May 262022
 

Distilleries that go off on their own tangent are always fun to watch in action. They blend a wry and deprecating sense of humour with a quizzical and questioning mien and add to that a curiosity about the rumiverse that leads to occasional messy road kill, sure…but equally often, to intriguing variations on old faithfuls that result in fascinating new products. Killik’s Jamaican rum experiments come to mind, and also Winding Road’s focus on their cane juice based rums1, like they were single handedly trying to do agricoles one better.

Moving on from the standard proofed rums from Australia upon which the focus has been directed over the last weeks, we begin to arrive at some of those that take the strength up a few notches, and when we bring together a higher proof with an agricole-style aged rum — as uncommon in Australia as almost everywhere else — it’s sure to be interesting. Such ersatz-agricoles rums are the bread and butter of the Winding Road Distilling Co in New South Wales (about 175km south of Brisbane), which is run by the husband and wife team of Mark and Camille Awad: they have two rums in their small portfolio (for the moment), both cane-juice based. The first, the Agricole Blanc was an unaged rum of this kind, one with which I was quite taken, and it’s the second one we’re looking at today.

It’s quite an eye-opener. Coastal Cane Pure Single Rum is rum with the source cane juice coming from a small mill in the Northern Rivers area (where WR are also located), and as far as I know is run through the same fermentation process as the blanc: three days in open vats using both commercial and wild yeasts, with the wash occasionally left to rest for longer (up to two weeks). Then the wash is passed — twice — through their 1250 litre pot still (called “Short Round”) and set to age in a single 200-litre American oak barrel with a Level 3 char, producing 340 bottles after 31 months. Bottling is then done at 46% in this instance: that, however, will change to suit each subsequent release based on how it samples coming out of the ageing process.

 

Mark Awad’s avowed intention is to produce a distillate that combines the clarity of agricole rhums with a touch of the Jamaican badassery we call hogo, as well as representing, as far as possible, the terroire of NSW…specifically Northern Rivers, where they are.  I can’t tell whether this is the rum that accomplishes that goal, but I can say it’s very good. The nose is lovely, starting with deep dark fruits (prunes and blackberries), opens up to lighter notes (bananas, oranges and pineapples) covered over with unsweetened yoghurt and feta cheese. There’s a nice low-level funkiness here that teases and dances around the aromas without the sort of aggressiveness that characterises the Jamaicans, combined with floral hints and – I swear this is true – smoke, wet ashes, and something that reminds me of the smell on your fingers left behind by cigarettes after smoking in very cold weather.

Photo provided courtesy of Winding Road Distilling Co. (c) Mark Awad

The barrel influence is clear on the palate – vanilla, some light caramel and toffee tastes are reminders that it’s not an unaged rum. But it’s also quite dry, not very sweet in spite of the lingering notes of lollipops and strawberry bubble gum, has flavours of brine and lemon-cured green Moroccan olives, and brings to mind something of a Speysider or Lowland whisky that’s been in a sherry cask for a bit.  It’s one of those rums that seems simple and quiet, yet rewards patience and if allowed to open up properly, really impresses. Even the finish has that initially-restrained but subtly complex vibe, providing long, winey closing notes together with very ripe blue grapes, soft apples, brine, and a touch of lemony cumin.

I’m really intrigued with what Winding Road have done here. With two separate rums they have provided taste profiles that are quite divergent, enough to seem as if they were made by different companies altogether. There are aspects of this aged rum that are more pleasing than the unaged version, while others fall somewhat behind: I’d suggest the nose and the finish is better here, but honestly, they are both quite good, just in different ways.

The constant tinkering and experimentation that marks out these small Australian distilleries — who strive to find both their niche and that point of distinction that will set them apart — clearly pays dividends. While I can’t tell you with assurance I tasted an individualistic terroire that would lead me straight to NSW (let alone Australia), neither did the Awads head into the outback at full throttle, going straight through the wall leaving only an outline of themselves behind.  What they have in fact accomplished is far better: they have created a rum that is thoroughly enjoyable, one that takes a well known style of rum, twists it around and bounces it up and down a bit…and ends up making the familiar new again. I can’t wait for Release #2.

