Feb 192010
 

D3S_6898

First posted Feb 19, 2010 on Liquorature.

Deep, smooth, elegant, complex, affordable. Brilliant rum catering to all my tastes.

It seems to be a cruel irony that I always find the rums I desperately want to buy and take a taste of when (a) my frugal better half is casting baleful glares in my direction,  (b) my friend The Bear is unavailable to assist in the sampling and (c) cash is short…or at least, pay day is nowhere in sight, which amounts to the same thing.  All three were in evidence this Friday, when, for reasons we shall not get into here, I was in the Calgary Airport liquor store.  Now why they would have a store in a place that does not allow you to bring the good stuff aboard except in checked luggage (at which every West Indian I ever met would blanch, shudder and mutter that “dem peepl nah gat sens…is where else me go drink it?”) escapes me, but I ended up snagging one of the three bottles I was after: the Demerara Distilleries El Dorado Special Reserve 21 Year Old.

For those unfortunate souls not from the West Indies, or the even sadder ones who know nothing about Guyana, let it be said that two mighty local spirits outfits vie for control of the local and export market: Banks DIH (a blender and beer maker) and Demerara Distilleries (a true distillery).  There isn’t a Guyanese alive, of this I am convinced, who does not recall the sniff of fermenting sugar as he passes Diamond Estate to or from the airport.  This is where DDL has its base of operations, and this is where they blend the elite little package that I prepared to sample some thousands of miles away.

For a rum costing close to a hundred, the packaging is surprisingly cheap printed thin cardboard, but okay.  It’s what was within that I was after.  DDL matures this baby in used oak whisky and bourbon barrels, and the aroma of the cork bears this out.  The aroma was a pungent mix of burnt sugar, spices, soft and thick, chopped fruit in a black cake, butterscotch and caramel, molasses and smoke and I dunno…perhaps some oak, all blended very smoothly and almost inseparably in there.  A first taste neat and then another on the rocks made it clear that DDL put some effort into making this a somewhat dry rum (more so than the 15 year old), but it developed on the palate very nicely, and I think The Bear would agree that it was enhanced by the whiskey notes, the same way he really appreciated the Renegade 1991.  The sheer amount of tastes coming through was astounding: chocolate, coffee, mocha, truffles, raisins, dates,  black currants and blackberries, anise, licorice, molasses…each flavour chased its way genteelly up one side of my palate and down the other.

Very very smooth, hardly any bite on the way down. And a long finish, where those sweet highlights come out and almost, but not quite, overpower all the other spices.

Good stuff this. At 40% it is like caramel velvet going down, and it’s one of those like the English Harbour 25, that I would not tamper with, it’s that good…no coke for this baby.  It can’t class with the English Harbour all the way (at half the price, that would have been practically a miracle), but I’ll tell you this…it gives similar price point rums like the Appleton Master Blender’s Legacy a run for its money. It may disappoint on a second tasting, but thus far, for me, it’s one of the better neat rums I’ve ever tasted, and it wasn’t wasted money.  Too bad the Club was not meeting this week…I would have loved to bring it along for an introduction.

Update: three weeks later the Bear and I sampled this together for my second go-around on the bottle.  While his tongue had already been desensitized by the English Harbour Five we’d been sipping for the previous half hour (he agrees this is one of the great SDRs around), he was clean-bowled by the sheer quality of this 21-year. Unlike me he took no umbrage at the cheap packing, since, in his view, it does not add to the price and what you get is what you pay for. An interesting point.  But after he wiped his misty eyes dry, he said that this was such a smooth, well-balanced rum that it might even be better than the EH-25. Looks like I’m not the only one to think this way.

(#015)(88/100) ⭐⭐⭐⭐


Update October 2017

  • I have done a complete re-tasting and re-assessment of the ED21 and appreciated it the same way, noted the failings more clearly (mostly to do with strength and additives), scored it slightly lower…and named it one of the Key Rums of the World.
  • As a completely irrelevant aside, Grandpa Caner likes the El Dorado 15 Year Old better and refuses to cede pride of place.
Jan 252010
 

First posted 25 January 2010 on Liquorature.

(#007)(Unscored)

***

Memory fails as to who introduced me to this Nicaraguan gem. I have a feeling it was Dougie from the office when he went down there. I was initially a bit doubtful, but since I was trying to scare up some good stuff for the first non-whiskey night of Liquorature, which thus far had been exclusively a Scottish binge, I felt it was necessary to pull out the stops: I had already bought the Appleton Master’s Blend and the Zaya, and this one’s price point fell somewhere in between.

