Neisson Rhum Agricole Hors d’Âge 1995-2014 19 YO

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Jan 302018
 

Rumaniacs Review #071 | 0484

As we proceed down memory lane with the aged Neisson rhums, the single cask expressions begin to take on greater prominence, displacing larger-volume blended outturns with more exactingly made products for the cognoscenti. These are expensive rhums, old rhums, not easily available, and are aimed at the upper slice of the market – the 1% of connoisseurs, I would suggest. Ordinary drinkers who just like their rums without fuss or fanfare are not the target audience – these products are made for people who are deep into their variations, for the rhum equivalent of philatelists who don’t simply go for Martinique stamps, but specifically green stamps from the second half of 1926…that kind of thing. Because Neisson has such a wide range of ages and millesimes, these minuscule variations are endlessly debated, discussed and noted, but one thing is clear – they’re are almost all quietly amazing. This one is no exception.

Colour – Amber

Strength – 48%

Nose – If we lose the malaria medicine I didn’t really care for in the 1992 10 YO (R-068), what we have here is something similar: a lovely rich nose redolent with promise that for once, delivers on just about everything it suggests it has under its petticoats. Sherry, caramel and red fruit notes lead in, raspberries for tartness, cherries for depth, followed up by apples and pears, herbal and watery and grassy all at once. Some dates, grapes, light olives, but very little of the salty tequila background I’ve mentioned many times before; and what makes this stand out is that it presents old but simultaneously feels young and vibrant.

Palate – Thrumming and deeply vibrant rhum, one wonders how they wrung such depth out of a “mere” 48% – however, I’m not complaining. Dark and hot black tea. Ripe apricots, overripe mangoes, honey, cherries, wound about and through with citrus peel. Also some anise, coca cola (odd, but there you are). Dill, sage, a flirt of mint, grass, a faint wine-y tone and yes, there’s a whiff of chocolate as well.

Finish – Reasonably long. Sums up all the foregoing. Mostly crisp herbal and citrus notes, leavened somewhat by fleshier fruits and just a touch of brine.

Thoughts – the charcteristics of hoary old age (in rum years) are neatly set off by a taste and feel that appears much younger, fresher, and the product as a whole is given character by a great melange of crisp tastes together with muskier, more solid tones. It’s a considerable achievement by Neisson, and my only regret is that with such a limited outturn (290 bottles) and high price (€600 or so), it’s not likely to gain wide renown. Perhaps that’s what the Rumaniacs are there for.

(87/100)

  • WhiskyFun took a gander at a bunch of Neissons a few months back in a multi-rum session, here….he scored this one at 90. All the Rumaniacs reviews of the Neissons will be posted here. Also, my good friend Laurent from one of my favourite (and most imaginatively named) of all rum sites “The Rhums of the Man with a Stroller”, gave it a French language, unscored review (part two of his two-parter) which is well worth a read.

St. Aubin “Mauritius” Cuvée Grande Reserve 2004 Rhum – Review

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Jan 282018
 

#483

The History Collection 1715 “Isle de France” Cuvée Spéciale, in spite of being made from cane juice, reminded me rather more of an El Dorado rum than a true agricole, and with the History Collection’s 1814 “Mauritius” Cuvée Grande Reserve we’re looking at today, similar thoughts occurred to me…albeit about a different country. Perhaps that’s the marker of a rum that lingers in the mind and titillates the senses – it reminds you of something, but pinning it down proves elusive…and then it turns out to be quite a distinct product in its own right, as this one is.

So, that said, and similarities aside, it’s instructive to assess the achievement of St. Aubin in producing a rhum that — even at 40% — was no slouch to sample: it had the same rich and fruity aromas of the Isle de France, brown sugar, cherries in syrup, pineapple, peaches, apricots, vanilla, and to distinguish it from its sibling (perhaps), also a series of coffee and musty, sawdust-y, cereal-y back-end notes. Sprinkled with raspberries. What with a hint of chocolate in there someplace, I was actually moving away from comparing the nose to an El Dorado, and relocating myself to Colombia, know what I mean? This thing was like a crisper Dictador 20 with just enough of the agricole background shimmering through to provide a clue as to its origins.

The nose told a tale that would be repeated right down the line, and what I smelled was pretty much what I tasted, with a few variations here and there. It was light and clean, yet displaying darker, muskier spicier notes as well: vanilla, coffee, licorice and some sharp tannins, with the musty long-disused-attic tastes remaining. Some fruits – peaches and cherries for the most part – stayed in the background. The core was anise and sawdust and unsweetened chocolate, and overall it presented as somewhat dry. Quite nice — if it fell down at all it was in the finish, which was more licorice and chocolate, thin tart fruits (gooseberries perhaps) and after a few hours, it took on a metallic tang of old ashes doused with water that I can’t say I entirely cared for.

Some background. The date on the bottle (1814) relates to the the Treaty of Paris signed at the end of the Napoleonic Wars by the warring nations of Europe, and it was this treaty which gave Guadeloupe back to France (it had been ceded to Sweden (!!) for a while), but which also formally confirmed Mauritius to be a colony of Great Britain (who had held it since 1810). I was informed that the rhum is cane juice based, 30% pot still 10 year old from 2004, and 70% column still (stored for six years in an inert inox tank), — which therefore does not makes the rum a 10 year old in spite of the bottling in 2014, and so I have had to retitle and amend this post, after checking with St. Aubin directly. Oh and there are 5218 bottles in the outturn, so probably enough for anyone who wants one to get one.

As noted on the Ile de France, by the way, you should expect some dosing here (caramel and “natural flavours”, not sugar, I was informed), and that’s evident after some switching back and forth between a true agricole and this one…not enough to mess it up, but noticeable enough after a while. On the plus side it gentles the whole experience down a mite, makes it smoother and quieter and more sippable for those who like softer profiles to their rums (plus of course, sweeter ones); on the negative side it dampens and mutes a profile which doesn’t really need that kind of tampering – it’s good enough as it stands. Underneath the muffling effect of the caramel addition, you can sense what it was and what was there, but it’s like listening to music underwater…the full impact and effect of the symphony is lost. And that’s a shame because I’d be much more interested to see what it was like when pure – based on the quality of what I was sampling, that was probably quite something.

(84/100)

Other notes

As stated above, current versions of the rum are only partly 10 years old, although the components remain the same as older ones – the 10 YO pot still component replaces the 7 YO portion. The label on the bottle I was sold was an older one which is now being changed to eliminate the age statement. So even if your label says 7, you’re not precisely getting that.

Neisson Rhum Agricole Hors d’Âge 1994-2012 18 YO

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Jan 242018
 

Rumaniacs Review #070 | 0482

The deeper one dives into the series of aged agricoles from Neisson, the more the similarities and differences become apparent. They all have points of commonality which speak to the philosophy of the bottler as a whole, yet also aspects of uniqueness in the smaller, more detailed ways, which individual tastings done over long periods might not make clear. Even the variations in strength create detours from the main road which only a comparison with a large sample set bring out. What this particular series emphasizes, then, is that Neisson’s aged range is quite a notable achievement, because like exactingly chose independent bottlers’ single cask expressions, there’s hardly a dog to be found in the entire lineup, and one can pretty much buy any one of them and be assured of a damned fine rum. As long as, of course, one’s tastes bend towards agricoles. Mine do, so on we go…

Colour – Amber

Strength – 43.6%

Nose – For an agricole, this is remarkably deep and flavourful, if initially somewhat round and indeterminate, because the aromas merge gently before separating again after some resting time. It reminds me of the fruitiness of a cognac mixed up with notes of a good and robust red wine….plus (not unnaturally), the tequila and briny-olive-y profile for which Neisson is renowned. Further smells of sweet soya, rye bread and in the background lurk barely noticeable hints of vanilla ice cream and caramel. Some oak in there, not enough to detract from anything, accompanied by bland fruits (bananas) and hazelnut chocolate. Plus some aromatic tobacco.

Palate – It always seems to be on the tasting that Neisson comes into its own — nosing is fun and informative, but sipping a rum is what it’s there for, right? Starts watery and a bit sharp (odd, considering its low proof point), then settles down rapidly into a bright and crisp rum of uncommon quality. First, blackcurrants, black berries, blueberries, vanilla and caramel . Then nuts, coffee, bitter chocolate and oak, tied up in a bow with licorice, Wrigley’s spearmint (very faint) and lemon zest. The successful balancing of all these seeming disparate components is really quite something.

Finish – Lingering, light and somehow quite distinct. Some citrus here, caramel, a few dark fruits, and also some tart notes – sour cream and unripe mangoes in salt. Unusual…yet it works. A good ending to a fine rhum.

Thoughts – it’s all a bit faint as a result of the low ABV, but assertive enough, complex enough, complete enough to make its own point. This thing is almost the full package. Aged rhum, well-known maison, complex tastes, terrific nose. Hard to imagine it being beat easily, even by its brothers from the same maker. It is, but not easily, and I’ll save that for another quick review that’s coming up soon.

(86/100)

Other notes

  • 1000- bottle outturn These days this rhum costs upwards of €600…ouch.
  • Different label from the others we;ve looked at before…no idea why.
  • WhiskyFun took a gander at a bunch of Neissons a few months back in a multi-rum session, here….he scored this one at 90. All the Rumaniacs reviews of the Neissons will be posted here. Also, my good friend Laurent from one of my favourite (and most imaginatively named) of all rum sites “The Rhums of the Man with a Stroller”, gave it a French language, unscored review (part one of a two-parter) which is well worth a read.

