Aug 242016
 

St Nicks 5 yo single cask (a)

Might be heresy to say so, but I thought it better than the same company’s eight year old.

One of the reasons why the St. Nicholas Abbey Five year old gets the full etched-bottle treatment of the 8, 10, 12, 15 and 18 year olds (which are all remarkably good for 40% rums and earned good reviews from across the spectrum, including mine), is because the company is justifiably proud of this being the first rums they made from entirely their own matured stocks.  Previously they were ageing Foursquare rums to make the originals noted above — the ten may be one of the best mid-range 40% rums I’ve tried — but the five is entirely their own juice, as will be all other aged rums they produce in the years to come (once the 4S stuff runs out for the really old rum, of course…already the abbey has run out of 15, or so I’ve been told).

I’ve gone into the bio of the company before and they themselves have great info about the plantation on their website, so I won’t rehash that, except to make one observation: if you have an empty bottle of St. Nick’s, and you take it to Barbados on a distillery visit, they’ll refill it for you for half price with whatever age of their rum you want….and add some more etching to personalize it, for free, if you ask. It’s on my bucket list for that. My wife just wants to visit the place and walk around, it’s so pretty.

St Nicks rums

Anyway, a 40% golden coloured rum, coming off a pot still with a reflux column (from notes I scribbled while Simon Warren was talking to me about it, though the company website says pot only), aged five years in used oak barrels, so all the usual boxes are ticked.  It displayed all the uncouth, uncoordinated good-natured bumptiousness we have come to expect from fives: spicy, scraping entry of alcohol on the nose — the edges would be sanded off by a few years of further ageing, of course — with aromas of flowers, cherries, licorice, a twitch of molasses, a flirt of citrus peel and vanilla, each firm and distinct and in balance with all the others. 40% made it present somewhat it thin for me, mind, but that is a personal thing.

And, thin or not…that taste.  So rich for a five. It was a medium bodied rum, somewhat dry and spicy, redolent of fleshy fruits that are the staples of a good basket – the soft flavours of bananas, ripe mangoes and cherries mixing it up with the tartness of soursop and green apples and more of that sly citrus undercurrent.  With water (not that the rum needed any), the heretofore reticent background notes of molasses, toffee, vanilla, smoke and oak emerged, melding into a very serviceable, woody and dry finish. 

Again, I noticed that it was not a world beating exemplar of complexity – what it did was present the few notes on its guitar individually, with emphasis and without fanfare. It’s a five year old that was forthright and unpretentious, a teen (in rum years) still growing into manhood, one might say.  And in that very simplicity is its strength — it can go head to head with other fives like the El Dorado any time.  It’s quite good, and if it lacks the elemental raw power and rage of unaged pot still products, or the well-tempered maturity of older, higher-proofed ones, there’s nothing at all wrong with this worthwhile addition to the Abbey pantheon.

(#297)(82/100)


Other notes

  • The business about the ‘single cask’ requires some explanation: here what the Abbey is doing is not blending a bunch of barrels to produce one cohesive liquid and then filling all their bottles from that blend, but decanting barrel to bottle until one barrel is done and then going to the next barrel in line and decanting that….so if this is indeed so, there’s likely to be some batch variation reported over time (the bottles have no numbering or outturn noted).  My notes were scribbled in haste that day when Simon was telling me about it almost a year ago, and the website makes no mention of it, but Simon confirmed this was the case.
  • The 5 year old rum is dedicated to Simon’s newborn twins, who, in a nice concurrence of art and work and life (or cosmic fate), were the first Warrens to be born into the Abbey … just as the Abbey was releasing a new generation of rum. That’s pretty cool by any standard.


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