(#911)(85/100) ⭐⭐⭐½


Other notes

  • The website specs refer to a single 200-litre barrel and the initial math seems wrong if 340 700-ml bottles were issued (since that works out to 238 litres with zero evaporation losses). However, that only computes if you assume the distillate went in and came out at the same strength. Mark confirmed: “The figures on our website are correct, even though at first glance they may seem a bit off.  We filled the barrel at 67.1% ABV and when it was decanted the rum came in at 65.1%.  We ended up with just short of 169 litres which we then adjusted down to 46% ABV.  This gave us a bit over 239 litres which resulted in 340 bottles, plus a little extra that went towards samples.”
  • As always, chapeau to Mr. and Mrs. Rum for their kind supply of the advent calendar.
Feb 172022
 

To call Winding Road Distillery’s unaged cane spirit both an “agricole blanc” and a “virgin cane spirit” seems like something of a tautology, doesn’t it? But no worries: it’ll will be renamed at some point to make it simpler and to gain access to the EU and other places where the term “agricole” is clearly defined and protected (they are well aware of the naming conventions). This is fairly important for their future plans, since all their current rums, including what they’ve laid down to age, derive from cane juice. There are no plans to move away from that core source material any time soon…which says a lot for their determination to set themselves apart from most other Australian rum producers who work primarily (though not exclusively) with molasses.

In a separate post I have gone deeper into the background of this new Australian family-owned and operated distillery: for the moment the specs on the rhum are as follows. It is, as stated, made from fresh cane juice: given the distillery is located in the middle of sugar cane country in New South Wales (~175km south of Brisbane for the curious), this is far easier for them than, say, JimmyRum down south, though trucking juice to the distillery is done in both cases. Fermentation mostly takes three days in open vats using both commercial and wild yeasts, and sometimes the wash is left to rest for longer (up to two weeks) before being run through their 1,250-liter Australian-made pot still, which is given the evocative name of “Short Round” (I’m waiting to see if anyone will pounce on R2-D2 or BB-8 any time soon, but never mind). Once all that’s done, some is set to age, and the rest is slowly diluted down to 48% and bottled as a blanc. 

And what a blanc it is. When Mr. & Mrs. Rum posted their daily advent calendar notes on Instagram last year, they started by saying that the rum “…has been described as full of big HOGO aroma.” I can write to faithful readers that this is no more than the truth because once I smelled this thing it was all Pow! Biff!  Bam! — immediate and serious pot still blanc action, big time. Not as feral as a clairin, perhaps…but not a mile away either. Glue, damp sawdust, cedar, varnish, turpentine, paint, plastic and (get this) benzene, released at a solid 48% and intense as hell – another ten points of proof and we could conceivably enter “easily weaponizable” territory. At the inception it was like standing at the intersection of the lumber and paint aisles of Home Depot. The funk is nicely controlled with this thing and it does the segue into green grapes, apples, pears, wet new-mown grass, sweet white cane vinegar, apples, cashews, orange peel and licorice really really well.

Aromas aside, cane juice rhums stand or fall on the complexity and pungent intensity of their tastes (which in turn impact how they fare in a daiquiri, a Ti-punch or a mojito, the most common uses they’re put to). Sampling it neat reveals nothing I would tell you to avoid – in fact, it’s pretty good. The slightly higher strength helps, as it does in most blancs – it’s dry, initially sharp and solidly tasty.  First off come the woody and cereal-like notes of cheerios, sawdust and a touch of licorice and sandalwood. It’s not very sweet, though some sugar-water and lime is evident; then we get some cinnamon, vanilla, orange peel, nuts and a basket of mixed white light fruits, none of which are as fiercely crisp as the nose had been — some of the clarity of the nose was dialled down here. It all led down to a firm and lingeringly warm finish that reprised some glue, anise, light fruits and a touch of salt.

All in all, this is a seriously good unaged cane juice spirit – a real rhum, if you will.  I don’t know if you could try it blind and know it was not from some famed agricole distillery boasting long years of pedigree. Certainly there are some aspects to it that were curious, pleasant and intriguing — the lack of ageing is evident in the rougher palate and its occasionally sharp profile, which is perhaps an Aussie twang and terroire coming out — but it doesn’t fall far from the reference rhums of the type with which we are more familiar, and it does its job with a sort of insouciant enthusiasm and a joie-de-vire which is evident in every sip. 

(#885)(84/100) ⭐⭐⭐½


Other Notes:

  • The company history and profile can be found here – it started off small and was originally included here, but I found and was provided with more than usual detail, and so split it off as a separate post.
  • As with all the Australian rums reviewed as part of the 2021 Aussie Advent Calendar, a very special shout out and pat of the pork-pie hat to Mr. And Mrs. Rum, who sent me a complete set free of charge. Thanks again to you both.
Feb 172022
 

As with most new distilleries in Australia, Winding Road is a family affair located about 175km south of Brisbane, whose antecedents go back as far as 2014 when the husband-and-wife team of Mark and Camille Awad were casting around for something to do which would keep them in the more tourist-centric area of Northern Rivers in New South Wales (rather than moving to a bigger city where professional work was more plentiful). At the time the craft distilling movement had begun but was in its infancy, and being in a sugar cane growing district, having something of an entrepreneurial bent and a love for good spirits, it was one of the few ideas Mark had which the boss (Camille) agreed with.

