Dec 262022
 

Photo courtesy of Steve James at The Rum Diaries Blog, who kindly chipped in after my own photo got corrupted.

The clear, light, and distinct nose on this Guadeloupe agricole is really quite sumptuous, and hearkens back to a time before more formal rules were put into place (even on Guadeloupe) as to how cane juice rhums were put together. It has a clean sweetness to it, quite crisp, redolent of grapes, green apples and a touch of vanilla and caramel to start. Sweet and sour chicken with tons of vegetables, sweet soya. And it develops into more complex territory after thatleather, freshly mown hay, citrus peel, cumin and pomegranates and was that oregano I smelled there? It could be, quite possibly. It’s just a low key, precise and controlled series of aromas.

Tastewise, it’s not too shabby either, and I remember thinking, it’s been a while since I had something quite like this, from Guadeloupe or anywhere else. It opens with salty, unsweetened, nearly-bitter chocolate flavoured with pimentonot one of my favourites, but I have tried some on occasion when feeling adventurous (or stupid, take your pick). Coffee grounds (fresh ones, still steaming, not yesterday’s batch which I get at the office), some leather, caramel, toffee, almonds and pralinesmakes me wonder where the agricole is hiding, as the citrus is not to be found and the cane sap and herbal notes aren’t playing nice. Still, there are some fruits to be sensedblack grapes, prunes, overripe peaches, bananasbut not anything crisper than that. It concludes with some lighter notes, of apples and hard yellow mangoes, a touch of sugar water, and it’s quite long for 42% ABV, gliding to a serene stop next to the sign saying “have another sip.”

Which, if you ever locate this almost forgotten rhum, you would be well advised toit’s pretty fine, honestly.


As I noted above, it’s 42% ABV, a cane juice, column-still rhum from the Gardel distillery which is located in the north-east of Grand Terre in the commune of Le Moule. Gardel, owned by Générale Sucrière (itself a major player in the global sugar refining industry) is one of two distilleries in Le Moulethe other is Damoiseauand earns some of its distinction by being the sole sugar refinery on the main island. Gardel doesn’t make any rhums of its own any longer, but it was known for selling rum stock to brokers and others – they ceased distillation in 1992 and destroyed or sold their stills shortly thereafter, so this rhum is among the last that came from there (see also other notes below), even if it came to us via the independent bottler path.

It’s been some time since we reviewed any rums from the “Secret Treasures” line originally created by the Swiss concern Fassbind, and not without good reasonthey sold off their spirits distribution portfolio way back in 2005 to another Swiss distributor called Best Taste which wasn’t interested in any indie bottling operations, and so punted it over to a German company called Haromex. Almost all of the reviews of Secret Treasures rums came from the pre-sale bottlings, which, like Renegade, were perhaps somewhat ahead of their time, and that’s probably why Fassbind was glad to let them go.

Haromex changed the bottle style while keeping something of the label design ethos in the initial post-acquisition period, but nothing has now been issued under the ST label for many years now: the last of them, two St Lucia bottlings (here and here, both quite good) were probably leftovers from the sale. There were some attempts at blends“South America” and “Old Caribbean” were twoyet it’s unlikely you ever heard of either and I never saw them to buy, which tells you all you need to know about what an impact they made. Nowadays Haromex has settled on being a distributor and shows up at European rum festivals here and there to tout its brands…but no rums they themselves have had a hand in bottling.


Fassbind and Secret Treasures may have come on the indie scene too early, and it’s too bad they did not continue: because this is quite a lovely rum. Almost forgotten now except by those Europeans who picked up bottles here and there a decade ago, it shows that it’s not enough to simply have a shuttered distillery to make a name and have a following (did somebody say Caroni?). Nor is it enough to have good production values that people remember. If the audience isn’t there and there is no larger voice to proselytise for it, brand name and rum and distillery will vanish, as Gardel pretty much has.

And that’s a shame for rums which may not have been the best out there, but which at least showed promise, tasted great, and which we didn’t have enough of. They helped chart a path many other small outfits followed in the years that came after, and enriched and educated those like me who consider themselves fortunate to have tried a few. Who knows what Fassbind could have achieved, had they stuck with it. This rum and others of the line give us a tantalising glimpse of what might have been.

