Noxx & Dunn 2-4-5 Florida Rum – Review

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Sep 292018
 

Having dispensed with the age-shattering, wallet-busting Heritage Rums of the Tasting of the Century, let’s go to something a little less aged, a little less up-market, a little less well-known, and not at the same level of age or quality — something from, oh, the US. The resurgence of rum and concomitant explosion of small micro-distilleries there suggests that sooner or later we’ll find something from over the pond and south of 49 that’ll wow our socks off.

Certainly this rum suggests that it can and implies that it does — when you peruse the website for the Noxx & Dunn 2-4-5, it leaves you with the distinct impression that it’s lovingly handmade by a team of unsung experts working to redefine the category as we know it. There are glitzy photos, weather for various parts of Florida, notes that it is unadded-to and unadulterated, made from Florida molasses, aged in Florida in American oak barrels, and it’s all very positive. “A team of craftsmen with almost a century of knowledge believe that a blend of 2, 4 and 5 years produces the most consistent and drinkable of spirits” they remark, evidently not believing either the names of these craftsmen or consistently good older rums from anywhere else are worth mentioning.

Well, never mind my snark, let’s just dive right in and taste the thing. Like many lightly-aged blends it was gold in colour and edged timidly above the standard strength with 43% ABV. The initial nose presented crisply and with a light fruitiness (pears, apples and apricots). It didn’t develop much beyond that, though after half an hour I could sense some vanilla, nuts, brown sugar, flowers and raspberries – and it got sharper, edgier, over time, not less, which is usually the hallmark of a very young rum, or very active barrels (they use once-used ex-bourbon barrels for ageing).

Taste-wise, not bad. It felt something like a cross between a light Spanish style anejo and a weak Demerara without distinctly adhering to the profile of either. Dry and crisp, it was not entirely easy on the palate — that’s the uncouth youth coming through — tasting mostly of light white fruits (guavas, pears, that kind of thing), pecans, coffee, oak and leather, and gradually developed those fruity notes the nose had hinted at – raspberries and very ripe cherries, all overlain with tannins, breakfast spices and light molasses. The finish, quite short and sharp, was more sweet-ish, with some bitter chocolate oranges, vanilla, brown sugar and quite a bit of oak bite.

My take is that the pot still part doesn’t provide a good balance to the lighter column still portion, the age is still too young, and I felt that the oak was really overactive, exacerbating the driness and slight bitterness beyond the point of being totally approachable – though I say this as an evaluator taking it neat (as I must), not a mixing guru, for whom such a profile would probably shine more. Not a rum to sip really, more one to mix up into a cocktail of some kind. According to Robin Wynne, that sterling barman running Miss Thing’s in Toronto who spotted me the bottle in the first place, “…I [would make] an Old Fashioned with it, or swapping out bourbon in a Vieux Carre with it. Also makes a great rum negroni…” So there are some suggestions for those inclined in that direction.

When I started sniffing around, the reps in Toronto were very helpful in providing additional information which is not on the webpage, and the story behind the brand is somewhat more prosaic (and to my mind, rather more interesting) than what’s on public display. Noxx & Dunn is a relatively new rum on the American scene, created a few years ago by a group of individuals who used to be part of Appleton’s salesforce and were let go when Campari acquired it. They formed their own little outfit called The Tall Tale Spirit company, and this is their only product (so far). It’s meant, as far as I’m able to determine, as a barroom mixer. The rum is primarily (but not totally) column still distillate, the blend of which is a trade secret but kept reasonably constant in order to make for a consistent taste profile. Note that TTS don’t actually own or operate a distillery, or grow sugar cane or anything – the distillation is done by Florida Caribbean Distillers and the source is molasses from the cane grown in that state (see “other notes” below). What we have at the other end of the process, then, is a blended two-year-old rum with added components of rums four and five years old, made under contract to TTS’s specifications. Also on the plus side, there are no additives, it’s 43% and it’s fully aged in Florida in the usual American ex-bourbon oak barrels.

Overall, this is the sort of rum that is fine in a bar – which is where I found it – but not for greedily savoured home-consumption or sharing with the rum chums to show off one’s incredible perspicacity in sleuthing out undiscovered steals. Not to diss the makers, who evidently are pouring some real passion into their work, but I think it’s like many other such rums from the USA that aren’t entirely multi-column-still flavoured ethanols: too afraid to go where the flavours might actually lead, too timid to amp it up a few volts and really provide a mixer with balls or a sipper with style. It’s just shy of being a true original and that’s a shame for something that’s otherwise quite intriguing.

(#553)(78/100)

Other notes

  • As noted, the Noxx & Dunn is a contract “private label” operation, not a cane-to-cork producer. The distillery of origin is Florida Caribbean Distillers, located halfway between Orlando and Tampa: they control the Club Caribe Distillery in Puerto Rico, as well as distilleries in Lake Alfred and Auburndale (both in Florida), and provide distillation, storage, ageing and bottling facilities as part of their service.
  • Only one other review of this exists, by the Rum Howler, here. He liked it a lot more than I did, so his opinion is worth noting, given my own more middling score.

Smith & Cross Traditional Jamaican Rum – Review

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Oct 112017
 

Yeah, I’m chugging along behind the other reviewers, pulling late into the station on this one. The Smith & Cross Jamaican rum has been on people’s radar for ages now, so it’s not as if this review will do much except to raise its profile infinitesimally. Still, given its reputation, you can understand why, when I finally came across it – courtesy of a great bartender in Toronto who, by stocking stuff like this somehow manages to defeat the LCBO’s best attempts to dumb down the Canadian rum drinking public – both excitement and expectation warred in the cockles of my rum-soaked corpus as I poured myself a generous shot (and left Robin Wynne, bless his heart, ogling, billing and cooing at the Longpond 1941 which I provided as proof that I really do exist).

And my curiosity and enthusiasm was well-founded. Consider the geek-stats on the rum, to start with: Jamaican rum from the near-epicenter of ester-land, Hampden Estate (awesome); pure pot still product (oh yeah); growly 57% strength (damned right); unfrigged-with (now we’re talking); and overall amazing quality, (well brudderman, Ah wipin’ me eyes). What more could any funk-bomb, ester-loving, rum-swilling aficionado on a budget possibly want? I mean, a juice like this beats the living snot out of, and then wipes the floor with, something like a Diplomatico, know what I mean? No soft Spanish style column still rum here, but an aggressive in-your-face spirit that’s itching for a dust-up. With style.

It certainly did not disappoint. When you smell this, it’s like Air Traffic Control didn’t just clear me for takeoff, but for blast-off – scents burst out of the bottle and the glass in a rich panoply of rumstink (I mean that in a good way), matching just about any good Jamaican I’ve ever had, and exceeding quite a few. Although initially there was cream and unsweetened yoghurt or labneh, there was also the light fruitiness of esters and flowers, and absolutely no shortage of the righteous funk of rotting bananas and a garbage pail left in the sun (and I swear to you, this is not a bad thing). It was not, I judged, something to hurry past in a rush to get to the next one, so I let it stand, and indeed, additional aromas timidly crept out from behind the elephant in the room – some rough and jagged molasses and burnt sugar, crushed strawberries in unsweetened cream, and some dark bitter chocolate…in other words, yummy.

While the smell and aroma were one step removed from awesome, the taste is what told the tale – it was, surprisingly enough, clean and clear, and quite spicy, redolent of olives, citrus, masala spice and a good whallop of burnt sugar. And it didn’t just exude these flavours, it seethed with them, with a sort of rough intensity that was remarkably well controlled. It also developed really well, I thought – over time (and with some water), it kept on adding to the menu: hot black tea, a combination of earthiness, of dry and musty sawdust that one might use the word “dirty” to describe without any negative connotations, and even to the very end (an hour later…I had that glass on the go for quite some time), there was still nougat and chocolate emerging from the glass. Oh and the finish? Just excellent – long, crisp, funky, with salt and vinegar chips, creaminess and driness all fighting to get in the last word. I have just about zero complaints or whinges about this one.

So a few other tidbits before I wrap up the show. Strictly speaking, this is a blend of two styles of pot-stilled rum, Plummer and Wedderburn. These are not types of still (like John Dore and Vendome, for example) but two of the four or five main classifications the British used to type and identify Jamaica rums in the late 19th and early 20th century – Long Pond, for example, was much known for the Wedderburn profile, a heavier bodied rum somewhat distinct from the more medium bodied Plummer style. Both have massive dunder and esters in there, so for Smith & Cross (who have been around in the UK in one form or another since the 1780s) to have brought this kind of style back out into the market several years back, when easier column-still sipping fare was more the norm, deserves quite a few accolades. The rum, as noted above, is a blend of almost equal parts Wedderburn and Plummer, with the Wedderburn aged for less than a year, and the Plummer portion split between parts aged 18 months and parts for 3 years, in white oak. Frankly, I’d love to see what a really (tropical) aged version of this rumzilla would be like, because for now the youth is apparent…though fortunately it’s neither distracting nor disqualifying on that score.

The Smith & Cross reminded me a lot of the Compagnie des Indes’s 2000 14 year old, also from Hampden, but not as good as the CDI Worthy Park 2007. There was much of the same sharp richness matched against something of a ghetto bad boy here, like an educated gentleman who knows just when to stop being one and belt you a good one. If you’re not into full proof Jamaican rums showcasing heavy dunder and funky flavours that batter the senses and skewer the palate, then this is likely not a rum for you. But for those who are willing to weather its force and scalpel-like profile, it is one that reminds us what Jamaicans used to be like and what they aspire to now…and points the way to a re-emergence of a style that has for many years been hidden from view and is now getting the praise that always should have been its right.

(88/100)

Background Notes

Smith & Cross, it should be emphasized, is a “created” rum, not one that is made by its distillery of origin (i.e., principally Hampden). In point of fact, it is made by Scheer, based on specifications provided by Haus Alpenz, a European spirits distributor who have Scarlet Ibis and Batavia Arrack under their umbrella. The story goes that around 2006, Dave Wondrich (author of “Punch” and “Imbibe” books) was sitting in the Pegu Club NY with the Alpenz’s American importer, Eric Seed, and the latter asked him what rums and styles unavailable in the US he should be importing (following on from an earlier convo Seed had had with Jim Meehan about spirits in general). Wondrich knew that the sort of Jamaican rums called for in old cocktail recipes were all but unavailable in the US and he answered “A high ester Jamaican.” (“That’s interesting in and of itself because I think the current rum world has forgotten how bereft NA was of those products as recently as a decade ago,” remarked Dwayne Stewart, when we were discussing this in September 2020). Audrey Sanders, (owner of the Pegu) stopped by the table and reinforced what Dave was saying, and as a direct result of that conversation, Seed went to Scheer and asked them to create a funkier Jamaican blend…and so Smith & Cross was born.

As for the name. “Smith & Cross” is a combination of two old London firms’ names dating back to 1788: Smith & Tyers, and White Cross, sugar refiners and blenders whose premises were located along Thames Street by the London Docks. The partners were extensively involved in the rum trade, especially from Jamaica, but were eventually taken over by Hayman Distillers, another London company which was formed in 1863 – they specialized in gin themselves. At the time when Alpenz was putting together its new blended Hampden Plummer/Wederburn rum with Scheer, they had some commercial connections with Hayman, wanted an old fashioned sounding name with Jamaican connections and it’s not a stretch to suggest a gentleman’s agreement to be able to use Smith & Cross as the name of their new rum. (Hayman is now involved in another rum enterprise, Charles Merser & Co, but that’s separate from this brief bio.)

 

Mombacho 1989 19 Year Old Central American Rum – Review

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Aug 312017
 

#385

Perhaps it would be better to start with the straightforward tasting, lest my snark bend your mind were I to lead in with the commentary instead of finishing with it. The Mombacho 1989 Central American rum does, admittedly, boast and flourish some impressive chops on the label: 19 year old rum (1989-2008), finishing for the final two years in armagnac casks, reasonable strength of 43% (I said ‘reasonable’, not ‘outstanding’). Looking at other bottles of their range it seems within the bounds of reason to assume it’s from Nicaragua, though the ‘Central American’ noted on the label might suggest a blending with other rums from the region.