St. Aubin Isle de France Cuvée Spéciale 2005 Rhum – Review

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Jan 212018
 

#481

The current focus on the Caribbean’s rums to some extent obscures interesting developments taking place elsewhere – for example the new Madeira rum from Rum Nation, French Guiana’s Toucan…and rums from St. Aubin in Mauritius, which are not particularly new, but certainly lack wider appreciation, perhaps because they don’t make it to the festival circuit as much as others do. Anyway, this rum, the Isle de France 1715-2015 is part of their “History Collection”, bottled at 40% for a wider commercial market, and commemorates the year of establishment of French rule over Isle de France for the French East India Company — prior to that it was named L’Ile Maurice, and was a haven for pirates, smugglers and the all-round lawless (in which it parallels the Caribbean, maybe) from whom all of us low-rent rum reviewers claim descent when in our cups.

According to my email exchanges with the company, the rhum was produced from the harvest of 2005, and is a blend of two rhums – pot still (30%) aged ten years aged in ex-bourbon barrels, and column still (70%) stored in inert inox tanks; both distillates deriving from cane juice . As a further note, although sugar was explicitly communicated to me as not being added, caramel and “natural aromas” were – so some variation from the pure is to be expected and I don’t doubt that hydrometer tests will show the dosage.

Certainly the caramel component was noticeable, and not just in the colour, which was quite dark – almost mahogany. The nose presented with sweet toffee notes almost immediately, and what was remarkable about it was also the surprising richness of it all – fruity to a fault, licorice, brown sugar, pineapple and peaches, balanced off (not entirely successfully) with oak and bitter chocolate. The rhum smelled sweet, like overripe oranges and bubble gum and that to some extent was intriguing…just somewhat overpowering after a while.

Fortunately it smelled more saccharine than it tasted. The palate was quite good, rather dry, and much more robust than I had been expecting from a standard strength product – sweetish, yes, also containing coconut shavings, pineapple, more peaches, light citrus, caramel and chocolate, coffee grounds, nougat, and – this is where I felt it faltered – also too much vanilla. The oak took a backseat here, the bitterness of the nose not so much in evidence and the finish was warm, short with bubble gum, licorice and dry, woody notes that were pleasant, just disappeared too swiftly.

Overall, this is quite a pleasant rhum, and strangely enough, given its cane-juice antecedents, it reminded me a lot of the El Dorado rums, particularly the 12 year old, where the dosage was also quite obvious; and it’s somewhat of a kissing cousin to the El Dorado 15 year old with respect to its panoply of flavours, specifically the licorice and chocolate. I think that attempts may have been made to emulate some of the high ester profile of the Savanna rums without blatantly ripping them off, and the dosage smoothened things out and provided some balance. At end, it’s a perfectly respectable mid-tier rum which is likely to find great favour in North America, perhaps less so in Europe.

History always fascinates me, so a few details here: the Domaine de St. Aubin, named after the first sugar cane mill established by Pierre de St. Aubin in 1819 or thereabouts, is located in the extreme south of Mauritius in the Rivière des Anguilles, and has been cultivating cane since that year – however the date of first distillation of spirits is harder to pin down – it’s likely within a few decades of the original opening of the sugar factory (there are records of the Harel family starting a distillery which is now New Grove in the 1850s; they also make the Lazy Dodo brand which I waxed lyrical about last year). In the late 1960s the Franco-Mauritian Guimbeau family – who made their fortune in the tea trade for which Mauritius is also renowned – acquired the estate and retained the name, and gradually developed a stable of rums produced both by a pot still (which produces what they term their “artisanal” rums) and a relatively recent columnar still for larger volume agricoles.

It’s a personal opinion of mine that alongside St. Lucia and Reunion, Mauritius is another one of those undiscovered countries we should be watching. Every day we read about the Jamaicans, Guyanese and Bajans; we regularly get another release from the famous rhum makers out of Martinique and Guadeloupe; and we kinda wish we could get more from St. Vincent and Grenada and other smaller Caribbean islands to round out the area, sure. However, let that not blind you to treasures made on the other side of Africa, on this small, rather-off-the-beaten-track island. Chamarel, New Grove, Penny Blue and Lazy Dodo rums are all good products, enlarging the scope of what rums are — but my advice is, don’t ignore the St Aubin rums either, because however middling my notes are, they have some pretty interesting wares, and deserve a good hard look by those who want something different and tasty, yet also not too far removed from the profiles of better known rums. It’s just close enough to more familiar products to evince a nod of appreciation and vague recall, while being a memory that remains tantalizingly elusive “Tastes oddly familiar,” I wrote after sampling the Cuvée Spéciale, “But damned if I remember precisely which one.” And that’s exactly as it should be.

(83/100)

Neisson Rhum Agricole Hors d’Âge 1993-2012 19 YO

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Jan 182018
 
1993 RF mod

Photo credit (C) Reference Rhum

Rumaniacs Review #069 | 0480

These double-digit aged agricoles are joys to behold (we’re talking carafe or flagon styles with fancy stoppers here), look awesome on the shelf (put these on a faux-silver salver on the sideboard with a couple other and you could pretend you’re a closet billionaire when pouring it into an ersatz crystal glass that was once a peanut butter jar), and best of all, they taste awesome, whether in a glencairn, a cut crystal Lalique, or in that old Canadian standby, a screw top jar. I know the middle aged agricoles of around 6-12 years or so grab all the highlights because of the intersection of price and quality, but man oh man, these old Neissons are quietly, unfussily amazing on a whole different level, in their own unique way. Here is another one, distilled in 1993 and bottled in 2012…which coincidentally was the year when I discovered a near-unknown Genoese company called Velier and went quietly nuts.

Colour – Amber gold

Strength – 46.3%

Nose – This is a smorgasbord of spices and flowers and fruits held in a sort of trembling tension that somehow balances off without allowing dominance by any one thing. It starts musky with tumeric, cumin and paprika (honest!), before Neisson remember who they are and quickly add in the flowers, almonds, tequila, brine, olives and salt caramel ice cream. And then rush to apologize by adding green grapes, oranges and some minty chocolates…and some stale tobacco. And off nose, whose originality could not be faulted.

Palate – By the time we get to the tasting, the rum has settled down somewhat and is a little milder and less prone to heedlessly going off in all directions. Nice though, very nice. Caramel, more brine, tequila and olives (of course – it would hardly be a Neisson to me if those weren’t there), spices, tobacco, bitter chocolate, hot black tea. Some oak and vanilla make themselves felt, well integrated into other tastes like pears, bananas, guavas and some citrus to balance it all off.

Finish – Medium long, buttery, warm, like a good creme brulee. Coffee grounds, cumin, light fruits, tobacco, and that’s just about it. I was sorry to see it go.

Thoughts – There’s some variation of quality and taste profile across these aged Neissons, but the core remains remarkably consistent. It’s like a clothes horse upon which the garments keep changing but is itself always there to lend the support they need. A lovely piece of work that honours the Neisson line and heritage.

(86/100)

WhiskyFun took a gander at a bunch of Neissons a few months back in a multi-rum session, here….he scored this one at 89. All the Rumaniacs reviews of the Neissons will be posted here. Also, my good friend Laurent from that most imaginatively named of all rum sites “The Rhums of the Man with a Stroller”, gave it a French language, unscored review which is well worth a read.

 

Compagnie des Indes Jamaica 2003 (Long Pond) 12 YO Rum – Review

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Jan 162018
 

#479

We’re on something of a Jamaican rum kick for a week or two, because leaving aside Barbados, they’re the ones getting all the press, what with Worthy Park and Hampden now putting out the juice, Long Pond getting back in on the act, Monymusk and New Yarmouth lurking behind the scenes, and remember JB Charley with its interesting hooch? And of course behind them all, Appleton / J. Wray remains the mastodon of the island whose market share everyone wants a bite of.

While Worthy Park’s three new 2017 pot still offerings are definitely worth a buy, and Hampden is putting some big footprints into the sands of the beach, I still have a thing for Long Pond myself – this comes directly from that famous and oh-so-tasty G&M 1941 58 year old I value so highly and share around so much. Alas, the only place one is going to get a Long Pond rum these days (until they reopen for business, for which many are waiting with bated and boozy breath) is from the independents, and Compagnie des Indes was there to satisfy the need: so far I think they have about twenty Jamaicans in the stable, of which three or four are from Long Pond and I think they’re all sourced from Scheer or the Main Rum Company in Europe. (Note: The best online background and historical data on Long Pond currently extant is on the site of that rabid Jamaican-loving rum-chum, the Cocktail Wonk, here and here).

Moving on to tasting notes, I have to say that when the bottle was cracked and I took a hefty snootful of the pale yellow rum, I was amazed at the similarity to (and divergence from) the G&M 1941 that was over four times older – there was that same wax and turpentine opening salvo which was augmented by phenols, rubber and some vague, musky Indian spices. Honey and brine, olives, a few sharp red peppers (gone quickly), and a generous serving of the famous funk, crisp fruits and light flowers. It was well assembled, just a shade vague, as if not entirely sure what it wanted to be.

Never mind. The palate was where the action was. Although the bottling at 44% ABV was not entirely enough to bring out all the subtleties, there was more than enough to keep the glass filled several times as I leaned back and took my time sampling it over an hour or so. It began soft and warm with bananas, honey, whipped cream, a little salt caramel, and a little rye bread, aromatic wood chips (I hesitate to say cedar, but it was close). Then the ester brass band came marching on through, providing the counterpoint – citrus, tart apples, cider, green grapes, and was that a flirt of cumin and curry I sensed? It came together in a nice tantara of a long, warm and spicy finish that wasn’t particularly original, just tried to sum up the experience by re-presenting the main themes – light fruity notes, some salt, olives and caramel, and a final leaf-blade of lemon peel holding it all together.