(#961)(85/100) ⭐⭐⭐½


Other Notes

  • My remarks on “the last rum from Gardel” notwithstanding, several independent bottlers have bottled Gardel rhums/rums prior to the cessation of distillation. A non exhaustive list is:
    • Gardel Rhum Vieux Cuvee Ultime 45%
    • Secret Treasure (Fassbind) 1992 11YO 42% Std Label
    • Secret Treasure (Fassbind) 1989 13 YO 42% Black label
    • Secret Treasure (Fassbind) 1989 14 YO 42% Std Label
    • Bristol Spirits Gardel Rhum 1992 10 YO 46%
    • Renegade Gardel 1998 11YO 46% (Chateau Latour)
    • Renegade Gardel 1996 11YO 46% (Chateau Lafleur)
    • Moon Import Gardel 1992 10YO 46%
    • Moon Import Gardel 1982 18 YO 46%
    • Rumclub Gardel 1983 38 YO 46.6% (GMG)
    • Cadenhead Dated Distillation Gardel 1982 20 YO 57.8%
    • Cadenhead Dated Distillation Gardel 1982 18 YO 57.2%
    • Silver Seal “Cigar Choice” 1977 32 YO 50.8%
    • Murray McDavid Gardel 1998 12 YO 46%
    • Douglas Laing Caribbean Reserve 1992 9 YO 46%
  • The source of the post-1992 distillates remains unknown, but as Flo remarked in his deep dive into the distillery, it’s very likely Damoiseau/Bellevue.
  • I’ve elected to keep this rum in the main section and not the Rumaniacs, even though it’s definitely a Golden Oldie that’s dead and gone.
  • This particular Gardel has come up on Rum Auctioneer a few times in 2021-2022, averaging out at about £150 these days. Who knows, it may all be the same bottle (impossible to tell for sure, since, unlike the 1992 edition with the classic cream-yellow-brown label, here the bottle number is not provided).
Jul 262017
 

#380

The independent bottler Secret Treasures is no longer the same company it started out as, and this particular and delectable Guadeloupe rum was selected by the Swiss concern Fassbind before they sold off the brand to Haromex in 2005. So although Haromex is now making a new line of rums under the ST label (like the St Lucia Vendome and John Dore still rums I’ve looked at before), this rhum predates them and is part of the original line up.

Guadeloupe is, of course, somewhat general a term so let me expand on that by saying the rhum originates from the Gardel Distillerie located in the north-east of Grand Terre in the commune of Le Moule. Gardel, owned by Générale Sucrière, a major player in the global sugar refining industry, is one of two distilleries in Le Moule (the other is Damoiseau) and earns some of its distinction by being the sole sugar refinery on the main island. I don’t think Gardel makes any rhums of its own but sell rum stock to brokers and others – however, there is maddeningly little information available except this one: Gardel ceased distillation in 1992, so this rhum is among the last that actually derived from its column stills. Afterwards it is conjectured Damoiseau used theGardeltitle for some 1998 rums, like Renegade’s.

Some basic facts on the rhum then, just to set the scene: it was from the Gardel distillery, distilled 1992 and bottled August 2003 from three casks which provided 1,401 bottles (this was #327). It was issued at a relatively unadventurous 42% which would have been fairly standard at that time, and one can only wonder what it has been doing for the last fourteen years and why nobody ever bought the thing. Since I had and retain a sneaking appreciation for Secret Treasures ever since I had their excellent Enmore 1989, there were no battles with my conscience to buy a few more from their range. Note that it is labelled as a “rum” (not rhum) and I have no absolute confirmation whether it was truly cane-juice derived, or where exactly it was aged (the now-defunct Reference-rhum, that online French-language encyclopedia of rum brands, says “molasses” with a question mark under its entry, while the 2021 entry for it under RumX saysmolasseswith no evidence of doubt).

In any event, whatever its ultimate source or point of ageing, I thought it was a zippy and sprightly rhum of initially crisp clarity and cleanliness. Coloured orange-amber, it nosed in surprisingly bright and clear fashion, immediately giving up aromas of honey, flowers and 7-Up (seriously!); over a period of minutes a more solid briny background emerged, accompanied by perfectly ripe fleshy fruits – peaches, apricots, sultanas and raspberries. Not particularly fierce or savage – it was too laid back and standard strength for that – but a very enjoyable nosing experience, the sort of easy going yet sufficiently assertive profile to have one curiously going deeper into it just to see where the rabbit hole led.

Aside from a certain lightness to the profile, the palate provided a soft series of tastes, which were fruity, floral, musky and delicate all at the same time. It was hard to know what to make of it – initially there were flowers, fudge, salty caramel, coconut, and vanilla, counterpointed with lemon zest, green apples, grapes and peaches. After a while additional flavours evolved: maple syrup, aromatic tobacco and vague coffee. Some of the crispness of the nose faded into the background here, and overall it did not present the sort of complexity that would advance it to the top shelf, but it was distinct enough to grab the attention, and at the very least it was intriguing, and for sure quite pleasant to drink. Perhaps the finish was the weakest part, being short and easy and light, mostly reminding one of caramel, light fruits, and raisins, which goes some way to making me wondering whether it was a true cane juice distillate (it lacked the distinctive herbal grassiness of such a product), or from molasses. One thing was clear though – it was nicely made, and wore its middle age well, without any kind of raw edge or jagged sharpness that distinguishes extremely young bottom-tier rums.

So: trying this clean and playful Guadeloupe rhum in tandem with the L’Esprit Bellevue 58% 8-year-old and the Longueteau 6-year-old VSOP, I felt the last two rhums were remarkably similar, though I liked the soft honey and maple-syrup notes of the Secret Treasures just a little more, and the L’Esprit better than both, which just goes to show that ageing isn’t everything, especially in the world of agricoles (remember the spectacular Chantal Comte 1980?). Be that as it may, there’s nothing at all bad about the ST Gardel 1992 rhum, and in fact it makes me really interested to try the 1989 variation, just to see how it stacks up. These days Fassbind is long gone from the scene and Haromex is making changes to the labels and the line up – but for those of you who come across some of the original bottler’s expressions dating back from the eighties and nineties, you could do a lot worse than pick one of them up, if for no reason than the pure and simple enjoyment of a well-aged rhum, well made, almost forgotten, and tasting just fine.