The nose is quite good for something I feared would be rather thin: unsweetened chocolate and coffee, some dark fruit – nothing as deep and brooding as a good Demerara, mind, but nevertheless, there’s a kind of muskiness to the aromas that worked well. Baked apples and a sort of cereal background, something like nice blueberry tart – I assume that was the armagnac finish lending its influence – with an ashy background to the whole thing.

Tastewise, also nothing to sneeze at, with a rich red wine taking the lead, plus prunes, apricots, stewed apples and burnt sugar. In its own way, it felt a little over-rich so maybe something was added? I tried it in conjunction with the Compagnie des Indes 17 year old and the Blackadder Raw Cask 12 year old (both from Nicaragua) and it is in the comparison that I got the impression that either it was doctored a mite, or the finishing was simply too dominant. With water additional flavours of honey, vanilla, cereal and tobacco could be discerned, plus licorice and some oakiness, and overall it had a nice rounded feel to it. Even the finish had that balanced quality to it, though quite short – cherries, peaches, prunes, anise, gone too quickly.

It was said to be the best rum in the world in 2008, but I’ll tell you frankly, when I read that I just smiled, shrugged and moved on – it was good, but not that good. Not bottom shelf by any means…and not top shelf either. Let’s put it somewhere in the middle.

(83/100)

Opinion (you can ignore this section)

So what to make of a rum that is purported to be nineteen years old, yet whose provenance is shrouded in mystery? Mombacho is a rum brand which has a website and a Facebook page (among others) that are masterpieces of uninformative marketing. About all you get from these sources (and others) is the following:

  • They issue aged bourbon-barrel-aged expressions with fancy finishes
  • This rum is named after a volcano in Nicaragua
  • It’s distributed in Europe by an Italian company named F&G SRL out of Torino.
  • There used to be a moonshine distillery on the slopes of that volcano (the whole area is now a nature preserve) selling a rum called Mombachito
  • The rums in the brand’s lineup are variously aged from 8 to 21 years.
  • Some of the rums from Mombacho are called “Nicaraguan” and others “Central American”.

My personal assumptions are as follows: I believe this is a Flor de Cana based rum. The taste profile, and the absence of any concrete contact info of the producing distillery, if there is one, points to this (some online webpages speak to a distillery, never named, never located). I think it has been bought aged as is from FdC (they laid in a lot of stock in the 1980s as a hedge against hyperinflation and political problems, so the assumption is reasonable), and the rebottler/blender, whoever they are, aged it a further while in the armagnac casks for the finish. Some blending of barrels is highly likely, because any limited outturn would have the number of issued bottles proudly displayed as well.

Everything else I found in my research is glitzy pictures and self-promoting blah of zero interest to the diligent, curious rumhound. Even on the large Facebook rum clubs where an occasional mention can be found, about all you’re walking away with is that some people got one of the rums from the brand, but without details or facts of any kind on the brand itself. It’s been a long time since I’ve seen such an informational black hole

This enormous lack of background material does not make me a happy camper. I can’t trust a company which has no information behind it, therefore I can’t trust the provenance, so I can’t trust the age, it throws suspicions onto the entire label, and with all these doubts, it inevitably leads to suspicions that the price I paid (€120) was excessive for what was on show. I honestly don’t care if the makers are marketing tyros or business neophytes or freshie rum dilettantes – more should have been provided, even back in 2008.

This is where honesty in labelling becomes so very important. If this was a thirty-dollar rum, I would not worry overmuch about it, but for three figures it begs some questions. And when none of this is readily available, it devalues every other statement made in the marketing literature, or the bottle label itself. If anything positive emerges from this tirade, it is that it shows what is demanded in 2017 for any rum on the market nowadays. I doubt a new entrant to the field could get away with what Mombacho did nearly ten years ago, and the 28 year old Panamanian Arome may be the proof.

So yes, it’s a decent rum, and no, I wouldn’t buy it again. Not because it doesn’t have some quality, but because I rarely spend that kind of money more than once on a no-name brand with little but air behind it.

Other notes

I sent out a note to many of my rum swilling friends….none of them could tell me anything about the company. Mombacho’s FB page has so far declined to respond to my message asking for further info, an the mombacho.eu website was similarly unhelpful. But, if I do get some feedback, I’ll update this post.

Cachaça Agacana – Review

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Apr 242017
 

#359

“Aguacana” is as good a term for this cachaça as any other, denoting as it does “water of the cane” There are few titles more appropriate, because at 37.5% you’re really not getting very much out of the Brazilian drink, and even in a mix I sort of wonder what the point is and how well something this frail would fare in a caipirinha. I’m aware that it’s somewhat snobby, but seriously, 37.5% is edging out of spirits territory altogether and into some kind of never-never land of “please don’t hurt me” for the timid, and my preferences don’t run that way. Note the label by the way – it says “The Original for a Caipirinha,” which I think every such drink under the sun claims to be

Background information is as skimpy as the taste profile. The rum is made under the auspices of Bardinet, a French spirits company founded back in the 1850s by Paul Bardinet who worked on blending and taming sugar cane alcohol that was shipped to France. These days the name Bardinet (with respect to rums) is probably better associated with the Negrita and Old Nick brands, but since 1993 they have been the La Martiniquaise-Bardinet Group and control Dillon, Depaz and Sainte-Marie on Martinique, as well as Distillerie de Marie Galante and SIS in Guadeloupe. So certainly their lineup has real heft in it. As for the Aguacana, it’s one of the many brands within the group and that’s about all I could dig up – I don’t even know where specifically in Brazil it’s made. From the paucity of the information and lack of any kind of serious marketing, I get the impression it’s an afterthought meant to round out the portfolio rather than a serious attempt to make a commercial statement or break the Brazilian market.

Let’s get right into the tasting. The nose is sharper and clearer than the Thoquino that was tried alongside it, herbal and grassy, demonstrating more salt and less sugar, some vague florals and unripe green grapes so in that sense it was different. The problem was (and remains) that that was pretty much the whole shooting match: if there were more undiscovered aromas, they were far too faint and watery for me to pick them out.

Slight improvement on the palate. It presented a clean and spicy-sharp alcohol taste, quite dry, and was weak and near ghost-like at everything else – one senses there’s something there, but never entirely comes to grips with anything. So I let it rest, came back to it over a period of hours and noted tastes of iodine, watermelon, cucumbers in vinegar, flowers, and the ever-present sweet sugar water that so far has been a characteristic of every cachaça I’ve ever tried. Overall it was watery in the extreme, and even though sometimes ageing in oddly-named Brazilian woods imparts some off-base flavours to the profile, here there was none of that at all. “Slightly flavoured water” is what I remember grumbling to myself, before also noting that the finish was “inconsequential, with no aspects of profile worth mentioning that haven’t already been sunk by the mildness” (yes, my notes really do read like that).

Perhaps it’s unfair to judge a drink that is not meant to be anything but a cocktail ingredient as a neat sipping spirit, and you’d be within your rights to make the criticism. Still, you have to know what it’s like on its own before you go making a mix, right? How else are you going to know what to add? In fine, the Aguacana is a meek and inoffensive and ineffective cachaça, which does the job of making a shy caipirinha easy enough since just about anything added to the glass would alter the profile to what is desired (which may be the point). The relaxation and the buzz will arrive eventually, but if you really want a sense of what the rum is like by itself, you’ll spend a long time waiting for any kind of flavour to chug into the station. And as for me, I’ve got better rums to try, so I’ll pass on this in the future unless Mrs. Caner feels generous enough to whip up a drink for me.

(70/100)

The Real McCoy 5 Year Old Rum – Review

 2 Responses »
Aug 282016
 

Real McCoy 5

Understated five year old mixing material

Last time around I looked with admiration at the St. Nicholas Abbey 5 Year old, suggesting that in its unadorned simplicity and firmness lay its strength…it didn’t try to do too much all at the same time and was perfectly content to stay simple. It focused on its core competencies, in management-speak. Yet that same day, just minutes apart, I also tried the Real McCoy, another Bajan five year old, and liked it less. Since both rums are from Barbados, both are unadulterated, and both five years old, it must be the barrels and original distillate. As far as I know the St Nick’s is from their own pot still, and the McCoy from a blend of pot-column distillate out of Foursquare, and they both got aged in bourbon barrels, so there you have the same facts I do and can make up your own mind.

Just some brief biographical facts before I delve in: yes, there was a “real” McCoy, and as the marketing for this series of rums never tires of telling you, he was a Prohibition-era rumrunner who would have made Sir Scrotimus weep with happiness: a man who never dealt with adulterated rum (hence the “real”) didn’t blend his stuff with bathtub-brewed popskull and never added any sugar, and bought occasionally from Foursquare, back in the day. Mr. Bailey Prior, who was making a documentary about the chap, was so taken with the story that he decided to make some rums of his own, using Mr. Seale’s stocks, and has put out a 3 year old white, a 5 year old and a 12 year old.

real-mccoy-rg2-useSo here what we had was a copper-amber coloured 40% rum aged for five years in used Jack Daniels barrels, which presented a nose that was a little sharp, and initially redolent of green apples and apricots. It was slightly more aromatically intense than the 3 year old (which I also tried alongside it), and opened up into additional notes of honey, dates, nuts, caramel and waffles. The issue for me was primarily their lack of intensity. “Delicate,” some might say, but I felt that on balance, they were just weak.

Similar issues were there on the palate. It was easy, no real power, and reminded me why stronger rums have become my preference. However, good flavours were there: cider, apples, citrus, sharpness, balancing out vanilla and vague caramels. There were almost none of the softer fruits like bananas or fleshier fruits to balance out the sharper bite, and this was reinforced by the oak which came over in the beginning (and took on more dominance at the back end)….so overall, the thing is just too light and unbalanced. This is what proponents of the style call genuine, what lovers of 40% Bajans will name “excellent”, and what I call uninteresting. Overall, and including the short, light, here-now-gone-in-a-flash finish, it displayed some of the same shortcomings I’ve associated with many younger and cheaper rums from Little England – there just wasn’t enough in there for me to care about.

Leaving aside the stills, I’m at a loss to quantify the reason why the St Nick’s presented so much more forcefully than the McCoy given their (relative) commonality of origin and age and lack of additives. The McCoy five gave every impression of being dialled-down, and has too little character or force of its own, no indelible something that would single it out from its peers: the El Dorados for all their sugar at least have some wooden still action going on in there, the St. Nick’s is firm and unambiguous, and even the Angostura five has some aggro underneath its traditional profile But all we get from the McCoy is a sort of wishy washy weakness of profile and a failure to engage. Torque it up a little and we might really have something here…until then, into the mix it goes.

(#298)(77/100)

Kirk and Sweeney 12 Year Old Rum – Review

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Jun 192016
 

K&S 12 YO 1

Not a bah-humbug rum…more like something of a “meh”.

I have an opinion on larger issues raised by this rum and others like it, but for the moment let’s just concentrate on the review before further bloviating occurs. Kirk and Sweeney is a Dominican Republic originating rum distilled and aged in the DR by Bermudez (one of the three Big Bs of Barcelo, Bermudez and Brugal) before being shipped off to California for bottling by 35 Maple Street, the spirits division of The Other Guy (a wine company). And what a bottle it is – an onion bulb design, short and chubby and very distinctive, with the batch and bottle number on the label. That alone makes it stand out on any shelf dominated by the standard bottle shapes. It is named after a Prohibition-era schooner which was captured by the Coast Guard in 1924 and subsequently turned into a training vessel (and renamed), which is just another marketing plug meant to anchor the rum to its supposed piratical and disreputable antecedents.

