Apr 072025
 

Even now, all these years after the Demeraras, Caronis, Indian Ocean series, Hampdens and Habitation series, Velier continues to be able to pull out a new rabbit from the hat every now and then, something we have not quite seen in this way before. There were the last Nine Leaves expressions from last year, the Amrut from a few years back, the new Habitation Velier Nepalese rum that popped up a few months ago – and last year, at Whisky Live, they debuted the Shakara 12YO rum from Thailand.

Now Thailand generally does not loom large in the pantheon of countries whose rums we lust after. I’ve reviewed Sang Som and Mekhong rums in the past, and there are smaller outfits like Issan (quite good) and Chalong Bay (also very good) who are raising the profile of the country with their artisanal rums. They are at opposite ends of the divide: the former is mass market (sometimes possibly adulterated) molasses-based standard-strength tipple for the general population, and the latter is small batch, relatively limited release made from cane juice.

The Shakara rum straddles this divide. It is a molasses-based, column-still rum, made and aged completely in Thailand in the province of Nakhom Pathom, which pinpoints the distillery of origin as Sang Som, even if this is not mentioned anywhere in the available literature (the company, founded in 1977, also makes the Phraya brand of rums, for which I have tasting notes somewhere but never got around to writing about – yet). It has been aged for twelve years in situ, but again, we are not told anything about what kind of barrels they used (I’ve read elsewhere that it’s ex-bourbon), or any more detail about the production process – we can assume it’s the same as the Phraya, perhaps, but the pickings are slim there too.

Be that as it may, this is a rum bottled at 45.7%, and while we do not know the outturn, the rum is being distributed in North America as well as Europe, and we can reasonably assume there are at a minimum several thousand bottles out there, for that kind of geographical spread. It is also quite a nice mid-range rum, I think, strong enough to make it appealing, while not so high-proof as to alarm the less adventurous.

And the profile is really quite good, it must be said, even if it breaks relatively little new ground. It has an initially smoky aroma, redolent of burnt caramel, ginger, brown sugar, coconut jelly, plus some musty paper, cardboard and woody scents behind that.  Leaving it to open for a while is helpful: it becomes vaguely sweet with a nice yellow mango and citrus background, together with notes of kimchi, orange peel and some iodine.  Some real and surprising character emerges here, I think, yet all the while the rum remains nicely mild and is really easy nosing.

The palate does not veer too far away from this, and builds upon those notes. It is relatively quiet for the strength, a touch thin, but presents well with initial flavours of sandalwood, figs, cereal, coffee grounds, a hint of crushed walnuts, and vanilla.  The brown sugar and caramel takes on a more commanding aspect here, and I think that may be a bit excessive at times, although it recedes after a few sips and doesn’t overstay its welcome too much. In all honesty, it reminds me somewhat of a dry Diplomatico, or a less sweet Zacapa – it has the same gentle vibe as those two, and slightly more of an odd edge, and it’s just not as sweet as either, which is a relief.  The finish lingers just long enough to make itself known, with final touches of lemongrass, pine, mint, nuts, vanilla, salt caramel ice cream, and again, that touch of overripe orange peel.

Tasting notes are one thing, but what’s the assessment? Well, I think it’s a relatively easy, approachable sort of rum, that will be appreciated by those who prefer a more dialled down product, a blend, not a single cask pot still overproof fighting tiger like the Hampdens or the Habitation series. This is not some exacting full proof hi-test that is for connoisseurs of the top end, but a rum with more in its trousers than just its hands, and is for all to like and appreciate when something is looked for that will work well by itself or in a mix, while not being nearly as simple as it starts out. 

Velier is not known for making rums for general audiences in the way that many smaller outfits do in order to make better sales and subsidize the more exclusive upscale halo bottlings, yet here, in chosing the barrels that made this blend, they have admirably found a balance between the fierce and the gentle, the connoisseurs’ jaded palate and the casual drinkers’ less demanding tastes, while taking the whole experience at slightly right angles to any kind of “standard” profile for both. That’s quite an accomplishment, I would say, for a rum so readily available, and so easily affordable.