Long Pond is known for its high ester count of its rums and that over-the-top funky flavour profile, so what I tasted, tamed as it was by the relatively unassertive proof point, came as no surprise and was a pleasant reminder of how very well properly-made, lovingly-aged Jamaican rums can be. This standard proof rum was issued for the general market with 384 bottles and as far as I know there’s no cask strength or “Danish market” edition floating around. But that’s not really a problem, since that makes it something everyone can appreciate, not just the A-types who cut cask strength rums with cask strength whisky. Whatever you preference in these matters, the CdI Long Pond 12 remains a tasty, low key Jamaican that isn’t trying to rip your face off and pour fire down you throat, just present the estery, funky Jamaican rum in its best light…which this it does with delicacy, finesse, and no problems at all. It’s a really good twelve year old rum.

(85/100)

Other notes

 

Neisson Rhum Agricole Hors d’Âge 1992-2012 20 YO

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Jan 132018
 

Rumaniacs Review #068 | 0478

As I’ve observed before, agricoles come into their own at a younger age than the industrielles, so a very good one can always be found in the 5-10 year old range with minimal trawling, and they’re usually sub-50% ABV, which also allows them to find a greater audience…but to find rhums ten years old and older, and from the 1990s and earlier, now that takes a little more effort. Rest assured, the search for such agricoles is often worth it, though for a handsome decanter like this one comes in — which perhaps says something for the esteem in which Neisson hold this edition — you are going to be set back quite a pretty penny as well.

Colour – Amber Gold

Strength – 49.2%

Nose – Somewhat startlingly, the rhum opens with a medicinal, bitter, quinine aroma that’s quite unmistakeable (and after all the years I spent getting dosed with the stuff and getting malaria umpteen times nevertheless, I know whereof I speak) but thankfully it doesn’t last long and tart fruits, flowers, caramel, brine and light citrus emerge from hiding. There’s a richness to the nose that’s impressive, adding coffee grounds, nuts and at the last some (unappreciated) camphor and light quinine notes. Although I can’t say I was entirely won over by it, the sumptuousness of the nose can’t be gainsaid.

Palate – No bad, overall, with brine, olives pecans and caramel leading the charge, supported by medicinals I can’t say enthused me. The tequila-ish Neisson profile is represented in fine style, with sweet held way back in reserve, to which is added herbs, dill, unripe green mangoes, bell peppers and a good miso soup with sweet soya and a dash of lemons.

Finish – Long and fragrant, really nice denouement. Lemons, licorice, more pecans (or was that salty cashew nuts?), some sweet, caramel, bitter chocolate and coffee grounds and tequila. Absolutely no fault to be found here. A lovely piece of work.

Thoughts – A very crisp and almost definitive Neisson, with not a year of the ageing wasted. Only the bitterness of the quinine mar the experience for me, which says a lot about how smells really can release less pleasant memories sometimes, and these creep into one’s unconscious ideas of “good” and bad”. Beyond that? A lovely piece of work.

(84/100)

WhiskyFun took a gander at a bunch of Neissons a few months back (same as I’ll be doling out over the next weeks) in a multi-rum session, here….he scored this one at 92. All the Rumaniacs reviews of the Neissons will be posted here. Also, my good friend Laurent from that most imaginatively named of all rum sites “The Rhums of the Man with a Stroller”, gave it a French language, unscored review which is well worth a read.

Renegade 2003 Monymusk 5 Year Old Rum – Review

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Jan 102018
 

#477

You’re going to read more about rums from the Monymusk distillery out of Jamaica in the next few years, I’m thinking, given how the island’s lesser-known products are emerging from the shadows; and distilleries other than Appleton are coming back into their own as distinct producers in their own right – Hampden, Longpond, Worthy Park, New Yarmouth, Clarendon/Monymusk are all ramping up and causing waves big time. But aside from the Royal Jamaican Gold I tried many years ago (and was, at the time, not entirely won over by) and the EKTE 12 YO from a few weeks back, plus a few indies’ work I have yet to write about, there still isn’t that much out there in general release… so it may be instructive to go back in history a while to the near-beginning of the rum renaissance in 2009, when Renegade Rum Company, one of the first of the modern independent bottlers not from Italy, issued 3960 bottles of this interesting 5 year old from a pot still at Monymusk.

Even in the Scottish company it kept (and many such outfits remained after Renegade folded), Renegade was not a normal UK indie. If one were to eliminate the dosing issue, they were actually more akin to Italy’s Rum Nation, because they married multiple barrels of a given distillate to provide several thousand bottles of a rum (not just a few hundred), and then finished them in various ex-wine barrels as part of their Additional Cask Evolution strategy. Alas, they seemed to have raced ahead of the market and consumer consciousness, because the rums sold well but not spectacularly, which is why I could still pick one up (albeit as a sample) so many years later. Moreover, as Mark Reynier remarked to me, finding the perfect set of aged casks which conformed to his personal standards was becoming more and more difficult, which was the main reason for eventually closing up the Renegade shop…to the detriment of all us rum chums.

But I think he was on to something that was at the time unappreciated by all but the connoisseurs of the day, because while agricoles aged five years can be amazing, molasses based rums are not often hitting their stride until in their double digits – yet here, Renegade issued a five year old Jamaican pot still product that was a quietly superior rum which I honestly believe that were it made today, aficionados would be snapping up in no time flat and perhaps making Luca, Fabio, Tristan, Daniel and others cast some nervous glances over their shoulders.

Anyway, let me walk you through the tasting and I’ll explain why the rum worked as well as it did. It nosed well from the get-go, that’s for sure, with Jamaican funk and esters coming off in all directions. It felt thicker and more dour than the golden hue might have suggested, initially smelling of rubber, nail polish, tomato-stuffed olives in brine and salty cashew nuts with a sort of creamy undertone; but this receded over time and it morphed into a much lighter, crisper series of smells – bananas going off, overripe oranges, cumin, raisins and some winey hints probably deriving from the finish. Tempranillo is a full bodied red wine from Spain, so the aromas coming off of that were no real surprise.

What did surprise me was that when I tasted it, it did something of a 180 on me — it got somewhat clearer, lighter, sweeter, more floral, than the nose had suggested it would. Traces of Kahlúa and coconut liqueur initially, bread and salt butter, some oakiness and sharper citrus notes; this was tamed better with water and the fruits were coaxed out of hiding, adding a touch of anise to the proceedings. Pears, cashews, guavas, with the citrus component quite laid back and becoming almost unnoticeable, lending a nice, delicately sharp counterpoint to the muskier flavours the fleshier fruits laid down. It all led to a pleasant, tightly minimal and slightly unbalanced finish that was long for that strength, but gave generously (some might say heedlessly) of the few flavours that remained – cherries, pears, red guavas, a little more anise, and some salt.

In a word? Yummy. It’s a tasty young rum of middling strength that hits all the high points and has the combination of complexity and assertiveness and good flavours well nailed down. It has elements that appeal to cask strength lovers without alienating the softer crowd, and the tempranillo finish adds an intriguing background wine and fruity note that moderates the Jamaican funk and dunder parts of the profile nicely. Though perhaps the weak point is the finish — which did not come up to the high water mark set by both nose and taste and was a shade incoherent — that’s no reason not to like the rum as it stands, to me.

Anyway, in these days of the great movement towards exacting pure rums of distillery-specific,country-defining brands, it’s good to remember an unfinished experiment such as this Jamaican rum from Renegade, which pointed the way towards many of the developments we are living through now. That may be of no interest to you as a casual imbiber, of course, so let me close by saying that it’s a pretty damned good Jamaican rum on its own merits — which, if you were ever to see it gathering dust somewhere on a back shelf, you could do worse than to snap it and its brothers up immediately.

(86/100)

Other notes

Compliments to Alex Van der Veer of Master Quill, an underrated resource of the rum-reviewers shortlist, who sent me the sample. His own review can be found on his website and I’m nudging him gently in the ribs here, hoping he reads this and writes more, more often 🙂

Neisson Rhum Agricole Hors d’Âge 1991-1997 8 YO

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Jan 072018
 

Rumaniacs Review #067 | 0476

Neisson out of Martinique must have had a particularly good year in 1991, because there’s no shortage of rhums bearing that number, up to and including the Armada Millesime and the 1991-2001 edition, both of which are rarer than hen’s teeth and fetch four figure prices. Matters are confused somewhat by the various editions being of similar strength (45.3% in this case) and not always being clear (on the bottle label at least) as to which year it was bottled, leaving the specific edition and true age somewhat in doubt. This one, according to my Rumaniacs’derived sample, is from 1997, making it a 6 year old rhum.

For a quick recap, Neisson is not only the smallest distillery in Martinique, and possibly the last remaining truly independent one, but also one of the most distinctive, something I’ve remarked on before with all the rums I’ve been fortunate enough to try so far. Let’s see if a few more can add some data to the oeuvre.

Colour – Amber-gold

Strength – 45.3%

Nose – Starts easy, yet with enough bite to announce itself. Salty pecans, licorice, caramel and raisins (not really the opening I was expecting from an agricole, to be honest). It’s also light with florals, some nuttiness and a blade of pungent crushed lime leaves running through it. Grasses and herbs stay well back, and it morphs nicely into a sort of fanta-orange juice blend, combining snap with tastiness.