Dark orange in colour, bottled at 40%, the K&S is aged for 12 years in the usual American oak casks. Where all that ageing went is unclear to me, because frankly, it didn’t have a nose worth a damn. Oak? What oak? Smelling it revealed more light vanilla and butterscotch than anything else, with attendant toffee and ice cream. It was gentle to a fault, and so uncomplex as to be just about boring…there was nothing new here at all. “Dull” one commentator remarked. Even the Barcelo Imperial exhibited more courage, wussy as it was.

K&S 12 YO 2To taste it was marginally better, if similarly unadventurous. Medium bodied, with an unaggressive profile, anchored by a backbone of vanilla and honey. There was a bit of the oak tannins here, fiercely controlled as to be almost absent; not much else of real complexity. Some floral notes, cinnamon, plums and richer fruits could be discerned, but they were never allowed to develop properly, or given their moment in the sun – the primary vanilla and butterscotch was simply too dominating (and for a rum that was as easy going as this one, that’s saying a lot). The Brugal 1888 exhibited a similar structure, but balanced things off a whole lot better. Maybe it was just me – I simply didn’t see where all the ageing went, and there was little satisfaction at the back end which was short, soft as a feather pillow, and primarily (you guessed it) toffee and cocoa and more vanilla.

So the rum lacks the power and jazz and ever-evolving taste profile that I mark more highly, and overall it’s just not my speed. Note, however, that residents in the DR prefer lighter, softer rums (which can be bottled at 37.5%) and its therefore not beyond the pale for K&S rum to reflect their preference since (according to one respected correspondent of mine) the objective here is to make an authentic, genuine DR rum. And that, it is argued, they have achieved, and I have to admit – whatever my opinion of it is, it’s also a very affordable, very drinkable rum that many will appreciate because of that same laid back, chill-out nature to which I’m so indifferent. Just because it doesn’t work for me doesn’t mean a lot of people aren’t going to like it. Not everyone has to like full proof rums, and not everyone will ever be able to afford indie outturns of a few hundred bottles, if they can even get them; and frankly not everyone wants a vibrating seacan of oomph landing on their palate. For such people, then, this rum is just peachy. For me, it just isn’t, perhaps because I’m not looking for rums that try to please everyone, are too easy and light, and don’t provide any challenge or true points of interest.

Opinion:

Years of drinking rums from across the spectrum leads me to believe that there’s something more than merely cultural that stratifies the various vocal tribes of rummies. It is a divide between rum Mixers and rum Drinkers, between bourbon fanciers moving into rums versus hebridean maltsters doing the same (with new rum evangelists jumping on top of both), all mixed up with a disagreement among three additional groups: lovers of those rums made by micro-distillers in the New World, aficionados of country-wide major brands, and fans of the independent “craft” bottlers. Add to that the fact that people not unnaturally drink only what they can find in their local likker establishment, and what that translates into is a different ethos of what each defines as a quality rum, and is also evident in the different strengths that each regards as standard, and so the concomitant rums they seemingly prefer.

That, in my opinion goes a far way to explaining why a rum like the K&S is praised by many in the New World fora as a superb rum…while some of the Old World boyos who are much more into cask strength monsters made by independent bottlers, smile, shrug and move on, idly wondering what the fuss is all about. Because on one level the K&S is a perfectly acceptable rum, while on another it really isn’t…which side of the divide you’re on will likely dictate what your opinion of it and others like it, is.

(#280 | 81/100)

Other notes

  • I actually think it’s closer to a solera in taste profile – the Opthimus 18 was what I thought about – but most online literature says it is really aged for twelve years. I chose to doubt that.
  • Bottle purchased in 2013…I dug it out of storage while on a holiday back in Canada in 2016 for this review, and then again in 2024 when I recorded a video recap.
  • K&S also produces an 18 and 23 year old version. The rum was noted to be a blend, and from molasses, in a 2020 Forbes article, where it was also noted that the age statement was dropped from current labels.

The Real McCoy 3 Year Old White Rum – Review

 2 Responses »
Apr 092016
 

D3S_3629

Bartenders and cocktail enthusiasts will get more out of this than I ever will. It redefines the word “understated.”

Knowing how I have never been entirely satisfied with rums from Barbados, I decided to buy a few about which many have waxed rhapsodic, followed that up with trying as many as I could at the 2015 Berlin rumfest, and continued on the theme by begging my friends in Europe for samples of their personal stocks of independent bottlers’ Bajans. Let’s see if I can’t get to the bottom of why — with just a few exceptions — they don’t titillate my tonsils the way so many others have and do.

Take for example this white three year old from the “Real McCoy” company, which is using stocks from Foursquare. Others have written about Bill McCoy, a Prohibition era rumrunner who never adulterated his stocks (some of which came from Foursquare, according to a documentary made by Bailey Pryor). Apparently Mr. Pryor was so enthused by what Bill McCoy had done that he approached Richard Seale with a view to creating a modern equivalent: and after some time, the 3 year old white, a 5 year old and a 12 year old were out the door in 2014. This one is a blend of copper pot and column still distillate, 40% ABV, aged in American ex-bourbon oak, and an offering to bartenders and barflies and mixologists everywhere.

D3S_3629-001

Part of my dissatisfaction with filtered white rums meant for mixing was demonstrated right away by the aromas winding up through my glass: I had to to wait around too long for anything to happen. The nose was warm and faintly rubbery, with some faint tannins in there, sugar water, light cream,and a green olive hanging around with maybe three marshmallows. A flirt of vanilla loitered around in the back there someplace but in fine, I just couldn’t see that much was going on. “Subtle” the marketing plugs call it. “Pusillanimous” was what I was thinking.

To be fair, a lot more started jumping out of the glass when the tasting started. It was crisper and clearer and firmer than the nose, a little peppery, more vanilla, cucumbers, dill, ripe pears, sugar cane sap. It’s not big, it’s not rounded, and the range of potential tastes was too skimpy to appeal to me. Skimpy might work for a bikini, but in a rum it’s a “Dear John” letter, and is about as enthusiastically received. The finish? Longish – surprisingly so, for something at 40%, though still too light. More sugar and dill, guavas and pears, and that odd olive made a small comeback. I’m sorry, guys, but this isn’t my thing at all. I want more.

Perhaps it wasn’t such a good idea to kick off the Barbados tour with a filtered white 3 year old. It was thin, watery, too weak, and the tastes struggled to get out and make themselves felt. Maybe it’s the charcoal filtration that takes out some of what I like in my rums. The profile is there, you can sense it, just not come to grips with it…it’s tantalizingly just out of reach, and like the Doorley’s XO, it lacks punch and is simply too delicate for my personal palate. For its price point and purpose it may be a tough rum to beat, mind you, but my personal preferences don’t go there. And having had white rums from quite a few makers who revel in producing fierce, joyous, in-your-face palate shredders, perhaps you can understand why something this easy going just makes me shrug and reach for the next one up the line.

(#265. 74/100)

Ron Maja 12 Year Old Rum – Review

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Mar 182015
 
D3S_8975

Not my best rum photo ever: I had set the shutter speed too slow…

 

This is definitely a rum to chillax with. A solid, relaxed and very pleasant Salvadorean rum which should be given some attention…even if it’s actually from Panama.

Assume you were a new outfit in a country A and were making a new rum whose brand was once owned and which was once made, by your family; you sourced distillate from another country, B; used that country B’s facilities to make and age the finished product; and hired a Master Blender, also from that B country. Now, the question is, whose rum is it? A or B? This is not nearly as academic an exercise as it seems, because Ron Maja purports to be a rum from El Salvador, yet the sugar cane and distillate hail from Panama, the rum is aged in Panama, and the ‘recipe’ for the final blend comes courtesy of Don Pancho Fernandez, also associated with the Panamanian industry.

When I ran across the rum at the Berlin 2014 Rum Festival (where it won a Bronze medal for 11-14 year old rums), the company representative was quite clear about the matter without any prompting. She told me frankly that the purpose of making both this product and its younger 8-year old sibling (also an award winner in Madrid in 2014), was to kickstart a long-dormant rum industry in El Salvador generally, and for the family that owned the brand specifically. The issue is not entirely without precedent – for example, Pyrat’s no longer has much, if anything, to do with Anguilla, St Nicholas Abbey sourced its original stocks from Foursquare, and many Caribbean Islands’ companies buy molasses from Guyana…and you sure never see that anywhere on various labels. (My opinion is below).

That out of the way, what are we to make of the twelve year old rum aged in ex-bourbon barrels, and issued at a soothing unaggressive 40%? It was housed in a squat green bottle, decent plastic tipped cork, and marked with a bare minimum of information on the label – including that “El Salvador” moniker – and poured out in a bright golden liquid. It smelled like what it was, a soft, easy-going, medium-bodied rum, with vanillas, some brown sugar and coconut politely jostling for my attention. There was no aggressiveness at all here, and my initial opinion was that it was a good all-rounder: it could just as easily be a mixer, had neat, or over ice for those who preferred it that way. Still, given its rather gentle aroma, I’m not sure how much any mix would add to its value…a cola or ginger beer might just shred the thing.

Things got rather more assertive as I tasted it (and I went back to it twice that day when no-one was looking just to confirm my initial impressions) – the lightness of the nose gave way to a taste that was more solid. Soft fleshy fruits, vanilla, a flirt of citrus were in evidence, followed by peaches and ripe apples and smoke. And again that hint of lemon zest and perhaps even a bit of ginger, for a fillip of complexity. It was very Panamanian, or Latin if you wish – there were aspects of it that reminded me of similarly serene Peruvian and Colombian rums I’ve had, and could be confused with an Abuelo 12 (which was heavier), Juan Santos 12 (a shade lighter), or even Rum Nation’s 18 year old (a bit more complex). The finish was smooth, warm and quite docile, providing pleasant reminders of what had gone before it.

Maja is trying to jump start an indigenous rum industry, and have created a very good rum from stocks which have all been aged twelve years (it’s not a blend of various ages). To do this properly, what they have to do is grab some market share from more established companies, and hew to the standard proof line. My own feelings on 40% are not new: still, putting aside such a personal predilection, I believe that the Ron Maja 12 year old is a solid mid-tier rum whose great strength will be its overall delectability and versatility, if not true passion (it’s really not the kind of rum that inspires solo trans-Atlantic voyages in a bathtub, for example, or grandly-declaimed love from the rooftops by misguided lovelorn swains).

It’s simply good, and what it brings to the table is accessibility (many will really enjoy its laid-back profile), overall quality, and lack of in-your-face bite. It’s a well-made, smooth and warm drink, with enough going on within that you’ll never doubt that it still remembers it’s a rum. And at 40% and €45 per bottle, you really won’t have a problem drinking it neat, which for me is a pretty good recommendation.

(#207. 83/100)

Other notes:

  • The Rumporter online magazine has a small article on this rum here, in French.
  • I have an outstanding email in play to Ron Maja, where they promised to get back on to me regarding more history and background; when received, I’ll update this post.

Opinion

While appreciating the logistics and other problems Maja no doubt has undergone in bringing its product to market, I am going on record as disapproving of the labeling exercise – it ignores the reality of what this rum really is, and touches on larger issues of truth in advertising and presentation. The founding family and originator of Ron Maja is from El Salvador – is this enough to make it a Salvadorean rum when everything that comprises it except the owners, is from somewhere else?

For this to be presented as being what it supposedly is, I believe that some part of the production process has to be in El Salvador (like the Islands mentioned above have ageing and blending facilities in their territories, or St Nick’s is aged and bottled at the Abbey). The cane, the molasses, the distillation or the bottling…something. This may just be a fig leaf to add that touch of respectability or verisimilitude, but it would give consumers a better idea of what it is they are getting for their money.

Update March 2015 – According to the company, the recipe used to assemble the rum was developed by the family, and this is the source of stating it is Salvadorean.

Ron de Jeremy “Adult” Rum – Review

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Mar 132013
 

Come on now, be honest, why did you really buy this product?

