Worthy Park 2013 5 YO Double Matured Rum (Cask Selection No.6 “Virgin Oak”) – Review

 No Responses »
Jun 302023
 

Worthy Park rums at any age just seem to go for the boundary, every single time – no matter how it turns out. The results are rums of consistently decent (or high) quality, day in and day out, and I rarely find a failure, a flea-bitten dog or an also-ran glue-factory candidate in any of them – and this goes all the way back to Rum Nation’s unaged white from 2014 (now matured into one of their regular five year old rums), or the Compagnie’s 2007 7YO and 8 YO  released in 2015. All of which, for their time, shook the rum world with tremors of an incipient disturbance in the Force.

Since those early years Worthy Park has continued providing a fair amount of distillate for the use of third parties, while simultaneously developing their in house brands. These run the gamut from the entry level Rum Bar Silver and Gold (and overproof), to the 109, the Select, the Special Cask series (with various finishes or secondary maturations in porto, marsala, madeira, sherry etc), and the single estate aged rum, currently running at 12 years but likely soon to be older. There are even special versions like the recent Canadian release of the 2015 5YO, or the “Cask Selection” single barrel series.  It can get a bit confusing sorting out all those “specials”, “selections” and “reserves” and good luck to anyone trying to make a collection of the lot.

For those who want a funky Jamaican alternative to the mellower mass-market Appletons or more rarefied Hampdens with their ever increasing series of limited collections, Worthy Park continues to provide good value for money, even for their more youthful expressions which they are experimenting with a la Foursquare. These limited editions fall under the Special Cask line – higher ABV, limited outturns, somewhat youthful, double maturations – and some time ago I picked up No.6 of their Special Cask Releases, of which I had already tried and liked the Oloroso and Marsala editions. This one was the usual pot still distillate, tropically aged in once-used ex-Bourbon barrels for four years, then matured a second time in virgin oak casks (not the slutty kind, I gather), which then provided 397 bottles at 55%. The back label says “casks” yet one wonders exactly how many (or how few) were needed for such a small outturn. Two, maybe?

Never mind though. The age of five years and that double maturation is what’s interesting, as well as the pot still distillate – one would expect the casks to be quite active because of their little-used nature and the heat in the tropics.  Nosing it suggests that it works really well to get flavours to manifest quickly, because while somewhat hot to smell, it is also deep, dark and dour at first sniff…quite delicious. Pancakes and maple syrup, creamy unsweetened yoghurt and a lovely amalgam of honey, caramel, toffee, nougat and white chocolate. It may have been the casks, it just seems to me that aroma-wise the pot still sour funky fruits seem to have been kept away, though faint traces of pineapple, strawberries and overripe bananas and oranges do linger for those with long snoots; and these are joined by notes of salt crackers, gherkins and balsamic vinegar (one of those fancy ones, from figs maybe).

The absence of the funkiness is, on the palate, more striking, and would make anyone trying this blind to wonder whether it conformed to a particularly Jamaican profile at all. The strength is solid and bearable at 55%, no worries there; it starts off with traditional notes of caramel, toffee, light molasses and vanilla, before segueing into some olives and brine, a touch of sweet soya, and a subdued panoply of dark fruits – prunes, plums, blackberries, that kind of thing. Tucked in way at the back are the oddballs, of which I wish there were more – some iodine, charcoal, cooking herbs and lemon. Nothing overbearing, just really interesting, and set off by a pleasant, long and dry finish redolent of aromatic pipe tobacco, red wine, brine and some sour red grapes.

It’s really quite impressive what Worthy Park has done with a mere five years of ageing, and shows why they have developed the reputation they do – to the extent where a friend of mine in Saskatchewan asked me to get a WP Canadian-only release for him (same age and lacking any ageing- or finishing-flourishes) even though it exceeded his normal budget for such things. The tastes are solid, the aromas are well integrated and if it’s a bit hot and rough around the edges and doesn’t sport anything seriously original, it’s still a surprisingly varied and interesting rum.  At the time when I bought the bottle everyone was going apesh*t over the just-released WP 109: me, I shrugged and reached into the slightly more recent past to get this one, and still think that while both are good, this is the better buy.

(#1009)(85/100) ⭐⭐⭐½

Other notes

  • Of course, as soon as I saw “No. 6” I couldn’t let it rest – which ones were 1-5, right? I started a list of the Special Cask Releases but the numbering scheme and inconsistencies of label-naming have thus far defeated even a mind as organised and agile as mine: there are too many gaps and similar names to make the list exhaustive (I’ve sent a note to Zan Kong to assist).  But here’s what I came up with:
    • Special Cask Release #8 | 52% | 2013-2018 | 2-4 YO | Quatre Vins | 1318b
    • Special Cask Release #7 | 55% | 2013-2018 | 5 YO | Oloroso
    • Special Cask Release #6 | 55% | 2013-2018 | 5 YO | Virgin Oak | 397b
    • Special Cask Release #4 | 58% | 2013-2018 | 5 YO | Madeira
    • Special Cask Release #3 | 57% | 2013-2018 | 5 YO | Sherry
    • Special Cask Release #x | 59% | 2012-2017 | 5 YO | Oloroso
    • Special Cask Release #x | 45% | 2010-2020 | 10 YO | Port
    • Special Cask Release #x | 45% | 2010-???? | 10 YO | Madeira
    • Special Cask Release #x | 60% | 2012-2017 | 5 YO | Marsala
    • Special Cask Release #x | 59% | 2008-2013 | 5 YO | Oloroso | 428b
    • Special Cask Release #x | 56% | 2008-2017 | 9 YO | Port | 585b

Worthy Park Rum Bar “Silver” Unaged White Rum – Review

 1 Response »
Apr 142023
 

“Worthy Park”.  No more need be said, no further introduction is needed.  They are one of the New Jamaican distilleries, without which the island’s rums cannot be properly understood or appreciated. They wield pot stills with the casual ease of Thor and his hammer, put any amount of unsuspecting Bacardi drinkers under the table, and have produced rums for independent bottlers and themselves that are stunning in their quality and taste chops.  All this from a joint that only (re)opened for business in 2005 after four decades in mothballs.

Once they fired up the new distillery, Worthy Park initially began making rums for the local market (as well as some judicious bulk sales for cash flow); the breakouts that sold well and allowed them to muscle their way into the market were the entry-range stalwarts of the Select, Gold, Silver and – of course! – the Appleton-slaying Overproof. The Silver was introduced around 2017 (WP saw an opening in a market that amazingly, had no unaged white all-pot-still Jamaican at 40% at all) and made a mark immediately – it was a softer and easier unaged pot still rum, a blend of three marques, with just enough funk to appeal and just enough cool not to scare the hell out of aforementioned drinkers only now picking themselves off the ground. For people who walked warily around the overproofs, this was manna from heaven.

It’s easy to see why it’s so popular. The three marques included in the blend – WPL, WPEL and WPE – provide structure and a series of increasingly funky tastes that don’t clash, and play nice with each other, each enhancing another’s strengths. This is evident even on the nose: it’s salty unsweetened caramel chocolate mixed in with pineapple, strawberries, bubble gum and a series of juicy fruits like red grapefruit, gooseberries, squishy bananas.  The tartness of sour cream and laban, cucumbers in pimento infused light vinegar almost but not quite leap out to titillate. No sugar to dampen the experience here, that much is clear. A little acetone and nail polish, a couple of olives and there you are.

I have a thing for high-ABV unaged whites that aren’t filtered into insensibility, and by that standard the Silver doesn’t rank all that high…but I assure you, it isn’t a fail: you can in fact taste quite a bit if your palate is fresh and you pay attention. It is admittedly thin, somewhat watery and light: but well-positioned to make, say, a decent daiquiri. One can taste citrus, lime zest, black pepper, sugar water, pears, cucumbers (same pimentos are back for an encore) and while it does have some jagged scratchy edges, and lacks the force, zest and punch of its cousins, the Silver remains quite approachable and finishes quietly and quickly with just brief hints of cumin, brine, acetones and touch of flambeed bananas.

It’s a decent enough rum by itself, with a profile that clearly suggests its fate is to be in cocktails. And of course, I can see backyard residents of Cockpit Country or Trenchtown drinking it neat in plastic tumblers while slamming down the dominos on hot, drowsy Sunday afternoons.  Most of us fall somewhere in between these poles, and generally speaking, its low strength seems deliberately chosen to appeal to a wide segment of potential consumers, though the relative thinness and fast finish work against taking it into sipping, the way one might occasionally risk with, oh, a clairin.

After having run through nearly a score of various Worthy Park rums, I’m left with the conclusion that as good as the standard strength rums are (at any age), it is the stronger rums (of any age) that are the stars of the house. For those who know the bigger and badder higher-proofed level bosses that come boiling off of WP’s pot stills, the potential which the Silver suggests is no mere glimpse, but a reality and so the Silver is unlikely to enthuse. Yet I believe that the Silver is an introduction to their quality, doesn’t try to take their place, and is just itself…and perhaps it’s in that fact that we gain an understanding of its great mass appeal in and beyond the shores of Jamaica.

(#988)(78/100) ⭐⭐⭐

Other Notes

  • The old stalwarts have mostly not weighed in on the rum, and even reddit is surprisingly thin with evaluations. Josh Miller from San Francisco, writing one of his last posts in 2018 where he examined Worthy Park’s background, quite liked it. The not very well known website of the Rum Social Club wrote an undated, and quite positive review, and rated it 75 points (which corresponds to ~87 points on mine). Paul Senft from the US gave it an unscored and positive write up in 2019. The Rum Barrel rated it in 2021, 82 points which is good, for him, as he skews low. On Rum-X 18 users are averaging 6.4/10 (half rated it six with one giving it a dismissive 3, which seems low, but ok). In an odd concordance, Rum Ratings gave it 6.3 off of 9 evaluations.

Worthy Park “109” Jamaican Rum – Review

 4 Responses »
Feb 062023
 

Worthy Park’s “109” is a recent addition to the Jamaican distillery’s brand portfolio, with a storied history from its first announcement in 2020. The Jamaican distillery wanted fill out its low-to-midrange line with a darker, slightly aged and higher proof rum to complement the Rum Bar White Overproof, Silver and Gold, and while they maintained that the objective was not to go up against Smith & Cross, it’s hard to look at the specs and not conclude that at least some market-share jealousy and subtle dick-measuring was going on. 

Initially the rum was called “Gunpowder Proof” – a play on the old navy strength of 54.5% – and as you can imagine, it excited strong interest, even if the stated purpose of the rum was to attend the bartending and cocktail circuit. Labels were all set to go until, in an echo of Banks DIH’s problems with “Demerara rum” a decade earlier, Pusser’s objected and issued a cease-and-desist-you-varlets order, claiming the name as their own trademarked title. WP shrugged, airily and dismissively said “we don’t bank the success of our rum on a name” and changed it to “109” which I hope requires no further explanation.

