of disposition, wherein lay its attraction — because in that fierce uniqueness of profile lay the character which we look for in rums we remember forever.  Here, that was conveyed by a sharp and powerful series of tastes – rotten fruit (especially bananas), orange peel, pineapples, soursop and creamy tart unsweetened fresh yoghurt. There was something of the fuel-reek of a smoky kerosene stove floating around, cloves, licorice, peanut, mint, bitter chocolate.  It was a little dry, and had no shortage of funk yet remained clearly separable from Hampden and Worthy Park rums, and reminded me more of a Smith & Cross or Rum Fire, especially when considering the long, dry, sharp finish with its citrus and pineapple and wood-chip notes that took the whole experience to its long and rather violent (if tasty) conclusion.  

So maybe it’s all of these things I wrote about – taste, price, marketing, strength, visibility, reputation.  But unlike many of the key rums in this series, it remains fresh and vibrant year in and year out. I would not say it’s a gateway rum like the Pusser’s 15 or the Diplo Res Ex or the El Dorado 21, those semi-civilized drinks which introduce us to the sippers and which we one day move beyond.  It exists at the intersection of price and quality and funk and taste, and skates that delicate line between too much and too little, too rough and almost-refined. You can equally have it in a high-class bar in Manhattan, or from cheap plastic tumblers with Ting while bangin’ down de dominos in the sweltering heat of a Trenchtown yard. In its appeal to all the classes of society that choose it, you can see a Key Rum in action: and for all these reasons, it remains, even after all the years it’s been available, one of the most popular — even one of the best — rums of its kind ever made, in Jamaica, in the West Indies, or, for that matter, anywhere else.

(#665)(83/100)


Other notes

  • Unaged pot and column still blend
  • The colours on the label channel the colours of the Jamaican flag

Appleton Special Jamaican Rum (2016)

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Mar 122019
 

Rumanics Review #93 | 0607

The Appleton Special is not yet a true Rumaniacs rum, since it’s still commonly available – it was, for quite a long time, one of the most common low-end starter rums available in North America and Europe, so it’s more than likely that one can still find a bottle.

However, in 2016 it was retired from active service and put out to pasture, to be replaced by the not-quite-as good J. Wray Jamaica Gold rum – I think they tweaked the blend somewhat since the taste is almost, but not quite, similar.  So, since it is no longer in production and gradually will disappear, I include it in this series rather than the main body of the reviews.

As far as I know, this is a blend of very young rums (less than five years old, and my own feeling is  two years and less), pot and column still blend, and an entry level rum made for mixing with whatever you have on hand.

Colour – Gold

Strength – 40%

Nose – Funk and dunder, warm bordering on hot.  Bananas, brine, olives, plus citrus peel, flambeed bananas, some nuts, molasses and faint rubber. Sharp and light at the same time. I suppose one could add some water to bring out the nuances, but at 40% I didn’t bother.  It’s meant for cocktails, so that’s where it shines more.

Palate – All the hits come out to play: vanilla, orange peel, watermelon juice, brine, avocados.  Some apple cider and green grapes, plus light underlying notes of bitter salt caramel and molasses.  Weak and undernourished, really, but they’re there and the longer one sticks with it, the more pronounced they become.

Finish – Short, mostly caramel, brine, vanilla and funk

Thoughts – Oddly, I liked it better than the new J. Wray Gold.  It’s a subtle kind of thing. Some of the rough edges the Gold retained were less evident here.  It was slightly better integrated, and it could – with some effort – be had neat (though I would not recommend that).  In fine, it’s a fully competent mixing agent, with enough character to wake up a cocktail, yet possessing a fine edge of refinement that incrementally lifts it above its successor.

(74/100)

Update June 2020: It was announced that the Appleton Special and White would be rebranded as Kingston 62 in the UK, but with no changes to the recipe.

J. Wray Jamaica Gold Rum – Review

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Mar 102019
 

In the previous review of the Florida Caribbean Distillers industrially-produced Florida Reserve 2 year old rum, it was treated and written about with some disdain, because as far as I was concerned, it had nothing to make it stand out at all.  It was a low rent mass-produced column-still rum that did exactly nothing to distinguish itself and could at best be used to spike a drink with alcohol, without leaving any trace of itself behind, not even a grin.

Move on now to another minimally aged rum marketed to the masses, cheaply priced, easily available (at least, in Toronto, which was where I sourced it), and you can see what a difference there is. I’m not talking about intrinsic quality so much as distinctiveness; nor do I contend that the J. Wray Gold is some kind of hidden masterpiece, because it rubs shoulders in the same sort of downmarket liquor store shelves where you might find the Reserve, and is a mass market rum just like it….but does have its points.

The J. Wray Gold is nothing particularly new – for years it was sold as the Appleton Special Jamaican rum, and this new version got issued in 2016 as a rebranding effort (though why they bothered escapes me – maybe it’s to distinguish it from the slightly more upmarket Appleton range of rums).  For what it’s worth, I tried them side by side, and felt they tasted somewhat similar, scored somewhat similar, but were definitely not the same – so the recipe was likely tweaked some in the rebranding. What is also peculiar is that there is actually not much information available on what makes it up: the most I can ascertain is that it’s a mix of pot and column still distillate, 40% ABV, and (my opinion) is probably very young – maybe two years old or so, maybe even less.

I make this last observation because of its unrefined nature. Even at standard strength, it noses rather raw and jagged, even harsh.  There are initial aromas of light glue, rotten bananas and some citrus, light in tone but sharp in attack. It also smells a little sweet and vanilla-like, with vague florals, apple cider, molasses, dates, peaches and dates, with the slightest rtang of burnt rubber coiling around the back there somewhere. But it sears more than caresses and it’s clear that this is not a lovingly aged product of any kind.

It is, however, somewhat more distinct on the taste.  The sharp and uncouth nature doesn’t abate, that’s a given, and funky notes persist – rotting fruit, ripe landfill steaming after a tropical rain (yeah, I know what that sounds like), overripe fruit and bananas, honey, brine, vanilla and some molasses and caramel.  It’s not very well integrated and though I mention these flavours, the truth is that they are still underwhelming (a function of the strength) and the roughness on the tongue makes it unsuited for any kind of sipping drink. The finish is unspectacular- short, salty, nutty with some citrus and vanilla thrown in, and overall, very faint, quickly gone.

This is not a ringing endorsement by any means — I can’t say I cared for it, really.  But for good or ill, it was a rum you couldn’t easily forget once you tried it because of those very same attributes. It excites opinion, not indifferent yawns. Sure it’s a rough ‘n’ ready backcountry bottom-feeder, perfect for a pick-me-up hip flask to be taken into the dodgy areas of Scarborough when you’re liming with your squaddies down at the local rumshop. It’s cheap, it’s raw, and doesn’t pretend to be anything other than an entry level hooch.

Yet at the same time you can sense the nascent quality it has, which emerges more fully as you work up the line of the company’s products. It has something, some small spark of artistry, of appeal, of uniqueness. Poor as it rates next to pricier upscale rum from J. Wray / Appleton, it does show what some distillation chops and blending ability can bring to the table with a set of people who know what they’re doing, even at the bottom end of the range. Oh sure it won’t class with an aged Hampden or Worthy Park, and I think even the old V/X exceeds it. So okay, it fails, maybe….but to me, it fails with authority. And that’s why, though scoring them almost the same,  I would prefer an honestly made piece of dreck like this, over something more smoothly anonymous like the FCD Florida Reserve.

(#606)(73/100)

Update June 2020: It was announced that the Appleton Special (which was supposedly rebranded already elsewhere as this “Gold”) and the White would be rebranded as Kingston 62 in the UK, but with no changes to the recipe.

Aug 082018
 

You will rarely find two rums of the same age from the same island more unalike than the Samaroli 1992 25 YO and the Appleton “Joy” 25 year old Anniversary Blend.  One is a fierce, cask strength rum, tightly focused, furiously tasty, with a complexity and balance that nearly broke my chart.  The other is a blended rum brought into being utilizing every ounce of more than two decades of experience which Joy Spence, Appleton’s Master Blender, brings to the the table.  And yet, under the bare statistics that ostensibly set them apart, in both there runs the blood and bones of a Jamaican rum. The “Joy” is as much from the island as the Song of the Banana Man, yardies, rice and peas and Three Finger Jack. And while the “Joy” is a blend and not so individualistic, not so strong, it is nevertheless a triumph of the discipline, a combination more art and alchemy than science, and a worthy cap to Ms. Spence’s career…until she makes the next one.