How can one ignore the advertising and marketing behind something as evocatively (or crassly) named as Ron de Jeremy, distributed by One-Eyed Spirits? There is almost nothing I can write that would not in some way be seen by the average reader as a mandingo-esque, pornographic allusion. I think the best — nay, perhaps the only — way I can approach this review is to do a full one-eighty course change, sink deep into the netherworlds of geekdom and nerd nirvana, and reference a great epos of wishful manhood….like, umm, Star Trek.

Think of this rum as an off-kilter riff on that ultimate TV bromance. This is you and your best buddy playing with phasers and electrocuting Horta in your spare time, because, when you get down to it, Ron de Jeremy is not for drinking by yourself — so who else to try it with than some friend whose sense of humour mirrors your own and who won’t laugh at your new ears and deadpan Sheldonisms? This is a rum born to be shared and snickered over, which is why the younger and more rebellious crowd of rum drinkers probably laughed themselves into a collective sneezing fit and bought it like tribbles were on sale that day.

Ensconced in a bottle reminiscent of the English Harbour 10 year old, numbered (mine is bottle number 23124…but of how many?) it’s fairly simply designed (I always like that), and for those used to seeing Ron Jeremy as a fatter, ageing prescence on a TV show or on photographs, the younger hand drawn visage will be a bit startling. We can all agree, I’m sure, that his face is not the selling point, though. Maybe it’s his ears.

Ron de Jeremy presented such a queerly discombobulated dissonance between nose and palate that it almost seemed like two people, one of whom is in the throes of pon-farr. This started as early as when it was opened and I got an immediate hit of stale Gorn sweat – for me, with my memories of life in the tropics, it presented like the bitter whiff of anti-malarials in a bush hospital. A vaguely bitter, herbal, grassy lead-in that recalls to memory the scent of dried-out sugar-cane stalks (and quinine) was the first thing out the door. And however much it then mellowed out – and it did – however much it transmogrified into caramel, burnt sugar, toffee and butterscotch, it had already mind-melded with me and that made my opinion less than it might have been.

So, negative on the nose, Keptin. Was the palate any better? I thought it was. Quite decent, actually. Medium bodied, a little aggro right up front. Briny, not-so-sweet and heated to start, a shade harsh – an 18 year old Panamanian it was not – then once it hit what passed for warp in its own universe, it evinced a rather pleasant vanilla sweetness, commingled with oak, leather and walnuts (hush, ye snickerers). Medium long fade with a last jarring sweet bath-soap note warping in from nowhere. It may have pretended not to be of a piece with the initial aromas, but clearly, they went together like Spock and the other guy. Essentially, the rum started one way and finished another…maybe I should call it Seven of Nine.

Ron de Jeremy “Adult” Rum is a Panamanian, distilled by the boys at Varela Hermanos who make the Abuelos (or so I’ve been told), hewing to the line of several other Panamanians in my possession, if not quite as good as many. It is near in profile if not in scent to the Abuelo 7. Don Pancho Fernandez of Zafra Reserve fame has been involved in the production of this rum…and here again I make mention of the palate-level similarity all these Panamanians seem to possess (in my own opinion), which perhaps illustrates the drawbacks of having one person, no matter how experienced and well known and qualified, driving the taste profile of so many rums. I like Panamanians a lot, but the ones available to me are similar enough — bar minor variations — that I am in danger of shrugging and moving on out of sheer boredom.

You’d be surprised, though: overall, in spite of its cost of about $40 here in Canada, I’m thinking it’s worth the extra credits. Because for all its failure at the start, it’s a decent, workmanlike rum, better than quite a few others I’ve had over the years. An intriguing, if not necessarily good nose, a decent palate and a fade not to be sneezed at.

I may not believe a company vulgar enough to call itself “One-Eyed Spirits” can bring something this decent to the table right out of the gate. But I can’t always write about what I wanted in a rum, but must address what I actually got — and on that level my opinion is a positive one. Set aside the nonsense of a porn star shilling for a rum just because of his name, put away any preconceptions you have of the marketing message, ignore its opening salvo, strip away all that — and what you’re left with is a Panama rum, one that’s not too shabby, whose quality, like that of the Chairman’s Reserve Forgotten Casks, barely succeeds in spite of its advertising, but not because of it.

(#148. 80/100)

Other Notes

  • Masters of Malt mentions the rum as being 8 years old. The bottle of course tells you nothing.

Panamonte Reserva XXV 25 Year Old Rum – Review

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Feb 132013
 


Bottled evening sunset. Among the best of all the 40% Panamanian rums I’ve tried thus far…though that is not quite what the endorsement it seems.

The Panamonte XXV has, since its introduction, received such rave reviews across the board – it may be one of the most critic-proof rums ever made – that it’s led one reviewer (who I note has not done a formal write up or, perhaps, even tried it) to complain vociferously and with unbecoming language about the lemming like behavior of the bloggers who are supposedly in the pockets of the industry and who put over-the-top positive spins on the rum in order to promote it for their own (inferred) nefarious purposes. I don’t agree with this attitude – there are far too few writers out there who love and promote rums, so we should encourage the reviewers, not viciously diss them – but there’s no question that for a really expensive product, perhaps we should really take a hard look and not be too swayed by cachet or price just because it has cachet and price.

Bearing that in mind, and given that I had dropped $400+ on a bottle of the good stuff last year, I felt it right to check how it rated against other rums of either similar age, similar provenance or similar profile, like the Arctic Wolf did in his famous dissing of the Appleton 30. So I ran the Panamonte XXV past the Cadenhead Panama 8 year old, the Rum Nation Panama 18 and 21 year old, the Ron de Jeremy and the Panama Red Overproof, as well as the Abuelos 7 and 12. And just to make life interesting, I added the El Dorado 25 40%, because of its age.

The Panamonte, right off, had a bottle that was impressive…a flagon, more like, gold-tipped-cork and fancy lettering (same as the St Nicholas Abbey rums, just different etching and cork), all ensconced in a two-piece box that you’d better hold carefully, ‘cause if the snaps on either side break while you wrestle it one-handed, the bottom might just pop out like a stock market bubble, and all your hard earned money will go the way of your portfolio. But it’s kinda faux-handmade retro-cool, and I always liked that. Nothing irritates me more than a super premium, highly priced rum, coming in a shabby, cheap-ass, cardboard paper box (though I must concede the overall put-together-ness of the box wasn’t all that great either) .

The rum itself was amber and copper in hue. Soft and warm, the initial scents curling lazily from the glass were well behaved, rather dense clouds of honey, lightly toasted walnuts (or were those pecans?), blossoms like lilac petals, dark fruits like raisins, plums, just-barely-ripe peaches and bananas. Soft fruits, not citrus, and that set the stage for a rum that was not at all sharp, but as comforting as a feather bed in the winter. Maybe with your plump, soused spouse in it.

The Panamonte XXV may be among the smoothest, most unaggressive medium-bodied rums I’ve ever tasted, which is both a good or a bad thing depending on your personal preferences. The arrival stroked the palate with the gentle touch of honey – maybe maple syrup is a better descriptor – as soft as your favourite pooch’s begging eyes: stroke me, master, because I love you. Evolving nuances of coconut shavings, nutmeg, caramel, cinnamon, cumin, a light dusting of caramel and sugars followed through, enhanced by some light tobacco and leather notes – and hardly any oak or citrus spiciness asserting itself. Quite a change from the aridity and powerful eff-off of the Velier Albion 1994. It had an extraordinary balance that allowed no one taste to hold the high ground or dominate the profile at the expense of any other. It was, in fine, a rum that could be dreamily sipped and savoured all evening long. It might actually be a conversation stopper, for who on earth would want to do anything except make gurgling noises of enjoyment while trying to extract that very last nuance of flavour from it? As for the finish, well, one should not expect anything too epic from 40%, yet even here, warm and breathy aromatic hints of fleshy fruits and tobacco with a sly hint of oak and unsweetened chocolate were the last things to titillate the senses…before I poured yet another glass.

The rum, then, is a Panamanian molasses-based rum aged for 25 years in used oak barrels (standard), and is a product of the same crew who brought you the above-average (but spiced, I suspect) Panama Red I looked at not too long ago – Jim Wasson of Panamonte, and “Don Pancho” of Zafra, Panama Red and Ron de Jeremy…er, fame. It shares something of the generalized softness I sensed in the other Panamanians like the Abuelo 12 or the Rum Nation Panama 21 (the RN 18 is a tad more aggressive), but lacks the youthful yobbishness of the Cadenhead. And it’s different from the El Dorado 25 year old 40%, being not quite as dark or deep, and a shade less sweet (that’s a good thing, by the way). It’s probably better than all of them, though I’d say the RN 21 showcases a little more risk.

So forget my remark about being “critic-proof” – this rum is critic-obliterating. Stripped of the marketing hype (“…every single drop…” – yawn) it’s not hard to see why, because think of all the levels on which it succeeds so swimmingly – it’s smooth, it’s gentle, it tastes great, it releases its character in measured teasing doses, and is bottled at a cushy 40%. What’s not to like? I mean, it’s as if in some backroom office, a blending engineer and management type set out to tick all the boxes, making sure the greatest mass of taste was catered to (they emulated Bacardi, perhaps), and then ratcheting it all up a notch or five and pricing it to match. It makes perfect commercial sense to issue this twenty five year old as it has been, because this is the way most will try it and like it and buy it.

(#145. 87/100)

Opinion

For me, it may simply be too much of a good thing.

This is where I have to tread warily, and be clear about the rationale for my ambivalence. For what it is – a 40%, aged rum – it’s perfectly fine, so its intrinsic quality is not at issue (and my score reflects that). It may be about as good as any such product can or will ever get. So if the rum is so good, you ask, why the beef and bitching? Because, reader, although I haven’t tried as many rums as the Burr Brothers, Dave Russell, Ed Hamilton, or the Arctic Wolf, I have tried a lot and thought deeply about why some appealed to me but not others, tried to understand why I liked stuff I didn’t before, or dislike stuff I once loved. And there you have it – it’s not the rum that has changed, it’s me.

I’ve moved on from commonly available, widely appreciated, well known products that are good to great, from soft and warm and smooth 40% rums, to rums that are stronger, more intriguing, that have the cheerfully experimental insanity of, oh, a seventies Lambo. Rums that encourage some discernment, some thinking. Rums that don’t give a sweet rat’s behind about running with the crowd. Rums that are really different yet still succeed, somehow (unlike Downslope Distilling’s misguided attempt at a six month old wine aged rum). The Panamonte XXV is without doubt one of the best – if not the best – of the Panamanian rums bottled at 40% I’ve ever tried, and for sure I’ll be sharing it with all my friends when they come over.

But it would have been greater still, I believe, had its makers had the courage to think a little more out of the ticked boxes they were intent on filling, the way Rum Nation, Velier’s full proof line, or even the Scottish rum makers do (this is why the RN Demerara 23 is better than the El Dorado 25, for example); if it could stand out from all the commercial supersellers that fly off the shelves so briskly — and go for something awesome, snarling and unique, that would rear head and shoulders above any other similarly aged product. Something that would not be a merely incremental bettering of its forebears, but a true game changer that people would whisper about in awe and envy, with bowed heads and bated breath, every time they timidly approached the mere wrapping paper that once embraced it.

Which is too bad, really, because what it leaves us with is that while I can express my admiration for the XXV, what I can’t do is rave from the mountaintops about it.

 

Other

Thanks and much love goes to my boy The Little Caner, who managed to hold in his irritation at my pilfering his favourite stuffed toy for use in the photographs.

Panama Red 108 Overproof Rum – Review

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Feb 022013
 

A victory of Nurture versus Nature.

The Panama Red (named for some lady of possible legend in a story too long to go into here but which you can certainly google) is perhaps better categorized as a full proof rum, something between about 47-70%. I make the distinction in order to separate such rums from the standard strength of 38-46% which we see most often, and those we tend to think of as real overproofs, 57% or greater (the article “The Proof’s In The Drinking” goes into somewhat more detail on the topic). However, since it is termed an overproof in most reviews, I’ll just make the observation and move on.