Like Alex Sandu of the Rum Barrel who reviewed the rum last year, I also believe that the specs suggest a rum meant to bridge the bartender-cocktail circuit rums of the Rum Bar line with the more upscale and defined sipping rums of the Worthy Park range. The core stats for the 109 support this assertion: it comes from molasses, comprising two pot still distillates – WPL 1 aged for three years in ex-Bourbon casks, and some unaged WPE 2. There are no additions except caramel to make it darker, and we are not informed as to the ratios of the two components.

It’s an intriguing production profile, and what comes out the other end is surprisingly simple, with a few clear and distinct notes: firstly caramel, toffee and blancmange set off with molasses and brown sugar; then some light, tart sweet fruits like cherries, strawberries, bananas, papaya and pineapple, plus a mango or two. Thirdly, one can sense cucumbers and red pimentos soaked in light vinegar, a sort of sour note, and lastly there’s some unsweetened, almost bitter salted chocolate and coca cola. That’s not bad at all for something so young.

The palate follows these four notes without substantial deviation.  Of course, the taste in the tongue is sharp – that’s a function of both youth and proof point – and the whole thing is salty and crisp, bordering on  the acidic.  The whole thing is a mix of chocolate, licorice, caramel, toffee and gooseberries (plus some pineapple and unripe green mangoes), with just enough musky-sweet deriving from the molasses and brown sugar to make it an interesting rum to try by itself. It’s a bit rough and tumble, which is nice, and the finish channels some Trenchtown badass with nuts, molasses, coffee grounds, salt and pepper.

Overall, the melange of solid primary tastes and occasional jagged edges makes the 109 borderline as a sipper – I would not drink it regularly that way myself – but I think it’s excellent for what it was meant to be, and would handily wake up any cocktail you care to dump it into. I’m a simple guy with no real mixing experience, so you’ll forgive me for sticking with that old standby of the rum ‘n’ coke, at which this thing absolutely shines (and look forward to a flurry of notes from various bartenders who want to suggest alternatives and school me better).

So, then: is it gold or pyrite? I can hear you ask. Honestly, I believe the WP 109 is neither: it’s simply an unpretentious, firm, tasty rum that doesn’t forget its backdam antecedents, and yes, it’s definitely not important what they call it — it would be similarly good if they called it The Son of Kong. A little older, a touch less bite, and it would be almost the perfect midrange rum, and given what it costs it’s great value for money to boot. You can’t go too far wrong picking up one of these for the home bar.

(#970)(82/100) ⭐⭐⭐½

L’Esprit “A Jamaican Distillery” 2019 “Still Strength” White Rum – Review

 No Responses »
Nov 272022
 

I view L’Esprit’s unaged still-strength white rums the way I regard Mrs. Caner – with besotted love not unmixed with a little dread.  Treat her right and there’s no end of the amazing wonders and complexities that will be provided; drink carelessly and you’ll be belted into next week.  Seeing the stats, is clear to see why: the rum is distilled in 2019 in Jamaica, and taken at 85.6% as it dripped and smoked and frothed off the still, then released without any ageing into the wild, unfiltered and unadded-to, and completely, fiercely, joyously untamed. You get the nervous feeling that when you drink it, you can sense the Grim Reaper on your shoulder clearing his throat.

So you can understand both my awe and my trepidation. On the outside, as a white rum, it looks meek and demure (another similarity it shares with my better half), but hard experience with L’Esprit’s recent outturns of this kind have taught me some measure of caution. The initial sniff showed why this was a good idea: it was a wild storm of competing, fighting, angry tastes from all over the map, starting with coconut milk with a touch of gaminess, vanilla, and flambeed bananas drizzled with hot bitter caramel syrup.  As if unsatisfied, it moved on to rubber and tar on a hot day. Glue, solvent, acetones, and behind it all, the rank meatiness of a midden heap, brine and hogo gone wild, into which somebody spilled a bucket of used engine oil.  If there were any fruits around, they were blattened flat by this huge wave of rumstink, and yet, for all that this reads like some kind of crazy, it’s still somewhat better and more interestingly assembled than the Long Pond TECA.

And at that strength, when sipped, well, it provided all the acres of hurt one can expect from that huge pail of proof. It was hot, spicy, initially reeking of stripped out gears and a burnt clutch on an old Land Rover – this was brief and dissipated swiftly, being replaced by ethanol, medicinals, a tart sort of sweetness (yoghurt, citrus, green apples, grapes, strawberries) and sourness (miso soup, Thai sweet chili, soya)…and then it really got going. There was the bitter clarity of licking a copper penny. It tasted of hot and very strong unsweetened black tea, on the good side of being bitter. And then it got more creamy and spicy and warm at the back end, before relaxing into a finish that was long, sweet, salty, sour, bitter – as if all taste receptors got switched back on at once — coughing up citrus, juniper, quinine and mineral water to go with the pears and green apples that closed the show.

Damn, but this was one serious rum. It’s just this side of excessive, and is the sort of thing a resident of Trenchtown would splash on before heading to the local rum shop for a duck curry and a brawl. The tastes are completely off the scale, they’re all over the place like a half-drawn roadmap leading to an undiscovered country and it’s a small miracle that they work together as well as they do. And admittedly, it’s too fierce on the attack: the lips are numbed, the tongue paralyzed, the taste buds burnt out in a bright flash of heated sulphur and brimstone, and this will not be a rum that finds favour with many except Los Extremos who inhale this kind of thing with their morning wheaties.

And yet, and yet…it’s not entirely a bad product : once it settles down it’s a really quite interesting piece of work, in spite of its undiluted demon-piss vibe. What it does, better than most with similar specs, is unashamedly channel trashy 1980s Ahnuld, Sly, Chuck and Dolph Lundgren action movies of the sort we remember fondly today. It drops massive taste bombs, huge sharp congeners, sweat, harsh language and liquid gelignite left right and centre the way those stars dropped one liners and cool kills. I’m not sure that’s a description or a profile that’ll appeal to everyone, but for those who are willing to park their doubts, I think L’Esprit’s Jamaican white brawler is simply one to beware of, treat with respect…and maybe, once one adjusts to its fierce character, even to love.

(#954)(86/100) ⭐⭐⭐⭐

Other notes

  • It’s not stated but as far as I know, it’s Worthy Park distillate.
  • “Cuvée Daniel” refers to (L’Esprit’s owner and founder) Tristan Prodhomme’s second son; the Diamond “Cuvée Edgar” MPM unaged white referred to his first. He made these rums to commemorate them, which I think is a sweet gesture.
  • As always, I must commend the sleek little sample bottles L’Esprit favours, which fit nicely into a presentation box and are just cool as all get out.
  • Pot Still, 279-bottle outturn. Rested between July 2019 to October 2020 in inert tanks.

SMWS R11.4 Worthy Park 2010 6 YO Rum (“Tasty Treat”) – Review

 No Responses »
Jun 272022
 

The Scotch Malt Whisky Society is the largest subscription-based spirits distributor in the world, focussing primarily on whisky but also blends, bourbons, gins, cognacs and, yes, occasionally rums. It has long passed the stage of simply buying a cask here or there and releasing the subsequent bottling, but is a noted stockist and ageing warehouse in its own right, purchasing new make spirit from all over the map and barrelling it themselves. Their prime focus remains the whisky arena, no matter what sort of minor releases they do in other areas of the spirit world, which I guess is understandable given their historical mandate and membership.

That said, 2017 was a relatively good rum year for the SMWS, because that was the year that the most rums were ever issued since they first got the slightest bit serious about them (in 2011): eighteen in all, of which seven were from a single distillery – Worthy Park 3. All but one of the WP Seven derived from a series of casks laid down in 2010 and somehow most of these have made it over into my stash, which does nothing to allay Mrs. Caner’s suspicions as to how much money I spend on rums (not much, honey, honest!).

So today, we’ll be looking at R11.4, a 66.1% ABV beefcake coming off a pot still, aged six years in Europe and with an outturn of 267 bottles. I’d write a longer introduction and throw in a few other observations, but really, with both the society and the distillery being known so well, it’s hardly required nowadays.

The rum is given the usual unique Society title, which this time is actually less obscure than most: it’s called the “Tasty Treat” — though that might be stretching things (especially for those new to the rum scene). The nose, for example, instantly reminds one of the insides of a pair of sweat-infused rubber boots after a hot day spent tramping through a muddy field of freshly turned sod, before it relaxes and grudgingly provides notes of sweet acetones, nail polish and turpentine (just a bit). And if you think that’s odd, wait a while: you’ll be greeted by brine, olives, cucumbers in light vinegar paired with sashimi in pimento-infused lemon juice (I kid you not). By the time you recover, all that’s gone and all that’s left is sharp, tartly ripe fruits: apples, pears, apricots, pineapples. And a touch of orange peel.

The palate is quite hot, as can be expected from something with such a high proof point; however, letting it breathe for a few minutes so it opens up and lets the sharper alcohol fumes dissipate, mitigates that heat, and a rum of rather well balanced flavours emerge out of the chaos. The segue from the nose is seamless: first the spicy, tart, fruity notes – pineapples, pears, strawberries, cherries, yellow mangoes – followed by milder, more mellow tastes.  These are flambeed bananas, caramel, honey, almonds, walnuts, unsweetened yoghurt, vanilla, and hot black tea infused with just a touch of cinnamon and cardamom. I particularly enjoyed how it finished, long and dry, with all flavours coming onstage for a final curtain call.  Nothing new at the close, nothing original, just a succinct summation of the whole experience in a languorous fade.

The odd thing about this rum is that good as it is, strong as it is, it’s missing something of the overall punch and uniqueness of some of the earlier R11.x series, let alone Worthy Park’s own rums which I had on hand as comparators.  It’s tasty and complex enough, yet lacks the voluptuousness of the juice WP puts out the door in its estate bottlings, and jumps around the flavour wheel without the structure of R11.2 or the excellent R11.3.  Maybe that’s a factor of the European ageing, maybe it’s the single barrel, maybe it’s just a different palate, maybe it’s the relative youth. It’s just not quite … there. And so, much as I like it, I can’t quite elevate it to the status of a must-have that had to be acquired by fair means or foul: because while it’s tasty enough, it’s not quite a treat.

(#918)(84/100) ⭐⭐⭐½

Habitation Velier Worthy Park “Forsyths WP” 2005 10 YO Rum – Review

 No Responses »
Mar 102022
 

For what seems our entire lifetime, Appleton was the first name in Jamaican rum. They gained their accolades by not being too extreme, and producing a tasty series of blended pot-column-still rums that didn’t push boundaries too much, too far, or too often.  But by the second decade of the 21st century this was all changing and stronger, forceful, pot-still only rums were being issued at cask strength by various independent bottlers; turbo-charging that process which I term the Rise of the New Jamaicans. 