The oldest of the Flor de Cana rums made from molasses, this sweeter than average dark brown rum is aged for eighteen years in used whiskey or bourbon barrels, yet somehow avoids that harsh bite so characteristic of rums aged in whiskey casks (like Renegade’s offerings). Because it is younger than the Appleton Master’s Blend, it isn’t quite as pretentious either, and so I deplored the similarity of the bottle with the 12 year version somewhat less. This is also the darkest of the rums we had that night, a rich clear brown with a slightly red tint; and, poured, it releases a nutty, smoky aroma, with hints of burnt sugar.

The taste in the mouth is superb (but note that my own predilections run slightly more to sweet than the average, so I won’t pretend this will work for others), sweet and spicy – those caramel notes really start to come out if you can hold it on the tongue – and a bit of oak flavour that begins to dominate after a bit. Actually, more than a bit. As you sip, the oak overpowers everything else and though the finish is smooth and fine, I felt that for an 18 year old, this was not quite the standard I expected. I think I’ll have to go back to this.

The issue for me is that the 12-year and even the 7-year Flors are fantastic for their ages, and the balance that I found tipping to the oak here, is better handled in these younger offerings. They are simply better on the texture and body, while their finish is a little less. Now I’ve been accused of taking one sip, passing judgement, and drowning the poor baby in coke at the first hint of distress (a holdover from my plebian past where a flattie and a bowl’ice plus pepsi was all I needed to go with the curry goat I had an hour before), but unfortunately here it was almost necessary. I’d take the 12-year neat, and the 7- with some coke, but the 18-year old, sadly enough, and good as it was, did not move me to treat it with the great degree of reverence I initially thought it deserved, and therefore I shrugged and bastardized the poor thing.

Again, I stress this is one of those I have to go back to, so my review may change; right now I’ll place it in the first tier, just not right up at the top. Second shelf, perhaps. I’m hoping it’ll move up.


Other Notes

  • A few years after this review, Flor de Cana removed the “years old” from the label, which has been widely derided as deceptive, because now there is no longer any kind of definitive age statement.
Jan 252010
 

First posted 25 January 2010 on Liquorature.

Full disclosure: this review is based on rum made (and drunk) 1995 and earlier and retasted in the 2000s in a social setting. The review is more a nostalgia essay with such memories as I retained and wanted to share, of one of the formative rums of my youth, than a true review

(#006 / Unscored)

***

When I was living in the Old Country, this baby was the rum I drank every Friday for a decade straight (or more) without fail, and on quite a few days in between. My evenings tended towards heading straight for the Palm Court (behind which I lived) with my friend John, finding a seat, calling Prince (our favourite waiter, because he knew us on sight) and ordering “Double five an’ pepsi, glass, bowl’ice and a Bajan pack a’ B&H.” Translated, this means a double shot of the XM rum in a glass, ice on the side, and a Barbadian-manufactured golden pack of Benson & Hedges cigarettes (the English made ones were more expensive, so one had to specify). This squarely pegged my social status, since folk of lesser means ordered the cheaper, locally made Bristol smokes and Demerara Distillers King of Diamonds five year old, while the upper crust went for XM Ten Year Old and the English B&H.

Not surprisingly, my baseline was therefore the XM five year. Now granted, John and I, who always drank together, practically murdered the drink in a bath of pepsi (coke was less available), so one can reasonably ask how the hell I ever got enough notes together for a review, but on occasion we did in fact have it on ice only. Rarely. In fact, vanishingly rarely. All right, almost never. Usually when the pepsi ran out at his place or mine. But there are other good reasons why.

The problem is that this rum was really not for the export market (every Caribbean nation has tipple like this for the masses), and so although one can find it in shops abroad, the quality is not top tier. The rum is light golden brown, and has a sharp, pungent nose, and quite frankly, I think the Whiskey Exchange’s review, describing the nose as “Candied orange peel, brown sugar, buttery oak. Crystallised ginger, creamy, toasty vanilla and sugared almonds. Quite fruity, with baked banana, raisins and hints of blackcurrant jelly developing,” may be just a bit much.   The alcohol fumes overpower everything too fast. It’s definitely a mixer rum for this puppy. And a bunch of expats I drank with regularly had exactly the same opinion.

The body is light — thin and sharp — and lacks real character, though one can detect vanilla, caramel, burnt sugar and some light hints of fruit, perhaps citrus; but the rum is not particularly smooth, and it jars going down (lest any think I’m assassinating a former favourite in a bid to disown my past, trust me when I say the 10-year is far better, and though I’ve heard of a mythical 50-year old which is reputedly is in a class of its own, I’ve never seen or tasted it; and the comparative King of Diamonds 5-year is paint remover in comparison – in those days, anyway). Some years later after I had been on a Bacardi kick for a bit, I received a gift of this bottle from John, and I was surprised how thin it seemed, mixed or straight.