Palate – Pleasingly light and quite crisp, the agricole origins are more clear here, more forcefully expressed. Orange peel, coffee, bitter chocolate, brine and some oak. There’s less salt here than others I’ve tried, and a background of coca-cola and peaches in cream that don’t integrate as well…yet, somehow, it all still works

Finish – Grasses, cane juice, brine, white pepper and still a vague memory of lime leaves remains to tease and promise. Nice!

Thoughts – It’s sort of surprising that the salty-oily tequila notes I’ve commented on before are very subdued here, but I’m not complaining, because for a six year old to present this well, is a pleasant experience. I started my first session by rating it at 83, but it grew on me and I revised that score upwards. Though given that Neisson is adhering to the AOC standards and doesn’t mess around with additives and continues to make excellent rhums year in and year out, perhaps I shouldn’t have expected any less.

(85/100)

Since we all got our samples together but Serge is faster on the draw, WhiskyFun took a gander at a bunch of Neissons a few months back (same as I’ll be doling out over the next weeks) in a multi-rum session, here. All the Rumaniacs reviews of the Neissons will be posted here.

Key Rums of the World: Diplomatico Reserva Exclusiva

 19 Responses »
Jan 032018
 

#475

“A few years ago, these rums [Zacapa and Diplo Res Ex] were seen as the baseline for all other rums to be judged. No longer.” Thus wrote Wes Burgin over at the Fat Rum Pirate in an excellent July 2017 post suggesting that with social media and education, enthusiasts were becoming more knowledgeable and less apt to accept adulterated rums than ever before.

Yet in spite of that ideal, in spite of the ever-expanding knowledge-base of rums the world over, the Diplo remains enormously popular. It’s unlikely that there’s any rum drinker out there – junkie or not – who didn’t at some point have a fling with this plump Venezuelan señora. Just about all rum writers have done a thing on it. Like the Bacardis, El Dorados and Zacapas, it’s one of those rums one can find just about anywhere, and for the new people coming to rum cold, it remains a staple, if not always a favourite.

That is, of course, due to both its very affordable price, and because of is sweet placidity. You don’t want expensive indie aggro? A light, easy-going drink? Something to relax with? Complex enough for Government work? No thinking required? Here’s your solution. That’s also the reason why it drops off the radar of those people who grow to take their rums seriously (if it doesn’t drive them into transports of righteous rage). Diplomatico – marketed as Botucal in Germany, named after one of the farms from which the cane comes, though it’s exactly the same product – never bothered to punch it up, never worried about cask strength, never deigned to lose the dosing or adulteration, and sells briskly day in and day out. The deep-diving rum chums just shake their heads and head for the exits to buy the latest indie casker, and discussions on Facebook about the matter are more likely than any other to end up in verbal fisticuffs.

Yet consider for a moment the page of this rum in the populist-driven, crowd-sourced “review” site RumRatings. A top-end, well-known, mid-priced unadulterated rum issued at full proof like, say, the Foursquare Criterion has 13 ratings on that site. The Triptych has 11. The 2006 10 Year Old has 4, and the most popular Foursquare rum is the 9 year old 2005 Port Cask Finish with 71. The Diplomatico in contrast has over 1,200, with most rating it between 8 and 9 out of 10 points.

Surely neither longevity, nor rank please-as-many-as-possible populism are solely responsible for such a disparity. There’s got to be more to it than just that, a reason why it regularly appears on people’s answers to the constant question “What to start with?” — and I’m sorry but not everyone drinks a few hundred rums a year like us writers and festival junkies, and it isn’t enough to simply shrug, sniff condescendingly and say “some people just don’t know good rums.” If it is – as I suggest – a rum worth revisiting, then such popularity and esteem requires a cold, beady-eyed re-consideration. We have to understand whether it has something more in its trousers, something subtle, that excites that kind of appreciation. It was in an effort to understand what lay behind the popularity of the Diplo that I deliberately sourced a bottle in Berlin in late 2017, and while my controls were a few stronger, purer rums from the Latin side, to my surprise the Diplo didn’t entirely choke even when ranked against them (I shall now pause for the incredulous expressions of indignation to pass), though for sure it never came close to exceeding any and raced to the bottom in fine style.

Part of all this is its relative simplicity compared to fierce and pungent rums now taking centre stage. The nose was a straightforward sweet toblerone, toffee, vanilla, butterscotch and caramel, very light and easy and butter-smooth, with what complexity there was being imparted by spices aimed at the sweet side – rosemary, cinnamon, nutmeg – and a little nuttiness, and a hint of light fruit, all of which took real effort to separate out. Hardly the most complex or intriguing smell ever to waft out of a rum bottle, and the vanilla and caramel were really too dominant to provide the sort of excellence the maker trumpets for itself.

Similar issues affect the palate. Smooth – yes, warm – yes, comfortable – undoubtedly. There was a little oak mixing things up here, but mostly the taste was muscovado sugar and caramel, vanilla, light fruits of indeterminate nature, and those same spices from the nose (cinnamon being at the forefront) with nothing particularly new or adventurous leading one into undiscovered territory. Overall, even on the finish, and then judged overall, it had little beyond a pleasant, warm sort of sweet unaggressive nature only marginally redeemed by a light tart fruity note here or there, and the edge imparted by a little oak. Beyond that, it was way too sweet for my palate as it stands right now, and in conjunction with the controls it actually sinks even further because the dampening effect of the additions becomes self evident.

So, that adulteration. It’s been measured at 30-40 g/L of whatever-it-is, which puts it in the same league as The El Dorado 12 and 15 year old rums, Rum Nation Millonario and the Cartavio XO, all of which, back in the day, I enjoyed, and all of which have subsequently slipped in my estimation in the years between then and now, and been relegated to what I refer to as “dessert rums.” But what exactly are they adding to their rum? Back in 2010 when I wrote my original unscored review, the Distilleries Unidas website made tangential mention of flavouring additives (“Only…rich aromas and flavours are used to manufacture rums…” — this comment no longer appears); and Rob Burr remarked on the 2012 Inuakena review that a Venezuelan rum liqueur called Haciendo Saruro is added to the blend, but without corroboration (it was assumed he was speaking from insider knowledge). So I think we can take it as a given that it’s been tarted up, and it’s up to each person who tries this rum to make up their own minds as to what that means to them. Personally, I no longer care much for the Diplomatico and its ilk. It presents no real challenge. It simply isn’t interesting enough and is too sweet and easy. That, however, obscures the key point that people like it precisely for those reasons. It sells well not in spite of these deficiencies (as they are, to me), but because of them…because the majority of drinkers consider these very same drawbacks as points of distinction, and if you doubt that and the unkillability of sweet, check out the hundreds of comments in response to “Don’t treat people like snobs because they like sweet rums” post on FB in December 2017. Since I’m not arrogant enough to believe that my tastes and my palate matter more, or should take precedence over others, I can simply suggest that people try more rums to get a feel for more profiles before praising it to the high heavens as some kind of ur-rum of the Spanish style.

Let us also concede that a rum like this has its place. On the negative side are all the issues raised above. On the plus side of the ledger, for those who like these things, there is sweetness, smoothness and a stab at complexity. It works fabulously as a standalone sipping drink when concentration and thought is not desired or required. It’s not entirely an over-sugared mess like, oh, the A.H. Riise Navy rum. It makes a decent introduction to neat rums for those raised on over-spiced, over-flavoured rums or who came up through the ranks trying rums like Kraken, Captain Morgan, Sailor Jerry or Don Papa. As one of the first steps in the world of rum, this ron remains a tough one to beat, and that’s why it should be on the list of anyone who is assembling the first home bar, and should be considered, for good or ill, one of the Key Rums of the World…even if, sooner or later, all true rum fans will inevitably move beyond it.

(74/100)

EKTE No. 2 12 Year Old Jamaican Rum – Review

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Dec 272017
 

#474

Much like L’Esprit from Brittany, Ekte out of Denmark kinda flies under the radar, but both for their sense of humour (similar to the SMWS if you ask me) and their (extremely) limited edition bottlings, they should not be forgotten just yet. They came on the scene in 2015 at the UK Rumfest with a bunch of blends and limited releases, and the following year they passed through Berlin, where I tried the subject of this review, the No. 2 from Jamaica…and let me tell you, it’s no slouch on its own terms: actually, it’s quite an animal.

Like so many independents out of Europe, Ekte is the brainchild and inspiration of a single individual, the deprecatingly-named Rum Geek Extraordinaire of the Rum Club Copenhagen, Mr. Daniel Bascunan, who actually hails from Chile but followed the rum trail to its lair in Denmark, which may be the single most rum-crazy nation in Europe (and yes, that includes the UK). In 2004, he opened a cocktail bar called Barbarellah in Copenhagen and its collection boasted some 170 rums; its successor bar the Rum Club, located in the Latin Quarter, has somewhere around 500, if not more by now. In 2013 or so he was approached by a Danish liquor store chain to develop a rum range for the Scandinavian market, and with some early work in blends (which remains ongoing), he released some single cask fullproof rums from Panama (No 1), Jamaica (No 2 and 4), Nicaragua (No 3), Guyana (No 5 and 6). I don’t know whether more are on the horizon, but if the No. 2 was anything to go by, let’s hope he never stops.