One of the early adherents of WP was the Genoese company of Velier, which had been sniffing around Jamaica since 2013 or so, and finally managed to buy some aged (and unaged) stock to become part for its deservedly well-regarded Habitation Velier line. Few, however, manage or bother to try the entire range. There are many reasons for that: the wide array of choices available to consumers these days; the many other excellent Velier bottlings; and since there are so many HVs, people not unnaturally gravitate towards their favourite countries’ rums (the series is all about pot still expressions from many rum producers around the world) rather than fruitlessly attempt to get them all. Jamaica is probably the most popular of the set, which is no surprise, since of the 40+ releases made so far, more than half are from that island, and most of those are from Hampden (if you count the special limited editions) with which Velier has a distribution arrangement.

That said, eight other Jamaicans are from Worthy Park and are a tantalising mix of unaged white street brawlers and slightly more refined but no less loutish hoods aged ten years or so. This particular version — ensconced in the usual flat dark bottle so reminiscent of flatties my generation stuffed in their back pockets to nip at during the hot drowsy Caribbean days — came from the very beginning of Worth Park’s re-emergence as a rum maker in 2005, when they installed their new Forsyths double retort pot still at the distillery. The rum was aged ten years, and bottled at 57.8% ABV in 2015, which dates it from the very first generation of the HV releases and it remains a really good rum to this day (if it can be found).

What distinguishes the rum and what was so unusual for its time when high esters were not yet “a thing” is its rather sharply voluptuous fruitiness.  While it does start off with dates, raisins, brine and pimentos in cane vinegar, that changes. After five minutes or so, it exudes sharpish mix of apples, pears, green grapes, ginnips, soursop, kiwi fruit, and strawberries, all marinated in lemon juice, which gives it an initial aroma equivalent to the scolding of harridan’s whiplash tongue (though I mean that in a good way). Five minutes after that and you get flowers, sweet honey, a touch of lilac and a dusting of cinnamon, really quite nice.

On the palate is the promise of all those tastes that would make the New Jamaicans the rums du jour a few years down the road.  The profile is sharp, sweet, sour, estery, clean, everything we want from a Jamaican funk delivery system. Apples, unripe mangoes, green apples, green grapes, red currants, pineapples slices, citrus juice…the word gilttering is not entirely out of place to describe how it feels. What’s also nice is the secondary wave of notes that we come to: brown sugar, light molasses, honey, caramel, toffee, blancmange – still, it’s the fruits that carry the show and remain the core of the whole thing.  The finish is completely solid: fruity, citrus-y, long and spicy, and even throws in a last touch of sawdust and dusty papers as if having a last laugh at our expense.

What a rum this is indeed. It’s complex, tasty, aromatic, challenging and requires some work but few are those who don’t appreciate at least some aspects of how it presents after the session is over. Although Worthy Park has won rightful acclaim for its own branded rums like Rum Bar and the various estate editions released from 2017, it could be argued that the ease with which they colonised (new and old) consumers’ minds was somewhat helped by all the previous bulk exports that had been snapped up by the indies who came before, like Compagnie des Indes (who released classics like the really quite remarkable 2007 and 2008 WP rums, also in 2015). 

These early issues presaged and announced the subsequent emergence of estate rums that allowed Worthy Park to become the force on the world rum stage it is now.  But you know, whether some new indie or Velier or anyone else came up with this rum, doesn’t really matter – it effortlessly skates past and beyond such ruminations.  It’s simply a damned fine rum, released by a house that knows how to make ’em and another that knows how to pick ‘em. Worthy Park distillate really does go down well, at any age, and sometimes it doesn’t matter who puts out the juice, as long as what’s inside the bottle works.  What’s inside this one does work, very very well.

(#890)(85/100) ⭐⭐⭐½

Other Notes

  • Aged completely in Jamaica. All the usual statements about no additives or messing around apply.
  • Part of the first year’s release set of Habitation Velier (2015)

Key Rums of the World – Worthy Park Single Estate Reserve Blended Rum

 4 Responses »
Sep 302021
 

After only four years, the Worthy Park Single Estate Reserve rum has become so quietly ubiquitous, so well known and so widespread, that the bombshell it and all its brothers dropped on the rum world in 2017 has almost been forgotten. Even in the short time since its coming-out party, it has garnered a serious reputation for itself and reminds us all of the great rums emerging from Jamaica. One of the criteria I have for inclusion in the series is availability and longevity, and less than half a decade of being on the shelves might not strike some as sufficient time to enter the pantheon – but having tried it many times, I am convinced that it will hold its power, and continue to appeal.

My personal contention is that in about 2016 or so, a long-gestating tectonic shift started to gather real force, the phenomenon I call The Rise of the New Jamaicans. Appleton, as it had been for a long time, remained the most globally recognized Jamaican name in rum and focused mostly on blends, exported the world over. But by now the colonial model of low cost bulk rum resource extraction from the peripheries which characterized many other distilleries (not just in Jamaica), and which led to value added premium spirits in the central metropole, had been creaking for decades, and finally cracked. In all the major sugar and rum producing areas of the Caribbean, hard hit by falling sugar prices, indigenous producers were taking a good hard look at the constant bulk sales abroad and decided that rather than letting a plethora of re-bottlers and independents reap all the benefits of the rising tide of premiumization, they could get in on the action themselves. 

Worthy Park as a distillery re-emerged on the scene after reopening in 2005. It had been closed since the the 1960s when overproduction of rum had led to the shuttering of several distilleries: Gordon Clarke, a descendant of the family that owned it since 1918, felt the time was ripe to re-establish the brand name and not just make sugar, as the estate had been doing since that time. Rather than refurbish the old equipment, a completely new distillery with wider applications was constructed, and in 2005 the rum began to flow and be laid down for ageing. Bulk sales were established, and occasionally there were also sales of barrels to brokers – this is why we saw the SMWS, L’Esprit, Compagnie des Indes, Mezan, Velier, Rum Nation and 1423 popping up with indie releases for years, and third party contract rums like Doctor Bird coming across our sightlines with increasing frequency. And that’s not even counting Bacardi’s foray into the limited market with the embarrassingly indifferent money-grab of the Single Cane edition.

WP, once they got going, initially released their own inhouse branded series of rums called RumBar, which were relatively young or unaged bar staples, mixers for the most part. Aimed squarely at Appleton’s market share, these began quietly making waves, but had not yet reached any sort of critical mass, though they did became quite popular in the Jamaican, Caribbean and the North American bar scene. This all got a boost with the Special Cask rums that popped up in the festival circuit in 2017. The Marsala and Oloroso editions were really very good, and rightfully garnered rave reviews: but those were limited releases and sold at higher prices, were positioned as more premium. They were, in the following years, joined by other limited edition aged expressions, often finished, with different marques, and carved themselves a niche in the top end premium segment at prices trending towards three figures.

These were the headliners, but behind all the fancy finishes and exclusive editions and what have you, the blended six year old Single Estate rum4 slowly garnered for itself a quietly serious reputation, just kept on truckin’, was never out of production, and has now become synonymous with WP’s affordable mid-range workhorses (though oddly, it was promoted as an Ultra Premium in Jamaica itself when released there in 2019). It is perhaps a bit rarefied, retailing for around £50 in Europe and between $60-$70 in the US, but I suggest it retains real value when one considers the completely pot still production, and the fierce and uncompromising nature of its profile.

Appleton has always cornered the low-to-midrange market for Jamaican rums with its solidly made, tasty, approachable, affordable, available — and let’s face it, also inoffensive — pot-column blended rums. Worthy Park had no time for any of this wussy stuff, and went gleefully all-in with their 18,000-liter pot still. This shows up clearly the moment one cracks the Single Estate rum: the nose is light, yet presents an intense funky, fruity aroma. There is so much going on here that it behooves one to unpack the thing carefully: there is caramel ice cream, butter and salt, brine and olives.  Also softer bananas, cut with lemon peel and behind that is the mustiness of an old second hand bookstore’s back shelf, or that of a hay barn. Finally, as if thinking “dis t’ing still ain’ got enuff kick-up rumpus” it coughed up a last series of notes of biscuits, cereals, vanilla and some undefined indian spices, just because, y’know, it could.

Some might feel the 45% strength is too too timid, and serves only to restrain and contain the wide panoply of fierce tastes of which the rum is capable (and which some people really want), but perhaps more might have reduced us all to a state of catatonic shock, so let’s be grateful. For a pot still rum like this, I submit it’s probably correct, so it can appeal to a larger mass audience.  So, it’s very warm, stopping just short of hot, and presents initially as slightly sweet, with those musty spices detected on the nose snapping into clearer focus: black pepper, curry, turmeric, masala, plus all the extras of coconut shavings, bananas, citrus, vanilla, and the yeastiness of fresh dark bread. It ends things with a trace of nutmeg, cinnamon and oak, leading into a finish characterized by leather, damp aromatic pipe tobacco, port wine and some fruit

This rum tastes really fine: bitter, salt, sweet, crisp, it hits all the high notes, and if it lacks the extra fillip of finishing / double maturation like the Marsala and Oloroso, that’s no hardship, and it’s completely approachable by a layman. It has those mid-range esters, that higher level of funk, and is something like an amped-up Appleton, yet none of it is excessive, and it presents better, I think, because of the pot still origins and the eschewing of the pot and column blend (which I am slowly coming to realize produces an easier rum…but not always one of individual uniqueness).

Now, it’s a curious thing that there exists an unstated, underground perception that Worthy Park has been playing second fiddle to Hampden all this time. They certainly ferment in the same vat: not only does Hampden also sell bulk rum (and have done so for most of its modern existence), but they have their own estate range of fiery New Jamaican bar staples like Rum Fire and Stolen Overproof…as well as releases by well-known indies like the Compagnie, Renegade, SMWS, Samaroli, Murray McDavid, Romdelux, 1423, Rum Nation and BBR. Add to that the worldwide distribution deal Velier cut with Hampden in 2017 and their slick marketing, and you can see why Worthy Park seemed to be lagging behind and picking up footprints.

