Jul 302010
 

First posted 30 July 2010 on Liquorature

You’re not looking at two images here by accident: both of these are Extra Old. The one on the right is the new design introduced perhaps a year or so ago, and what I bought was the one on the left. There’s some confusion in the literature as to what you’re getting: the one on the right is supposedly 15 year old blends, while the one on the left is stated on some websites to be 7, 8 and 10 years old blended together…what the hell? However, after having contacted Mount Gay’s customer service (in France, because Rémy Cointreau has owned the brand since 1989), I can now tell you that both blends are exactly the same – a combination of 8-15 year old rums – and the bottle on the right is merely a newer, more “premium” design, which is in line with my observation that rums are now moving upscale in both blending and design (see the Elements 8 review if you doubt me).

Mount Gay is the rum from Barbados that essentially – after tourism, I guess – makes the island’s name. Not everyone has heard of Doorly’s, or Mahiki’s or St. Nicholas Abbey, and though Cockspur is pretty familiar to any West Indian (it’s had sniggering rights for decades) it’s not so well known outside the Islands: but you’d be hard pressed to find someone who hasn’t at least heard of Mount Gay. It is the Bacardi of Barbados, you could say.

Maltmonster made the remark the other day that he likes to do his tasting in vertical rankings, because you get a better idea how the rums (well, he said whiskies, but I chose to think he misspoke himself in an unfortunate faux pas which he now sincerely regrets and will one day beg my forgiveness for) improve or develop as one goes up the price chain. The problem with that admittedly laudable theory here in Cowtown, is that while well-suited for the elephantine selection of single malts one can find in even the meanest mon-and-pop establishment, it utterly fails for the anorexic pickings of the cane around here. One is therefore left with the dubious methodology of simply comparing rums on age and price and hoping you can draw some reasonable conclusions from that.

Anyway. The oldest continuously operating commercial distillery in the western hemisphere is not in Scotland, it’s not in the American continents – it is this one, and it has the papers to prove it: in fact, legend has it that Mount Gay was distilling rum since the mid 1600s, which would bring it in a shade behind Bushmills, in Ireland (so look it up). The signature of their lines is banana and almond, the way citrus is for Appleton, and the premium offering is the Mount Gay 1703 Old Cask: what we had for the July 2010 selection was a few rungs lower – the Extra Old, a mixture of rums eight to fifteen years old (a note here: the kind of the bottle I review is the picture on he left: this is gradually being replaced with the sleeker new design on the right).

On the nose it’s caramel candy, with that taste of banana. A bit strong, burning gently but not offensively. Swirling in the glass shows the thin legs of a model from Milan, but nothing special to my mind (I don’t attribute much to the legs unless they are really running off the reservation). On the palate, this supposedly premium sipping rum does not, unfortunately, impress: while it shows off a medium brown colour, tastes of the usual molasses and brown sugar, and hints of pecan, the blend is somehow not assertive, not intriguingly complex…it is, to but it bluntly, a tad bland. Behind, stiffening it up, is the aforementioned banana and a slight note of citrus that almost disappears in the mouth. The finish, I’m gonna have to tell you straight out, is short and bitchy and bitter, like a Reno divorce, and about as pleasant. I kind of just looked at the glass on my second go ’round with it. What just happened to this thing? Did they not try to tone down the woodiness imparted by the Jack Daniels barrels, in some misguided effort to give it street cred?

No matter what my personal feelings about the Bajans (and my disappointing experience with the Doorly’s XO should have been a shot across the bows), I had really gone in prepared to like this one. Hell, I forked over sixty-plus bucks for the bottle, can you blame me for expecting more? Extra Old rum of any kind has this cachet of age and care and love about it – online reviews are almost uniformly positive and fawn over the rum as if it could hold them till the Rapture – and while I had wanted to stroke Mount Gay like a favourite cat, you’d think my prior encounters with other pretentiously named XOs would have educated me out of this delusion: as it turned out, I had forgotten my lesson, and simply got scratched for my trouble.

So it fails as a sipper for sure, in my opinion. It’s okay – nay, excellent – as a mixer and a cocktail base, but then, if I wanted okay and a mere ingredient for fancy-named drinks, I could have gone with the Coruba, and not blown my budget for the week with this thing.

I think one day I’ll fork out three figures for the 1703 Cask edition from Mount Gay, if some kind purchasing agent for a liquor shop ever gets around to bringing it over to this city of malts: by that time, I’m just hoping that I’ll have put this rather disappointing experience behind me, so I don’t treat the premium offering of a four hundred year old distillery with the same sort of indifference that this slightly less exalted bottle treated me.