The distillery working area, with Short Round on the right. Photo (c) Winding Road Distillery (from FB, used with permission)

Just like Rick Prosser over at Kalki Moon, who had been in the distilling field for decades, or the trio of friends who opened the urban-centric multi-faceted operation of the Brix Distillery, or James McPherson with his whirlwind fact-finding tour of 70 distilleries in three months, the Awads did as much research as they could, including some hands-on training with the Black Gate and Riverbourne distilleries (also in New South Wales).  Equipment was then purchased based on advice, ambition, literature and financial resources (and with a few Hail Marys, no doubt). This was the 1250-liter pot still manufactured by Burns Welding and Fabrication (also from NSW) which was named “Short Round” (used for rum and whisky distilling), another 400-liter pot still called “Alfreda” (for gins) and a small 8-liter sneakoscope of a still called “Secret Agent” which is used for experiments, testing and working with ideas that may or may not work.

Unofficially, the distillery began a year later, in 2015 when work began on laying the physical infrastructure, getting the equipment, installing it, nailing down the financing, permitting, licensing, sources of supply, casks, distribution, bottles, labels…all the usual big and small things that a new operation needs to get going.  Officially the distillery opened in 2018 (also the year the FB page went live) when production of the first cane spirit began, with cane juice from a local sugar mill a short drive away. The resultant distillate was put to rest in new American oak barrels (not 1st or 2nd fill ex-anything) and became the first edition of the Coast Cane Pure Single Rum after 31 months, and was based on the taste profile, not any arbitrary ageing cutoff. Gradually, with increasing experience, the “Agricole Blanc Virgin Cane Spirit” was issued in 2019 as an unaged spirit and added to the portfolio.

Photo (c) Winding Road Distillery (from FB, used with permission)

Certain decisions were made from the get go, such as that of using not molasses but cane juice: this was driven by having convenient access to fresh cane juice as well as a feeling that an agricole style rum better than most styles, represented the terroire of the region. Also, it was uncommon, and seasonal – recognition factors and selling points as well – and allowed rum to be made between June and October when the cane harvest provides access to fresh juice, while in the other months they switch to whisky; gin is made all year round. 

Another deliberate decision made early on, was not to focus solely on rum or cane spirits: from the inception it was decided to add gins and whiskies to the portfolio.  As Mark wrote to me when I asked, “…We have chosen to pursue rum, whisky, gin, and liqueurs.  Our one caveat in this is that we do not want to be making a myriad of expressions simply to meet a perceived demand (in other words, to just make money).  Rather, we want to do it because we are curious and passionate about experimenting, creating, and always striving to improve.” But he admitted later that his initial vision was, and his favourite spirit remains, rum, and it’s an exciting time to be involved, and part of the new Australian Rum Renaissance.

Retail sales with Mark Awad. Photo (c) Winding Road Distillery (from FB, used with permission)

Casks are sourced from cooperages around Australia. The new oak casks are imported from the US while others are a mix of ex-Shiraz, ex-Pinot, ex-whiskey/bourbon and ex-fortified such as Port, Sherry/Apera, and Muscat. They tend to be 200-300 liters capacity as smaller sizes are considered too active given the climate. A lot of the selections are based on experimentation and simple curiosity, as the whole business of which casks produces the best end product is still being established and researched.

Winding Road started small and will continue small for a while as production and distribution settles itself, but there is no question that in a few years there will be several more expressions, aged or otherwise, of both whiskies and rums, though molasses-based rums are not currently being considered. At the moment the website lists the Virgin Cane Spirit and the Coastal Cane rums, as well as a gin and a coffee liqueur, with a single malt whisky continuing to mature.

One last thing: the name “Winding Road” is a reference to the actual twistiness of the roads in the region, including one called the “Windy Mile” road along which Camille grew up. More than that, though, for this family team, it evokes the serendipitous way they met, the evolution towards a shared life with all its vicissitudes, and especially the taking of winding paths less travelled, where the journey matters every bit as much as the destination. I can think of worse names to call a distillery and not many better.


Sources


Rums list (as of February 2022)

  • Coastal Cane Pure Single Rum
  • Agricole Blanc Virgin Cane Spirit