Of all the stronger variations of rum I’ve tried – Cabot Tower, the various 151s, the awesome DDL Albion 1994 60.4% and the raging monster of Longpond 9 – this one may be among the most beguiling (not necessarily the best), largely because it upended many of my expectations. It is so well made that one might, on a first try, feel he was drinking a standard strength rum and only know the difference after attempting to rise a few glasses later and toppling in an unceremonious heap (but hopefully saving the bottle).

The first thing I noticed when comparing the rich red-brown Panama Red against other Panamanians on my shelf (the Rum Nation 18 and 21 year old, Cadenhead 8, Panamonte XXV and the Abuelo 12) is how almost perfumed the nose was. The others were solid rums in their way, with interesting profiles – especially the Rum Nation 21 and the Cadenhead – yet once the searing alcohol fumes blew away from this one, it evinced a remarkably different scent of jasmine, nutmeg, honey, nougat, cinnamon and nuts to go along with the slight caramel and burnt sugar under-notes. Of course, as one might expect from a more intensely proofed product, it was a bit sharp, just not unpleasantly so….another surprise.

And the palate was also very different, quite strong: there was something really light and springy, almost cheerful about it. I find that many high-test rums tend to be somewhat navy in character – more taste is added at the deep end to mask the fangs of alcohol. Not here. Spicy citrus and orange marmalade, sweet honey, white chocolate, figs and sharp yellow fruit – more like almost-ripe firm yellow mangos than bananas – and a sort of candied orange chocolate mixing it up with a very slight smokiness of leather and tobacco and oak. A little ginger, cinnamon and baking spices, really nice, and unusually smooth for such a strong rum — not on the level of, oh, the Panamonte XXV – that would be lying – but smooth enough for a 54% drink….which raises the inevitable question of “dosing.” I should point out that all these varied flavours are much more pronounced if you do a comparative tasting, as I did. And the finish was lovely, long and heated: oak tannins, tobacco and a last sly hint of orange peel slinking away into your memory and taking residence there.

According to what research I’ve cobbled together, the Panama Red is produced from sugar cane grown in Las Cabras de Pese in Panama (the distillery for Panamonte is also located there). The rum, made from molasses, is a blend of stocks aged in the usual ex-Bourbon casks for up to five years — oddly, the official website makes no mention of the real ageing: Jim Wasson, the CEO of Panamonte, was kind enough to provide the detail. Anyway, it’s all well and good. Yet to me – and I may be totally wrong about this, so feel free to make up your own mind or point me in the definitive direction of a refutation) – this kind of ageing does not normally impart a taste quite this rich, such a cornucopia of chirpy, limbo-dancing flavours to what is essentially a rather young rum. Now, because the interaction of oak and wood and climate, to say nothing of subsequent blending, is such a complex one, I hesitate to suggest that it’s been spiced or sugared-up and simply not mentioned…but I feel it is. Not that I mind, particularly – I’d just like to know for sure one way or the other. After all, given the wild popularity of spiced rums these days (to say nothing of the emerging backlash against undisclosed additives), there should be no issue with labelling it as such (which was the argument given by my Edmontonian rum chum, who suggested that this was why it wasn’t noted – because it isn’t).

The Panama Red is made by the same crew who make the Panamonte XXV, were involved with the Ron de Jeremy (tailor made for giggles and crude mandingo jokes), and perhaps even the same original stock as the RN Panama 18 and 21 (I’m on the fence about the Abuelos). There’s something in the subtle alchemy of all these rums – many of which have had the hand of Francisco “Don Pancho” Fernandez of Zafra fame touch them at some point in their development – that suggests a common ancestor coiling lazily beneath them all. Which just goes to show how masterful blending and ageing can begin from a similar base and then make something spectacular out of it. The nurture here may really be more important than the nature.

Perhaps what I really appreciate about the Panama Red is its overall smoothness, unusual in an oomphed-up rum, and its lovely palate and mouthfeel. Almost everyone I’ve met who has sampled it, expressed some level of astonishment at these characteristics, and all rated it higher than usual. And while I’m no lemming, and cast a more-than-unusually jaundiced eye on spiced and sugared rums as a whole (even assuming this is one) I must concede its quality, and give it a (qualified) recommendation myself. Whether you want to mix it with something to create a subtle, taste-drenched tropical cocktail, or simply take it by itself so you and it can tango in tandem as I did, there is no question that if you like Panamanians, want something stronger, and are on a bit of a tight budget, the Panama Red is a pretty good buy.

(#143. 81.5/100)

Other Notes

Juan Santos Ron Añejo “Oro” 5 Year Old Rum – Review

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Jul 142012
 

 

Too light for a five year old, and almost too delicate to be a rum at all.

It says a lot for my collection and where I store it that occasionally, in pawing around searching for a possible Friday night sundowner, I run across a bottle I forgot was there and which is not even opened, let alone reviewed. Such is the case with the Juan Santos 5 year old, which is the last of the Colombian rums from this lineup yet to be addressed (the others are the Café, the 9 year old, 12 and 21).

Five year old rums can be considered as good introductions to a maker’s rum range, because they are not cheap mixing blends that have an indifference to their ageing bordering on the contemptuous. On the contrary, they are aged for the requisite five years, some care is taken in the blend of fives that make the final product, and they serve as useful, low-level introductions to the better rums up the scale (though some argue that they are in many cases excellent and even better rums in and of themselves, more so than the pricier products). Think of five year olds, then, as the spiritous equivalent of a decently tricked-out Toyota Corolla…it’s cheap, it’s reliable, it works well, it’s extremely versatile, and you can go up or down the value chain from there.

The flip side of this last comparison is that a Corolla is, let’s face it, just a bit bland. There’s no oomph to the thing, no exhilarating who’s-your-Daddy-now moment. The Juan Santos 5 was a bit like that, and if you doubt me, just nose the hay-coloured, medium bodied spirit. There is almost nothing here to be analyzed at all, and when I did so four or five times, the scents were so light that about all I could pick out were traces of vanilla, faint burnt sugar notes, and the barest hint of cinnamon. The upper ranges of the this line shared similar issues, yet in those there was a sense of underlying structural complexity where firmness of taste had not been eviscerated as much, and that presented in the sort of fine noses which this one seems to be still searching for.

On the palate things weren’t redeemed much: the lightness of the medium bodied rum noted above carried over into the general mouthfeel — which, while gentle and almost soft with just the faintest bite of youth to it, gave practically nothing back to the taster. Citrus zest, the same sly vanilla hint, and barely a trace of what one might loosely term a “rum profile.” It presented some briny notes at the end, but my contention is, so what? The rum faded well and long, was a bit heated and spicy, with that salty trace persisting, but again, no new tastes or sensations emerged even at this last stage of the game, beyond those already identified.

I confess to being disappointed. It was too bland to be a sipper, too tame, too difficult to tease tastes from, and while mouthfeel and fade were good, the lack of clear complex flavours sink this baby for me as a sipper. So, can it be a decent mixer? Well, maybe – whatever additional ingredients are added had better be the equivalent of pastel shades, because clear and strong cocktail additions would shred the subtle tastes the rum does have. A cola would probably terminate the poor thing with extreme prejudice.

I’m going to give this rum 74 points, primarily for aspects which I think are cool and work well (relative smoothness, good fade, lovely mouthfeel for something so young are high points). But given the quality of other members of the food chain – five year old rums in general and older members of the Juan Santos line in particular – to me that’s damning it with faint praise. I went in really wanting to praise the Juan Santos Five (not least because I loved its older relatives), but alas, stayed only long enough to bury it.

(#114. 74/100)

Background (Added in 2021)

Juan Santos rums are produced by Santana Liquors out of Baranquilla, a free trade seaport zone in the north of Colombia, on the Caribbean Sea. The company also makes various brands for other markets, like the somewhat better-known La Hechicera and Ron Santero labels (Ron Santero is the US brand name for Juan Santos, the latter of which is only sold in Canada). Their website and Forbes notes that they started operations in 1994 when their founders – assumed to be the Riascos business family – brought over some rum makers from Cuba, and an article in el Tiempo notes they are the only family owned (private) rum company in Colombia — all others are apparently part of the Colombian government monopoly.

However, it does not appear that they are actually in the business of distilling themselves, not are they primary producers of anything. They have no sugar cane fields, nor a refinery nor a distillery – at least not that they promote on their own materials and company websites – unless it is the winery they also own and operate, which is where their barrels of rum are aged. What they do, appears to be to act as third party blenders, much as Banks DIH does in Guyana. La Hechicera, their companion brand now distributed by Pernod Ricard who bought a stake in 2021, is often spoken about in rum circles as sourcing barrels and stocks of rum from around South America and then blending and bottling them in Colombia as “Colombian” rums. But they certainly don’t make anything of their own on a distillery.

As an additional note, Juan Santos rums no longer appear to be available in primary markets and online web shops – it has been almost a decade since I sourced mine, so sometime in the mid-2010s I suspect it may have been discontinued.

Myer’s “Planter’s Punch” Dark Rum – review

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Jan 292012
 

Big, stompin’ rum maybe meant to be a mixed-drinks base but really good neat. Definitely helpful for getting loaded when dollars are tight; interesting when mixed in any number of cocktails. Feeling lonesome in some cold winter clime and miss the Ole Country? This will cure what ails you.

First posted 29 January 2012 on Liquorature.

I don’t always get top end rums like Barbancourt’s Estate Reserve 15 year old to try, and often, I don’t even want to try them. Sometimes, like most people who’ve had a hard week, I just kick back with a glass of hooch that makes no pretensions to grandeur, pour it, mix it and glug it, and like the fact that it’s just there to make me feel better. Myer’s Planter’s Punch Dark Rum falls squarely into that category, and joins – maybe exceeds – fellow palate-deadeners like Young’s Old Sam, Bacardi Black, Coruba or Potter’s at the tavern bar. These are single digit rums or blends, meant for mixing (cowards cut ’em with whisky) and for my money, they’re all sweaty rums for the proles, displaying a remarkable lack of couth and subtlety – I appreciate them for precisely that reason.

Pour a shot of the stuff and you’ll see where I’m coming from: Myer’s is a dark brown-red, oily rum quite distinct from Appleton’s lighter coloured offerings, and the scents of molasses, liquorice, nutmeg and dried fruit don’t merely waft out onto your nose – they gobsmack your face off. Once you stop crying like a little kid at the neighborhood bully or staring at your glass in wonder, I imagine you might try to recover your dignity, and observe how you can detect caramel, vanilla, perhaps a bit of nutmeg, coconut, citrus. Quite encouraging for something so cheap (less than $25).

The tromping arrival of unleavened flavour square-dancing across your tongue is perhaps the main selling point of a rum like Myer’s. What is lost in subtlety is made up for by stampeding mastodons of a few distinct profiles that actually mesh quite well: caramel, coconut shavings, molasses, fruit, burnt sugar with maybe some orange peel and baking spices thrown in. There’s a weird butteriness in the taste somewhere… maybe from the ageing? Overall, I wish I knew for sure whether they augmented the profile – as I think they have – with any additives: a rum this cheap is unlikely to be this interesting merely on the skill of a blender (if it was, it wouldn’t be so cheap). And there’s a fade here, boys and girls, but it’s strong – more like the exit of a gentleman bank robber discretely blasting away with his gat than the soft silken swish of something more polished. And it’s long, very pleasant – this is a rum which could easily be stronger and still be good.

Mix Myer’s Dark Rum in a Planter’s Punch, in a dark-rum cocktail (feel free to consult Tiare’s excellent site a mountain of crushed ice or any tiki site for ideas) or just mess with the old stand-bys, and the few weak points of the drink as a neat drink are smoothened out and it becomes an excellent base for whatever you feel like making. I’m reviewing it as a sipper, as I must, but this should not discourage you from trying other variations.