Photo pinched from Josh Miller, used with permission (c) Inu a Kena

Some brief background notes: the rum was issued in 2018 to mark Ms. Spence’s 37 years with Appleton, more than twenty of which were as the Master Blender.  It is comprised of rums at least 25 years old, with one — dating back from 1981, the year she joined the company — is in excess of 30, and it’s a blend of both pot and column still marques. With 9,000 liters made, we can estimate somewhere around 12,000 bottles floating around the world, all issued at 45% and costing a bruising $300 or more (which was the same price I paid for the Appleton 30 YO many years ago, by the way).

The “Joy” was, to me, a rum that seemed simply made initially, but developed into a really lovely and complex piece of work – I got the sense of a blender working right at the edge of her abilities, with excitement and verve and panache, and this was evident as soon as I smelled it. The nose began with a beautifully rich molasses aroma mixed in with a sort of dialled down crazy of musky and sharp funk – citrus, honey, oak, rotting fruit.  I left it and came back to it over a few hours, and it presented leather, caramel, coffee, ginger, lemon zest with the faint dustiness of cumin. Oh and also nougat, and white chocolate.

The palate was where it shone the brightest, I think, and I would never mix this elegant piece of work (that might actually be a offense punishable by the lash in some circles).  It was nicely dry, with forward notes of honey, molasses, vanilla, caramel bon bons and dried coffee grounds, which were intercut with some lingering oak, just enough to provide some bite and tannins without disrupting the smooth flow.  It was just a shade briny, not too sweet, and balanced off the deeper flavours with lighter ones — light citrus, ginger, cumin, and green apples and grapes did a funky little number off to the side, for example — and none of it was overbearing or in your face.  In fact, part of the rum’s appeal was its deceptively unassuming nature – everything seemed tamped down and rather relaxed, but wasn’t really, just solid and well constructed, and remarkably complex and well-balanced to a fault. Even the dry and medium-length finish, which at that strength tends toward the short, was very enjoyable and softly lingeringly aromatic, closing off the sip with brown sugar, honey, flowers, crushed almonds and a little orange peel.

Big hat tip to Josh Miller who allowed me to make off with this picture…

Summing up, this was a wonderful sipping rum. It wasn’t one that took a single distinct note and ran with it. It wasn’t a fierce and singular Jamaican funk bomb or hogo monster that sought to impress with sharp and distinct tastes that could be precisely catalogued like a grocery list of all the things that enthrall us.  It was, rather, a melange of softer tastes set off by, and blended well with, sharper ones, none of which ever seemed to strain or reach for an effect, but simply provided a slow parade of commingled flavours that somehow come together into something greater than the sum of its parts.

Ms. Spence is perhaps one of the few legends we have in this curious subculture we inhabit, where owners commonly get more publicity and adulation than blenders (unless both inhabit the same corpus).  I have never met her – our paths haven’t crossed, which is my loss, not hers – and yet how could anyone call themselves a rum lover and not know who she is? In some way, her hands have touched, her personality has influenced and her skills are evidenced in every rum Appleton has made in the last quarter century and more.  My own feeling is that if she never makes another rum in her life, she will still be known for this one. The original 30 YO was a little overoaked, the 50 YO remains too expensive, the 21 YO too indeterminate and the 12 YO too broad based – but this one, this one is a quiet triumph of the blender’s art.

And if you want a more mundane proof of the rum’s quality, I direct you to the actions of Grandma Caner when I gave her some to try.  She affects to a certain indifference my writing, expressing impatience with all these rums cluttering up her damned basement and I could see she wasn’t all that enthusiastic.  But when she took an initially disinterested sip, her eyes widened: she just about swallowed her dentures in her haste to ask for more…you never saw an arthritis ridden hand move so fast in your life. The woman finished the sample bottle, cleaned out her glass, then my glass, and I could see her eyeing the bottle, perhaps wondering if it would be considered uncouth to ask to lick it out.  Then she got on her old East German rotary phone, and spent the next three hours frantically calling all her friends to go find this thing, and I swear to you, I am not making this up!  Word of mouth and actions like that are an endorsement of the “Joy” which no amount of money could ever buy, and the cool thing is, the rum really deserves it.

(#536)(89/100)

Jul 192017
 

#378

No matter how many other estates or companies make and market Jamaican rum, it’s a fair bet that when it comes to recognition, Appleton has cornered the market in their own land, much like DDL has in Guyana, or how FourSquare is currently dominating Barbados.  Recently I ran a few Appletons past each other (it’s one of the few decent rums one can get in the rum wasteland that is Toronto), and while the 21 year old, Master Blender’s Legacy and 30 year old are not on sale there, the rebranded “Rare Blend” 12 year old was.

Re-tasting the rum after a gap of some eight years was eye-opening.  My first encounter with it as a reviewer was back in 2009 and the short, unscored essay #5 came out in January 2010.  Things have changed in the intervening years – my palate developed, tasting became more nuanced, preferences underwent alterations…and from the other side, the rum and the bottle were worked over.  It was not the same rum I tried back then, nor like older versions from the 1980s and 1970s.  But what was not so evident to me then and which is clear to me now, is that the Appleton 12 year old rum in all its iterations over the years, is one of the core rums of the island and the style, a sort of permanent marker that almost defines “Jamaica rum”.  If one ever asks me in the future, what rum from there should one get first, or which rum should serve as a cornerstone of the Jamaican shelf, I’m going to point at it and say, “That one.”

This is because of its overall solidity of its assembly.  Consider how the nose presented, warm, just short of sharp, well constructed and pleasantly complex – it started with molasses, bananas, cream cheese, brine and dates, some citrus, cinnamon and apples just starting to go.  It provided a little oak (not much), and some tar, anise, vanilla and brown sugar, all very tightly and distinctly constructed – an excellent representation of everything Appleton stumbles a little on with their younger iterations, and which they amp up — not always as successfully — in the older ones.

The real key to capturing the rum’s essence is is the taste. How it feels in the mouth, how it develops over time. The palate is not particularly different from what one sensed on the nose, and I don’t think that was the intention – what it did was consolidate the gains made earlier, and build gently upon them, to provide a sipping experience that is a great lead-in to new drinkers wanting something upscale, without disappointing the hard core whose taste buds are more exacting.  It was smooth and velvety, the characteristic Jamaican funk present and accounted for (without actually becoming overbearing).  Salty caramel ice cream, stewed apples, citrus, cinnamon, gherkins in brine, vanilla and tannins for a little edge (perhaps a shade too much, but I wasn’t complaining).  After some time one could sense the background of rotting bananas, some herbals and perhaps a whiff of dill. The finish, while short, was warm and mellow, and gave up a last whiff of dates, caramel, more brine, and overall I’d say the rum was not overly complex, but the balance between the various components simply could not be faulted.  That’s what makes it a good all-round mid-tier rum.

Now, I don’t want to give the impression that the 12 is a fantastic 95-pointer on par with or better other exceptional Jamaicans which I have scored high in the past.  It’s not.  It lacks their individuality, their uniqueness, their one-barrel dynamism and exacting natures, so no, it’s not that.  What makes it special and by itself almost be able to serve as a stand-in for a whole country’s rums, is that it encapsulates just about everything one likes about the island at once without shining at any one thing in particular or pissing anyone off in general.  It’s a rum for Goldilocks’s little bear – it’s not too hot and not too passive; not too massively funky, yet not too dialled-down either; no one aroma or taste dominates, yet the final product is of a remarkably high standard overall, self-evidently, almost emphatically, Jamaican.  Best of all, it’s affordable for what it provides, and I consider it one of the best price-to-quality rums currently extant.  In short, while it may not be the best rum ever made in Jamaica, it remains a quiet classic on its own terms, and one of the key rums in any rum lover’s cabinet.