(84.5/100)


Other notes:

  • The Gardel plant, also known as Sainte-Marie, is the only sugar plant which still operating in Guadeloupe. It was founded in 1870 and its first owner was Benjamin François Benony Saint-Alarey, who chose to pay homage to his paternal grandmother in his naming of the factory. In 1994, the sugar sector in Guadeloupe underwent major restructuring, leading to the closure of all sugar factories on the island except Gardel which is currently composed of an agricultural part with a 1000 hectares and an industrial area. It produces nearly 100,000 tons of sugar per year. Information about the distillery is much more scant, unfortunately, though there’s a note by Ed Hamilton on the original Ministry of Rum forum, that it was closed by 1994…and the label for Renegade Guadeloupe 1998 mentions both a column still, and 1992 as the last date of any distillation.
Aug 312012
 

Never had a rum that tasted so much like a peated whisky. And yet….and yet….

If ever there was a rum that exemplified the inconsistency of the Renegade line, this is it. I’m not saying it was a bad rum, just one that didn’t conform to any profile of rum that people could say they recognize as a rum. And in that fact lay (in my opinion) its failure.

Of course, like all Renegades, it was lovely to look at, with the now-familiar frosted glass enclosure and a label that gave as much information as one would wish. Column-distilled in 1998 at the Gardal distillery in Guadeloupe, bottled in 2009 with a limited run of 1300 bottles. All things are good, right?

And yet the beginning gave no hint of the surprising volte face to come, like Dick Francis’s horse skidding to an ignominious belly flop just shy of the finishing line in the 1950s. Consider the initial scents of this hay blonde product: it was soft and light and delicate, very much like a decent cognac, and this was not surprising, since it was aged for eleven years in Limousin oak casks and then enhanced (for three months, I think) in Chateau Latour casks…so some of that cognac finish came out in the aromas. Pineapple, red grapes just starting to ripen, a good rough red wine, mellowing into a leathery dry hint. Pretty damned good. And no hint of bite or snarl or bitchiness, in spite of the 46% bottling strength.

Yet the palate was where things (in my estimation) started to come unglued: the smoky and dry aromas came out full force, attended by the over-aggressive bridegroom of iodine and seaweed, of peat and brine that suggested not so much cognacs and Gallic savoire-faire, but the elemental hacking of a Gaelic invasion, complete with longboats and battle axes. WTF? Even after opening up, the rum could barely emerge from those heated flavours, and none of the first scents I discerned could make it past the claymores of the single malts. Why do I get the feeling Bruichladdich mischievously mixed up a cask from its whisky stocks, and is sniggering into a sporran somewhere?

So the arrival was great, the palate not to my taste, and the finish, in my opinion, vacillated hesitantly between the two. At 46% I’d expect a long, leisurely exit, and this was indeed the case, long, heated, dry and smoky, not displeasing in any way, with a faint nutty note batting my senses on the way out, as if to apologize for the palate.

So where do I stand on this whisky in sheep’s clothing? Not very positive, to be honest. The mouthfeel and texture on the tongue of this Renegade were, I thought quite good, and of course the opening scents were lovely. I’m just confused by that damned palate. The cognac profile I was expecting was utterly absent, while none of the lightness and floral scents of a true agricole were really in evidence. I acknowledge originality (even celebrate it), and I’m not a despiser of whiskies by any means – one can’t be a member of Liquorature for going on four years and not have gotten a real education in the subject from those who are incessantly beckoning me to the Dark Side – yet of all the ones I’ve tried, peats are my least favourite (sorry, friends of Islay). And so on that scale, the Renegade Guadeloupe fails for me.

I can’t deny its excellence on a technical level, which is why it scores so relatively well. But I’ll tell you this – if I wanted an Islay profile rum, I would not have spent €53 in the best rum shop I’ve ever seen (the Rum Depot in Berlin), but bought myself something else instead. Points to Renegade for pushing the envelope of what the definition of a rum is and can be, and congrats to people who love whisky who will marvel at the amalgam and congruence of their favourite libations (and probably tell me I’m out to lunch)…but for this rum lover, all it gets is a shake of the head, and a rum that’s left behind.

(#118.81/100)


Other Notes

  • First published August 2012 on the Liquorature website
  • The distillery of origin of this 1998 Guadeloupe rhum is something of a mystery, since the label (correctly) notes the Gardel distillery’s column still as having breathed its last in 1992, so what is the name doing on a label from six years later? Barrel Aged Thoughts noted that Damoiseau / Bellevue was said to have used the name for some limited 1998 releases. But it remains unclear and unproven, and so for the moment we have to leave that as an unresolved issue.