To me, this is the first baseline rum I ever had in my life…like a loved one, I played with others but always returned to her. It will always be on my personal pantheon of favourites, not because it’s a stellar example of the craft (it’s competent work and a decent drink, but a star it is not), but because of the memories it brings up of a time in my life that was unique. I know without thinking that when next I taste this rum, I’ll be transported back to the tropics, under warm starlit skies, the breeze will be blowing though Palm Court (where some hopeful young bint with a terribly nasal voice will be wailing to the accompaniment of a karaoke machine), I’ll be young again, and John and I will be hailing Prince, calling for a double-five and B&H, and talking for the next five hours about how we would fix the world, and how Batman could absolutely kick the s**t out of Spiderman, and why there had to be a third Terminator movie.

I’m almost certain there isn’t a man reading this review who doesn’t have at least one drink like that.


Other Notes

For background on the maker, Banks DIH, see the company biography.

Jan 192010
 

 

Picture (c) WineSearcher.com, Stock Photo

First posted January 19th, 2010 on Liquorature.

It looks like a rum and occasionally smells like one, but it sure doesn’t always feel like one; Cadenhead’s policy of making the Classic without any additives or subsequent filtering gives it a less voluptuous body than the average and an overall whisky character that only a psychologist could unravel. Decent drink for those who like a little danger and seeing how rums can go to the edge, though.

***

This is as strange a rum as I’ve ever had, and was a selection of the November 2009 gathering, where nothing but rums were served, and it went head to head with two other rums: the Zaya 12 year old (and the winner by a nose, ha ha), and the Appleton Estate Master Blender’s Legacy (which was the most expensive and opined as the least value for the money).  The Cadenhead Green, for all its ~$75 price tag, was considered middle of the road.

It’s a strange one, this. For one thing, I have no idea how old it is. Nor am I entirely certain where it comes from, although I believe it is a Demerara rum that was then further refined in Scotland and watered down a tad to bring it down from cask strength. The website states it remains untreated and no additives brought in for either colour or taste, and its bold taste makes that likely to be true.

Cadenhead Distilleries is a scotch maker, not a rum maker (actually it’s now owned by the Campbeltown distiller J.&A. Mitchell and Co., which runs the  Springbanks distillery in Argyll), but perhaps they took a gander at what good products came out of Bruichladdich’s Renegade line and followed suit. For whatever obscure reason, Cadenhead has chosen not to reveal the provenance of this rum (the “Demerara” appellation refers to the dark colour and body, not the source), but a few people on the internet have speculated it’s Jamaican, or possibly even Cuban – that would be illegal to market in America, so if anyone bought one of these in the US, I’d be interested to hear about it. It’s listed at 50% ABV, making it an fullproof Rum (I use the word “overproof” to denote rums that are insane for all practical applications…you know, like 70% and up).

The nose is candied, with hints of cinnamon, charcoal, and marshmallow. Dark gold in color, clear. It settles out with chocolate notes, caramel, and burnt pineapple, lightly tingling at the back of the tongue. Strong finish and some bite on the way down. I’d recommend this one with a drop or ten of water plus some ice, unless you’re a peasant like me and just say to hell with it and destroy it with a coke (just kidding). Not really a good sipping rum — it’s not subtle or smooth enough for that – but I’ll say this: the thing had character, and kicked back like a spavined mule after the first few glasses. I’m hoping to get another bottle to see if the first was just me. You’d think that our whiskey drinkers would have been in transports of ecstasy with the Green, given its resemblance to a decent scotch, but in fact the opposite was true, and it came in, as I mention above, in the middle. Given our evolution since then, it’s possible that this opinion might change on a second go-around. (2014 Update: it did, and for the better)

Did I like it?  Tough question. I’ve made no secret of my dislike for distillers who refuse to put provenance or age on their labels – it’s too much like a cheat, giving the buyer no chance to make a first-pass determination of quality, or rate it against other, similarly-aged products –  and that goes double for the higher priced babies, where a buyer needs to know what he’d forking out his dough for. Whisky – Scotch whisky – has its rules about what kind of hooch can bear the highland name, but the plebian and slightly disreputable origins of rum seem to mitigate against rum distillers doing the same.  I admired the strength and character that the Green had, and its body was excellent. The strength stiffened the starch in its spine quite well and the complexity was admirable.

So I’ll split it down the middle: I’d recommend it unhesitatingly for true rum aficionados who dislike adulterations, and dedicated whiskey drinkers (these are the guys who have their snoot glasses in one coat pocket, who sniff and sip and gargle and then rinse with distilled water).  For more middle of the road folks I’d say “Give it a shot, for here is something remarkably different you won’t soon forget.”  And for those who just want a decent mixer, I’d suggest getting something cheaper and sweeter to put into your cocktail.

Fairer than that I just can’t be.

(#003)(Unscored)