(84/100)

Appleton Estate 50 Year Old Rum (2012)

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May 162017
 

Rumaniacs Review #041 | 0441

Note: The initial full length review can be found in the main reviews section.

Everyone knows about the 50 year old rum which Appleton pushed out the door a few years ago.  Not only because of the age, which they touted as “the oldest rum ever” even though that was patently untrue, but because of the stratospheric price, which even now hovers around the US$4500 mark (give or take).  I’m not sure if they still make it — it was specifically commissioned for Jamaica’s 50th anniversary of Independence in 1962, so I suspect it was an 800-bottle one-off halo-issue —  but that price alone would make many take a really jaundiced view of the thing.  To their detriment, I believe, because having tasted it five times now, I can say with some assurance that it is still one of the very best rums Appleton ever made.

Colour – Mahogany with red tints

Strength – 45%

Nose – The smell opens the vault of my memories, of Jamaica, of the stately progression of other Appletons rums over the years, of the times I tried it before. Initial notes of glue, fading fast; then honey (I always remember the honey), eucalyptus oil, toffee, caramel, rich milk chocolate with rye bread and cream cheese, developing slowly into luscious candied oranges, molasses and burnt sugar.  Some of that vegetable soup I noted from the 20 year old ceramic jug is here as well, much subdued.  What woodiness that exists is amazingly well controlled for something this old (a problem the 30 year old had).

Palate – The dark richness purrs down the throat in a sort of warm, pleasant heat.  Burnt brown sugar and wek molasses, caramel, toffee, nougat and nutty toblerone chocolate, a flirt of coffee.  More fruits emerge than the nose had hinted at, and provide a pleasing contrast to the more creamy, musky flavours: grapes, bananas, apricots, pineapples.  Then cinnamon, more honey, some cheese.  Oakiness again well handled, and a sort of leather and smoke brings up the rear. I sometimes wonder how this would taste at 55%, but even at 45%, the rum is so very very good.

Finish – Medium long, a fitting close to the proceedings.  Mostly bananas, molasses, a little pineapple, plus a last dollop of caramel.  And honey.

Thoughts – Still a wonderful rum to sip and savour.  Sadly, too expensive for most.  Those who can afford a whole bottle are unlikely to be into the rum world as much as we are, but whoever has it, I hope they’re sharing…generously.

(89/100)

The other Rumaniacs have also written about the rum, and their reviews are in the usual spot.

Appleton Reserve 20 Year Old Rum (Ceramic Jug)(1960s/1970s)

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May 152017
 

Rumaniacs Review #040 | 0440

As with the 12 year old ceramic jug, I don’t think that Appleton is exaggerating in the slightest when they call this a “Rare Old Jamaican Rum,” – at the time it was issued in the 1960s or 1970s they might have been hyping the product a tad, but now?  Not likely. Still, you can actually find it if you’re prepared to pay Masters of Malt, who name this a 1970s era rum, the £700 it costs.  And that’s more than the Longpond 1941 fetches these days.  I must confess that for an aged artifact bottled (or “jugged”) at a mouth-watering, drool-worthy twenty years old, I’m tempted.  Consider too – at that age, it means at the very latest it had to have been distilled in 1959, and very likely earlier than that, and what lover of historical rums wouldn’t want to try that?

Colour – Amber

Strength – 43%

Nose – Pure tamed Jamaican, with elements of the profile being showcased, but not strong or violent enough to put one off…a Trenchtown Rasta in a Savile Row suit, if you will. Rolling waves of salt and sweet, bananas, pineapple, chocolate and coffee, with caramel and toffee hastening to catch up from the rear.  Some tobacco and smoke, a touch of vanilla, honey, anise, and very strong black tea.  There’s a persistent — if faint — background odour of vegetable soup in here, both the veg and the soya.  Really.

Palate – More of that dialled down bad boy attitude, nicely integrated into a profile that starts with “dirt”.  By which I mean a sort of loamy, earthy, vegetable taste (far from unpleasant, I hasten to add), rye bread, cumin, garam massala, molasses, and oh, a lovely clear line of florals and citrus.  Did I mention the vegetable soup? All wrapped up in a bow with the usual dessert menu of salted caramel and vanilla ice cream. And as an aside, it’s quite rich and intense…It may be jugged at 43% but it sure feels more powerful than that.

Finish – Falls down here after the high point of tasting it.  It just fades too damn quick, and for some inexplicable reason, the wood starts to take on an unhealthy dominance.  Salted caramel, brine, olives,, breakfast and cooking spices, and a twist of licorice.  All very faint and too watered down.

Thoughts – It’s actually very different from the younger Appletons, the 12 year old jug, or the older 21 year old. Points of greatness are unfortunately ameliorated by weakness and an increasing lack of balance over the hours spent comparing it to all the others.  In short, somewhat of a Shakespearean tragedy — potential and hubris being brought low by inherent flaws. Though even with all that, it leaves me somewhere closer to praising the rum than coming to bury it.

(86/100)

Other Rumaniacs reviews of this rum can be found on the website, here.  Note that Serge was enthralled with it, while Marco was much more disapproving.

May 112017
 

Rumaniacs Review #038 | 0438

A “Rare Old Jamaican Rum” the ceramic jug says, and I believe it.  In all my travels around the world, I’ve never seen this kind of thing for sale (and buying beer in a glass jar at a kiosk in the Russian Far East don’t count). We’re living through an enormous upswell of interest in rums, with new indies and new bottlers popping up every time we turn around…but stuff like this shows us that even back in the day, there was some amazingly well-presented juice floating around.  Here, cool factor is off the chart.

As for the rum?  Very nice indeed. Aged in the tropics (of course – where else would Appleton be ageing its stock?) and better than both the other 12 year old we looked a the other day, and the modern one.

Colour – Amber

Strength – 43%

Nose – Initial attack is as dusty and dry as a mortician’s voice (and he’s wearing well polished old leather shoes, that’s there too).  Oily, vaguely like cigarette tar (not my favourite smell).  Coffee and chocolate, citrus rind, and then a nice procession of tart ripe fruits…mangoes and red guavas.  Some saltiness and dates and grapes, not much funk action as far as I could tell.

Palate – Some bitterness of unsweetened black choclate starts things off, hot salt caramel over a coffee cake (same kind of dessert taste I got on the last 12 year old).Wood shavings, some more leather, more cigarette smoke, and then the fruits timidly emerge – citrus mostly, also bananas (barely), and a dash of breakfast spices, nothing overbearing.

Finish – Weak point of the experience, after the above-average smell and taste.  Dry, sawdust (the mortician is back, shoes squeaking), leather, light chocolate, caramel, and the barest hint of the fruits retreating.  Not impressed here, sorry.

Thoughts – It’s better than many other, more recent Appletons of various names (like “Extra”, “Reserve”, “Legacy”, “Private stock” and so on) and those of younger ages, beats out the other twelves that have been tried…but not by leaps and bounds.  It’s not a furious game-changer. It sort of edges past them as if ashamed to be seen at all.  A good rum, and I liked it, but it does leave me puzzled too – because I thought it could have been better and didn’t understand why it wasn’t.

(84/100)

Some interesting and divergent perspectives on this one, from other members of the Rumaniacs.  You can check out their opinions in the usual spot.

Appleton Estate 12 Year Old Rare Jamaican Rum (1980s)

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May 092017
 

Rumaniacs Review #037 | 0437

Tasting all these Appletons together and side by side is an instructive exercise.  The profile remains remarkably stable at its core, while presenting some interesting diversions from the main theme, like a James Bond movie or a Sherlock Holmes short story. We smile at and are comfortable with the similarities, know the form, and sniff around for variations.

This 12 year old is from the 1980s, still retains the tinfoil screw-on cap, and its provenance can be gauged from the barroom style bottle and black label, instead of the current consistent presentation and callypigian shape (I told you this was a word worth knowing already).  Beyond that, it’s now simply a piece of rum history.

Colour – Amber-orange

Strength – 43%

Nose – Darker, brooding, more intense and more expressive than the old V/X.  Starts off with dark chocolate and orange peel, ripe bananas, also a touch of cereal, of creaminess.  Later burnt sugar and bitter caramel start to emerge, melding with black tea, and maybe some anise.  The nose is weak, not very robust…it’s even a bit thin, surprising for 43%.

