Aug 052019
 

Last week when discussing the Karukera “L’Expression” I remarked that something of the agricole-ness, the grassy and herbal notes we associate with cane juice rhums from the French islands, was missing there.  To some extent the same thing could be said of the near-5000 bottles making up the limited outturn from various “select casks” (all fourteen of them) of this Black Bottle edition – but where I gave a guarded recommendation to the 2008 Rhum Vieux, here, I have to be more enthusiastic and say it’s one of the better rhums from Karukera I’ve tried — though not necessarily one of the best agricoles, for reasons that will become clear as we go on.

The brief stats behind it: a rum from Guadeloupe, made in Esperance distillery in the Domaine du Marquisat Sainte-Marie. Column still distillate aged seven years in ex-cognac casks, decanted into 4997 bottles in 2016 at 45%. I’ve also read that the distillate comes from the same canne bleue as the L’Expression, though the 2009 harvest here; and also that it’s grown on Karukera’s estate, not Longueteau’s (the two are neighbours and co-owned). And while I no longer pay much attention to appearance, I must comment on my appreciation for the black bottle and the striking black & white label design, sure to make it stand out on a shelf dominated by brightly-coloured labels from elsewhere.

Anyway, let’s begin.  How was it? Based on how it smelled, I know that some would say it’s weak because of its near standard proofage and initially faint nose, but when sniffing it, I would say it’s actually closer to subtle.  This is a rum that takes some concentration to come to grips with, because the aromas start quietly, gently and then become increasingly crisp over time, and the experience is the better for it. There’s wood and vanilla, strong black tea and anise, which gradually develops more fruity aspects, probably from the cognac barrels: pears, mangoes, oranges, both sweet and tart.  I particularly enjoyed the late-blooming, rather delicate spices – cinnamon, fennel, nutmeg, ginger plus more vanilla – and the twist of citrus zest and winey notes that suffused the overall aromas.

The palate is different though – not quite a one-eighty, but certainly a shift in direction.  Here the delicacy and subtlety was shoved aside and a more forceful profile emerged, warmer and firmer within the limitations of the proof, and all that in spite of the slightly herbal and grassy notes that were now more clearly discerned. Initially I tasted bitter chocolate, cherries in syrup, pears, mangoes, burnt sugar, black grapes, raspberries, cherries, nougat and even some background traces of molasses and honey and caramel.  Combined with those spices – nutmeg and vanilla and cinnamon, again – plus lemon zest and gooseberries, it melded tart and soft, intriguing enough to make one want to hurry through, and help oneself to more. I mean, there was really quit a lot going on here, if perhaps too much of the sweet influence of the cognac and the odd bitter tang of woodiness. The finish was fine — dry, again quite fruity, and rather short, mostly repeating the hits, more of the fruits than anything else, but always with that mellow chocolate and honey remaining in sight.

The Black Bottle 2009 has real quality and delicate sensibilities, and it adhered to many of the markers of a good rhum from anywhere: balance, complexity, a murmuring initial profile that builds to a reasonably complex palate and a decent finale. What it wasn’t was original, unique:  it didn’t showcase the island or the estate in any specific way, and the woodiness and cognac casks really held a dominance over the final product that could have been tamed more. It’s therefore too good to dismiss as “just another agricole” (as if that were possible with any of them): but just distant enough from perfect to deny it full admittance to the pantheon.

(#648)(86/100)


Other notes

Cyril of duRhum felt that the L’expression (89.5 points) was better and the Select Casks was too cognac-y (84). WhiskyFun really liked the Select Casks (88), more than L‘Expression (85)

Jul 312019
 

Karukera, that small distillery on the eastern side of the left wing of Guadeloupe also known as Basse-Terre (in the Domain of Marquisat de Sainte–Marie) used to release bottles with an AOC designation — it was clearly visible on the labels of the Millesime 1997 and the Rhum Vieux Reserve Speciale I went through some years ago.  However, by the time 2016 rolled around this apparently had been discontinued, since the “L’expression” 8 year old bottled in that year shows no sign of it. 

While Guadeloupe as a whole has always been somewhat ambivalent about going the whole hog with the AOC, no-one can doubt that their rhums do not suffer from any lack just because they are or are not part of the protocol.  The rhum under review today, for example, is quite a good product, made as it is from cane juice of the famed high sugar-content canne bleue (which also makes a rip-snorting white), column-still distilled, a firm 48.1% ABV, and released to some fanfare in early 2017, during which several prizes came its way.

That said, I did find it somewhat…odd. For one thing, though the nose initially presented as nicely sweet and deep — with pineapple, fresh baked bread, toffee, nuts, bon bons, nougat, vanilla, licorice and salted caramel in particular perking thinks up — there was a background hint of molasses that I couldn’t pin down – what was it doing there, y’know?  There was also some cumin, ginger, fennel and rosemary, a good bit of citrus zest (lemon), so it was a pleasant rhum to smell, but overall it displayed less of the grassy, sap and dry watery aromas that would normally distinguish any agricole. 

Unlike many aged agricoles that have run into my glass (and down my chin), I found this one to be quite sweet, and for all the solidity of the strength, also rather scrawny, a tad sharp.  At least at the beginning, because once a drop of water was added and I chilled out a few minutes, it settled down and it tasted softer, earthier, muskier. Creamy salt butter on black bread, sour cream, yoghurt, and also fried bananas, pineapple, anise, lemon zest, cumin, raisins, green grapes, and a few more background fruits and florals, though these never come forward in any serious way. The finish is excellent, by the way – some vague molasses, burnt sugar, the creaminess of hummus and olive oil, caramel, flowers, apples and some tart notes of soursop and yellow mangoes and maybe a gooseberry or two.  Nice.

So yeah, like I said, it’s good, but a little confusing too — initially, not much seems to be happening and then you realize it already has, and sorting out the impressions later you conclude that what you were getting was not entirely what you were expecting. For my money, it was not anything outstanding. I personally preferred the 2004 Double Maturation a lot more – that one was intriguing and complex, and navigated salt and sweet, soft and crisp, in a way this one tried to, but didn’t. The nose and the palate were at odds not just with each other but themselves, in a way, and it was overly fruity-sweet.  That’s not enough for me to give it a bad score, just to make me look elsewhere at the company’s rhums, for something that might erase the memory of a Hawaiian pizza which the L’Expression so effortlessly brings to mind every time I sip it.

(#647)(83/100)


Other Notes

  • Big thanks to Cyril of DuRhum for the sample
  • A smaller 1500-bottle outturn of the 2008 millesime was released for La Maison du Whisky’s 60th Anniversary in the same year, at 48.4%.  A 2008 Batch 2 was released at 47.5% with 3500 bottles but the year of bottling is unknown – it can be distinguished by a blue portion of the label, missing on the one I tried here.
  • My bottles from 2012-2013 show an AOC moniker on the labels, which is not there now.  The website also makes no mention of it, so I am left to conclude that it no longer conforms to the AOC designation. If anyone has some details, please let me know and I’ll update the post.