Myer’s Dark Rum is hardly an unknown, of course, having been a staple of the cocktail makers’ bars the world over for decades: It was indeed made specifically to address the popularity of Planter’s Punch (which could be equally said to originate in a recipe dated 1908, or in a Charlestonian doggerel from 1878 depending on who you ask). The company founded by Fred Myer in 1879 is now owned by Diageo, and they continue to blend nine rums out of Jamaica at the southern distillery of Monymusk (the plantations of origin are more secret than Colonel Sanders’s recipe) into the drink that we know today. Monymusk, as you may recall, also makes the middling Royal Jamaican Gold rum, which isn’t anywhere near as fun as Myer’s. Aside from calling it the “Planter’s Punch” variation, it is supposedly the same as that first produced in 1879, made from Jamaican molasses, and a combination of distillates of both pot and column stills, then aged for four years in white oak barrels. I’ll also note that my bottle clearly states Myer’s is a blend of Jamaican and Canadian rums, at which I immediately sneer and say…well, “Bulls..t”, not the least because after years of crisscrossing the country in my beater, I still haven’t found a single sugar plantation and therefore I somehow doubt Canada has a rum of its own.

I have to be careful in assigning a rating to Myer’s. It’s not quite a sipper (damned close, though), but some of my review must address the sheer enjoyment I get out of it both as such, and in a proper mix – and even if it *is* added to. Like Young’s Old Sam, it exists in a somewhat less hallowed underworld of rums embraced by bartenders and not so much by connoisseurs, and which some believe must be braved only with fireproofed throat and iron-lined stomach for the crazies who drink it neat. It’s strong, powerful tasting, heavy on a few clear flavours – and doesn’t so much whisper its antecedents as bellow out the sea shanties. It may not be the coolest rum you’ve ever had, or the smoothest, but by God, when you’ve tasted this thing you know you’ve just had a *rum*.

(#92. 80.5/100)

Juan Santos 21 Year Old Antigua Reserva Colombian Rum – Review

 3 Responses »
Aug 062011
 

Publicity Photo (c) Casa Santana

First posted 06 August 2011 on Liquorature.

A steal at the price, the 21 holds its own against rums costing twice as much, and might be better known and sell more if the tag was higher. I think of it like I do a Nissan GT-R – too cheap to be taken seriously as a supercar, but a performer that can give any of the top dogs a run for their money. If you see it and you have the cash to spare, my recommendation is to get it.

The Juan Santos 21 year old is the epitome of the Casa Santana group’s rum line. It is a poem in a bottle, a liquid symphony of brown and gold, of smell and taste, and quite possibly one of the best aged rums available for under a hundred bucks. Anywhere.

It is made in Colombia, an unappreciated nation in South America better known for narcotics and coffee, violence and political upheaval. Yet they speak the purest Spanish in the world outside of Iberia. Democratic traditions survive in spite of FARC and narco barons that would derail many another state. Colombia is the world’s largest supplier of emeralds, possesses a dynamic and educated workforce (I know – I worked with four of them and was hugely impressed by each), and, like every country under the sun, claims its beaches are whiter and its women more beautiful than anyplace else on earth. Now they can add another cachet to their national pride – this rum. The Santana company has been making rums in the Cuban style since 1994 – I’ve heard that it was Cubans who started the enterprise, see below – and yet have made only limited inroads in the Canadian market. Bacardi, Lamb’s and Screech, together with Cruzan and a few other one-rum-here-one-rum-there variations still dominate liquor shelves here, in spite of both the Arctic Wolf and myself suggesting the product is good value for money.

The 21 is all wrapped up in a look that does a neat jiu-jitsu on the Pyrat Cask 1623 rum, which had a phenomenal aesthetic appeal and little else. Perhaps the trick is not to let the 21’s presentation put one off – it’s not lackluster, precisely…more like undistinguished. The label is cluttered and busy with a pattern of muted colours (contrast that against the vivid backdrops of the Appletons, or the simplicity of the Mount Gay labels), and the bottle is, umm, just a bottle. One might be forgiven for missing the “21” in the title altogether, and tripping over it in some surprise. Huh? Veinte-uno? Que es esto?

The rum itself is a light brownish gold. It poured nicely into the glass and swirling gently showed thinner legs than I would have expected – it evidently lacked the heaviness, the oiliness which would have indicated a deeper flavor profile and a longer fade. Still, the nose was nothing to sneeze at: it was all soft and silk, no sting and no burn, and held promising notes of toffee, brown sugar, a very delicate hint of flowers…and a bit of coffee. Given that Juan Santos also makes a very pleasant underproof café, I found this to be no more than appropriate.

The taste was by any standards nothing short of excellent. Juan Santos 21 arrived unheralded, with no blaring tantara of orange trumpets such as you’d find in the rather obnoxious Pyrat’s XO or 1623. It slunk onto my palate, and stayed there. What I got was a smooth and soft liquid gold that some master blender may well have put his cojones into hock to the Almighty to produce. There was hardly any bite or burn at all – pretty good for a rum at 40% – with a remarkable depth of flavor for which the initial pour I noted above had done nothing to prepare me. I was expecting something a tad on the thin side, maybe some citrus hints, a clear sort of taste in line with the lighter colour and clean nose – what I got was a rye-and-rum combo that was deeper, darker and more flavourful than it had any right to be. Caramel, burnt sugar, yes, of course – but also breakfast spices, some cinnamon, that coffee again (maybe Juan Valdez is a relative?) and nutmeg lending some gentle muskiness it all. I was, to put it mildly, impressed – twenty one years in oak had been mellowed and balanced out and blended so well that it was a smooth balm to the taste buds.

And the finish was no slouch either: thin legs or no, there was enough oil left in the rum to make a lasting impression that did not bail in a hurry with a harsh knock to the tonsils, merely stayed and lingered, like an old friend whose goodbyes can take a few minutes longer than the average, simply because there’s always one last thing to say. The 21 was so smooth and so languorous, that it actually seemed to stay a lot longer than it did. There were no harsh afterburns or tastes or anything, and quite frankly, if my personal preference hadn’t been for darker rums of greater body, I’d rate this one even higher than I do – for those that like a good quality sipping rum that’s right up there, look no further, since this single ~$85 rum will give you just about everything you’re after.

In discussing the Juan Santos with the store manager at Co-op where I bought it, he remarked that for him this absolutely eclipsed the Zaya which had been his go-to tipple of choice up to that point. I don’t quite agree it should eclipse anything, since I have a pretty good collection of rums I like as much or more than the 21, and each has their place in my life, depending on the crabbiness of my mood (I drink harsh rotgut rums with minimal cola when I’m angry) whether I want to mix it and get a pleasant buzz on (medium-tier five year olds are good for this), get loaded fast (pick any 151, alert the wife and move out) or simply watch the sun go down (any top end sipping rum of your choice). That said, there’s no question in my mind that the Juan Santos 21 year old, for its price, offers a value for money that other top guns costing twice as much (and with only incrementally greater quality) would do well to observe. Price is no guarantor of quality, I wrote for my negative Pyrat 1623 review, meaning that a high price sometimes nets you a dog. Here, with this rum, Juan Santos proves that the reverse is also true, and that a reasonably low cost for an aged rum is no indicator of a lack of any kind.

(#081)(Unscored)

Background (Added in 2021)

Juan Santos rums are produced by Santana Liquors out of Baranquilla, a free trade seaport zone in the north of Colombia, on the Caribbean Sea. The company also makes various brands for other markets, like the somewhat better-known La Hechicera and Ron Santero labels (Ron Santero is the US brand name for Juan Santos, the latter of which is only sold in Canada). Their website and Forbes notes that they started operations in 1994 when their founders – assumed to be the Riascos business family – brought over some rum makers from Cuba, and an article in el Tiempo notes they are the only family owned (private) rum company in Colombia — all others are apparently part of the Colombian government monopoly.

However, it does not appear that they are actually in the business of distilling themselves, not are they primary producers of anything. They have no sugar cane fields, nor a refinery nor a distillery – at least not that they promote on their own materials and company websites – unless it is the winery they also own and operate, which is where their barrels of rum are aged. What they do, appears to be to act as third party blenders, much as Banks DIH does in Guyana. La Hechicera, their companion brand now distributed by Pernod Ricard who bought a stake in 2021, is often spoken about in rum circles as sourcing barrels and stocks of rum from around South America and then blending and bottling them in Colombia as “Colombian” rums. But they certainly don’t make anything of their own on a distillery.

As an additional note, Juan Santos rums no longer appear to be available in primary markets and online web shops – it has been almost a decade since I sourced mine, so sometime in the mid-2010s I suspect it may have been discontinued.

Juan Santos Añejo 12 Year Old Gran Reserva Colombian Rum – Review

 No Responses »
Apr 252011
 

First posted 25 April 2011 on Liquorature

Smooth, soft and unprepossessing, this may be one of the best 12 year old you never heard about. Coming from a maker formed less than two decades ago, it’s quite an achievement to create a rum of such overall worth.

It seems that sooner or later one always makes a discovery both unexpected and wholly pleasant. In recent months since I first tried the excellent 9 year old, I’ve realized that Juan Santos rums have been one of mine, and with the exception of the coffee infused underproof, which I do not really regard as a true rum, they have, for each age, been quite and quietly superb. And yet they have a surprisingly low profile – they rarely get mentioned in online fora, reviews of their products are practically nonexistent (aside from web-shop listings with a note or two on flavour), and their rums are to be found intermittently at best. Odd for a rum this good

Here I had the 12 year old to take a look at. The labelling and bottle shape are consistent with the 21, the 9, and the 5 – the Santana company has been at pains to ensure conformity across their line with only minor differences in the labelling – within a clear etched bottle possessing wide shoulders and a sloping bottom. Plastic cork – I can’t stand cheap tinfoil, and have recently concluded the plastic corks are pretty good for ensuring a tight seal that doesn’t flake like old cork sometimes does, so this is all to the good. And, oh yeah – a bunch of the Edmonton Rum Chums around me. I was tasting this informally, in the company of the Arctic Wolf and some of his compadres, with a follow-up when I got back home two days later to formalize my rather incoherent notes.

There was a smooth and oily consistency to the dark golden liquor (darker then the 9) when poured into the glass; it sheened slowly down the sides and only later separated into fat plump legs. And the nose was like the 9 year old…but better. No sting and medicinal nasties here, but a softness mixed with spice – faint caramel and sugar entwined with molasses and fruits and burnt sugar. None of these aromas were in any way assertive or overbearing or dominating: they were each and every one distinct, clear yet subtle, and balanced in a way I had not yet experienced in a rum.

On the palate, the Juan Santos 12 year old retained some of that clarity and medium bodied nature; and it was soft too – it seemed to be more like a ballet dancer, hiding strength and power behind a pattern of smoothness and elegant moves. The rum coated the tongue so well and was such a smooth spirit that one could easily get lost in the softness and never remember afterwards exactly what had been tasted – though for the record, the arrival was of caramel and burnt sugar, cinnamon and breakfast spices, and just enough sugar to marry these tastes together well. It reminded me in its cleanliness of taste of nothing so much as very well steeped medium dark tea.

Where I’d have to say the rum fell down was, oddly enough, in the finish. Not that it was bad. Far from it. What it was, for me, was that it was cursory. It was too quick, and veiled itself too fast, as if, after all that excellent smell and taste, it suddenly grew shy and with a flirt of flavour it disappeared in a noncommital fade that left almost no taste behind, only a sort of buttery caramel, and a slight and expected alcohol sting. A shame after the overall worth of the beginning, but not enough for me to say it’s bad, merely a tad disappointing.