(#1115)(83/100) ⭐⭐⭐½


Other notes

  • Video recap link
  • The rum cost me Can$70 at Kensington Wine Market in Calgary in April 2025, but I first tasted it at the WhiskyLive Paris in 2024.
  • In his video essay on the rum, Arminder of Rum Revival mentioned that Velier picked up a bulk consignment and built a brand around that. His review is well worth watching and the backgrounder on ThaiBev (the owning company) is very useful. 
  • “Shakara” is the sanskrit word for sugar (some say sugar cane).
Feb 232024
 

By now little needs to be said about Hampden Estate, the famed Jamaican distillery that had its coming out party in 2018, a distribution deal with Velier, and a seemingly a new series of rums to collect just about every single year. For all its variety though, their presentation is pretty consistent and you can usually tell one at a glance just by looking at a label. Said labels conforming to all the usual Velier standards, and providing pretty much all the background details you could hope for.

In this case we’re dealing with five year old rum released in 2021 and before you ask, it’s called “The Younger” to distinguish it from the Hampden 2010 11 YO LROK also issued in the same year (which is not named, but which we shall call — obviously — “The Older”). The fermentation time is not mentioned, but we can assume a few weeks, using natural or “wild” yeasts; pot still distillation on double retort stills; aged in ex bourbon barrels with a 34% angel’s share.  And diluted down to 47% (as an aside, I’ve seen a label on a 3L jug at 49% but either it’s a misprint or substantially the same as this one) with an ester count for those who like their numbers, of 314.8 g/hLpa. This places the LROK (“Light Rum Owen Kelly”) in the lower levels and the Wedderburn category (only the OWH and LFCH are lower) and also makes the rum extremely approachable without going off the shredding deep end of the higher ester marks.

In spite of the “low” congener count, the rum represents itself well, starting with the open, which sports a serious set of sharp, distinct, funky aromas. Rubber, plastic, kerosene, fusel notes…rough and assertive stuff, which is about what we could expect from a youngish rum, tropically aged or not. It turns a little briny, then channels some citrus, flambeed bananas, yeasty bread, overripe pineapples, cherries, bubble gum. There are even some hints of coffee grounds and the metallic tinge of an ashtray that hasn’t been cleaned.

For 47% that nose isn‘t half bad (if occasionally discombobulated); the palate is in similar territory but here the strength may — surprisingly enough — be a bit too anaemic for finer appreciation. It’s thin and sharpish (not to its benefit, I don’t think), and astringent. It has flavours that in turn are sweet, salt and sour…which is nice, but not  always well coordinated, and one has to watch the sharpness. So – bubble gum, strawberries, citrus (red grapefruit), pineapples, vanilla, and some bitter coffee grounds. Once it quietens down  – and it does – it gets better because the roughness also smoothens out somewhat, without ever really losing its character.  Finish is decent: fruity, funky and some honey, plus cinnamon, cloves and maybe a touch of vanilla and pineapple chunks.

A lot of comments I found about this rum compliment its taste and smell and assure their readers that it’s a true Hampden, representing Jamaica in fine style. Yet almost all have various modifiers and cautions, and many compare it in some way to one of three rums from Hampden: the high-ester versions from the same distillery, the Great House series, and the backbone of the company, the 8 YO standard. Oh, and almost everyone mentions or grumbles about the price. 

This is completely understandable since a frame of reference is usually needed to place a rum in context – such comparisons are therefore useful, if ultimately pointless: trying to say one is better or worse than any other is entirely a matter of personal taste, really. And you either like it you don’t, can afford it or can’t, will buy it on that basis or won’t. As a middle of the road ester-level rum, I myself believe it’s a decent young rum, made in quantity with the usual Hampden quality, but not with anything really special tacked on that distinguishes it as superlative for its bracket. I’d buy the first bottle for sure: and would likely pass on a second after I finish sharing it around. I call that a qualified endorsement.

(#1059)(84/100) ⭐⭐⭐½