But I feel it’s a matter of perception, not degree, or even reality. A Key Rum of any kind is more than just “reputation”. It is a measure of reknown and quality, of an easy ability to move between the worlds of the cocktail and the neat pour, of the insatiable desire of secondary bottlers and bartenders and consumers alike to snag a bottle of the stuff, at a price that can be afforded and leave the buyer think he got the best of the deal. It welcomes, not intimidates, and you don’t have to be an expert to “get it”. By that standard, the Worthy Park workhorse of the Single Estate Reserve is not only one of most flexible and most versatile Jamaicans currently extant, but one of the best rums from the island, period, and a compelling reason to add yet another famed Jamaican distillery to the pantheon. Hampden may one day become a component of the canon as well, but for today, let Worthy Park get all the applause it so richly deserves. Because, me bredren, dem may be likkle, but damn, dem tallawah.

(#854)(87/100)

Other Notes

  • Other candidates I had tasted and considered for this entry in the Key Rums series included the Rum Bar White and Gold, as well as the WP Single Estate 3 and 12 Year Old. I felt the overall quality of this rum for the price, tipped the balance.

Worthy Park 2012 Special Cask Double Matured “Marsala” Jamaican Rum – Review

 No Responses »
Aug 082021
 

Worthy Park out of Jamaica had been distilling and selling youngish estate rums under the Rumbar label since about 2015, and laying down aged stocks from their spanking new distillation apparatus for a decade before that, all while selling bulk rum for cash flow. The bartender’s rums they released had always gotten good press; and the indies were able to cherry pick some really good ‘uns from the aged sales over the years (like the terrific CDI 2007 7 YO)… but it did leave Worthy Park without some middle-aged offerings of its own, and relegated to something of a second tier bottler, lacking a killer app to vault it to the next level.

They needed it, they wanted it, they got it, in 2017, when they proved once and for all that it was no longer just a purveyor of bulk rum and bartender’s backbar staples, but a major new Jamaican distiller of uncommon quality. That was the year they assaulted the festival circuit of with three serious rums, one of which has become an instant wanna-have classic, and let me tell you, I still remember what that was like.

See, at every rum fest, there are dark shadowed corners where the rum hoods sullenly lurk and gather: they acknowledge each other with a dour “S’up?” and secret handshakes; they exchange and share treasured samples of the latest halo rum, or show off those they have no intention of parting with (sometimes a sniff is all you get). And always they discuss the unheralded stars of the show that have to be tried. That year, as in others, a rumour started and began to spread, about one rum. It was a Jamaican. An awesome Jamaican. The mutterings grew until it was a babble, glasses quivered and noses twitched, and like elephants at a watering hole, the bulls sniffed the air, sensing a disturbance in the Force.  

Glasses were sourced, sniffed, snooted, sampled, swapped, and low muttered “holy sh*t!” exclamations were heard with increasing frequency. Significant looks were exchanged. A drift of the deep divers began to the back booths, slow at first but getting faster: because in the shabby corner over there by 1423, there was a new rum series that just had to be tried and the story was told that if that affable, bearded, vacationing Santa Claus running the booth liked you, or if you could bat your eyes just right at Zan Kong who was holding court right there, not only could you try the two official WP rums on display, you could be spotted a taste of a special under-the-counter juice that was simply off the scale. People were elbowing each other out of the way, they were so eager to get there before stocks ran out. I hadn’t seen anything like it since the stampede to get a snootful of the Caputo 1973, ten years ago. 

Okay, so I exaggerate a little for effect, and because I can’t let a good story pass without a few embellishments…but not really.  Because of the three rums I tried that day, and of the Worthy Park rums I’ve been fortunate enough to beg, borrow, bribe, blackmail, burglarize or sample since then, this thing remains a pinnacle among spirituous codpieces, sporting the sort of cachet and quality that launches small cults and distorts the GDP of small nations.

No, seriously. The rum was a cousin to the “Oloroso”, pot still made, the light WPL marque, aged in American white oak before being shipped to Denmark where it was further aged in a dry ex-Marsala cask, and bottled at one proof point higher (60% ABV, take that, milquetoast wannabes).  It smoked and frothed and dripped off the still in 2012 and was therefore also around five years old. Only 319 bottles, alas, which meant that not everyone who wanted one would ever get one….but for those who did, what a rum they got. The bottle trembled as Zan poured neat drams, as if he feared it might detonate at any moment, and indeed, since that day I’ve heard rumours (probably unfounded, but who knows, right?) that the sound of a bottle of this stuff being cracked disturbs the shape of whole buildings slightly with a small sonic boom. 

I can’t entirely discount such stories, because just sniffing the thing watered eyes and puckered noses (and other parts). The rum was hot, fierce to a fault and at pains to demonstrate it possessed the entire genome of Jamaican funk and Worthy Park badass, plus an extra chromosome for kick, just because, y’know, it could. It was salt butter creaminess spread over freshly toasted sourdough bread. It oozed caramel, bananas, citrus, spoiled oranges and apples way past their prime. The complexity was really something amazing, a forceful fruity cornucopia mixed in with spices that just kept on coming: over-ripe peaches, turmeric, and sweet-smoky red pepper, then back to the fruit salad again. 

It was bottled at 120 proof of power and yet, when sampled all one tasted was firmness, strength, no sharpness, like it was twenty points lower.  It laid down solid notes of flambeed bananas, overripe cashews, coconut shavings, a little brine and olives, and was creamy and aromatic in a very Jamaican-funk sort of way. There were sweet notes of peaches and pineapples in syrup, a fine background of lemon peel, spices again, apples and grapes and raisins all mixing it up in fine style with sweet bell peppers, rosemary and bay leaves.  And it slowed down not the slightest when approaching the finish line: it was long, peachy, creamy, tart, spicy, salty, and still managed to cough up some caramel, lemon zest and tart apples at the close.

Five years old.  If nothing else it showed the astounding quality of the Compagnie’s 7 YO had been no accident. It’s difficult for me to explain precisely what made it so good, and so memorable. The finishing was definitely a part of that, and in spite of the pot still action waning somewhat between nose and palate, the balance of the sweet with the salt with the umame and the tart, was completely stellar. Nothing dominated, everything got its time to shine, and there was a lot there to process. A lot. People throw around the word “complexity” far too casually these days, but here was a rum that really earned it. 

See, the WP Marsala rum displayed a furious sort of weapons-grade rum-making mojo of a kind I had been seeing all too rarely. It rewards multiple tastings, and is a completely enjoyable dram to sip from start to finish. I’ve gone back to it constantly, in all the time between then and now, and it’s not that I had to do that to “understand” it, precisely, or “get it.” I get it just fine. But I had to return to realize how good it really is, how well it marries the smooth elegance of a well mannered socialite with the brutally assertive statement of a cane cutter’s cutlass.  The strength may daunt, but the aroma beguiles, the palate seduces, and the quality of the whole is gradually made manifest…and once that happens, you return to it like a totem of all the quality you want, and didn’t even know you were missing.

(#842)(90/100)

Worthy Park 2012 Special Cask Double Matured “Oloroso” Jamaican Rum – Review

 No Responses »
Jul 292021
 

Depending on who you talk to, it’s a toss up whether Hampden or Worthy Park is the best of the New Jamaican distilleries. Appleton / J. Wray is the market leader (in both sales and recognition); Longpond, Monymusk, New Yarmouth and Clarendon have some brand awareness from Jamaican rum cultists and indie bottlers – though of course your average Joe could care less, let alone distinguish among them –  but when it comes to artisanal pot still rums, it’s all down to those two.

Hampden has a distribution arrangement with Velier (you can see Velier’s design ethos in all their labels), uses dunder in distillation, has its own aged rums and is repped by the charming,  dynamic and vivacious Christelle Harris. Worthy Park does not use dunder, has deliberately elected not to partner up with anyone (unless it’s 1423, the Danish outfit who helps them market their rums around Europe) and has their own not-so-secret weapon, the approachable and cheerful King of Cool, Mr. Zan Kong as their export manager.  Both sell “house brands” of their own (the Rumbar line for WP, the Velier-associated Pure Single Rums “46” and “60” for Hampden), sell to third parties which produce brands like RumFire, Stolen Overproof, Hamilton or Doctor Bird, or sell bulk for the use of European indies.

The key to their rise and recognition and all the accolades is less these points, however, than the fact that both have wedded their futures to pot still artisanal rums which have, since their introduction, taken the rumworld by storm. Worthy Park in particular is one of the best of its kind, and been confident enough in their sales to expand the admittedly rather entry-level (though still very good) Rumbar rums into a series of older and more limited expressions called the “Special Cask” series, which are further aged, issued at higher proof, and are simply amazing in every way.

This edition began to be released around 2017, and the bottle under discussion today is based on stocks laid down in 2012 — it’s a 59% ABV limited edition of 428 bottles, though I am unclear whether it came from a single cask or a few (I suspect a few).  It has the peculiarity of being double aged: four years in Jamaica, and another one in Denmark by 1423, which is why initially, at the various rumfests where it was introduced, it was found at that company’s booth.  That European year was in ex-Oloroso casks, so not only different casks but different climates impacted the final rum. Interesting…

The results of that bifurcated ageing regimen and the pot still origin speak for themselves, and personally, wholly on my own account, I can only say the rum is kind of a quiet stunner. The nose startled the hell out of me, I must admit – “…a smoky barbeque with sweetly musky HP sauce?” went the opening words of my handwritten notes — really!  It was redolent of the ashes of a dying fire over which a well-marinated shashlik had been grilling and sizzling.  Which did not stay long, admittedly: the real rumminess came after – caramel, burnt sugar, bags of fruit.  For a while there it even nosed like a pot still white, with slight turpentine, brine, olives and varnishy notes.  Red wine, grapes, plums, very ripe apples, bananas, coconut shavings, the smells kept billowing out and all I could think was somebody had somehow managed to stuff the olfactory equivalent of a grocery’s entire fresh produce section in here.

The taste was similarly excellent, a low-rent masterpiece of execution in precision mixed up with a raucous yard party where de music blarin’ out o’ big-ass speaker size’ like young fridge. It was all-out funky Jamaican goodness, sweet and crisp and very very controlled, with the balance among all the competing elements really quite well handled. Strawberries, pineapples, bubble gum and orange zest started the party; that was then followed by raisins, dark fruits, plums, vinegar, pimento and vinegar dumped with olive oil into a oversalted salad (and I mean that in a good way). Even the finish – sporting a limbo of nuts, paprika, tobacco leaves and more of those oversweet-yet-tart spoiling fruits – added a solid conclusion to the festivities.

No blended rum or column still ever came up with a rum like this. Steve James of the Rum Diaries Blog wrote the first serious review of the series and was enamoured of the entire line, and The Fat Rum Pirate followed suit soon after with a four star review (it’s both amusing and instructive that one thought the sherry influence was too much, the other too little) and Rum Shop Boy weighed in with a positive experience of his own. 