Palate – Oh well, much better, quite crisp, almost sprightly.  Unsweetened chocolate, coffee, bananas, cereal, burnt sugar, candied orange, all the hits which the nose promised.  With water the anise creeps out, some herbal notes, some vanillas, but it’s all just a bit too bitter; the slight saltiness helps control this somewhat.

Finish – Dry, herbal, and with caramel, black tea, some ashy (“minerally,” quite faint) and leather notes.  A good finish by any standard, wraps up everything in a bow.

Thoughts – Better than the V/X.  It’s assembled better, the balance is better, and the edges I whinged about have been sanded off some.  There’s still something not quite there though, some subtle filip of the blender’s art, but perhaps it’s just because there was better in the lineup I tried that day. In 2010 I wrote about a newer version of the 12 year old “A very good mid-tier rum” and that still expresses my opinion here.

(81/100)

The boys over in ‘ManiacLand have taken a gander at this also, and their reviews can be found on the website.

Appleton Estate V/X Jamaican Rum (1980s/1990s)

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May 082017
 

Rumaniacs Review #036 | 0436

The second in a small series on a few older Appletons. The V/X is not a sipping rum (and never was), but more of a mixing agent with just enough jagged edges, undeveloped taste and uncouth to make it shine in a cocktail (and always has been).  This may be why it was my tipple of choice in the years when I first arrived in Canada: it was clearly a cut above the boring Lamb’s and Bacardi cocktail fodder that flew off the overpriced LCBO shelves, even in those simpler times when two-ingredient hooch was what passed for an elegant jungle juice, and we all loved 40%. Just about every online reviewer under the sun who began writing in the mid-to-late-2000s has some words about this one on their site – in that sense it really might be something of a heritage rum.

Much like the 21 year old from the same era, little has changed between then and now.  The general profile of the V/X remains much the same, nicely representative of Jamaica, and the only question one might reasonably ask is what the V/X actually stands for. The rum is around five years of age, no less.

Colour – Amber-gold

Strength – 40%

Nose – It starts off sharp and dry, with an interesting melange of orange peel and caramel, bitter burnt sugar, before settling down to a slightly creamier smell of wine barely on this side of being vinegar, black chocolate, olives and nuts, and a  faint but discernible ashy-metallic (almost iodine) note I didn’t care for.  Lack of ageing is clear even this early in the game.

Palate – For flavours as punchy and pungent as the nose promised, the palate falls flat and dissolves into a puddle of wuss, all directly attributable to the strength.  Much of those variety of the smells is now lost in the sharpness (and thinness) of alcohol.  Still, after waiting a while and tasting again, there are raisins, more orange peel, bananas very much gone off,  brine, caramel, anise and tannins which, with the thinness, make the whole taste somewhat searing and astringent, even raw.  Just as the nose did, once it settled it became somewhat creamier, and more enjoyable.

Finish – Nothing to report.  Medium long.  Some oak and raisins, maybe anise again, but not enough to matter or entice.

Thoughts – Clearly a young rum.  Lacks body and punch and is jagged in the overall nose and palate.  It’s never been touted as being anything except an entry level Appleton, and that’s perfectly fine, as it is appealingly honest in a refreshing kind of way, and doesn’t pretend to be — nor was it ever marketed as — more than it really is.

(75/100)

Other Rumaniacs reviews on this rum are at this link.

Appleton Estate 21 Year Old Jamaican Rum (1990s)

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May 042017
 

Rumaniacs Review #035 | 0435

This is the first of what will be seven Appleton Estate historical rums, which I’ll post faster than usual, because they’re of a series.  In going through them, what they all go to show is that while Appleton may be losing some ground to other, newer, more nimble upstarts (some even from Jamaica), their own reputation is well-deserved, and rooted in some very impressive rums…some of which are even extraordinary.

My first pass at the Appleton 21 year old came around 2012, and I wasn’t entirely in love with it, for all its age.  Rereading my review (after making my tasting notes and evaluations of its 1990s era brother here) was instructive, because bar minor variations, it was very much the same rum – not much had changed in two decades, and my score was almost the same.

Colour – Amber

Strength – 43%

Nose – Frisky, a little spicy, with deep honey notes, borderline sweet.  Straddles the divide between salt and sweet, presenting dates, cinnamon, citrus and slightly overripe apples just starting to turn.  Becomes grapey and quite fruity after ten minutes or so into it (to its detriment), and I’m not sure the coffee and toffee background help much.

Palate – A sort of sugarless, briny “rummy” flavour, heated but full, with some Jamaican funk being the only indication of its origin.  Would certainly appeal to many because there’s nothing bad about it…just nothing exceptional either.  As it opens up you get burnt sugar, smoke, more coffee and some vague molasses, cider (or ale), nuts; and the funk gets so laid back as to be a thought rather than reality. Decent enough, just not sure it works when faced with a full proof single barrel offering from an indie.

Finish – Pretty good, longish and dry, with closing hints of bitter chocolate, hot and strong black tea, plus more toffee and salty caramel.

Thoughts – Even in 2012 this was a shade too bitter (I attributed it to over-oaking, which is also an opinion I finally conceded the 30 year old had), and I guess it was a core attribute of the range from the beginning.  A decent enough rum, honest enough, just not a definitive marker of its age, or its country.

(82/100)

Other Rumaniacs have also reviewed the rum, check here for their opinions.

 

Jan 192017
 

Photo (c) shopsampars.com

#337

Just about every rum junkie has heard of the J. Wray & Nephew 63% Overproof, Appleton’s flagship white lightning and that’s likely the variation that most people know about and have tried.  But since the 1990s, there’s been a local hooch, the Charley’s J.B. White Overproof (made by the Trelawny Rum Company which Appleton controls), primarily marketed in the backcountry…at that time it was aimed at rural farmers and considered a sort of 2nd tier tipple.  In 2015 the company decided to issue it to the urban market perhaps because people in the cities were getting annoyed at those wussy little forty percenters they had to suffer though, wondering why “dem lucky bredren in de backdam gettin’ all dat good bashwar”, and wanted to get something from near by Cockpit Country that would pack more animal in its jock.  And aside from actually stating that the Charley’s JB is a “Trelawny blend,” I’m not sure there’s much difference between it and the JW&N 63%.  Most people who’ve tried it just love the thing for its fiery, fruity and powerful taste.

Photo Courtesy of Matt Pietrek, the Cocktail Wonk

Like DDL’s Superior High Wine, or the Rum Nation Pot still white 57% — and of course the Haitian clairins —  it channels a sort of barely contained ferocity. No easy lead up here: the rum puts you in the middle of the action immediately, with the very first sniff of the cap when cracked, so it’s probably a good idea to go easy for the first few minutes and let the alcohol burn off a mite.  Do that and you sense salty, fusel oil fumes, with sharp rubber, acetone, musty cardboard and leather vying to see which can skewer your schnozz the fastest. It stays sharp, and is like breathing the inside of a vulcanizing shop in hot weather, but it does develop well (if grudgingly), and aside from a weird glue aroma, a watery fruity punch of bananas, citrus, unripe green apples is also there, tied up neatly with the rich scent of new leather shoes still in the wrapping paper.

Tasting it more or less continues the experience and I am here to assure you that yes, to some extent, it really does smoothen out…just a little (well, it is 63% ABV, so you can’t expect too much).  Sweet watery pears, white guavas, watermelon, cucumbers, some dill and rosemary, squash segue their way across the tongue.  The crisp tartness of the nose mellows into something more akin to plums and blackcurrants with a flirt of gooseberries thrown in, if you can believe it, but just add a little water (coconut water might be better), and the feral beast goes quiescent in labba time.  The finish? Nothing shabby – nice, long, fruity, estery, sugar water and soursop ice cream, plus the faintest bit of rubber and smoke. Overall, it’s a crude iron axe, not a sword made from Damascus steel, and that’s apparent all the way through….but “little axe does chop down big tree” as my great aunty Sheila always used to tell me so sanctimoniously.