(#096) / Unscored


Update February 2018

  • For years I felt Bajan rums lacked something and mostly stayed away…not difficult given the hundreds and thousands of rums available for me to try.  But in a 2017 revisit, with more experience (and perhaps more understanding), I called the Mount Gay XO one of the Key Rums of the World
  • In 2017 Mount Gay released a cask strength expression of the XO, which I felt was quite good when I tried it in 2018
  • By the same year, most of the Bajan rum bragging rights had been transferred to Foursquare and its amazing run of the Exceptional Series, as well as its Velier Collaborations. It remains to be seen what response will be mounted by Mount Gay.
Jun 302010
 

 

Publicity Photo

This rum is simply too weak and underpowered. It is the Prince Myshkyn of rums.

Bajans like to say they did everything first, annoy and harass no end of Guyanese travelling through Grantley Adams, and are a suitably soft-spoken, deprecating folk to boot (“You may enter the war; Barbados is on your side,” went that famously modest telegram to King George in 1939).   However, research shows their claim to produce the first commercial rums in the western hemisphere is likely to be true. Mount Gay is of course the most famous and widely exported, but for some reason they missed the boat on the emergence of premium sipping rums in the last few years, and so very few top-tier liquors emerge from Little England at this time from that house (they didn’t lay in enough stocks twenty years ago, or something). Other rums made on the island are less well known, though I’m sure most know of Cockspur and Malibu (a liqueur) and St. Nicholas Abbey, and maybe Mahiki. I’m still waiting for a good top-end Mount Gay to pass through Calgary, mind you.

Anyway, this XO is supposedly the best of the lot from this Barbados distiller R. L. Seale’s (of Foursquare Distillery) which blends and bottles it under the original marque of Martin Doorly, an old rum-making concern that was bought by Alleyne Arthur (yet another now-defunct merchant bottler from Barbados) in the 1970s and itself taken over by Foursquare in 1993. Doorly’s claim to fame was/is the double distilling and then ageing of the blend in used Spanish oloroso sherry casks, which impart a lighter, less dense and clearer aspect to this 40% rum (I’m not sure whether this is a practice has been discontinued).

I am in awe of people who can flex their probosces, sniff, gargle and spit, and come up with liquorice, aniseed, mint, grapes, treacle, walnut and raisins, plus ten other things including the breakfast cheese the blender had had on the morning of the bottling (plus, perhaps, the name of his favourite marmalade).  I am, alas, nowhere so practiced or adept. Once I broached the squat bottle – love that rare blue macaw on the label – a sniff and a swirl suggested a lighter than usual rum, of toffee-brown hue, and a nose hinting at toffee, fruit, caramel (very lightly so), and a dusting of nuts of some kind.  Sugar, and a sort of perfumed sweetness that goes well with the overall delicacy the rum seemed to embody.

Up front, I have to tell you – I wasn’t pleased. I didn’t pay an arm and a leg for the rum to be a delicate little wallflower, with lace curtains on chintzy wallpaper: I wanted the proverbial cutlass and yo-ho-hos, the dead man’s chest, a little pillage, rape and plunder, damn it.  Was this what almost four hundred years of distillation had taught them? To make rum for the wussies and tourists?

Sipping it neat, and then  on ice, confirmed some ideas, dispelled others: I tasted walnuts, cinnamon, sugar, and there were few hints of the usual burnt sugar which current tastings of other rums to this point had led me to expect. And yet there was that same delicacy again, that slight civilization of rum, which made itself evident in very light notes overall.  In other words, here was not a rum that took you by the johnson and gave a good hard tug: rather, it politely tapped you on the shoulder to get your attention.  Discreet, polite, effeminate. One could almost believe this was a stronger than usual but not-as-sweet port.  This lack of assertiveness carried over into the texture and feel on the tongue. Light, smooth, yes, but was this not defeating the purpose of a rum?

I must admit to being left a shade irritable, as if by a girl who smiled and promised and then bailed just as I was getting my hopes up: it was a rum, sure, but I’d never had one that held back so much, revealed itself so shyly. I was unused to the concentration I needed to bring to tease out the notes on Doorly’s, and even then, my overall lack of a decades-long well-trained snoot put me at a disadvantage.  I liked it – it was smooth on the palate and didn’t burn much on the moderately long finish, so on that level, not bad.  But this lightness and complexity doesn’t work for me – I’ve always preferred strong tastes that “tek front” and don’t dick around.

On the other hand, maybe the Bajans really did overwork Doorly’s, they really did make it for the wussies, my feelings weren’t lying and it really is nothing beyond the gentle delicacy of a tamed wild libation that should have more depth and character.  If that is the case – and I’ll go back to this one again to ensure I’m not marking it unfairly – then the rum remains a part of the starter line and should not be considered anything special.

(#029)(Unscored)