The Casa Santana company was formed in 1994 in Columbia with the avowed intention of producing the country’s premium rum. Currently they produce the Ron Santero brand which is what the Juan Santos, relabelled for import to Canada by the Liber Group, actually is. A rose by any other name, is my response to this relabelling, and as far as I’m concerned, they’re doing a good job with their rums no matter what the title, and I want more. Aged in American bourbon barrels, the aged rums, as per Columbian nomenclature laws, state the age of the youngest rum in the blends, and for this also, I give them full marks.

It is, then, an excellent entry from Juan Santos into the middle aged category, and if perhaps it is not quite on the level of the English Harbour or the St Nicholas Abbey 10 year old rums, it is at the very least on par with the El Dorado 12, is a good rum to sip or mix, and in no way a bad rum, or a lesser one: and once again I’m thinking that we really should agitate to get more of these rums from Columbia on our shelves.

I must concede here that good as it was, the 12 wasn’t solely responsible for the stellar evening I had with the Chums, for sure. But it didn’t hurt, aided quite a it, and just as some tastes and scents evoke specific memories, I don’t think I’ll ever be able to have this unassuming, unpretentious Columbian gem again without remembering a laughter filled evening of jokes and rum talk and the company of new squaddies, pleasantly found, enjoyably experienced and around whose table I felt right at home.

(#076. 81/100)

Background (Added in 2021)

Juan Santos rums are produced by Santana Liquors out of Baranquilla, a free trade seaport zone in the north of Colombia, on the Caribbean Sea. The company also makes various brands for other markets, like the somewhat better-known La Hechicera and Ron Santero labels (Ron Santero is the US brand name for Juan Santos, the latter of which is only sold in Canada). Their website and Forbes notes that they started operations in 1994 when their founders – assumed to be the Riascos business family – brought over some rum makers from Cuba, and an article in el Tiempo notes they are the only family owned (private) rum company in Colombia — all others are apparently part of the Colombian government monopoly.

However, it does not appear that they are actually in the business of distilling themselves, not are they primary producers of anything. They have no sugar cane fields, nor a refinery nor a distillery – at least not that they promote on their own materials and company websites – unless it is the winery they also own and operate, which is where their barrels of rum are aged. What they do, appears to be to act as third party blenders, much as Banks DIH does in Guyana. La Hechicera, their companion brand now distributed by Pernod Ricard who bought a stake in 2021, is often spoken about in rum circles as sourcing barrels and stocks of rum from around South America and then blending and bottling them in Colombia as “Colombian” rums. But they certainly don’t make anything of their own on a distillery.

As an additional note, Juan Santos rums no longer appear to be available in primary markets and online web shops – it has been almost a decade since I sourced mine, so sometime in the mid-2010s I suspect it may have been discontinued.

Juan Santos 7 Yr Old Cafè – Review

 No Responses »
Apr 162011
 

First posted 16 April 2011 on Liquorature

A homunculus of a rum, this – it’s got all the hallmarks of a rum – the background taste, the nose, a bit of bite; but at end, you’ll either think it’s a strong liqueur or a weak rum, and in either case it works better as a dessert drink than a true sipper in your glass.

“Bloody mouthwash!” my esteemed and geriatric sire sneered years and years ago, as I sipped a Crème de Menthe in the days when I was still searching for a drink to call my own and clutch to my post-pubescent biscuit physique chest. I fear that since his tongue is the only instrument I know which gets sharper with constant use, he would take one shot of the Juan Santos café 34% and bugle “Nescafe!” with that same note of relish at having won an obscure point (I will note he is a rabid aficionado of the El Dorado 15, which he says he can barely afford, even as he counts his many properties and makes jokes – admittedly very funny – about my lack of an inheritance…but I digress).

So what to make of Juan Santos’s entry into the flavoured undeproof rum segment? This liqueur by anther name?

The café infused rum is, to me, an exercise in diminution which Juan Santos made in order to break into a smaller niche, widen its appeal and maybe grab some market share from, oh, Kahlua. Diminution is the quality or process of being reduced in size, extent or importance. It’s a cousin to words like “diminutive” or “diminished” and for a serious rum drinker, neither word does this rum any favours. To be diminutive is to be small and preciously sized, wee and wondrous, like a dwarf pony, or my five year old (or my wife, but never mind). When you consider that Juan Santos has made full strength offerings like the under-the-radar 9 year old, a very quietly impressive (but a bit bland) 5 year old, and a 12 year old and 21 year old still awaiting my written attentions but which I have liked a lot, then I have to say the impolitic thing and tell you straight out that the underproof under discussion is suffering from an identity crisis. It may even be a chick’s rum. No rum or whisky drinker I know would watch me drink this thing without asking solicitously abut the state of my hormone shots. Yes, I know this is sexist, but come on: we are designed by a jillion years of evolution to equate large with male, small with female, strong likker for men and liqueurs for women, with the possible exceptions of RuPaul, and Grenada, where forty percent hooch is considered mild and for the fairer sex only

And yet, like many small things, the baby rum is pretty good if you’re prepared to take it on its own terms. You open it, and because of the lower alcohol content, you don’t get the spear of spirit skewering you right off. It presents with a smooth, soft nose, a bit like Irish coffee, really. Coffee – for which Columbia is justly famed – is right in the middle, with caramel butterscotch undertones, and the alcohol lending it the slightest bit of heft. On that level, it works swimmingly.

On the tongue, the lack of alcohol bite works entirely to your advantage, because it gives you a chance not to wince, and merely appreciate the flavours: and those flavours are some dark sugar, some currants and berries, perhaps a nut of some kind and an overwhelming taste of coffee. It’s sweet, very sweet, more like a liqueur than a real rum, light and a bit creamy. Delicious, truly. On the flip side, that taste – while nowhere near as unpleasant as the orange of the Pyrat’s XO was to me – will be the second deciding factor in making you decide whether you like it or not (the other being the sub-par strength).

So here is where I add the caveats: as long as you’re prepared to accept that this is a rumlet, not a “real” rum (in the sense that it is weaker than the standard 40% just about everyone is used to); as long as you really do have a sweet tooth; and as long as you don’t have a real rum nearby (like another Juan Santos) – so long as these things hold true, you’ll like this cafe infused variation. It’s these things that will make it work for some, not for others, since it is thicker and more sugary than any other rum I’ve ever tried, coats the tongue well and doesn’t so much sting as caress your taste buds. Not all will like that, and for me, having had it off and on for six months, I have to say it’s what Guyanese would call “sometimish.” Inconsistent, and not always serious. The finish, as we might expect from a weaker cousin of the older and brawnier relatives, is smooth, gentle and not in the slightest bit assertive.

The thing about such underproofs is that they are meant to be had as after dinner, dessert likkers. If I wanted to go on a bender, there’s no way I’d touch an underproof (any of them). I started this review by suggesting I’m not really a fan of liqueurs or underproofs. I still feel that way. I won’t open the Café variation too often. But it’s more a question of when and where than of what. No, I won’t drink it often, but I will open it on a cool evening when I’m out on the veranda after a good meal, when something standard-strong won’t cut it, and a nice, soft after-dinner rum that soothes instead of bites is called for. Something not as thick as Bailey’s. A variation on an Irish coffee, maybe. Something that complements and completes the meal, that my wife can share and enjoy while next to me, and which I can take pleasure in as the city goes quiet, night falls and the breezes blow and we talk of nothing in particular. Something, in point of fact, exactly like the Juan Santos.

(#074) (Unscored)

Background (Added in 2021)

Juan Santos rums are produced by Santana Liquors out of Baranquilla, a free trade seaport zone in the north of Colombia, on the Caribbean Sea. The company also makes various brands for other markets, like the somewhat better-known La Hechicera and Ron Santero labels (Ron Santero is the US brand name for Juan Santos, the latter of which is only sold in Canada). Their website and Forbes notes that they started operations in 1994 when their founders – assumed to be the Riascos business family – brought over some rum makers from Cuba, and an article in el Tiempo notes they are the only family owned (private) rum company in Colombia — all others are apparently part of the Colombian government monopoly.

However, it does not appear that they are actually in the business of distilling themselves, not are they primary producers of anything. They have no sugar cane fields, nor a refinery nor a distillery – at least not that they promote on their own materials and company websites – unless it is the winery they also own and operate, which is where their barrels of rum are aged. What they do, appears to be to act as third party blenders, much as Banks DIH does in Guyana. La Hechicera, their companion brand now distributed by Pernod Ricard who bought a stake in 2021, is often spoken about in rum circles as sourcing barrels and stocks of rum from around South America and then blending and bottling them in Colombia as “Colombian” rums. But they certainly don’t make anything of their own on a distillery.

As an additional note, Juan Santos rums no longer appear to be available in primary markets and online web shops – it has been almost a decade since I sourced mine, so sometime in the mid-2010s I suspect it may have been discontinued.

Cockspur 12 Year Old Rum – Review

 No Responses »
Dec 152010
 

First posted 15 December 2010 on Liquorature

Amusingly named rum which is solid all the way through and that fails through some ineffable lack of chemistry in the final stretch, where the individually excellent elements just don’t quite come together into a perfect whole.

***

Okay, let’s get the funny stuff out of the way. “I like going to bed with the C—…”. “Drank some C— last night and boy, was that good.” “Really satisfying, there’s nothing like a good C–…” “As a hangover cure, nothing beats a solid red C— in the morning.” And so on. I can just see the boys of Liquorature taking one look at this review, grinning appreciatively and starting with the Mandingo jokes. Such is one’s lot in life when one brings out as evocatively-named rum as this one. And let me tell you, there isn’t a Caribbean soul alive who hasn’t at some point made a reference to this provocatively named rum with a snicker and a wink. All I can say is that I’m glad it isn’t called “lash” or “beef” or some other such innocuous sounding but meaning-laden title which only a West Indian would understand.

Cockspur came late to the party of rums in Barbados (1884) compared to the Great Grandpappy of them all, Mount Gay (oh God, more porn references). Unlike that distillery, Cockspur has stayed with a tried and true traditional bottle and not gone into the designer shape Mount Gay has recently been favouring, but that’s a matter for purists, upon which I pass no judgement (except to sniff disdainfully at the increase in price that went along with it). The producer of this rum is Hanshell Innis, a ship’s chandlery formed in 1884 by a Dane, Valdemar Hanschell. Branching out from ship’s stores to rums and other merchandise, it merged with the firm of James Innis in the 1960s, and in 1973, J.N. Goddard & Sons gained a majority stockholding in the smaller company. Since then the amalgamated company has become one of the biggest enterprises on Little England, and under the Cockspur Brand produces Old Gold, VSOR, Cockspur White and 151 proof.

Giggling rights aside, a 12 year old is never anything to be taken lightly, not least because faster maturation in the tropics usually means it’s the equivalent of a 20 year old or greater from northern climes. I liked the look of the Cockspur 12 right off the bat. Inside the bottle was a copper red rum: it didn’t exactly call my name, but certainly had a most inviting appearance. Poured into a glass it showed an oily film around the sides, and thin but slow legs which suggested an oiliness portending well for its depth.

On the nose, Cockspur had the good fortune to be part of a short tasting I did with the Whaler’s Rare Reserve. Now that rum had a nose that didn’t just tap your hooter for some attention, but knocked you out on your ass with a butterscotch fist: the Cockspur was quite a bit less aggressive, and exhibited a surer, a more solid, a more complex nose that hinted at the faintest bit of spices. Caramel, yes, but also toffee, burnt brown sugar, molasses. And after I set it down a it and it opened, like a shy lover disrobing (ok fella, yeah, you there in the peanut gallery, I heard you snicker), there came the nutmeg and cinnamon and a faint hint of (and I blush to say it) white roses.

The body and taste aren’t quite up to that standard, I’m afraid. The feeling on the palate lacks that richness of flavour that real viscosity might impart. The taste of oak comes too much to the fore, and while it’s not bad enough to detract from the balance of spices – mostly the burnt sugar and nutmeg – which follow on careful sipping, it is noticeable, and readers should be aware of that: it doesn’t seem that much effort was placed into attempting to smoothen it out. I also, after going back to my glass a few times, sensed the presence of old cigar tobacco, fragrant and faint, like a good humidor when you just open it in a darkened study surrounded by shelves of leather bound books.

