Mar 202013
 

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Chariots of the Gods (1968)

Before you wince, roll your eyes and question my hold on reality, hear me out. I’m aware of the stigma the subject matter has.

There were always books around me, lots of them: my mother was a librarian, and my father’s jampacked shelves were treasure troves to be unearthed at leisure (he promised me his entire collection “one day”, years ago, and I’m still waiting).  It was from these sources that I picked up “Steep Paths” by a now unknown Soviet writer called Vakhtang Ananyan; the Enid Blyton “Adventure” series, all of Willard Price’s short novels of Hal and Roger.  And some very obscure works by the likes of Andrew Tomas, Frederick W. Drake and Erich Von Daniken, which delved into unexplained and mysterious ancient artifacts and discoveries that in some (but not all) cases defy a reasonable explanation.

Stones at Sacsayhuaman – note the size and jointing

 

Erich Von Daniken could be argued to be the author who launched the seventies craze for ancient world weird stuff – he published in 1968, at a time when UFO research was still on people’s minds. In one book, he catalogued a list of frustratingly inexplicable – or fantastically coincidental – enigmas from the ancient world. Mysteries of construction like the ever-popular pyramids on two continents, the Easter Island statues and Stonehenge; the Nazca lines; the crystal skull; the Piri Reis Map; Antarctica, the Bible and Atlantis. I gobbled this stuff up, and have never lost my fascination for such matters, largely because, discredited as Von Daniken now is, however hokey the whole field has become, not all of what he brought to public attention has entirely been rationally or scientifically explained.  As Mulder once said in the X-Files: “The evidence against it is not entirely dissuasive.”  Amen to that.

Von Daniken tried to suggest that the ancient cultures of the world were connected with aliens; that all these strange monuments and artifacts represented contact with advanced extraterrestrial civilizations, and odd statuary and depictions of “Gods” were in fact expressions of how primitive people saw these divine personages.  Okay, fine, I’m the first to say that this is reaching a bit (a bit? I can hear you laugh). But the thing is, the artifacts that Von Daniken described and tried to explain are in themselves, real.  The Piri Reis map exists. The Nazca lines, the pyramids, the crystal skull, the cave painting and statuary – it’s all there.

Where I believe he fell down and brought disrepute into a genre much ignored before and since, is his rather dramatic interpretations.  Even at the young age when I first read the book, I thought he was not just swinging for the fences but the next ballpark altogether.  A round hole in a bison skull dated many thousands of years ago was, to him, not a natural occurrence (the thing ran into a sharp branch, maybe?) but evidence that there were guns in them thar days. The Bible’s accounts of Adam and Eve’s longevity suggested they were extraterrestrials (let’s not even discuss Ezekiel’s vision). And so on and on. You gotta kind of cringe when you read something so far out to left field – people can accept a decent premise, but one that’s that farfetched, with no real grounding?  Man, that’s pseudoscience with a vengeance. And it created problems for all who followed – Berlitz, Tomas, Hancock and others.

Graham Hancock, who wrote the much better researched and much less outlandish, but still critically reviled and controversial “Footprints of the Gods” (which I recommend just because he takes a more moderate approach to much of the same material) tried to revive interest in this subject in the 1990s, but I think he’s treading poisoned ground, no matter how fascinating (and it’s no coincidence that Mulder in the X-Files was never believed either, if you don’t mind me delving into pop culture for an analogy). People simply think it’s all crap.

As time went on, various other authors debunked a lot of Von Daniken’s theses, and he is, these days, sneered at, and mentioned in the same breath as “Little Green Men,” Atlantis, and various cults who believe in astral contact from some Lovecraftian universe.  His theories and the facts he brought to public attention are now fodder for mass entertainment: The “Hab Theory” by Allan W. Eckert tries to be serious but fails and is piss-poor writing to boot, Indiana Jones and the Crystal Skull took it to Hollywood; Clive Cussler’s Dirk Pitt, found (yup) a Crystal Skull in “Atlantis Found,” then came Stagate and its TV followers, and all those other novels and films which posit Atlantians, Lemurians, dudes from Mars, or Sirius or what have you. Sigh.  Take me to your leader indeed.

The Palenque tomb carving. Observe hands, nose and seated posture…what is it?

 

But the mysteries continue to tantalize and confound, holding us in a peculiar kind of thrall.  Science and historians have still not managed to come up with a convincing explanation of how the pyramids were built to such exacting specifications, let alone how old they really are (I leave it to you to decide whether the mathematics supposedly inherent in the dimensions is relevant or not), and to such gargantuan proportions; the Palenque tomb carving (above) does oddly resemble a man sitting in a device of some kind; what the hell was behind the Nazca lines, those huge drawings scraped into the Peruvian earth which cannot be seen except from the air? How did the meso-American and Egyptian civilizations move blocks of stone that weighed many tons (there’s a single block that is estimated to weigh 200 tons, an object our own largest cranes would have difficulty moving); and then build walls that had cunning joints with no mortar, following no rational pattern?

Von Daniken might have taken us for a grand ride, either through misguided ideas of his own or a desire to cash in on a fad he saw. I don’t really care, myself, long since having twigged to the weaknesses of the interpretations, and the theory.  But the objects themselves remain, their stories unanswered. Perhaps one day we will find the real truth behind such peculiarities in our history and culture.  For the moment they nag and tease and beg more questions than can be answered, fascinating us with a potential history we have thus far not bothered to address.


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