Frankly, I’m amazed that Quazi4Moto, my correspondent on reddit, agreed to spot me a sample (many, many thanks to the man for sending it along).  This isn’t the best white ever made by a long shot, and it shows its cheerful working class origins clearly…but it sure is a unique one, a taste bomb of savage, raw quality, and if it belonged to me and I knew I wasn’t going back for rice and peas any time soon, I’m not entirely convinced if I’d have shared it myself.

See, I’m aware it’s powerful and uncouth and needs some dialling down, and them crazies who quaff it neat are clearly purveyors of over-the-cliff machismo who are afraid of absolutely nothing; and to be sure, it proudly struts a massive codpiece of taste that falls this side short of a mess, and which will curl your toes without busting a sweat. But you know, in its own way it’s a really freakin’ cool white rum. So what if it’s untamed and maybe too sharp?  So what if it growls down our throats as if mixed with undiluted tiger blood? It’s in no way a bad hooch, and those who make it past their initial despite might find themselves – like me — breathing hard, grinning stupidly, and nodding that yeah, they’ll take another shot.  Maybe two.

(82/100)


Other Notes

According to the Cocktail Wonk’s informative post, in the good old days, such rural backwoods rums were undesirably-congener-rich heads and tails cuts pilfered from the distillery process, which gave rise to the humorous grumble that it tasted “like a John Crow batty” (in Jamaican creole it refers to a vulture’s ass…quite poetic, yes?).  I wonder if it’s a coincidence that the initials CJB of the rum are the same, if out of order.  I can’t find much data on who Charley was, or what J.B actually stands for.  Maybe I’ll have to go to Jamaica to find out.

Appleton Estate “Extra” Jamaican Rum (1980s)

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Mar 152016
 
Appleton Extra 12 YO 2

Photo courtesy of Lo Spirito Dei Tempi

***

Rumaniacs Review 020 | 0420

The tinfoil cap and chubby, callypigian bottle (trust me, that’s a word worth knowing), give this away as a rum made within living memory, even if some of us weren’t drinking back then (or drinking much). The “Extra” evolved into the modern 12 year old…alas I didn’t have any on hand at the time I tried this ‘Maniacs sample so I couldn’t do a comparison, though some of my friends think it’s as good or better. It ain’ no quattie, I could tell you that.

Colour – dark amber (darker than the current 12 year old, actually)

Strength – 43%

Nose – A remarkably subdued nose, initially almost quiescent. But pay attention, the bottom-house mash up is right there, and just getting warmed up.  Citrus, dunder, lemon peel, ahh that Jamaican funk is as good as ever, just fainter than usual. Dust and musty books attended the smell, followed by green stuffed olives in brine, mixing it up with some crisp apples.  Salt and sweet and a bit raw.

Palate – The bite smoothens out and the ageing is more obvious here. More citrus peel, smoke, some leather and tannins, kept under control with lusher, less aggressive notes of vanilla, faint toffee, some spices, flowers and candied orange. You can tell from the clarity and cleanliness of the way this tastes and goes down that it’s quite unmessed with.

Finish – Shortish, sharpish, a little thin, but with excellent closing notes of flowers, breakfast spices, orange juice (with pulp), some oak, and a flirt of vanilla.

Thoughts – Almost a standard Jamaican profile, or perhaps I just drank so much Appleton back in the day that this was like rediscovering me ole bredren. I thought it was too austere, though – it lacked some body, tasted a little thin. Everything I liked was there…just not enough of it, and perhaps a shade less fruity than my memory has it.  Still a perfectly serviceable all rounder – you could drink it neat or mix it up with something fancy, and it would be no bodderation, at all.

(82/100)

Appleton Extra 12 YO 1

Photo courtesy of Lo Spirito Dei Tempi

Nov 022012
 

 

Pretty good all rounder, marred somewhat by an excessive spiciness that lends itself well to a cocktail without enhancing the rum as a sipping spirit.

Appleton’s Reserve rum from J. Wray & Nephew (in business since 1825) out of Jamaica — recently in the news for its 50 year old rum as well as a controlling stake of the main Trinidadian conglomerate being acquired by Campari — is a product that is an order of magnitude better than the entry-level V/X, assuming you use it for what I think it’s meant for: a mixer. The V/X, which is from the low end of the scale of Appleton’s products, is not meant to be a sipping spirit (though of course you can) and the Reserve is a step up from there (still has a cheap tinfoil cap, mind). Yet it still hasn’t broken into the category of rums you can pleasurably have neat – that, in my opinion, begins with the quite excellent 12 year old (although the cap remains the same).

The Reserve is a blend of twenty different Appleton pot-still and column-still rums aged for an unspecified period (I’ve heard eight years) in Jack Daniels barrels. Given that Appleton does not have a five year old rum – an odd omission in its lineup, I think – I find the eight years possible, but surprising that it is not mentioned as such right up front, since rums between five and ten years of age are often referred to as hitting the sweet spot before the blender’s art kicks in to start masking and smoothening out the inevitable oak prescence of ageing beyond that point

Initial arrival of this amber rum was quite sharp, and the characteristic Appleton signatures of orange zest and citrus were evident right away. Once it settled, one could perceive some winey notes commingled with bananas, cloves, caramel and burnt sugar…and an oakiness I really didn’t care much for.

That oak (something I’ve whinged about as far up the food chain as the 21 and 30 year old) made the taste of the medium bodied Reserve somewhat less than it could have been, because really, it was a shade sharp and raw. Uncouth and unlettered, one might say. There was a smoky background that started to come out, enhanced by vanilla, butterscotch and maybe nutmeg and cinnamon to go along with the citrus notes, yet those tannins imparted a sharpness to the whole which I did not find appealing – in fairness, I must simply concede that the V/X was sharper and thinner still, so this one certainly won out by being incrementally better.

As for the finish, it was as short and biting as a pissed off Shetland and to my mind, nothing really earthshaking – it’s about what I would expected taking into account the foregoing, although with some ice to tame it down a shade, it became a lot better, with a sly butterscotch and cinnamon close (I don’t really recommend this, by the way, but that’s a personal thing).

Summing up, then, I think that for all my complaining about the spiciness of the whole, the Reserve is a step up from the V/X. It has the characteristic Appleton taste profile for those who like it, slightly dialled down. It’s edging gently (but not quite all the way) into the territory of rums one can reasonably drink by themselves…is just a shade too heated and biting for true enjoyment in this manner. The problem this creates for the Reserve is that it makes it neither fish nor fowl – I can get a cheaper, decent mixing agent in the V/X, and a better sipping rum at a reasonable price in the twelve year old…which leaves the Reserve sitting — like a forlorn second child not knowing whether to play with its older sibling’s friends or younger one’s dolls — rather uncomfortably in the middle.

(#129 . 77/100)


Other notes

  • Around 2019, this was replaced by the Appleton Estate 8 Year Old Reserve, also a pot-column still blend, when Appleton revamped their entire lineup with new bottle shapes, labels, names, and tweaked blends.

Appleton Estate 21 Year Old Rum – Review

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Oct 042012
 

Though not as in your face as its older brother, it’s still too oaky for me.  It’ll be the bees knees for anyone who prefers a rum with a drier mouthfeel, less sugar and more tannins in their rums than I do. This one’s all about opinion.

The Appleton Estate 21 year old rum has been around long enough for most reviewers to have had a chance to check it out…in my case, I simply never got around to it, having been less than enthused about the Master Blender’s Legacy, the blend of which it said the 21 forms the backbone.  Plus, there are so many other good 21 year old rums out there at a lesser cost (the El Dorado 21 and the Juan Santos 21 to name just two) that I haven’t felt the need to shell out the C$130 for it.

Be that as it may, the 21 is the one of the first of the company’s premium rums (the Legacy, 30 and 50 year old are the others, and others will argue the 12 year old should be on the list as well), and deserves notice.  Presentation wise it’s nothing special – tin can enclosure, and the same bottle and the same pressed on tin cap as the entry level V/X (a good mixing rum if there ever was one), which always struck me as odd given its supposed cachet as a top flight spirit.

The initial not-too-spicy nose of this 43% dark copper-coloured rum were deep and winey, with rich scents of dried fruits that almost, but did not quite descend to the depths of a wine-based spirit. Faint vegetal and herbal notes, with almost none of the signature citrus that are supposedly the hallmark of many of Appleton’s rums.  After settling down a bit, the pleasurable aromas of burnt sugar (not caramel) and light flowers made themselves shily known.