But oddly, in spite of the accolades, the rum never really scaled the heights of consumer desire to the extent that it became a must-have, and if a measure of any rum’s popularity is the amount of times it gets mentioned on social media with gleeful boasts of “I got it!!” then this seems to be considered a bit of a smaller rum.  Personally, I disagree: Worthy Park’s double aged “Oloroso” rum was and remains a seriously constructed piece of complex oomph that any distiller would have been proud to release. “Though she be but little, she is fierce,” wrote Shakespeare of the diminutive Hermia in A Midsummer Night’s Dream, and I think that applies equally to this rum. In people’s minds it may be small, easily overlooked – but in reality, it’s Goddamned huge. 

(#840)(88/100)

Habitation Velier Forsyth’s Pot Still Unaged White Rum (WPE) (2017) – Review

 No Responses »
Dec 302020
 

Hampden gets so many kudos these days from its relationship with Velier —  the slick marketing, the yellow boxes, the Endemic Bird series, the great tastes, the sheer range of them all — that to some extent it seems like Worthy Park is the poor red haired stepchild of the glint in the milkman’s eye, running behind dem Big Boy picking up footprints. Yet Worthy Park is no stranger to really good rums of its own, also pot still made, and clearly distinguishable to one who loves the New Jamaicans. They are not just any Jamaicans…they’re Worthy Park, dammit. They have no special relationship with anyone, and don’t really want (or need) one.

For a long time, until around 2005, Worthy Park was either closed or distilling rum for bulk export, but in that year they restarted distilling on their double retort pot still and in 2013 Luca Gargano, the boss of Velier, came on a tour of Jamaica and took note. By 2016 when he released the first series of the Habitation Velier line (using 2015 distillates) he was able to convince WP to provide him with three rums, and in 2017 he got three more.  This one was a special edition of sorts from that second set, using an extended fermentation period – three months! – to develop a higher ester count than usual (597.3 g/hLpa, the label boasts). It was issued as an unaged 57% white, and let me tell you, it takes its place proudly among the pantheon of such rums with no apology whatsoever.

I make that statement with no expectation of a refutation. The rum doesn’t just leap out of the bottle to amaze and astonish, it detonates, as if the Good Lord hisself just gave vent to a biblical flatus. You inhale rotting fruit, rubber tyres and banana skins, a pile of warm sweet garbage left to decompose in the topical sun after being half burnt and then extinguished by a short rain. It mixes up the smell of sweet dark overripe cherries with the peculiar aroma of the ink in a fountain pen.  It’s musty, it’s mucky, it’s thick with sweet Indian spices, possesses a clear burn that shouldn’t be pleasant but is, and it may still, after all this time, be one of the most original rums you’ve tried this side of next week. When you catch your breath after a long sniff, that’s the sort of feeling you’re left with.

Oh and it’s clear that WP and their master blender aren’t satisfied with just having a certifiable aroma that would make a DOK (and the Caner) weep, but are intent on amping up the juice to “12”.  The rum is hot-snot and steel-solid, with the salty and oily notes of a pot still hooch going full blast. There’s the taste of wax, turpentine, salt, gherkins, sweet thick soya sauce, and if this doesn’t stretch your imagination too far, petrol and burnt rubber mixed with the sugar water. Enough?  “No, mon,” you can hear them say as they tweak it some more, “Dis ting still too small.” And it is, because when you wait, you also get brine, sweet red olives, paprika, pineapple, ripe mangoes, soursop, all sweetness and salt and fruits, leading to a near explosive conclusion that leaves the taste buds gasping.  Bags of fruit and salt and spices are left on the nose, the tongue, the memory and with its strength and clear, glittering power, it would be no exaggeration to remark that this is a rum which dark alleyways are afraid to have walk down it.

The rum displays all the attributes that made the estate’s name after 2016 when they started supplying their rums to others and began bottling their own. It’s a rum that’s astonishingly stuffed with tastes from all over the map, not always in harmony but in a sort of cheerful screaming chaos that shouldn’t work…except that it does. More sensory impressions are expended here than in any rum of recent memory (and I remember the TECA) and all this in an unaged rum. It’s simply amazing.

If you want to know why I’m so enthusiastic, well, it’s because I think it really is that good. But also, in a time of timid mediocrity where too many rum makers (like those Panamanians I was riffing about last week) are afraid to take a chance, I like ambitious rum makers who go for broke, who litter rum blogs, rumfest floors and traumatized palates with the detritus of their failures, who leave their outlines in the walls they run into (and through) at top speed.  I like their ambition, their guts, their utter lack of fear, the complete surrender to curiosity and the willingness to go down any damned experimentative rabbit hole they please. I don’t score this in the nineties, but God, I do admire it – give me a rum that bites off more than it can chew, any time, over milquetoast low-strength yawn-through that won’t even try gumming it.

(#790)(86/100)

Other notes

  • Outturn unknown.  
  • The Habitation Velier WP 2017 “151” edition was also a WPE and from this same batch (the ester counts are the same). 
  • In the marque “WPE” the WP is self explanatory, and the “E” stands for “Ester”

SMWS R 11.3 Worthy Park 7YO Rum (“Crème Brûlée Flambé”) – Review

 No Responses »
May 272020
 

Anyone from my generation who grew up in the West Indies knows of the scalpel-sharp satirical play “Smile Orange,” written by that great Jamaican playwright, Trevor Rhone, and made into an equally funny film of the same name in 1976.  It is quite literally one of the most hilarious theatre experiences of my life, though perhaps an islander might take more away from it than an expat. Why do I mention this irrelevancy?  Because I was watching the YouTube video of the film that day in Berlin when I was sampling the Worthy Park series R 11.3, and though the film has not aged as well as the play, the conjoined experience brought to mind all the belly-jiggling reasons I so loved it, and Worthy Park’s rums.

You see, Hampden catches a lot of kudos and eyeballs and attention these days – their publicity blitz for the last few years is second to none, and they are rightfully renowned for the quality of their pot still rums issued with and by Velier, the ones that fans collect with a sort of obsessive good cheer which perhaps Ringo Smith might admire (and plan a long con around). But this leaves the other New Jamaican distillery of Worthy Park and its own pot stills seeming to pick up footprints, when in fact its rums are equally good, just different. Their confidence is, in my opinion, not at all misplaced, since the SMWS R11.3 — fragrantly named “Crème Brûlée Flambé” — is the best of those first three WP rums (I own but haven’t tried the second trio so far).

Consider how it opened, with a nose of pencil shavings, sawdust and wood chips in a sawmill, glue and bright sweet-sour acetones that made me look rather amusedly at the bottle to confirm it wasn’t an R2.x series Enmore or something. It developed real well from there: honey, cardamom, cloves and ginger to start, followed by a wave of tart fleshy pears and apricots.  There was a nice hint of avocados and salt and citrus juice, and when I let it stand for ten minutes (was watching the waiter training scene), I got last and light aromas of salt caramel ice cream, chocolate chip cookie, and butterscotch bon bons.

I remarked on the R 11.1 and R 11.2 that they were young and somewhat raw at times, not entirely cohesive, and Simon Johnson in his review of the R 11.2 also noted they lacked a certain elegance which the aged blends released by WP themselves displayed.  This was not an issue here at all – the palate was more approachable and rounded than its two predecessors – lots of both tart and ripe fruits, plus citrus, mint, salt caramel, rye bread, cream cheese and flowers in a good combination.  The taste is not quite as complex as the nose had been but it was close – at any rate it was both meatier and slightly thicker and sweeter than those, and for once, I think the SMWS had the title of the thing exactly right.  Finish was long, flavourful and zesty, mostly flowers, honey, fresh baked cheesecake, caramel, and some dry dusty notes of jute rice bags.

The distillation run from 2010 must have been a good year for Worthy Park, because the SMWS bought no fewer than seven separate casks from then to flesh out its R11 series of rums (R11.1 through R11.6 were distilled May 1st of that year, with R11.7 in September, and all were released in 2017).  After that, I guess the Society felt its job was done for a while and pulled in its horns, releasing nothing in 2018 from WP, and only one more — R11.8 — the following year; they called it “Big and Bountiful” though it’s unclear whether this refers to Jamaican feminine pulchritude or Jamaican rums.

Anyway, this is a rum that matches its siblings and goes a step beyond them. “Grace under pressure under a hot sun” wrote Richard Eder of the New York Times about the film “Smile Orange” in 1976, describing Ringo’s equanimity towards his travails.  The way the R11.3 cheerfully unfolds, without hurry, without bombast, taking its weaknesses and strengths in stride, suggests that the phrase could equally apply to the rum. After all, the best rums aren’t only the ones that are well made and taste good, but those which enrich and enhance life experiences, call back great memories of times gone by, allow you to skate past the problems and vicissitudes of reality. My experience and enjoyment the day I drank this rum, completely proved that point.

(#730)(88/100)

SMWS R 11.2 Worthy Park 7YO Rum (“Absolutely Fabulous!”) – Review

 No Responses »
May 172020
 

It sounds strange to say it, but the Scotch Malt Whisky Society, aside from ushering in changes in the whisky world, had its impacts on rums as well. What made the Society stand out back in the day and initially made its name, was the focus on single cask fullproof bottlings, which at the time was only sporadically addressed by other whisky makers (and hardly at all with rums, except perhaps by the Italians like Samaroli and Velier, who were practically unknown outside Italy). At the time I wrote about the Longpond R5.1 and the WIRD R 3.4 and R 3.5, 46% was about the most I ever saw outside of the 151s, so juice that went for broke at cask strength was eye opening.

Well, fast forward some years and what I saw as groundbreaking in 2012 is now standard practice, and while the Society has expanded its rum selection to 50+ (all at fullproof), its lustre has been eclipsed somewhat in the competing glare of the many other rum makers (indies or producers) who are doing the same thing, and who, let’s face it, specialize in rum – they don’t see it as an adjunct to their main business. That and the SMWS’s pricing model, of course, which many can’t or won’t pony up for (full disclosure: I’m a member of the Society and buy my bottles).

But anyway, preamble aside, let’s keep on disassembling the R-11.x series of rums released by the Society, with the second release from Worthy Park distillate, which is called, without irony and perhaps tongue-in-cheek, “Absolutely Fabulous!”  Like the R11.1, it is 57.5% ABV, distilled in 2010 and bottled in 2017, 309-bottle outturn from ex-bourbon barrels.  And like that one, it’s nice and original.

The nose – sweet, fruity, subtly different from the R11.1. Orange zest, papaya, pineapple, ripe yellow mangoes, plus toblerone, white pepper, honey, cereals, and again that sly hint of glue coiling around the background.  It remains dusty, but also laden with spices like cinnamon, massala, crushed black peppers and there’s a subtle oily iodine-like smell wafting around that really makes the thing original. There’s a slight suggestion of rubber, not so much like a vulcanizing shop in hot weather as an old basketball’s air leaking out.  Like I said – original. I guess it takes all kinds.