Now, the No. 2 hails from Monymusk, and I have not had that much experience with the all-but-unknown brand — few outside Jamaica have, though this looks like it’s changing as Jamaica blasts off on the world rum scene again. Permit me to walk you through a quick ovastandin’ of the structure. A sort of consortium was created in 2006 which comprised of the Jamaican Government, WIRD out of Barbados and DDL out of Guyana – they called it the National Rums of Jamaica and folded Clarendon, Longpond and Innswood under its umbrella (this was partly in an effort to stabilize prices and keep rum production going). Longpond — until very recently when Maison Ferrand bought a stake — was not doing much and Clarendon was the owner of the Monymusk distillery attached to the sugar factory of the same name, which in turn provided Innswood with distillate, with the latter acting as the ageing and blending facility. The house brand for NRJ is named Monymusk (not Longpond, Innswood or Clarendon, for whatever illogical reason). Just be aware that Clarendon Distillers Limited (the company) is the owner of the distillery that is attached to Monymusk Sugar Factory and you’ll be fine (the only other distillery in the Clarendon Parish is New Yarmouth, owned by Wray & Nephew).

Anyway, now that we’re soporific with all the history and need a bracer, what’s the rum like? Well, at 60% it wasn’t a soft and easy breath in the ear from your sweetheart promising all sorts of nice things that these PG-rated posts can’t describe. Oh no. It’s more like a harridan excoriating you after an all night pub crawl is my opinion. When I decanted it and took a first sniff, one of Ramsey Bolton’s starving mutts leaped out of the glass, went right for the throat…but once I wrestled it into submission, the nose was actually rather good (perhaps exciting might be a better word given the fierceness of the initial attack) – rubber, acetone, furniture polish, hot and very spicy, sour and slightly spoiled fruits, mostly bananas and oranges. It showcased Jamaican badass and funk in fine style all the way, adding more citrus, brine, black bread and cream cheese, lighter florals and bubble gum after opening up, and if one could disregard the fact that it looked like it was constantly spoiling for a fight, it actually presented as something more perfumed and crisp than I had been expecting.

The palate was where I felt the rum came into its own: it was like hot black overstrong tea (the sort that bushmen dump by the pack into a big-ass pot of water and let it boil for three days, with a snake head inside for “sum kick”), redolent of salt and wax, brine, olives, and fruit, lots of fruit, really gone over to the dark side. The best part about it all was that as it opened up, it developed even more: cardamom, cloves, vanilla, citrus, almonds and nougat, with some tartness coming through which had hints of ginips and soursop and unsweetened yoghurt. At 60% and with that kind of a crazy spirituous maelstrom, I would suggest some water might be advisable here, but if you’re of an adventurous disposition, take it as it is and enjoy the battle is my advice, because it sure isn’t meek, and wrestling with its pungent and fierce flavour profile is as enjoyable as all get out. Even the finish displayed some of that aggressive demeanour, being long, somewhat dry, and had some interesting closing notes of caramel, toffee, fruits, chocolate and sharp citrus to remember it by.

Given that only 270 500ml bottles were issued it’s not one of those rums that’s easy to find any more, and I suspect it remains mostly available in the home of those cask-strength-loving Danish boys who threatened to invade France if the Compagnie des Indes didn’t release full proofs in their country. Which is a shame, really, because if you like Jamaicans, if your thing is a powerful casker and if having a growly and jagged-edged rum attempt to beat the snot out of you around back is what tickles your johnson, then this is definitely one of the rums that should be on the top of your list to try. It’s that much of a blast to drink.

(88/100)

Other notes

  • Distilled on copper pot stills.
  • EKTE comes from the Danish word ÆGTE which means true or genuine (also “marriage”), and the capital letters were chosen for brand awareness.
  • My single paragraph on the background of Monymusk was drawn from two excellent longform articles written by Matt Pietrek (plus some double checking he did for me on the fly), which should be required reading for rum geeks, one on Clarendon and Monymusk, the other on Innswood.
  • A big hat tip to Henrik and Gregers, who brought this bottle along to the Caner Afterparty in 2016 — I’ve dented the sample rather badly on several occasions since then. Since I’m sure Henrik is going to be reading this, I’ll use the soapbox to bugle my request, nay, demand, that the RumCorner re-opens for business 🙂

Velier Albion 1983-2000 17 Year Old Rum

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Dec 232017
 

Photo (c) WhiskyAntique

Rumaniacs Review #066 | 0473

The Velier Albion 1983 bottled at standard strength shares space with others of the original Velier rum lineup bottled by Breitenstein such as the Enmore 1987 and LBI 1985; it comes complete with colorful box which was discontinued some years later, and in tasting it you can see, even from so far back, the ethos of the company’s founder start to shine through…but only faintly. Five casks of origin, no notes on tropical vs continental ageing or the final outturn, sorry. I’d suggest that these days finding one of the original Velier bottlings from nearly twenty years ago is next to impossible, and probably at a price that negates any sense of value it might come with given the paltry ABV…but never mind. Let’s try it, because I love the products of the First Age and history is what we’re after in the series anyway.

Colour – Amber-gold

Strength – 40%

Nose – A nose like this makes me gnash my teeth and wish better records had been kept of the various stills that were moved, swapped, cannibalized, dismantled, repaired, tossed around and trashed in Guyana’s long and storied rum history. Maybe a Savalle still or some now disappeared columnar still — certainly not one of the wooden ones. It was a rich, deep Demerara rum kinda smell, presenting with admirable force and clarity even at 40% – butterscotch, a little licorice, nuts, molasses, molasses coated brown sugar. To which, some patience and further snooting will add flowers, squash, pears, cumin and orange peel. Oh, and also some brine and red grapes topped with whipped cream. Yummy.

Palate – Very soft and restrained, no surprise. Some of the nasal complexity seems to fade away … but not as much as I feared. Blancmage, creme brulee, vanilla, caramel toffee, brown bread and herbal cream cheese. Leather and some earthier, muskier tones come forward, bound together by rich brown sugar and molasses, white chocolate and coffee grounds. There’s a little citrus, but dark-red grapes, raisins, prunes and blueberries carry off the Fruit Cup.

Finish – Surprisingly, unexpectedly robust and long lived. The closing aromas of deep dark grapes, burnt sugar, light citrus, licorice, molasses and caramel is not dazzlingly complex, simply delicious and doesn’t try to do too much

Thoughts – A very good forty percenter which showcases what even that strength can accomplish with some imagination and skill; observe the difference between a Doorly’s XO or 12 YO and something like this and you will understand my whinging bout the former’s lack of profile. There’s just so much more going on here and all of it is enjoyable. There’s a 45.7% 25 year old version issued (also from 2003) which I’m dying to try — and of course, the masterful 1986 25 Year Old (R-013) and 1994 17 Year Old, which kicked off my love affair with Veliers — but no matter which one you end up sourcing by bottle or sample, I don’t think you’ll be disappointed.

(86/100)

 

Doorly’s 12 Year Old Barbados Rum – Review

 2 Responses »
Dec 212017
 

#472

The question that arises in my mind when I try something from Foursquare at standard strength is whether it would be better stronger, or whether it succeeds on its own merits as it stands. Long time readers of this site (both of you, ha ha) will know of my indifference to the Doorly’s XO, the R.L. Seale’s 10 YO and the Rum 66 12 Year Old, but ever since Alex over at Master Quill glowingly endorsed the Doorly’s 12 YO (and noted he didn’t buy the XO because of my review), I’ve been curious how it would fare – especially when compared with the Exceptional Cask series like the Zinfadel, Port and Criterion, let alone those amazing Habitation Velier collaborations.

The Doorly’s brand was acquired by Foursquare in 1993, and it’s possible that the emergence of the El Dorado 15 YO the year before (it was one of the first aged premium rum brands regularly and plentifully issued by a major house) might have had something to do with that; and much of Mr. Seale’s blending philosophy and barrel strategy made famous by Foursquare’s more recent rums is still demonstrated in the Doorly’s lineup, though I feel it’s currently being overshadowed by the Exceptionals, relegating it to something of an also-ran in a connoisseur’s cabinet. It’s a blend of pot and column still rum, some 90% of which was aged in ex-bourbon barrels, and 10% in Madeira casks (12 years in each). The final result is married for a short time (no details on how long) and then bottled.

I think that a lot of how you approach this rum and finally rate it will depend on where you stand regarding rums as a whole, and where you are in your personal journey. You like the Jamaican and Guyanese, or high power whites, or 55% agricoles? This might strike you as subtler, quieter, perhaps even bland. Prefer cask strength rums made by the indies, or Foursquare themselves? This one is likely to leave you frustrated at the untapped potential that never quite emerges. On the other hand, if growling ABV monsters and fierce pungency are not your thing, it would probably appeal in spades, be deemed a damned fine rum — and indeed, it is well regarded and held in high esteem by many, as a result of dialling into precisely those coordinates.

Well, let’s taste it and find out, then. Nose first: it was a clear, quiet smelling experience, a stripped-down blunted Swiss army knife of almost-sharp twittering flavours led by a buttery salt caramel, burnt sugar, a bit of soft citrus (oranges rather than lemons), unripe cherries, pomegranate, cinnamon and nutmeg. What sharpness there was seemed to be more imparted by the wood, as it listed towards some oak influence, and maybe vanilla. Overall aromas were well integrated, and while for me it presented some of the same issues as the XO — too thin, too faint, too delicate — it wasn’t totally derailed by them either.

Having observed a frailty of the nose, I was prepared for something similar on the palate. Sampling it confirmed the matter: it remained weak and that seriously impaired the delivery of both texture and taste. Yet hang on, hold up a minute…it was reasonably complex and tasty too. It led off with clear caramel notes, vanilla, some brine, faint molasses, an olive or two. Also chocolate, bananas, indeterminate fruits, creamy salted butter, toffee, some oakiness for bite and finally the nutmeg and cinnamon returned for a quick twirl on the dance floor. So that part was pretty good. However, I was utterly unenthused by the quick finish, which seemed to be as wispy as a debutante’s handkerchief and provided nothing of consequence – oak, leather, a little tobacco and straw, more caramel and a vague winy note that intrigued but was gone way too quick. Sorry, but that finish was a big yawn-through….I blinked and it was gone.