On the palate, as I have noticed in the past (and here), there was a certain driness in the medium bodied rum, something astringent, mitigated just enough by a heated smoothness that was far from unpleasant, yet transformed the 21 into something more akin to a cognac, also a characteristic of the El Dorado 15, as some have observed (mi padre being one of them). After a while, the sweet began to emerge from hiding in tandem with faint lemon rind and nutty notes (pecan? walnut?), and upon further opening, the 21 became a bit smoky, the sweet was overpowered, though a subtle whiff of vanilla could be noted coiling around the other tastes. I’d judge it bit better than the Legacy on that score, and the relatively long fade, which was a neat sandwich of orange peel, cinnamon and oak, cemented my opinion.

That said, I’m not entirely enamoured of the prevalence of the sharper oak tannins, which held, to me, a somewhat unhealthy dominance over the other, subtler flavours that never quite got their chance in the sun: I sensed they were there, but the defense was too strong.  The copper-still-made rum is a blend of molasses-based rums aged a minimum of 21 years in used Jack Daniels barrels, and so are others of similar age, yet with no other comparable product is the drinker fended away from more complex flavours (and bashed over the head quite as insouciantly) as here. Similar concerns over time have led me to downgrade my initially high opinion of the 30 year old.  The 21 costs enough and is premium enough, limited enough, for us as drinkers who fork over our cash to expect something more.

The thing is, I have a high opinion of Appleton and their products, the company’s longevity and even their rare and pricier bottlings (the 50 is a case in point, though I’ll never buy it) – what is happening more and more often is that I prefer to stick with their lower-tier products and use those as mixing agents for a pleasant late-in-the-week sundowner, rather than incur my wife’s not inconsiderable wrath and buy an overpriced hooch which after the dust has settled, simply does not deliver on its promise.

Now that’s just depressing.

(#123. 83/100)

 

Appleton Jamaican Independence Reserve 50 Year Old Rum – Review

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Sep 082012
 
Publicity Photo from RumAuctioneer

A truly wonderful rum which is simply too expensive for regular drinkers, in spite of its quality. It’s just too out of reach for us proles, alas.

“I have left instructions in my will,” growled Kanflyer on the Ministry of Rum, echoing the sentiments of many, “For my grieving (?) widow to take the insurance settlement, find a bottle of this and toast my memory with my friends…both of them. There is no way I could spend $5k on a bottle of rum while I’m still kicking around.” In two humorously pithy sentences Kanflyer (may his glass never be empty) encapsulated the rank and file’s opinion on Appleton’s most heavily hyped and most expensive production rum ever, the Independence Reserve.

Appleton’s 50 year old Jamaican Independence Reserve rum is so audacious that when I call it a vanity project, all you can really do is admire a company crazy enough to make it. Even with its vanishingly small production run of eight hundred bottles, you have to concede that here’s a product that really has no reason to exist at the price point of US$5000, which puts the 58-year-old Longpond at one fifth the price to shame (note that as of 2020, the price remains stubbornly steady at around this level).

The cost of this one bottle is high enough to make me a small one-man special interest group with some hefty clout in the capital.  For the price, I could fund the Whisky Pilgrim on ATW for a decade, buy enough Bacardi to keep me drunk until the Rapture, all the Renegades that will ever be made and just about all the El Dorado and Rum Nation rums currently in production (maybe twice). Quite frankly, there’s nothing that I know about to which I can seriously compare it unless it’s the 37 year old Courcelles from Guadeloupe, or the 58 year old Longpond from G&M (and frankly, I really wish people would stop saying that the 50 the oldest rum available in the world, because even if the Longpond isn’t the only other one, the fact that it’s there at all put a lie to Appleton’s press statement).

So it’s perhaps almost anticlimactic to discuss the characteristics of the rum (I was given a sample to try by Andrew of the KWM and had it again – twice – at a tasting event), but let’s forge on regardless.  The nose of the dark copper fifty year old began with notes of hay and grasses, and dark brown sugar melting in the tropical heat.  Freshly cut tobacco leaves, raisins, a hint of cherries.  My seven year old, who wanted to know what Daddy was doing, sniffed, opined “vanilla” and walked away.  But what coiled out and took over the balance was a kind of luxuriously heavy honey scent that really was quite heavenly. It blew away the thirty year old like yesterday’s news.

Distilled from molasses and aged in the standard used oak barrels, the rum is a blend of twenty rums whose minimum age is fifty years.  Distilling it to 45% was the right decision, I think – had it not been a little overproofed, I doubt I would have enjoyed it as much (I was tasting it with the Appleton Reserve, the 21 year old and the 30 all together).  It had a medium body, and arrived with a luscious taste of fresh honey and nuts (no, not Cheerios), and had a deep and dark mouthfeel like velvet, no sting or bite, just a warm, slow heat that gradually revealed notes of cinnamon and lemon zest.  Yes there were oaky notes on this baby, just not as evident and unwelcome as the thirty turned out to have, and just the right amount of sugar in the rum gave it an excellent and harmonious balance.  The fade was long and lasting, redolent of leather and smoke and a faint nuttiness.  An excellent – no, a phenomenal – product all around, and while it may not be worth every penny of five grand, if you can get a taste, don’t pass it up.

Here’s the thing.  It’s a good rum, a great rum…perhaps even brilliant one.  Appleton have somehow managed to weed out the overbearing oakiness that to some (I have gradually become one of them) marred the 30 year old. It may lack the stern, uncompromising beefiness of cask strength offerings I’ve been sampling recently, yet the 45% strength is good for what it attempts, which is to be intense, flavourful and a damned good drink. I liked it a lot. It handily shows any 46% Renegade Rum the door.

But I honestly don’t know who is supposed to drink this rum, because at close to $200 per shot, I know I couldn’t, and actually, I’m not even convinced it is meant to be anything other than a collector’s piece for oligarchs, politicians, ambassadors, industry CEOs and the rich and powerful (and crass). Even Joy Spence remarked “This will emphasise the ‘premium-ness’ of Appleton. It’s a halo for the other brands of the estate to bring them up.” So it’s an advertisement rather than something for wide distribution, the way the Nikon F6 film camera is…great stuff, far too pricey and ultimately, kinda useless. This is a luxury rum on steroids, a sort of flagship marquee that bellows “Here I am!” to the world, like a pig-ignorant over-decorated geriatric driving a Lambo, ostentatiously tooting the horn at a traffic light.  It’ll provide the company, marketers, bloggers, reviewers and its fortunate owners with exactly what they desire, yes: but whether it’s exactly what they deserve…well, that’s quite another matter.

(#120 / 90.5/100)


Other notes:

  • Tasted together with Appleton Reserve, 21 yr old 43%, 30 yr old 43%, El Dorado 25 43%
  • This rum review was long enough that I didn’t bother describing the presentation – I justified this breach of reviewing etiquette by telling myself that every press release and news article has already mentioned it, so I didn’t have to.  I may change that in a while after my backlog is taken care of.
  • Wait a while…I read in a Jamaican paper that Appleton is going to produce a 100 year old rum in 2062.  Pardon me if I don’t start saving for that.

 

Appleton Estate Master Blender’s Legacy Rum – Review

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Jan 212011
 

First posted January 21st, 2011 on Liquorature.  Tasted April 2009 and again December 2010.

Good rum, solid mid-tier sipper, but if you like something a bit more biting and clearly defined my take is for you to stop messing around and get the 21-year old, which is one of the cores of this one. It’s like buying a Boxster just because you’re too cheap to get the 911, and hoping the ladies don’t notice. Watch for the twitchy ride in either case.