I hesitate to pronounce a definitive statement on the finish which is decently long and even a shade toffee-like. What it gives you, however, is biting without being sharp, but not so mellow as to be characterized as a low-level warm burn, which to me is the mark of a skilled blender and a top tier product.

I think there is just a bit too much oak left in the Cockspur to merit a really positive conclusion to what is otherwise a solid mid-range rum. At no point is it bad, and in fact I enjoyed it a lot more than its better known cousins like the Mount Gay XO (yeah yeah, this is heresy to many, sorry guys) – it just doesn’t gel properly, marry all its elements into a cohesive, proper whole. And that’s a shame, because I do like it, and will probably return to the bottle for a second opinion sometime soon.

(#057. 79/100) ⭐⭐⭐

Other Notes

  • Cockspur rum is based on distillate from WIRD, not any of the other distilleries on Barbados.
  • In 2017 the brand was sold to Woodland Radicle, which cemented the position of the rum as a third party brand, not a primary producer’s marque.

Lemon Hart Demerara Rum (Standard Strength) – Review

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Oct 012010
 

Picture (c) Pete’s Rum Pages

First posted 01 October 2010 on Liquorature.

Lemon Hart is an instructive case study in how one can chose a rum without knowing a damned thing about it. As I’ve noted on more than one occasion, if you go into a store without a blessed clue, you are down to three bases for your decision and only three: the price; the look; and knowledge you have when you enter the joint. Anything different is somebody else choosing for you.

So here, what did I have? Well, the price for a flattie, which was less than twenty bucks; the look, which was simple and unadorned and referred to Demerara – perusers of my writing will know I have a soft spot for the old sod; and my knowledge. Admittedly, I do have a bit of a larger base of knowledge than some, and so I had certain advantages there.

Knowing the history of the brand though, doesn’t mean anything. It’s how good the rum in this brand is, in this bottle, that counts. And I had never had any of Lemon Hart’s variations before, so I couldn’t tell whether any of its cousins were any good and extrapolate up or down, and therefore…well, in the end, I guessed. How disappointing is that?

Lemon Hart owes its making to the Navy Rums of yore. I’ve covered this in more depth in my review on the Pusser’s, but to recap, the British Royal Navy, as far back as 1655 until they abolished the practice in 1970, regularly issued a tot of rum to all hands in order to ward off scurvy (they added lime juice to the mix which is why I mentioned before that rum has been mixed since the beginning of its existence, and why Jack Tars are called limeys even today). Navy rum by tradition is not heavily sugared or added to, which is also part of its distinctive cachet: Lemon Hart, Pusser’s and Lamb’s all pretend to this inheritance (for my money, the Pusser’s makes the strongest case, but that’s just me). Lemon Hart was one of the original suppliers of rum to the Navy, beginning in 1804; Alfred Lamb came a few decades later with his London Dock rum. Both used raw rum stock that came from the Caribbean, mostly the dark, full bodied rums of Guyana. Indeed, Lemon Hart states this quite specifically on the bottle I have: Demerara rum product of Guyana. But it is bottled in either Ontario or England.

Lemon Hart is a dark rum, 40% ABV, brown with reddish tints, and has the characteristic thickness and full body of Demerara rums. When you swirl the liquid in the glass, it has slow fat legs sliding languorously back in. The nose, what there is of it, hints at straightforward rum without embellishment. You can tell it’s young from the harsh burning and medicinal reek, but this is swiftly gone, to be replaced with a powerful molasses overlay. Behind that is a slightly salty tang, just a hint of bitterness as if from some sort of citrus rind. On the tongue it demonstrates its youth with the rawness of the taste. Yes it’s a bit oily and coats the mouth very nicely, but behind the molasses taste (which is quite overwhelming) and brown sugar, caramel and some fruit, there’s not much here: on the other hand, if simplicity is your thing, LH will definitely shine for you. The finish is medium long and not very smooth, but since I wasn’t expecting much, it wasn’t too disappointed.

In summary then: a mixer’s rum for sure. Lemon Hart is dense and viscous enough to need only a reasonable addition of cola or ale or Christmas drinks or whatever else your poison is, but it does need it. Once that is done, you have a decent drink you can enjoy at length without worrying too much about the overall price tag. And if you have guests, you may even get some brownie points for taking the time to hunt out what appears, in other parts of the world, to be a drink somewhat harder to obtain there than it is here.

(#038)(Unscored)

Note: There is also a Lemon Hart Jamaican rum bottled at 73% which I found many years later. It was quite good, but no longer made. Lemon Hart is most known for its overproof, 151s and Navy Rums. I’ve found a few over the years following this review.

Kraken Black Spiced Rum – Review

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Jun 272010
 

 

First posted 27 June 2010 on Liquorature.

(#027)(Unscored)

Overproofed, overpriced, overrated.

***

Kraken Black — the selection for the June 2010 Book Club session — is a victory of advertising over the reality of what it is, of style over substance for those who are ok with it, a low-to-middling value (~$28 Can) wrapped up in a presentation that would have you believe the price is an undiscovered steal. A lot of people are going to drink this thing, wax loquacious at the spice, admire the darkness and say “wow!” I’m afraid, though, that’s just knee-jerk, because you take Kraken apart, and it just can’t live up to the hype.

Fair is fair: I liked the bottle, and the presentation was cool. I enjoyed seeing a rum with the stones to put a mythological creature that’s created to do a Godzilla on ancient Greece right there front and center. The small handles I thought were affectations, but hearkened back to old seafaring days, so what the hell: points for that. Points also for that inky black swirling rum which is by far the darkest I’ve ever seen, and therefore for sheer originality, this rum sitting on a shelf is sure to get your attention.

The rum sits in the glass and soaks up the light, letting just some dark brownish red glints through – decent middling legs, nothing special. It’s a blend, this one, a new addition to the market (Proximo Spirits from NY, which also markets Matusalem, distributes this), and bottled at 94 proof…47% ABV. And it supposedly has something like eighteen different spices added to it.

The nose is problematic – caramel had to be added to get the colour this dark and that comes through, but so does, vanilla and toffee and chocolate…and a medicinal odour remniscent of cough medicine that is both jarring and unwelcome, and no, I do not attribute it to the 47%. Even a Glencairn glass the Hippie provided could not save the schnozz from being skewered by that hospital reek.

The taste is better. The caramel is not dominating, and lets other flavours like licorice, cinnamon and maybe nutmeg through, but for the most part all I got is a musky cloying taste of too much molasses left in (and that weird chocolate texture) that destroyed the fine balance a spiced rum needs. But I must make note of this: for a 47% rum, it’s damned smooth going down, and so I think a lot of people are going to love this rum in spite of the cough medicine taste that persists and just ruins the whole thing for me. The finish goes on for longer than expected (a definite plus) but what it does is permit the very things you don’t like to persist.

My suspicions are that with the recent resurgence of interest and popularity in quality rums, a lot of lesser wares are flooding the market in an effort to mine the vein. Nothing else explains why so many American and Canadian companies are buying all these Caribbean raw stocks and blending and distributing the results themselves (not always to the benefit of our palates, alas). When Bruichladdich, Cadenhead or A.D. Rattray put their resources and acknowledged street cred behind a rum, I’ll acknowledge the effort and result, but I can’t yet give the same cachet to the (supposedly Angostura-owned) Lawrenceburg distillery in Indiana, sorry.

So I’ve said it fails for me, but fails as what? As a sipper or a mixer? As a sipper, yes but not by as much as you’d think: it’s smooth enough and intriguing enough – cough syrup crap taste aside — for me to not to mark it below the Young’s Old Sam, or Bundie or the Coruba: though none of these has pretensions to grandeur the way the Kraken does, and if you doubt me, just compare the websites and the forum chatter among all these. As a mixer I have to be more careful – remember, the purpose of the mix is to either fill the weaknesses of the rum, enhance the diluter, or create a synthesis of rum and additive(s) which is greater (and weaker) than the sum of its parts. Put like that, this rum shows its dichotomy and in trying to be both cocktail and sipper, pleases neither. It’s too spiced, too medicinal – too cloying – to work well as a mixer, for coke, ginger ale or others.

And so my recommendation would simply echo old Zeus, call in Harryhausen, and issue the command to (what else?) — release the Kraken.

Lamb’s Navy Rum – Review

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Jun 222010
 

First posted 22 June 2010 on Liquorature.

“The spice must flow,” said the Padishah Emperor in Dune. I agree, because I do love my cheap-ass spiced rums. My sweet tooth and plebian background make having a rum with no stratospheric price or ostentatious pedigree such a pleasant experience, truly. And I could tell, that day when I trotted out the Renegade 1991 for my Newfie squaddie (who snatched it happily out of my hand with a speed his corpulent frame does not begin to hint at), that even if I was a snob with pretensions to the peasantry, he had more grandiose notions of what kind of rum he liked to drink (or deserved to be poured).

Which is not to say Lamb’s is a bad rum, or even particularly limited in quality. Alfred Lamb, who started making this dark rum from West Indian raw stock in 1849 in London — his factory was bombed out during the London Blitz and subsequently rebuilt — simply added spices, aged it in cellars below the Thames (hence the original title of London Dock Rum) and made pretensions to the Royal Navy cachet by stating his product was made with that recipe. Pusser’s did the same, as readers of that review may recall. In the years since, Lamb’s has become more of a tipple than a refined drink, and not – to my knowledge anyway – any kind of top tier rum; though I know a few who swear by its 151 proof offering. One can find it pretty much anywhere in Calgary for under thirty bucks.

When I’m drinking with a good friend, I like a good grog, but the point is not the drink but the conversation that the drink enables. Of course, if the conversation is about the drink, that’s another matter (for example, the higher priced stuff which I like company to taste with) – but for the most part, when I talk I just like a good little mixer on hand, and this is why SDRs (single digit rums) are always good…one never worries about how much money is being pissed away, only what a good time you’re having with it.

The rum is dark reddish in colour and has a very decent, almost heavy body. Lamb’s is a blend of rums from all over the Caribbean (up to 18, or so my research suggests), and has a virulent nose that I should warn you against taking a deep sniff of, if you don’t want to go crying to your mommy about how the bad rum bottle biffed you on the hooter. The spirit burn on the nose fades fast and leaves the brave and persevering soul with an overwhelming sniff of caramel, with vanilla and cherry undertones. The spices are harder to pick out – nutmeg and licorice come through at the tail end. The taste is strong with the spice, and the spirit burn from those nose hasn’t gone anywhere, just grabs you by the throat and holds on – yet it can be tolerated and even adjusted to (as I did), at which point it transmutes into a sweet and caramelized almost-sipper that I quite enjoyed. The finish is hard to gauge because you’re being assaulted by the admittedly harsh spirit burn, which lasts long after the taste has vanished. Lamb’s is about as subtle as a charging brontosaurus, really.

I’ll concede that the rum is better as a mixer, but I would caution against coke or (god forbid) pepsi. Some kind of cola with a little less sugar would probably enhance it better, otherwise you get a syrupy mess that you either like or toss away. For the record, I had only coke on hand so that was what I used, but as I got drunker that evening in Keenan’s house, I found that it got progressively better over ice. Maybe that was my throat being sanded away, or something.

In summary, I liked its simplicity and taste, even as I acknowledge how devoid it is of real complexity – a connoisseur would probably never buy one of these except as a reference point. If I were to wax metaphorical, I’d say Lamb’s is the country sweetheart with a heart of gold, the one who can rope a steer or take apart a John Deere tractor, who’s on the square-dance floor at Ranchman’s giving you the eye, who you really can’t go wrong with if you don’t expect too much, treat her right and don’t tread on her toes. Perhaps give her a kiss when the night is over.

That may not be everyone’s cup of tea, but it sure as hell is mine.

(#026)(Unscored)

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