
Ray Bradbury is a twisted Isaac Asimov, a literary Dali who painted with his words, a Stephen King before Stephen King was there. If King is the master of the occult, of horror, and of long novels and deep characterizations playing “what if?” with the universe, then one of the wellsprings of his imagination was surely the taut, tightly wound dystopian short stories penned by his prolific predecessor. And indeed, how much of our subterranean mental landscape has been formed by this one man, a contemporary of the early 20th century dime novels and pulp fictions with which I am [Click here for the full review…]