The heart of this Jamaican rum produced by J. Wray and Nephew is a 21 year old rum blended with an 18, 15 and 12 year old (according to that valuable source, Michael from Willow Park – and here I need to post an addendum, that Chip Dykstra of the Rumhowler blog told me in late 2010 that Appleton reps had told him the 30-year old is also part of final blend), and the resultant is aged in oak barrels once used for Jack Daniels. For a rum that is this old and at almost at the top of its price range (~$100, compared to ~$135 for the 21 year old, and ~$320 for the 30 year old), I have to admit to being somewhat let down by its presentation: a cheaply made tin concealing the same old bottle with just a different coloured label is not my way of advertising one of the premium products of my line. Don’t get me wrong, I’m aware that presentation isn’t everything (just observing the way I dress should disabuse anyone of the notion that I have to have the outside match the inside) – it’s just that for the price of this baby, one expects…a little more. And in my review of rums, I find this issue across all of Appleton’s wares.

That said, I admired the deep bronze colour of the decanted liquid in a clear glass, and the aroma hinted enticingly of burnt sugar and (oddly enough), of maple syrup — not something I associate with the Caribbean, really. Perhaps a little pear. A sip and a taste revealed no major disappointment: mellow, smooth, rich on the tongue, with some nip from citrus peelings, and an odd sharpness on the backend . If one looks, one can discern the hints of oak, and vanilla, even some honey. It was a good rum: you could almost taste the way the younger rums enhance the central older one.

The finish is long and smooth, and then, somehow, it just falls short of being a really top rum by having the body fail and thin out (I can think of no other way to express this feeling) and turn bitchy on the way down, like an expensive courtesan who resents what she is and scratches you for your trouble after you’ve forked over and put out. Honestly, the finish ends on a whiskey note that is totally unexpected and not entirely welcome. I appreciate the craft that went into making this blend, and look forward to one day trying the Limited Edition 30-year old, but for something this close to being excellent, it’s a cruel letdown. It goes all the way to 99%, and then quits. Aaargh.

And this isn’t just me. This is the second of three really superior rums I had on hand for the April 2009 session, and yet it was pipped in the opinions of the participants by not only the Flor de Cana 18 year old, but the 12 year old Zaya (which may be a poke in the eye for those who believe age confers quality so far as the good stuff is concerned)

Maybe the packaging wasn’t lying after all.

(#064)(Unscored)

 

Dec 252010
 

Originally Posted 25 December 2010.  Photo courtesy of Chip Dykstra’s Rum Howler Blog

Let’s assume that there is a place where goodness reigns, the evil get punished, all kittens get rescued from trees and lotteries are won by the deserving. Trust me when I tell you that the Appleton 151 does not hail from here. This raging brown liquid is the Rum of Sauron. No, it’s Sauron’s dark effluent after he drinks the Rum of Sauron. Wussie whiskies such as the cask strength 60-percenters run crying to their mommies when the 151 approaches.

Appleton 151 is a dark, sinful, bottled morals charge, a mischievous indecent wink against our perceptions of rum. It takes no prisoners, expresses itself in four letter words, and is unashamedly, unapologetically vulgar. It’s a barbarian trying to eat with a knife and fork. You show this fella in public, you’ll either be arrested on sight or be accosted on every street corner being furtively, wistfully or eagerly asked “Where the hell can I get me some of that?”

The 151 series from any maker may be the ne plus ultra of “standard” overpoofs1. Rums like this will never really be made fresh or new again. While I may be exaggerating just a smidgen, it is my considered opinion that distilling and blending techniques have now gotten sophisticated enough for overproofs to be taken seriously as drinks in their own right, and not just bases and mixers and cooking ingredients. You see, although generations of gleeful blenders and traumatized drinkers think otherwise, the purpose of an overproof is not really to cause you pain or get you drunk: it’s to deliver a concentrated flavor unobtainable anywhere else, at any other strength. And maybe to make a real bitchin’ cocktail.

As an example, take the Appleton’s nose. I wouldn’t recommend this, but this is what I did and you’re welcome to try: take a hearty sniff of this sour Klingon sweat. A massively alcoholic man-eating lion will leap fiercely at your defenseless snoot. You will fall back, feet excavating spade sized trenches from the ground, pounding frantically on your chest, not the least because your breastbone feels like it’s now somewhere behind your spine. Once the fire goes out and the spirit fumes have finished raping your beak, in between bouts of delirium you will remember that there was a deep caramel taste, a cinnamon shot, and a scratch of vanilla. Really. Personally, I think you’d be lucky to find your sinuses again (ever), but you see what I mean? The nose is a Godzilla of flavor if you stick with it and move through the pain.

Knowing it was my duty to take one for the team and complete the review in an appropriately stiff-upper-lip fashion, I sipped it when I managed to draw a thimble of oxygen into my seared chest and the uranium spill in my lungs reached its natural half life. This roughly equates to rapidly following up stupidity with an act of irredeemable idiocy. You’d think by now I’d learn to mix this stuff, but no…I had to take the taste neat, and a good sized one at that. Never let it be said, guys, that I wasn’t there for you when it counted.

Big friggin’ mistake. A lake of fire exploded. The sobriety I had fondly embraced became the sobriety I had just left behind. There was a concussive cchuuuff of vanilla, caramel and light citrus that scaped across my tongue just before I lost track of ten minutes of my life in one searing amnesiac flash. My tongue writhed like a serpent doing a rain dance, my tonsils vapourized, and my head spun as rapidly as if I had just been hooked up to the high-speed paint shaker at Home Depot. I lost twenty IQ points, and I swear the Appleton 151 caused my DNA to devolve on the spot. Ugh mug kook aagh.

I don’t know about you, but me, I gave up. Forget nose, forget taste, forget finish. Like all highly overproofed rums out there, there’s simply no point to it. It’s got a ferocious taste, sure, but let’s be honest: the 151 is not meant to be a garden party sipper or socializing enabler. Tasting notes are pointless here.

Because, guys, come on: all of you who are reading this and snickering, none of you ever tried this stuff for its bouquet, or aroma or its elegant fade, redolent of whatever-the-hell-they-added. You didn’t drink it because your Tanti Merle made a great Black Cake from it, and her eggnog was to die for. You drank it because you were young, because you were high on life, and because you wanted to get loaded as fast as possible. Because it was your passport to manhood among The Boys, because Grampi always had it, because la petite femme over there on the floor of the bottom-house Old Years party was giving you the eye and might kiss you later if she thought you had some balles. You drank it then because it was your rite of passage to all other rums that came after, and you drink it now because you want to remember the bright sharp days of your youth when the world was an apple in your mouth. So forget this review. Just put it away, pour a shot and enjoy taking your drinking experience to the wild extreme of unreason.

(#061)(Unscored)


Other Notes

  • For additional details on the history and development of 151 overproof rums, this article provides all the background
  • Also, for reference, here’s a list of the most powerful rums in the world, starting at 70% ABV and working up.
  • It is unclear whether as of 2021, this rum continues to be made. Certainly it remains available, but I think that with the rise of cask strength bottlings from around the world, it may have been quietly discontinued without fanfare.

Appleton Estate V/X Rum – Review

 Comments Off on Appleton Estate V/X Rum – Review
Dec 012010
 

First reviewed December 1st, 2010 on Liquorature

The V/X is an ostentatious shot across the bows of Bacardi – it may be one of the world’s best mixing, use-for-anything rums that you will have no trouble picking up anywhere, but the spicy sting in the tail makes it unsuitable for sipping.

It’s always the same: the cobbler’s kids have no shoes, the accountant doesn’t do his own taxes, and this reviewer doesn’t review a rum he’s been drinking for years.  I mean, you’d think by now I would have rounded off the Appleton section by at least attempting a review of the V/X, which may arguably be one of the best known and most consistently purchased rums in Calgary.  Some fifty four reviews along, and I still haven’t bothered, even though I have a 1.75L jug in my house at all times for those occasions when I don’t feel like paying attention, or when forty-plus guests arrive and I need something that will go well for everyone, and with which all are familiar.

From the preceding remarks you’ll gather that Appleton’s V/X is pretty much a working man’s drink, a mixer, blue-collar for sure, suitable for those who don’t want to indulge in the more premium lines, don’t have the bling to blow, or simply don’t care.  And that’s perfectly fine – hell, do you honestly believe that everyone who likes rum only goes for the top end, all the time? The thing is, the V/X, for what it is, is good.  It makes no pretensions to grandeur; does not make any claims to a premium or sipper status, and represents the Appleton Estate well.  In this one entry-level rum, you find all the hints, tastes and blending choices which get progressively more pronounced and refined as you go up the scale of the Appletons.