The palate presents as hot and quite dry, a little wine-y, and also salty – brine and olives, and even salt fish with a few good ‘obstacles’ of cassava and eddoes.  It’s funky and a bit off the reservation, I grant, but there’s more: well-oiled leather, aromatic tobacco, sweet chilis and cucumbers and apple cider – I really didn’t know what to make of it, except that it sort of makes you smile and try some more, see if there’s any other element of crazy hanging around waiting to ambush your tongue. Here I did add some water and it quietened down and other flavours crept out, including the fruit that the nose had promised: pineapple, mangoes, unripe peaches, caramel, nutmeg, toffee and the acrid smoke of water-doused fire, if you can believe it. Finish was nice and long, somewhat bitter, mostly tobacco, leather, smoke, not too much in the way of sweetness or fruits except for a whiff of Fanta that permeated the entire experience.

This rum is clearly from the same tree as the R11.1 but seems like a different branch…and good in the same way, and its own way. That musky salt fish and iodine was odd to say the least (if not entirely unpleasant)…and what it shows is that rums made at the same time and aged for the same period – probably in the same place – can have discernibly different profiles.  Worthy Park sold the SMWS a number of barrels (none of the SMWS bottlings come from Scheer) so there’s both tropical and continental ageing in these things. And what it demonstrates is that like for all other indie bottlers, getting several barrels means one has the opportunity (takes the risk?) of having one barrel be different than its neighbor but both showing something of the character of the source estate. For my money, the R11.1 worked, and made my ears perk up, and my nose twitch. The SMWS took a chance with the R11.2 and it paid off, because this one, happily, does the same thing…not fabulously, perhaps, but with originality, and very nicely indeed.

(#727)(86/100)

Other Notes

  • Serge Valentin scored this 88 points and felt that were it not for two off notes it would have hit 90
  • RumShopBoy, the only other person in the rumisphere who has written about the SMWS bottlings, rated it 74/100 on a 0-100 scale, so his evaluation is about the same as mine.  His comments are worth noting: “This is not as good as Worthy Park’s Single Estate Rums that are commercially available. Although those editions do not carry age statements, they are more refined blends that are easier to drink. That leads me to my biggest problem with this rum… it is a real challenge to enjoy it properly. There is no doubting the quality of the rum and its production but it is hard to really enjoy it. Unusually for me, I found it needed some water to make it more enjoyable.”

Doctor Bird Jamaican Rum – Review

 4 Responses »
Feb 192020
 

The strangely named Doctor Bird rum is another company’s response to Smith and Cross, Rum Fire  and the Stolen Overproof rum. These are all made or released in the USA (Stolen hails from New Zealand but its rum business is primarily in the US), but the rums themselves come from Jamaica, and there the similarity sort of breaks down, for the Doctor Bird is one of the few from Worthy Park — one of the New Jamaicans which has quietly been gaining its own accolades over the last few years — and not from Hampden or Monymusk or Longpond or Appleton.

The quirky Detroit-based Two James Distillery — whose staff include, variously, an ex-guitar-maker, ex-EMT, ex-Marine and ex-photographer and who state openly and tongue-in-cheek that they have no problems with people stalking them on social media — is a full-fledged distillery, with a 500-gallon (1892 liter) pot still leading the charge.  But while they produce gin, rye whiskey, bourbon and vodka on that still, it’s really irrelevant here because – again, like Stolen – they didn’t bother to make any rum themselves but imported some barrels from Worthy Park. This is a departure from most American distillers styling themselves rum makers, many of whom seem to think that if they have a still they can produce anything (and are at pains to demonstrate it), but few of whom ever think of buying another country’s spirit as Stolen and Two James have.

That aside, moving on: Worthy Park you say?  Okay. What else? Pot still, of course, 50% ABV, so that part is good.  Hay yellow. It’s finished in moscatel sherry casks, and that kinda-sorta bothers me, since I retain bad-tempered memories of an over-finished Legendario that was well-nigh undrinkable because of it – though here, given the zero reading on a hydrometer, it’s more likely the finishing was a short one, and not in wet casks.

Certainly the sherry influence seemed to be AWOL on initial sniffing, because my first dumbfounded note-to-self was wtf is this? Salt wax bomb just went off in the glass. Sharp funk is squirting left and right, acetones, furniture polish, rotting bananas, a deep dumpster dive behind an all night take-out joint. Harshly, greasily pungent is as good as any to describe the experience. Oh and that’s just for openers. It gives you kippers and saltfish, the sweet salt of olive oil, varnish, paint thinner. Thank God the fruits come in to save the show: sharp nettlesome, stabbing, tart unripe green bastards, to be sure – gooseberries, five finger, green mangoes, soursop, apples, all nose-puckering and outright rude.  But overall the sensation that remains on the nose is the brine and rotting fruits, and I confess to not having been this startled by a rum since my initial encounter with the clairins and the Paranubes. 

Thankfully, much of the violence which characterizes the nose disappears upon a cautious tasting, transmuted by some obscure alchemy into basic drinkability.  It stays sharp, but now things converge to a sort of balance of sweet and salt (not too much of either), crisp and more fruity than before. There’s wood chips, sawdust, varnish, glue, retreating to a respectable distance. Sweet soya sauce, vegetable soup, dill and ginger, gherkins in a sweet vinegar, followed by a parade of crisp fruitiness. Pineapple, lemon peel, gooseberries, green apples, all riper than the nose had suggested they might be, and the finish, relatively swift, is less than I would have expected — and simpler — given the stabbing attack of the nose.  It provides salt, raisins, the citric spiciness of cumin and dill, exhaled some last fruity notes and then disappears.

Well now, what to make of this? If, as they say, it was finished in a sherry cask, all I can say is too little of that made it through. The light sweet muskiness is there, just stays too far in the background to be considered anything but a very minor influence, and aside from some fruity notes (which could just as easily come from the rum’s own esters), the sherry didn’t habla. Maybe it’s because those Jamaican rowdies from the backdam kicked down the door and stomped it flat, who knows? The strength is perfect for what it is – stronger, and morgues might have filled up with expired rum drinkers, but weaker might not have exhibited quite as much badass.

I think the challenge with the rum, for people now getting into Jamaicans (especially the New ones, who like their pot stills and funky junk dialled up to “11” ) might be to get past the aromas, the nose, and how that impacts what is tasted (a good example of how polarizing the rum is, is to check out rumratings’ comments, and those on Tarquin’s sterling reddit review. This is a rum that needs to be tried carefully because to the unprepared it might just hit them between the eyes like a Louisville Slugger. Personally I think a little more ageing or a little more finishing might have been nice, just to round things out and sand the rough edges off a shade more – this is, after all, not even a six year old rum, but a blend of pot still rums of which a 6YO is the oldest. And those high-funk, ester-sporting bad boys need careful handling to reach their full potential. 

The Jamaicans have been getting so much good press of late – especially Hampden and WP – but the peculiarity of this fame is that it has led to the belief that anyone can just buy a barrel or ten from them, bottle the result and voila! – instant sold-out. Yeah, but no. Not quite. Not always. And no, not here.

(#703)(83/100)

Other Notes

  • “Doctor Bird” is not a person, and is not supposed to be “Dr. Bird.” It is, in fact, the national bird of Jamaica, a swallow-tail humming bird, only found there. Folklore has it that it was named because of the resemblance of its black crest and long bifurcated tail to the top hat and tails worn by country doctors back in the old days.
  • Big hat tip to Cecil Ramotar, ex-QC part-time rum-junkie, who made sure I got a sample of the rum to try.

Single Cane Estate Rum (Worthy Park) – Review

 No Responses »
Oct 062019
 

There’s so many peculiar things going on with this rum it’s tough to find a convenient starting place, so let’s begin with what facts lie behind the rum itself and then go from there.  The rum is a Jamaican Worthy Park distillate from about 2010 or so, aged three to five years in american white oak casks, with an unknown (said to be limited but….) outturn dribbled into our glasses at a milquetoast 40%.

Since WP have a very recognizable branding scheme of their own, who released the rum? It’s found on the label, and it’s Bacardi, who evidently felt there was a market opportunity to go upscale and use their massive distribution network and marketing clout to steal a march on the independent bottlers who have pioneered limited bottlings in the last decade. I say “evidently”, because clearly they simply saw margins and profits, grandly called the new line a “breakthrough, contemporary innovation in the rum category” — but learned nothing about what actually made such rums special: things like serious barrel selection, serious ageing, serious strength, limited outturn, combined with a real and patiently garnered reputation for quality at the top end of the rum ladder. Just because you slap a Jamaican distillery name on a label does not mean you instantly have a great juice, as they have belatedly realized by the way this rum sank pretty much without a trace.

Which in 2019, four years after its release, I thought was odd…but only initially.  I say that because at first I quite liked the way it nosed. It was very much a WP rum, dry, fruity, rich, salty, with some olives bouncing around. Sweeter, fruitier notes emerged with time, fanta and coca cola and orange peel, and there was some background of smoke and leather as well. I jotted down that it was nicely pungent for a 40% rum. Understated but recognizable. So, thus far, not bad at all.

Trying it physically, I can only assume that whoever put the final blend together must have been scared witless and sh*tless by the sheer crisp uniqueness of Worthy Park’s pot still distillate, so much at odds with the gentle ease of Cuban-style rons – and decided, therefore, it could not possibly be allowed to stand on its own but be added to to make it more…well, palatable, I guess. Better for Bacardi drinkers. And therefore added caramel or sugar or whatever, to the tune of 15 g/L.  And you could sense that when tasting it – it was, first of all, much fainter than one might expect from such a good nose. The dryness went AWOL, and instead of leading off with crisp citrus and brine, what we got was a sort of muted fruitiness, damped-down acetones, sour tobacco and polish, and a more soft and smooth and creamy taste. This was not unpleasant, but it did deviate from what we want — and hope we’re buying — in a Worthy Park rum. Moreover, though a half hour later I could sense apples, grapes, and unripe peaches, it was too muffled, and unbalanced at the back end, presenting both a kind of spiteful sharpness as well as a muddled mishmash of tastes confused and roiled by the additives, leading to a finish that was short and sharp — a kinda dreary and near-tasteless alcohol.

Overall, it’s unclear what Bacardi thought they were doing, acting as an independent bottler when they’ve always been primary producers who have their own ideas on how to make rums; with expertise in light rons, the clear-cut singularity of single (or a few) barrel selection from Jamaica does not seem to be their forte.  I’ve been passing Single Cane rums in many airports of the world for years but the 40% always put me off until finally I got one, this one…and kinda wished I hadn’t bothered.  It’s not a particularly good rum, a barely average product released at a strength that does little to showcase or capitalize on the unique heritage of its estate of origin. As a beginner’s rum it works to introduce Worthy Park, but my advice is to move beyond it to the real stuff from Jamaica as fast as possible, without wasting further time on the false promises of such an adulterated siren that treats its audience with contempt and cynically trades on a name without providing anything of its quality.