Everything about the rum seems to showcase the dialled-down approach that was in vogue ten years ago but has now been overtaken by events and developments in the larger rumworld. That it’s a well-made, serviceable, standard-proof rum for those who have never gone further (and don’t want to), I concede, no issues. It’s 12 years old, it has some subtleties and interesting tastes (the taste is quite good), goes well in a cocktail or solo, piques the interest and the palate nicely. What it lacks is panache, style, heft, clarity, intensity….it misses the mark on real character. It remains a rum of enduring popularity, of course, but leaves a deep core rum fun wondering wistfully what it might have been. And then turning to the Criterion to find out.

(81/100)

Other notes

Velier Caroni 1982-2005 23 Year Old Heavy Trinidad Rum

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Dec 192017
 

Rumaniacs Review #065 | 0471

There are, as far as I am aware, three 1982-2005 23 year old Caronis issued by Velier. The “Light” issued at 59.2% (R-058), the “Heavy Full Proof” which is a ripsnorting 77.3% (R-063), and now this “Heavy” one, the last of my Rumaniacs samples from Trinidad, which clocks in between those two, at 62% and a 1360-bottle outturn. Unsurprisingly, this presents casual buyers with quite a chellenge. I know Luca felt that each iteration and individual expression of the various Caronis highlights some kind of distinct point of interest he wanted to share, but to be honest, I don’t know how the average rumhound is supposed to pick which one to buy, given the multitude available — they are all good, and in places quite similar. It would take a dedicated and committed post-doc rumologist to unravel all the variations, even assuming the wallet held out. Nevertheless, we should be grateful that we have so many sterling expressions to choose from at all, living as we are in the belated discovery of Velier’s Second Age (the first being, of course, the Demeraras). So you’re not hearing me whinging too loudly.

Colour – Amber

Strength – 62%

Nose – Quite distinct and very Caroni-like in all aspects. Somewhat less rubber, but more tar than the 59.2% R-058, extremely firm and lively. Caramel, vanilla and toffee keep the road-surfacing crew nourished, and a dusting of cinnamon provides some entertainment. When they stop for a break, there are also lime leaves, cumin and some muskier spices like sweet paprika and tumeric. Brown sugar and molasses, blackberries, red currants, and raspberries round out the ensemble. A very good nose indeed.

Palate – The clear and growly Caroni profile continues uninterrupted from the nose, with petrol and tar taking the stage up front and never entirely relinquishing their dominance. Dry, sharp and quite oaky here (different from both the 59.2% and 77.3% versions), bitter chocolate, salty soy sauce, brine, olives and a touch of (get this) menthol and marzipan. It has surprising heft and thickness in the mouthfeel, yet remains sharp to the end. With water, more caramel, some citrus, dark fruit (black grapes, prunes, blackberries), and these stay mostly in the background as bit players, which I’d say was a pity as the integration could have worked better with a little more force from these flavours.

Finish – Nice and long, with fruits and toffee, tar and petrol remaining the core of it all. It remains somewhat salty, and dry

Thoughts – A good Caroni, but then, aren’t they all? I think it’s a bit too spicy at the back end, which is a minor observation, not a complaint. I particularly liked the citrus ad spices on display. On the other hand, were I asked to chose between this and the other two iterations, I’m not entirely sure this would be my first pick. Close, but no cigar compared to, say, the 77.3%.

(85/100)

  • After all these Caronis, I need hardly mention (but I will) that Serge Valentin looked at this one in his multi-Caroni lineup in mid November 2017. The boys in France, Olivier Scars and Jean-Paul Bouwyn, also covered it in their epic two-part Caroni session on DuRhum in August 2017 (in French, Day 10)
  • One of the Caronis from the first batch Luca issued in 2005
  • This really is the last Caroni I have. I’ll be moving on to a Neisson session soon, though, for the curious who want to know what’s next.

Toucan No. 4 Rum – Review

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Dec 182017
 

#470

The No. 4 made by Toucan Rums from French Guiana is a small, sweet melody of a rum, playing itself out in a minor key. This isn’t a great rum, not truly pure, but I never got the feeling, when talking with the small company’s vivacious Directeur-General, Cat Arnold, that they really meant it to be. The sense was more that they set out to indulge their passion, and there are parallels to Whisper Rum from Antigua here: in both cases a pair of French entrepreneurs bootstrapped a tiny operation, refused to go through brokers, and sourced rum from a country’s much bigger distillery directly. They built a structure on excitement, and made exactly what they wanted – a relaxed, easy rum that isn’t out to redefine the concept so much as show that a good rum doesn’t have to be supported by loud social media bombast, a jillion dollar marketing budget or a Rum Name, to be noticed and applauded. It just has to be original and a decent drink.

They’ve succeeded quite well in my estimation, as might also be implied by the gold medal it won in the 2017 Berlin Rumfest. Bottled at a mild 40%, it was touted as sugar and coloration-free (but see my notes below), and derived from the same single-column-still sugar-cane juice as the very excellent Toucan White, bottled at a hefty 50%. What this presents when one smells it, is rather unusual – slightly salty, unsweetened chocolate, aromatic cigarillos, sugar water and pears, with some edge provided by a vague bitterness – that sort of profile doesn’t always work, but here it provided a delicate counterpoint to more traditional aromas and it was far from unpleasant.

The palate is extremely mild and very light, so if one is trying it neat (as I did), some concentration is needed otherwise the faint flavours disappear quickly. Still, they are intriguing within their limits – nuts, cola and fruitiness being immediately evident, for example. It displayed, even at that low strength, some sharp and jagged edges which I liked, and highlight the youth of the rum. What distinguishes the Toucan No. 4 is the way it combines the profile of a good cachaca (it has vague woody notes characteristic of the Brazilians), with a sort of low-rent Jamaican (those funk and esters), together with a gradually emergent taste of dill and sweet ginger. There are also some toffee and sugar water notes, which keep mostly in the background, and the combination of all these is done quite well. The finish is probably the weakest part of the experience, since there is insufficient strength to showcase any closing uniqueness, and underlines the frailty of the construction. However, fair is fair – sugar water, dill, some very light citrus and grass notes are there, and it would be remiss of me not to mention them, or how well they play together.

Let’s quickly go through the background of the company. You can easily ignore all the marketing blah of both the company’s website and the one from St Maurice (the French Guiana distillery of origin), with their pretty pictures of mist-shrouded tropical vistas, and heady statements about being close to the equator or slow reduction of the rum. This is all marketing. The facts on the ground are that Toucan sources rum stock made on St. Maurice’s column still — sugar cane juice origin with a 48-hour fermentation period — ships it to Toulouse in France and there it rests in steel tanks for six months, before being reduced over six hours to standard proof; then it is aged in armagnac casks for fifteen days and then given a wood infusion (essence of three different types of undisclosed woods, so I was told) for another fifteen days. Hence my remark above, about not being “truly pure”.

All this is described honestly and clearly on the back label. The process makes for a nearly unaged, infused and finished rum, and while normally I have no particular interest in such rums (which is why you don’t see many of them in my reviews), here I can’t really argue with the final result, because none of it was excessive or overbearing. It is a really nice rum: it’s pleasant, sippable and unaggressive, well made, modest…almost bashful. It’s tasty as all get out for its low proof, and when I spoke with the very expressive and enthusiastic Ms. Cat Arnold (half of the two-person husband-and-wife team which makes it) and mentioned that it should really be stronger to be better, she remarked that Benoit Bail had just told her exactly the same thing, so they’ll be looking to make some changes in the future.

When your rum gets on the agricole tour and makes waves around facebook and wins prizes right out of the gate, you’re probably doing something right. Press like that is worth the rum’s weight in gold, and here I’m adding my own voice to those who already know that the tiny company produces some very interesting juice. The rum is not a world beater by any means, but it’s got oodles of potential, a very original and well-assembled profile, and we should watch out for more, stronger and better from the company in the years to come. For the moment and until they issue No.5 or No. 6, you won’t be short-changing yourself if you spring some coin for this demure little rumlet from French Guiana. It’s a pretty nifty, low-key drinking experience with little or no downside for the casual drinker.

(81/100)

Other notes

  • The back label reads: Let yourself be captivated by the Toucan # 4 agricultural rum of French Guiana. Monovarietal cane, cut 100% by hand, long maturation, slow reduction with pure water, passage in Bas Armagnac, infusion of wood and no added sugar for this exceptional spirit drink.
  • The “No. 4” is preceded by a white, a vanilla, and a spiced version called “Boco”.

Velier Caroni 1983-2008 25 Year Old Heavy Trinidad Rum

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Dec 152017
 

Rumaniacs Review #064 | 0469

When sampling yet another Caroni from the glory years of the 1980s, it’s something like opening a long-shut box redolent of the past, and maybe one can be forgiven for – in these times – rhapsodizing about the way hard honest rums were supposedly made by sweaty proles who had no patience for fancy finishes, plate manipulation or barrel strategy. So in a way it’s ironic that Caroni was not considered a particularly good rum back then – it was not that well known, it certainly wasn’t the estate’s prime focus, its signature taste was disapprovingly considered a mark of poor production methodology, and few outside of Trinidad cared much about it. But look what the passing of less than two decades since its closure has done: transmuted what we once lovingly referred to as humdrum gunk, into a definitively-profiled country-specific must-have, a treasure to be dissected and talked over like few others, whose minutest nuances of taste are endlessly debated in the cafes, lounges, clubs and elegant online drawing rooms of the rumworld. Here’s another one to add to the trove of our knowledge, then.