The bottle is the standard bottle with which everyone is familiar. Rounded, thick waisted, fat-battied, well known. The copper-red-brown rum has a medium body, blended from fifteen different rums matured in oak barrels that previously held Jack Daniels (not bourbon).  In the glass it lacks real viscosity and demonstrates thin legs that trail rapidly down the sides.  I know it’s not much of a sipper, but I follow the usual procedures: and on the nose, after I let the glass stand a bit to open up and the sharpness of the initial sniff wears off, there is the brown sugar and caramel, mixed with that slight perfume of citrus which is the Appleton signature (like bananas on the Mount Gay). The smell is sharp and pungent, and you feel something a bit more raw than the rungs further up the ladder: all pretty much par for the course.  On the palate the rum is not smooth (were you seriously expecting it to be? come on, be serious), but the citrus notes balance well with the burnt sugar, caramel and a slightly fruity tang. I’ve heard some people taste nuts, but not me.

What you do get is that slight orange peel, and bitterness from the oaken tannins, that so characterizes the Appleton rums, and in this entry level rum, it comes earlier. It continues through to a spicy finish that is more sting than burn (for those who ask what the difference is, a sting is like sharp cat’s claws, short, sharp and painful; a burn is more like a mellow kind of deep, long lasting not-quite-pain which is like a hot cup of tea carving its way into your system), and for this reason, it’s no surprise that Appleton V/X is more mixer than sipper.  Some brave souls might like it with just ice, which is fine: it’s more complex the more you stick with it, and for this reason, I want to express my opinion that it’s one of the more underrated rums around.  A mixer, yes…but still underrated, like the English Harbour five, for example.

Almost everyone I know in Canada has, at one time or another, tasted the V/X. It is a constant feature at parties (thrown by people of any nationality), and one of those staples of the drinking season one remembers fondly as one moves up the quality scale.  Like Bacardi, it is a rum made to please many: it has good body, a unique taste, and is good to mix with just about anything.  You won’t want to drink the V/X straight – it’s not designed for that – but in any kind of cocktail (and even just the old standby of rum and coke), it performs superbly, each component of the drink enhancing the other; you can simply stretch out on the veranda, watch the sun set and forget your worries for a bit, with a glass of this excellent bottom-feeder in your hand.  And I say that because I do that on just about every Friday evening, and it’s the V/X I reach for the most often when I do.

(#0052)(Unscored)


Other Notes

  • In 2015, the V/X was discontinued as a brand and replaced with the Appleton Estate Signature Blend, though all indications are that the blend components, and the taste, is still very much the same. This was part of a brand-wide update which also saw the Appleton Special title renamed the J. Wray Jamaica Rum Gold and then the Kingston 62 Jamaica Rum. I think it’s all just nonsense myself and probably only justifies some marketing veep’s salary, because all it does is confuse – if the rum is the same and the title is recognized, why mess with it? Ho hum….
Nov 012010
 

First posted 01 November, 2010 on Liquorature

Raw white overproof, fun to drink mix or celebrate with…as the Jamaicans have long since known.

To be honest, I’m not entirely clear why people – aside from binge drinkers, students and serial alcoholics, whose motives are clearer — bother to drink white overproofs straight on a regular basis.  The taste is simply too raw for real appreciation, in my opinion (though I have had several “full proof” rums which avoid this sharp stiletto to the palate, so it’s by no means a hard and fast rule).  But I suppose they’re like those long distance runners who believe that twenty six miles is for sissies, and run ultra marathons instead. Tail end of the bell curve, or something like that. Or maybe they got used to in their youth in an old-country beer garden, or some trading post-cum-rumshop in the backdam; or believe it makes them more macho; gets them high faster; mixes better.  Who the hell knows? If it’s one thing I’ve discovered in writing these reviews, is that there is as wide a variety of tastes as there are rums, and what is derided by one may be equally praised (fulsomely so) by another.

Whatever the case, there is actually a pretty good market for overproof rums among drinkers: overproofs are supposedly for cocktail bases and cooking purposes, but that never stopped anyone I ever met, male or female: one of my most enduring memories of working (and boozing) in the bush is a young Amerindian girl, passed out dead drunk on the Baramita airstrip, a bottle of Brazilian 99% alcool clutched tight in her left hand, and I know men who simply pace themselves better with strong spirits than with weak ones.  That said, as I was researching and reading online readers’ fora about Stroh 54 (and 80), Bacardi’s 151 and the Clarke’s Court Pure White, knowing what I knew about Guyanese “High Wine” and now writing about the J. Wray & Nephew White Overproof, it seems to me that some people simply prefer it. And that’s perfectly proper.

The white I discuss here is bottled at a relatively mild 63%, which would make scotch drinkers quite happy, I suppose.  It is, as any rum aficionado can immediately tell you, manufactured by the Jamaican boys who make Appleton Estate rums: and while the Appletons are easily purchased the world over, I get the impression that this white lightning is not easily or commercially available outside the Caribbean – which is indeed where my Torontonian squaddie John had picked it up on one of his sojourns to the Islands.  It may be the single most popular rum in Jamaica, and mostly drunk mixed.

Therein lies the rub.  Drinking an overproof of any kind is not a matter of sipping it neat, or even on ice.  The J. Wray variant in this review is pretty strong, searing stuff without question: a massive, raw, ethanol delivery system that could knock a platoon out by breakfast time with one quick inhale.  At the inception the white has almost no taste: it’s pretty flavourless beyond some kind of smoky, oil-fire kero tang coiling behind the nasty burn, which means that it’ll take on the flavours of whatever you chose to mix into it. Sure you might get some hints of orange peel, licorice and a peppery kind of spiciness at the back end (nose?  what nose?), but truly, the only way to get any enjoyment at all out of something like this is to mix it, because all tastes are burned to a crisp by the spirit fire fairly fast (and in the distance I can hear the sneers of the Maltmonster as he delicately noses his favourite Ardbeg, neat).

Do that and this transparent medium body rum fares rather well, I thought (not without a little surprise). It makes a mean bastard of a Cuba Libre, a deep and strong Mai Tai that kicks the crap out of you in labba time, and I can almost guarantee that there isn’t a household of Jamaicans – expatriate or homeboys – who don’t have a bottle of this stuff kicking around.  Like Guyanese with their XM five, it has all sorts of social connotations: crack a bottle and immediately you pour a capful on the ground to return some to those who aren’t with you; have a housewarming, and grace the floor with a drop or two; touch of the rheumatiz? – rub dem joints with a shot; mek a pickney…put a dab ‘pon he forehead if he sick; got a cold…tek a shot and rub a shot.  And so on.  Of course, it must be noted that all the usual safety advisories are in order as well, given the flammability of something this close to pure ethanol.

I have gained a sort of sneaking appreciation for overproofs, including this one, because while it lacks the subtlety of a more refined 40% variation (subtlety? don’t make me laugh…the thing is like a charging brontosaurus on steroids at rutting time), it makes an intense, strong, powerfully tasting mix with whatever you decide to chase it. Try adding cola to a 40% low-ender and then to the White Overproof and try and tell me this one doesn’t have more character, more taste, more…well, cojones. It absolutely is not afraid to charge the gates and get the hell off the reservation.  When you drink J. Wray’s clear hooch, reader, there’s no ifs, ands or buts — you know Elvis has left the building; and didn’t just exit, he took off with rocket-powered, turbo-charged steel-toed boots. And a jet pack.

So if you believe that major rum producers have pussied out and are producing too many high end, over-sugared, liqueur-tasting sweet drinks (like spiced rums, underproofs or Pyrat’s) for the masses of the unwashed and the hordes of the rabble (like myself); and if you think your chest lacks sufficient cylindrical, keratinous filaments; and that you are swinging a pair of weighty ones that should be addressed by a man’s drink — well, then it’s entirely possible that you are just waiting to buy a gallon or three of this popskull, made by one company that remembers its roots and continues to distil a real rum.

Always assuming, of course, that you do not already own some.

(#045)(Unscored)


Other Notes

Ten years down the road of the rum journey, I came around to seeing this rum more clearly and appreciating it more — and named it one of the Key Rums of the World