(#662)(78/100)

Other notes

  • Bacardi bought bulk rum directly from Worthy Park, and it was aged at WP. but they did their own blending.
  • The 15g/L additives number comes from the Fat Rum Pirate’s equally dismissive review of the same rum

Compagnie des Indes Jamaica 2007 8 Year Old Rum (WP) – Review

 No Responses »
Jan 122019
 

Hampden has been getting so much press of late that it’s only fair to have a look at the other products of the island, of which, these days, there are no shortages. For a long time these distilleries — with names geeks could recite in their sleep, like New Yarmouth, Innswood, Clarendon, Long Pond Monymusk, Worthy Park, Hampden — laboured in relative obscurity, living in J. Wray’s gargantuan shadow, selling mostly bulk rum abroad, or for the local market.

Somehow, though, the distilleries remained alive, and so did their names, their rums. While I’m by no means disparaging or downplaying the emergent reputations of these distilleries over the last half-decade or so as they began selling rums under their own brands, tropically aged and made in Jamaica (rather than just being a resource for others to tap), I think one of the reasons the layperson is even aware of them is because of the independent bottlers out of Europe, who for decades issued the occasional cask strength or watered down single-barrel release and kept the lesser-known marques of Jamaica alive.  (And that goes especially for WP, which was shuttered from 1960 to 2007.)

Most of the time, such bottlers never bothered with identifying the distillery of origin. Often it was just “Jamaica rum” and that was it. But in line with the recent interest in stills and distilleries (which perhaps originated in the Age of Velier’s Demeraras), the independents became more forthcoming with where their juice originated on the island.

This brings us to the Compagnie des Indes, founded in 2014 by Florent Beuchet, who, with the exception of their blends like the Dominador or Caraibes, has always placed rather more information than less on the labels of their rums – including that first set of cask strength bruisers marked “Denmark only”, which have caused nerds conniption fits and allowed the lucky Danes to preen unashamedly while glugging their personalized full proof juice. This one, distilled in 2007 (the first year of WP’s re-opening after being modernized) and bottled in 2016 at a solid 54.9%, was continentally aged and limited to 307 bottles, all of which ended up in Denmark.

Trying the rum in 2016, against its spectacular 7 year old brother (also from WP’s 2007 output) and again for this review, I was reminded how full proof Jamaican rums seem to step up their game and be ahead of living room strength rums by a country mile. It was lighter on the nose than the RN Supreme Lord 7 and Supreme Lord 8 which were also on the table that day; slightly funkier too, though restrained compared to the rutting jocks of the Hampdens or NRJ rums. Aromas of honey, dates, apricots, tart soursop and green grapes mixed it up nicely with some brine and olives, and a sly hint of flowers emerged after adding a few drops of water.

The palate was where it shone. It was warm, spicy and very clear, tasting immediately of brine, light nail polish remover, and also of lemon sherbet and mango ice cream. It presented firmly on the tongue, somewhat sharp without any jagged edges of confusing or conflicting tastes; as it opened it provided flavours of paint thinner, varnish and sweeter acetones, accompanied by light funk, vanilla, slightly bitter oaky tannins, which were in their turn superseded (but not eclipsed) by some caramel and brown sugar, dill and lemon zest. Really good balance, really well put together. It ended with a delightfully long and cruising finish, warm and solid, providing mostly tart background notes of half ripe mangoes, peaches, some caramel, and the vaguely bitter strength of some very strong black tea sweetened with condensed milk.

Worthy Park rums are interesting variations on the Jamaican style. Appletons are well made, elegant blends with a laid back sort of profile, while Hampdens are fiercely luxurious funk bombs, and Monymusk and New Yarmouth seem to exist on another plane of existence altogether (perhaps because they are relatively less well known). Worthy Park rums, though (those that I’ve tried, anyway) are light, crisp and clean, ester-rich, with delicate and precise lines of commingled flavour coiling through each and every one of them, only occasionally exploding into something more aggressive, and usually resting on a softer background that makes for a lovely sip.

Now, their own new tropically aged rums issued over the last few years are small masterworks (I think), yet we should not ignore the sterling efforts of the choices the independent bottlers made either, both before and during the current Jamaican Renaissance. This excellent rum is a good example of why that statement can be made, be absolutely true, and it burnishes and elevates the reputation of a distillery that is finally getting the respect it should have had long ago. I’ll be trying quite a few more of their rums in the months and years to come, that’s for sure.

(#588)(87/100)

Other Notes

  • For further reading on Jamaican rum distilleries, a good starting point is The Wonk’s Jamaican Cheat Sheet.
  • As far as I know the distillation apparatus is a Forsythe’s copper pot still

L’Esprit Worthy Park 2007 8 Year Old Jamaican Rum – Review

 No Responses »
Oct 092018
 

L’Esprit, if you recall, is that little independent bottler in Brittany which is run by Tristan Prodhomme, and has the peculiar distinction of usually issuing the same rums in two iterations – a diluted, more numerous version at a lower proof for the general market, and another more limited one at cask strength (from the same barrel(s) for those who prefer a rum with some fangs.  They don’t range too far afield and stick with the regular rums of the pantheon – from Jamaica, Guyana, Trinidad, Barbados, Guadeloupe, Panama and so on, with an occasional divergence to Nicaragua and Belize and Haiti.

In the sense that L’Esprit is an independent bottler, they conform to most of the markers of the European indie scene – they regularly buy a few barrels from Scheer, issue a limited bottle set, and have an annual outturn.  They’re not out to reinvent the wheel, just to sell good quality hooch. What (to me) distinguishes them is the quality of what they push out the door, and even with the young rums, like this 8 Year Old Jamaican from Worthy Park, the quality of what they selected is self evident.

Speaking of Worthy Park: it is located in the parish of St. Catherine, and, like other Jamaican estates, is having something of a renaissance as the wave of tropically-aged, estate-made rums gathers steam – leaving aside Habitation Velier’s rums, they themselves have made quite a few interesting ones of their own (I have detailed files…).  Much like Hampden, they pride themselves on cool ester counts and their Forsythe’s double retort pot still delivers in spades when it comes to good rums. Like other Caribbean rum companies, they sell bulk rum abroad (mostly to Scheer), which is something of a double edged sword – other companies capitalize on the WP name and take the value-added revenue for themselves, but on the flip side, it allows WP to have a revenue stream, and introduces a far wider public to the qualities of their rums in a world where distribution arrangements can be a pain for a local company to negotiate.

So, given how many Jamaicans are on the scene these days, how does this young, continentally aged 55.9% golden rum fare?  Not too shabbily. It’s strong but very approachable, even on the nose, which doesn’t waste any time getting started but announces its ester-rich aromas immediately and with authority: acetone, nail polish and some rubber plus a smell of righteous funk (spoiling fruits, rotten bananas, that kind of thing).  Its relative youth is apparent in the uncouth sharpness of the initial aromas, but once one sticks with it, it settles into its own special groove, calms itself down and does a neat little balancing act between sharper scents of citrus, cider, apples, hard yellow mangoes and green grapes, and softer ones of bananas, cumin, vanilla, marshmallows and cloves.

The palate was rich as well, no surprises, though again, it started out quite sharp, almost jagged, spicy and hot.  The rum developed from sharp to soft much as the nose did, with many of the same flavours – brine, furniture polish, herbs, brine and olives to start with, green grapes, apple cider, aromatic tobacco and unsweetened dark chocolate, which gradually relaxed into a fruity cornucopia of overripe bananas and mangoes and apricots and guavas and pineapples, all bound up with vanilla, sugar water, a little caramel (very light), crackers, fanta and sprite.  As for the finish, that was very good, very long, very fruity, very soft…the slow meandering of a river that started out as a torrent of raging white water but was now serenely pushing out to sea without haste.

Overall, I was quite surprised at how much there was going on here.  For a rum this youthful and aged in Europe to boot, I expected more savagery and less control, fewer softened edges and more from the sharper side of the barrel.  Yet the oak remained in the background the whole while, the fruitiness and funk danced across the senses, and while the complexity and balance were both very well handled, it’s the development of the rum over two hours that held my attention.  It started off like a boss and then just…well, it just chilled and showed you a good time. In that it exceeded the Mezan WP 2005 which was older, while falling short of the exceptional Compagnie des Indes Jamaica WP 2007, which was younger.

Of the Jamaican rums now gaining greater appreciation, I must confess to my own liking for Hampdens – they’ve consistently scored higher (when taken in aggregate) than Appleton or Monymusk or Worthy Park, of which I have not had that many.  That this single rum could make me both discover and re-evaluate that unconscious preference, and encourage me to buy more from the estate – whether independently made or from WP itself, tropically aged or continental – is to the credit of both Tristan who released it, and Worthy Park who made it. It’s a quietly amazing rum that’s really a blast to try.

(#557)(86/100)

Other notes

  • A really good intro to Worthy Park comes from the pen of Steve James, here, as well as the Cocktail Wonk, here.
  • Most of the Worthy Park rums that have garnered attention of late have been the Habitation Velier expressions there are also Worthy Park’s own rums which were issued in 2017 to really positive feedback.  Transcontinental Rum Line, Mezan, Rum Nation, Bacardi (Single Cane brand), and some other smaller indies from around Europe have bottled rums from there as well.
  • L’Esprit’s presentation cases of small square 100ml bottles can’t be beat.  I’ve seldom seen any minis so sleekly attractive.

 

 

Mezan Jamaica (Worthy Park) 2005 10 Year Old Rum – Review

 No Responses »
Jul 022018
 

The question that arises when drinking a rum that is 10 years old is whether the relatively placid 40% strength helps or hurts given our rather more discerning palates these days. The blended Jamaican XO from last week’s review, with its indeterminate age and provenance, succeeded modestly in spite of its wispiness because somehow the tastes still came through and provided a showcase for the style…and for its price it was a strong low-end contender that punched above its weight.  While the 2005 10 YO we’re looking at today is also bottled at that strength – subsequent editions are a bit stronger – it is quite a few rungs up the ladder. In fact, it’s a quietly successful offering from Mezan, and should not be passed over by those who disdain anything except cask strength juice.

Speaking immediately about the nose, even though the strength was the same, the 10 year old presented as much more emphatic and distinctive than the XO.  Bananas and lemons, brine, olives, vague sweetness. Time helped to some degree and after a while one could sense cherries, a little funkiness, unsweetened chocolate and a continual background of orange peel, all of which remained light and relatively unaggressive, but quite clear.