Colour – Gold

Strength – 55%

Nose – Compared to some of the others in the last weeks, this one is rather light – all the expected hits are playing, but in a lesser, almost minor key. Tar, rubber, acetone — these notes never get old and I never get tired of finding ’em — segueing into softer (but still delicate) dates, fruits, molasses, more tar, brown sugar, some caramel. Delicious. I could eat this thing.

Palate – The light profile continues, with some muskier, spicier tastes adding to the party: ginger, maybe cumin; honey, salt caramel, lemon meringue pie, an olive or two, tar and cigarette filters. The tar and furniture polish gradually bleed away, giving pride of place to nougat, white chocolate. Not overly complex…it’s almost simple in a way, though what flavours are there are crisp, clear and elegantly expressed and come together harmoniously.

Finish – Medium long, not very dry, nice and warm. Last notes of honey, citrus, salt caramel, and fresh green herbs from Jamie Oliver’s kitchen garden.

Thoughts – More than most of Velier’s Caronis, this one made me think, because the conclusions to walk away with are that (a) Caroni cannot be pigeonholed so easily into some kind of heavy rum reeking of tar and fruits – it’s got far more than that up its sleeves across the range, and (b) ‘light and simple’ as a descriptor (Serge called it “shy” which is just as good) conceal depths heretofore unsuspected. This is a pretty good Caroni, issued somewhat at right angles to most others from Velier and are from Luca’s first batch, which came on the market in the mid-to-late-2000s.

(86/100)

Other notes

 

 

 

Habitation Velier “Last Ward” Barbados 2007 10 Year Old Rum – Review

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Dec 132017
 

#468

Velier’s Last Ward is an elegaic and haunting rum that evokes memories of old times and old places, yet is brought smack bang up to date for the modern connoisseur and rum lover. It is a summing up of all things Mount Gay that matter if you’re in tune with it, just a really good rum if you’re not, and is one to savour and appreciate and enjoy no matter what your state of mind or preference in rum. One can only wonder, with all the great distilleries that are represented in the independent bottlers’ more popular and better-known wares, how a small batch production like this one was ever conceived of, let alone made it out to the general marketplace. It is one of the best rums from Mount Gay not actually sold under the brand.

The “Last Ward” is about as evocative a title for a rum as I’ve ever come across. It breathes of Barbados, of history and of rum. It speaks to the Ward family who ran Mount Gay for over a century (Aubrey Ward acquired it in the early 1900s) and still appear to have involvement with the company which was officially in existence since 1703 (unofficially much before that) and acquired in 1989 by Remy Cointreau. Frank Ward started producing a brand called Mount Gilboa in 2007, naming it after the original plantation and distillery before it had been renamed in 1801 after Sir John Gay Alleyne, whom John Sober had inveigled to manage the new company when he had bought it in 1747.

Did all that history and age and heritage translate into a rum worth drinking? It’s not always the case, of course, but here the answer is a firm yes. It started with the nose, where the very first word of my notes is “Wow.” It was smooth and heated, handling the 59% ABV quite well, smelling of furniture polish, leather, light flowers, bags of white chocolate, nougat, toblerone, coffee grounds and salt caramel. It was aromatic enough to make me think of a warmer, softer Savanna Lontan, to be honest, and continued with almonds, pecans and vanilla, all of which harmonized into a nose one might not initially pick out as specifically Bajan, but which was definitely worth spending some time with.

The palate developed with somewhat more force, being sharp and intense without losing any of the aromatic character I liked so much on the nose. Oak took more of a leadership role here, and behind it coiled flavours of flowers, citrus and marzipan. Letting it stand for some time (and later adding some water) cooled it down and allowed other components to emerge – bon bons, more caramel, coconut shavings, bananas, white chocolate, tied together with a vague complementary sweetness which made the whole experience a very approachable one. The sharpness and intensity which began the taste was almost totally morphed to something quieter and by the time the finish arrived. And that was very pleasant indeed, long lasting, sweet, with caramel and vanilla walking a fine line next to orange peel and nuttiness.

Almost everything about the production details is stated clearly on the label in a fashion that shames brands who indifferently genuflect to the concept (like for instance the Dictador Best of 1977, remember that?): double retort pot still origin; triple distilled in 2007, aged ten years in Barbados with an angel’s share of 65%, no sugar, issued at a robust 59% ABV. About the only thing missing is in what kind of barrels it was aged in, but those are ex-bourbon, so now you know as much as I do. (As an aside for those who like such details, the still is made by McMillan from Scotland, who are still in business making copperware for distilleries the world over, and have been ever since their founding in 1867).

Mount Gay has now started producing its cask strength series of the XO (63%) which I thought was very good, a German indie called Rendsburger made a 1986 Rockley Still 18 year old rum I quite liked, and we’ve been trying various WIRD rums for years now — these demonstrated with emphasis and aplomb what could be done even if you didn’t hail from Foursquare…and this rum is as good as almost all of them. Just about everything works here, comes together right – it finds the intersection of a name redolent of memory, a presentation in quiet pastels, all married to a profile of strength, reasonable complexity, and, dare I say it? – even beauty.

If I had any note of caution to sound about the matter, it’s that those who like fierce and brutal purity in their cask strength rums might not entirely appreciate one which is firm rather than sharply distinct, and rather more diffuse and melded together in a way that makes individual notes lack a certain clarity; and the pot still heritage is not as evident as I might have liked – but to me that’s a minor whinge….overall, this thing is good. The Last Ward is a like a WIRD rum taken out to left field and torqued up to just about the max, and represents a triumph of the imagination as much as the better known Foursquare Exceptional Cask series or Mr. Seale’s collaborations with Velier. It may not entirely beat the Foursquare 2006 10 year old, but believe me when I say that that is no reason to leave it on any shelf where you see it.

(89/100)

Other notes

Both The Fat Rum Pirate and Single Cask Rum, whose reviews are also available, noted that it derived from 19 of the oldest barrels remaining. Luca got back on to me and aside from confirming the 19 barrel number, said the actual outturn was 4,746 bottles.

Velier Caroni 1982-2005 23 Year Old Heavy Trinidad Rum

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Dec 102017
 

Rumaniacs Review #063 | 0467

Having tried several of the ur-proofed rums of the rumiverse (Sunset Very Strong 84.5% and Marienburg 90% come to mind) I must confess that while stronger stuff exists, trying high-test like this makes me think I’ve run out of steroidal fortitude. It’s a shattering experience, not just because of its strength but because somehow it pushes all the boundaries of a very precise Caroni profile – it’s like getting hit with the spirituous equivalent of a fully boosted luxury freight train (assuming Louis Vuitton made one). And it is to its credit that it not only makes a bold statement for cask strength, but also adheres to all the markers that make Caroni a must-have rum to try if one can get it. Which may be problematic because here’s one that only got issued at a measly 123 bottles…so if you have dibs on one, treasure the thing.

Colour – Amber

Strength – 77.3%

Nose – Initially somewhat indistinct before the clouds clear and the forked lightning of specific aromas lights up the firmament. Phenols, acetone, furniture polish get things rolling. Salty, olives, some caramel, tar, licorice and caramel, even a touch of vegetable soup. It’s fierce and sharp and should be savoured. The smells are quite distinct and at this strength are easy to pick apart.

Palate – Whew! Taste carefully, young padawan, for this juice be hot. Oily and mouth coating in the best way – toffee, salty caramel ice-cream, flambeed bananas. and that’s just the beginning. Once it builds up a head of steam, there’s tar and pretrol, creme brulee, molasses, ripe peaches, prunes, cherries, dark grapes, and some brine and sweet red olives. Really good stuff, once you get past the sharp edge it displays – some water is highly recommended here, but just a little.

Finish – Long, dry, hot, fruity, tarry, with last notes of anise and toffee. Like a guy who makes the best jokes at your evening soiree, you just don’t want him to leave so you can enjoy the fun some more.

Thoughts – Not the best Caroni ever, but it’s good, very good. The strength to some extent works against it since lower proofed Caronis are every bit as tasty and easier to come to grips with (and much more available) and so perhaps more approachable than this brontosaurus. This rum is a brutal, ascetic skewer that doesn’t try to please everyone but does one thing really remarkably well – it showcases one single slice and aspect of Caroni in a way that perhaps a softer one might not have been able to do. And I suspect that was what Luca intended all along.

(86/100)

  • Olivier Scars and Jean-Paul Bouwyn posted a major two-day Caroni session on DuRhum in August 2017 (in French), well worth a look through. They tried this one on Day 10
  • Serge of course dealt with this rum in his 11-Caroni lineup back in mid-November 2017
  • Rumaniacs link to be posted once other have put up their reviews.
  • Luca remarked in the addenda to DuRhum’s tasting that this was among the first of the Caronis he issued, back in 2005, and he took a deep breath and a real chance to issue it full proof, which was not considered a good selling proposition back then. The Caronis sold out instantly, thereby solidifying his idea and proving it was a viable sales concept. Thank goodness 🙂

Dictador Best of 1977 Solera Aged Rum – Review

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Dec 072017
 

#466

“Sample #18 reminds me of a Don Papa,” grumbled a Philippine friend of mine, who was blind tasting some samples I had sent over to Quezon City. “Hot distillate on the nose, very sweet.” In those few words he encapsulated something of my own unease about the Dictador rums out of Colombia, because while hydrometer tests reveal no adulteration for the 12 and 20 year soleras, and probably none for the Insolent and Perpetual (they measure 3-4 g/L which is within the margin of error), the plain fact is that they simply taste too damned sweet…a characteristic of most solera-style rums I’ve tried. Which would lead any cynical rumhound, in these sad and suspicious times, to posit that maybe they understated the actual ABV so that a hydrometer test would register exactly what the label says.