The taste was the part I liked this most, because it was light and clear…kinda flirty chirpy, even sprightly.  The 40% does no damage to the palate and is actually quite pleasing in its own understated way. Green grapes, apples, cider, raspberries, tart unsweetened yoghurt, chocolate and nuts underscored by the thin line of citrus peel, and supported by a faint but noticeable set of fleshier fruits (not-quite-ripe apricots and peaches and mangoes) – the funkiness of esters was there, just dialled down, which distanced it somewhat from more traditional hard-core Jamaicans that are getting all the press these days. The weakness of the rum as a whole was probably the finish, which was really too short and fine, and added nothing particularly new to the fruit basket or the tastes – some citrus, cherries, green apples and that’s about it.

Overall, I liked it but the distinctiveness of the estate profile refused to come through that general mildness, which is, of course, something of a fail mark for a country whose rums have been getting a lot of attention in the last few years.  A few extra points of proof would have helped a lot, I think — and indeed, Mezan have issued a 46% version of the Worthy Park 2005 in 2017 which I have not tasted, but which is likely to address the issue (this one was a 2015 bottling).

The finish and aftertaste of the Mezan 2005 (though not the nose and palate) to some extent suggest why some people do not entirely go for softer proof and continental ageing, which is what I believe this is. That final part of the experience is simply too nondescript and inconspicuous and over far too quickly.  But we should not be too quick to trumpet “tropical ageing only!” like it was some kind of universal truth, because we should keep in mind the sterling Worthy Park 7 YO 53% from the Compagnie des Indes, which was a better rum in every way and was also aged in Europe (note also Wes’s admiration for the 2015 10 YO Worthy Park from Kill Devil).  Also the fact that overall for its price, this is a pretty good rum for those who want to know more about the Jamaican style of Worthy Park without getting their faces ripped off by a hot blast of esters bolted to a cask strength bitch slap. On that level, I’d say it’s a qualified success.

 

(#524)(84/100)

Other notes

  • Worthy Park re-opened for business in 2005 after not having produced any rum since the sixties, so this is from the first year of issue.
  • Distillate comes from molasses and a Forsythe copper pot still.  Actual place of ageing is unknown, but I’m thinking it’s the UK, or maybe partial in both UK and Jamaica.

Compagnie des Indes Jamaica 2007 7 Year Old Rum (WP) – Review

 3 Responses »
Nov 062016
 

cdi-jamaica-wp-7-yo-53-1

A stunning fullproof Jamaican

#314

When a bunch of us were dissecting the 2016 Berlin RumFest, we all noted something interesting – the rums which seemed to be making the biggest splash and gaining some of the best accolades were the Jamaicans, as if they were charging out of the gate and making up for lost time. Certainly the visibility of the island has been increasing in the last year or two what with the issuance of new rums from previously marginal distilleries (Clarendon, Hampden, Innswood, Longpond, Worthy Park), and the appearance of new variations at various festivals.  And many of these rums are amazingly good – perhaps more than anything else they showed what we’ve been missing all this time. I can almost feel a twinge of sympathy for Appleton in the years to come.

If you doubt the rise of the New Jamaicans, look no further than the Worthy Park rum issued by Compagnie des Indes. The Hampden 58% was great and I scored it highly – this one is better still.  I haven’t seen anyone take it apart yet, and it hasn’t made much of a splash, but this thing is superlative, if limited (to 271 bottles). The rest of the Jamaican loving rumworld would go ape for this rum if it was more available, and I swear, if Velier issued the thing, we’d see a mass stampede that would make the online issue of the Foursquare 2006 look like a teutonic model of orderly and restrained sales efficiency.

cdi-jamaica-wp-7-yo-53-3Bottled at a stern and uncompromising 53%, which is still quite reasonable even for those too timorous to buy real brute-force sledgehammers like the >65% rums, the bare details are simple: a seven year old rum from a single cask, bottled in July 2015, aged in American oak, entirely in Europe.  And yes, from Worthy Park: if you are interested in such things, the Cocktail Wonk took the time and trouble to visit and wrote a detailed article on the subject which is worth checking out, since it would be an insult to abridge into a few sentences here.

At first blush it seems odd to say that honey, cream cheese and crackers were the initial aromas; and was that cucumbers, smoked salmon and parsley on rough peasant bread?…surely not…but yes it was, plus dill – it was all very faint and more hint than bludgeon, but very much there. I literally stared, bemused, at my glass, for a few minutes, before attending to business again.  After the amazingly off-base beginning, much more traditional smells started to assert their dominance – citrus peel, nuts, bananas, soft white guavas, some vanilla and cinnamon, nothing really tart or acidic…the rum was not so much soft and easy as firm and quite crisp, almost prissily precise.

It was on the palate that its quality moved out of yummy into awesome.  There were cherries in syrup on a cheesecake, quite delicate; ripe but still tart slices of Indian mangoes.  Yes it was hot, maybe even sharp, yet it was as clear and precise as a Chopin nocturne, and the palate delivered on what the nose had promised, adding caramel, brininess, an olive or three, banana skins, overripe apples, and cider.  It was, in its way, like a really good Riesling, with a sparkling red grapefruit background striking a delicate balance between sleaze and titillation, between sweet and salt, dunder and “rumminess” – it’s an amazing achievement, a wonderful rum, one of Florent’s best, and it finishes with some emphatic final notes of vanilla, cinnamon, very light sweetness of those cherries, salted caramel, and a last twist of lemon. I tried it three times over six hours, and still thought it was great the final time.

Every few years, our world seems to be dominated by rums of a different style.  For a while it was the Nicaraguans, Guatemalans, Venezuelans and Guyanese, then Velier exploded on the scene with its full proof Demeraras, followed by the Trini Caronis. The Bajans have come on strong of late (mostly FourSquare and St. Nick’s), and there are the agricoles, as ever, quietly and determinedly chugging beneath them all. Now it may be the turn of the Jamaicans to produce the most exciting work for a while. If just on a random sampling, something this good and this young appears out of nowhere, we may all be in for a cornucopia of wonderful rums from the island, of which this is just one.  

(90/100)

Rum Nation Jamaica Unaged Pot Still 57% White Rum – Review

 3 Responses »
Dec 012014
 

D3S_8969

 

If strength and atavism are your things, the Jamaica Pot Still 57% won’t disappoint; a shot or two of this, and you’ll feel your nostrils dilate as you search around for a stone to bash a rhino with, before eating a freshly-caught, still-twitching deer. It’s that intense.

The 57% pot still Jamaican rum from Rum Nation represents a departure for the company in a number of ways (not including the bottle shape, introduced for the 2014 season).  It is the first rum the company has produced that is over 100 proof, it’s the first rum they’ve not aged at all, and it is the first white rum they’ve ever made.  Long accepting that the Supreme Lord series from Jamaica is one of their best made rums, I was intrigued to see where this one was coming from, and what it was like. Though if experience has taught me anything, it’s that any white full- or over-proof rum should be approached with some caution…no matter who makes it.

Presentation was fine: cork, plastic tipped, solid, all good. I liked RN’s new fat squat bottle with broad shoulders, and appreciated the simple label design (always loved those British Empire stamps – I used to collect them in my boyhood, much as Fabio did).  And in the bottle, that clear liquid so reminiscent of DDL’s Superior High Wine, J. Wray’s white overproof, or any local white lightning made for the backdam workers, innocent looking, inviting…and appropriately well-endowed. I can just see the boys in Trenchtown (or my father’s friends in Lombard Street) sipping this neat in cheap plastic tumblers, calling for a bowl ‘ice, the dominos and taking the rest of the week off.

This rum was absolutely in a class of its own, for good and ill. It snarled. It growled on the nose, as if it had been stuffed with diced sleeping leopards; it packed a solid punch, even on the initial sniff. Yes I’d been on a full proof bender for some time, but this rum’s nasal profile was something way out to lunch. It was so…full. Full of grass, lemon peel, fresh sap bleeding from a mango tree.  It didn’t stop there, but opened into tar, licorice, cinnamon…and then did a radical left turn and dived into the smells of aniseed oil, fresh furniture polish…even glue, like an UHU stick. I mean…wtf?

At 57% you could expect it to be strong, spicy, peppery…and it was.  Sweet, too (I wasn’t expecting that). The mouthfeel was remarkable, not entirely smooth, yet not a blast of sandpaper either – in fact, rather pleasant in its own way, if you factor out the proofage, and heavier bodied than you’d have any right to expect. Cinnamon, crushed leaves, that wood polish again, followed by a briny note akin to black olives, and the scent of a capadulla vine bleeding watery sap. As for the fade: excellent, long lasting, flavourful – it was the gift that kept on giving, with closing notes of green tea and glue and unripe bananas. This is a rum that you absolutely should try on its own just to see how nutso a pot still rum can be when a maker lets the esters go off the reservation.  I mean, I drank it at the RumFest and bottles trembled on their shelves and drinkers’ sphincters clenched involuntarily. The rum is badass to a fault.

D3S_8971

The thing is, for all its eccentricity, the thing is damned well made. I liked it a lot.  I always got the impression that in the main, white rums – the really strong ones, the 151s, not the tame Bacardi mixers and their ilk – are really lesser efforts, indifferently tossed off by their makers in between more serious work, and often not widely or aggressively marketed internationally, known more to barkeeps than barflies.  Rum Nation in contrast, and judging by this one, took the same time to develop this rum as they have in many of their other products, and with the same seriousness.  That’s what makes the difference, I believe, and why I score it rather well.  For that and the sheer uniqueness, the chutzpah, the daring of it.

So, summing up, then: a shudderingly original piece of work from La Casa di Rossi.  A set of strong, clear tastes and scents. It’s a white, clear, savage, full proof which is redolent of new furniture and fresh chopped cane, and which can be drunk on its own without inflicting permanent damage.  I think we should appreciate this one. Because the Jamaica Pot Still is an absolute riot of a drink — a rum to have when you want something that marries the sumptuousness of Italian art to the braddar fun-loving insouciance of a West Indian at a really good, and very loud, bottom-house party.

(#190. 86/100)

Other notes:

  • Capadulla is an arm-thick jungle vine, which, if you chop it, spouts an enormous amount of watery sap, and is used by bushmen in Guyana as a source of water. Of course, it has its reputation as an aphrodisiac too.
  • The rum originates from the parish of St Catherine in south eastern Jamaica, which likely means the Worthy Park Estate.  No ageing at all. The profile suggests where the core distillate of the 26 Year Old Supreme Lord originates.
  • Rum Nation intends to issue future iterations of the rum that will be progressively aged.
  • Fabio Rossi’s intent here was to make a high ester spirit that was specifically not a grappa.