Given that the zero-additives-registered 12 and 20 somewhat predated the current sugar imbroglio, one could make the case they’re not pulling a fast one, but the question refuses to go away — because when Cyril tried the “Best of 1978” version it came out as 17 g/L and even if this were not the case, when you try this rum from a year earlier, you cannot help but feel that there’s more in its trouser pockets than a pair of hands. That does not make it entirely bad, and since many have said nice things about it, perhaps it’s merely one you should be wary about buying if your personal palate does not run to the lighter, sweeter Spanish style of rums in general, or soleras in particular. And if you want to know exactly what you’re buying, well, that’s a matter for my opinions down below this review.

Anyway, tasting notes: all those who have tried the various Dictador expressions have remarked on the coffee undertones: that remained strong here as well – it’s something of a Dictador signature. It was soft and rounded, exhibiting gentle, creamy notes of sweet blancmange, bon bons and caramel. There was something of a red wine background here, raisins, and a vague fruitiness that was maddeningly elusive because it never quite emerged and came to the fore with any kind of authority. The nose therefore came through as something of a sleeping beauty behind a frosted glass case – I could sense some potential, but was never quite able to get the kiss of life from it…the liqueur note to the smells, while not as overpowering as on the 20, kept getting in the way.

Things were slightly more impressive to taste, because here the strength of 45.5% worked better, and it presented as a little edgy, a little jagged, if lacking that smooth purring of velvet which we might have expected (and the ease of which were other defining characteristics of the 12 or the 20 along with that over-sweetened coffee which wouldn’t go away) – this, to the 1977’s credit, added some character: chocolate, coffee (again), cumin, a light lemony flirt of coriander, ginger, even sweet red paprika: but the core of it all remains the caramel-coffee. Ultimately, however, it remained relatively uncomplex, fragile…even weak — the flavours were somewhat unassertive, flat, jittered around too much and fell away too quickly. My personal opinion was that it lacked punch and staying power, which was most to be remarked on the finish which was a quick burst of caramel, coffee, chocolate and oaken heat mixed up with some black tea….and then it was gone. Poof.

Now that’s not to say we’re sure, when all is said and done, the nose nosed, the palate palated and the finish finished, that we’re entirely clear what we had. Certainly it was some of something, but was it much of anything? I’m going to have to piss off some people (including maybe even my compadre in the Philippines) by suggesting that yes, I think it was…better, at least, than the preceding remarks might imply, or than I had expected going in. For one thing, while it was sweet, it was not excessively so (at least compared to the real dentist’s wet dreams such as Don Papa 7, or the A.H. Riise). It had reasonably nice tastes and smells, so as a dessert rum or smooth, sweet sipping experience, this will do the job. It delivers for all those who like that profile — and from what I am led to understand by many correspondents of mine, this is the style that is preferred in South and Central America, and the Spanish Caribbean, hence its enduring popularity.

So here’s what I’ll do. If you like this kind of thing, add five points to my score. If you detest soleras, sweeter rums or underpowered blended drinks, subtract five. Either way, you’ll probably come out with the perfect number to represent your own feelings on the matter. Me, I rate it as a middling decent rum which needs less sweet, less coffee, more disclosure, more complexity…and the courage to stop with the solera moniker, call it a blend, age it for the full monty, and for sure add quite a bit of extra oomph. Then I might buy not just a bottle, but a case.

(80/100)

Other notes

  • Bottle #84 of 300.
  • In a curious coincidence, the Cocktail Wonk posted an informative article on the whole business of soleras for Punch Magazine just the other day. That and DuRhum’s (French) article on Dictador are useful background reading to my opinion below.
  • Note the “Cask Ref” field in the second photo. The “P” stands for Port Cask aged; other variations are “AO” for American Oak, “W” for Wine, and “S” for Sherry
  • The RumShopBoy reviewed the Best of 1981 in September 2018 and made remarks similar to those here, scoring it 76

Opinion

The “Best of 1977” sounds real good, but is ultimately useless as any kind of standard by which to measure it since no additional information is given as to how old it is, even in solera terms. I wish I could tell you it’s 1977-2016 or 1950-1977 or something, but there’s simply nothing to go on here. Dictador do themselves no favours in this matter by consistently naming their various rums as “Aged 12 years” or “Aged 20 years” (with “solera” in much smaller typeface on the label), when of course they are nothing of the kind by commonly accepted parlance – the oldest rum in the blend is that old not the youngest, there is no mention of how much of that age is included, and even the average age is a matter of conjecture. It may be legal, but it is somewhat deceptive too. The same issue afflicts the entire “Best of…” series and dilutes their effectiveness in all the ways that matter to those who want to know what they’re buying. Because we really don’t know, and can’t tell.

Quite aside from ageing (or lack thereof) consider the the whole question of tasted-but-untested additives. The “Best of…” series are an informational sinkhole of gargantuan proportions, an exercise in enormous frustration. Henrik Kristoffersen nailed it in November 2017 on the Global Rum Club forum where he asked where this stuff came from and were they really sitting on barrels from as far back as 1966 for this long? Others chipped in asking how ageing any barrels that long could possibly leave anything behind after the angels took their bite of the pizza. Still others noted the same barrel reference on both the Best of 1981 and the Best of 1966 bottle labels. Then there were the discussions on whether anything was actually distilled by Dictador or whether they (like Hechicera, also from Colombia) sourced distillate from around the continent. And then there was Cyril’s take-no-prisoners French-language article on Dictador as a whole, which did not leave either the company or their big gun looking too good.

If this isn’t a poster child for the application of The Rum Chum’s First Law (“Drink what you like…know what you drink”) I don’t know what is. It sips well if you like that profile, but God help you if you want to find out what it’s made of, how old it is, or where it comes from. And before you think that I’m being unreasonably snarky, note that a discussion like this is not a mere academic rum geek pastime – knowing what you’re looking at allows you to rate and assess its price in your local shop (the 1977 edition goes for north of $200, and the 1966, labelled as “51 years,” is closing in on €500). If you can’t find out whether the damned thing is five years old or fifty, whether it’s pot or column, solera or true-aged, added-to or clean…then the producer has betrayed his trust with you; and you’re within your rights to not only demand more, but to ask the hard questions of anyone who is trying to regurgitate a bunch of marketing folderol without actually saying much of anything. For sure we’re not getting the whole story here and since we don’t know what we’re buying, I’d suggest you leave this review and opinion, with me having spent my coin so you don’t have to spend yours.

(Closing note: this Opinion dovetails with my other commentaries on the matter of trust, detailed in or as opinions below, the reviews of the Malecon 79, Mombacho 19 and the Don Papa Rare Cask).

Velier Caroni 1983-2005 22 Year Old Heavy Trinidad Rum

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Dec 052017
 

Rumaniacs Review #062 | 0465

It’s a mind game that never gets old – how many Caroni bottles are there? I speculated that Velier alone likely has around a million in circulation and when one sees an outturn like this – 20,986 bottles! – I think that even though the long-closed distillery’s rums are now becoming must-haves on par with the Demeraras, there’s no danger of running out of possibilities in the near future. Though as I remarked once, when we start to see Caronis being issued from the post-2000 era, the end will be near.

Be that as it may, it’s always fascinating to try another one, and this Caroni is no slouch either, like almost all the variations I’ve tried. I’m not one of those deep-divers who dissect a single distillery’s every possible expression up and down the scale until they know them all by their first names, and can write doctoral dissertations in the slightest, most minute details of divergence or similarity from the mean…but after having sampled quite a few, certainly it’s getting easier to see commonalities and aberrations here or there. And, of course, fun.

Colour – Amber

Strength – 52%

Nose – Rather light florals and some tar, quite restrained here. Batman’s Trojan factory is back, dialled down but quietly asserting its prescence. Acetones. Leather. Caramel, sweet red grapes, cereal and brown bread, nicely balanced. Letting it stand for a while allows yet other aromas of peanut butter and honey to emerge, together with a clear citrus twist for some edge.

Palate – Quietly delicious, with a light and crisp sort of snap. Kind of medium heavy to light, really, so don’t be misled by the title of heavy, as this does not refer to the mouthfeel. Caramel, vanilla, florals, some tart soursop and white guavas. Brine and some oak influence are clear, plus an olive or two. Overall, perhaps a bit too crisp – it verges on real sharp-ended jaggedness, without ever quite stepping over the edge. Oh and the lemon citrus remains there throughout, faint but perceptible.

Finish – Quite long, but again, light and easy. Hot black tea, tar, caramel, vanilla, brine, leather, nothing really original here, just well-balanced flavours and aromas throughout.

Thoughts – Not really one of the best, but even so the general quality can’t be denied. Luca has remarked that he believes this rum (and some others from the 1980s) was put to age at a higher proof than usual (~75%) instead of 65-70%. That might account for the profile.

(86/100)

  • Olivier Scars and Jean-Paul Bouwyn posted a major Caroni session on DuRhum in August 2017 (in French), well worth a look through. They tried this one on Day 1
  • Serge of course dealt with this rum in his 11-Caroni lineup back in mid-November 2017
  • Rumaniacs link to be posted once other have put up their reviews.

 

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