Jul 292024
 

As some of my previous reviews of white rums from North America have shown, I am not that enthusiastic about much of what passes for their idea of a white. Too often the juice for which we are asked to part with our money is a cheap multicolumn ethanol substitute trying to copy Bacardi’s famed profilelight, inoffensive, anonymous, meant only to disappear into a cocktail while erasing its own presence like a Cheshire Cat.

That said, there has always been indigenous white lightning made on village stills and small entrepreneurs all over the world, as well as the famed French island unaged agricoles. Because of the AOC designation there are rather more rules in play on these islands now, as opposed to the free-wheeling “anything goes” nature of, say, clairins. But I argue that since the quality of agricole rhums remains so high (at whatever age), this is not necessarily a bad thing.

What is unusual about J. Bally’s white rhum here, is the somewhat high strength of 55°most agricoles tend to be around five degrees of proof lower (with some exceptionslike the Neisson L’Espirit 70° Blanc, or the A1710 Blanc at 66° or white rums from other islands). And of course there are always 40% ABV variations for the tamer export market.

The specs: it is very similar to the 50° Blanc which I’ve already looked at in Review #584. Like all Bally rums, it’s cane juice origin, AOC certified, just over half pure alcohol (55% ABV), and unaged (rested for a few months in stainless steel tanks before bottling). More cannot be said at this juncture, but that’s enough for government work.

The exact rationale for issuing this rhum at all given how close in strength it is to its lower proofed cousin, is unclearbut it’s good, very good. The nose starts right out the gate with an intense salty and sweet grassy note, crisp green apples, a very light citrus line, with a pleasant herbaceous, even floral scent backgrounding the lot.

The palate is, I think, excellent, and the extra proof point gives it a sort of rough muscularity which works well. The sweet aromatic herbs return to do their thing and position it as a true agricole; there are figs, lychees, persimmons, dates and licorice in the foreground, while olives, sugar cane sap, peaches, damp aromatic wine-soaked tobacco and a sly hint of herbs like dill and cardamom bring up the rear. You can sense some pears in syrup and white guavas as well and it concludes with a firm and long lasting finish that it fruity, grassy, clear and crisp and brings a nice conclusion to the whole business

White rhums when made right are excellent to have on their own and are the closest thing to true terroire you can findwhich is why it irritates me when garden-variety filtered plonk is positioned as some kind of elixir of the gods in advertising materials. People who swear by lightly aged, filtered whites have good reasons for liking and endorsing them: but such rums do not have a tenth of the character possessed by a single well-made agricole … such as this one.

What’s interesting about this edition of the Bally blanc series of rhums, is that the tasting notes are so similar to the others, like the 40° and 50°it’s almost like they took the strong stuff off the still and just progressively diluted it (although I stress that there’s no evidence fort this at all, it’s just my supposition…and they may indeed be made with slight variations for each). But even with that similarity, there is enough intriguing originality here, enough of a snap-crash-bang, to set the stronger version above its cousins. If I had a choice, this is the one I’d buy.

(#1083)(87/100) ⭐⭐⭐⭐


Other Notes


Historical Background (adapted from Review #552)

Bally was named after Jacques Bally, a graduate of a top engineering school in Paris, the Ecole Centrale des Arts et Manufactures (ECP, founded in 1829) – he snapped up the Lajus Plantation on Martinique in 1917, a mere fifteen years after Mount Pelee erupted, when memories of that disaster were still fresh and land prices were cheap (Lajus, founded in 1670, was already in foreclosure, having gone bankrupt after the 1902 disaster). By 1920 he had installed new steam engine, fixed up the salvageable equipment he could and (legend has it) pretty much built his own column still from scratch.

In that same year the nearby Habitation Dariste owned by the the Gronier family went bankrupt and Bally bought it in 1923 and moved the distillery equipment to Lajus to augment his own machinery. In 1930, by which time he was already laying away rum stocks to age, he also had a hand in designing the signature pyramidical and square bottles which became so associated with Bally in later years. The rhums Bally made were very popular, sold well, and the company remained in business until the 1980s when Remy Cointreau acquired it, at which point production was shut down at Lajus and moved to Domaine du Simon where (as far as I know), it’s still being made, with cane from Lajus. Note that in 2003 La Martiniquaise bought out Saint James and Bally (to add to their rum portfolio which already contained the brands of Depaz, Dillon, Negrita and Old Nick) which is why the Remy Cointreau’s webpage makes no mention of either one now and why, in Modern Caribbean Rum, Matt Pietrek locates Bally as a brand in the section under St. James.

Apr 182021
 

When most people spend money on rhum agricoles, they tend to go for the upscale aged (“vieux”) editions, those handily aged expressions or millesimes which have tamed the raw white juice dripping off the still by ageing them for several years. Consumers like the smooth sipping experience of an aged brown spirit, and not many consider that while such rhums do indeed taste lovely and are worth their price tag, the ageing process does take away something toosome of the fresh, snappy bite of a white rhum that hasn’t yet been altered in any way by wood-spirit interaction and a long rest.

Locals in the French West Indies have for centuries drunk the blanc rhum almost exclusivelyafter all, they didn’t have time to muck around waiting a few years for their favourite tipple to mature and in any case the famous tropical Ti-punch was and remains tailor made to showcase the fresh grassiness and herbal pizzazz of a well made blanc. To this day, just about every one of the small distilleries in the French islands, no matter how many aged rhums they make, always has at least one house blanc rhum, and just about all of them are great. In fact, so popular have they become, that nowadays increasingly specialized “micro-rhums” (my term) based on parcellaires and single varietals of sugar cane are beginning to become a real thing and make real sales.

Depaz’s 45% rhum blanc agricole is not one of these uber-exclusive, limited-edition craft whites that uber-dorks are frothing over. But the quality and taste of even this standard white shows exactly how good the blancs were in the first place, and how the rhum makers of Depaz got it so right to begin with. Consider the nose: it is fresh, vegetal and frothily green, vibrantly alive and thrumming with aromas of crisp sugar cane sap, sugar water and tart watermelon juice. And that’s the just for openersit has notes of green apples, grapes, cucumbers in sweet vinegar and pimento, and a clean sense of fruits and soda pop, even some brine and an olive or two. All this from a rum considered entry level.

The palate has difficulty living up to that kind of promise, but that should by no means dissuade one from trying it. It’s a completely traditional and delectable agricole profile: sweet, grassy and very crisp on the tongue, like a tart lemon sherbet. It tastes of lemon, cumin, firm white pears and papayas, and even shows off some firm yellow mangoes, soursop and star-apples. The 45% isn’t very strong, yet it provides a depth of flavour one can’t find much fault with, and this carries over into a nicely long-lasting, spicy finish that is sweet, green, tart and very clean. There’s a whole bunch of fruit left behind on the finish and it really makes for a nice neat pour, or (of course) a Ti-punch.

Depaz is located on the eponymous estate in St. Pierre in Martinique, which is at the foot of Mount Pelée itself: it has been in existence since 1651 when the first governor of Martinique, Jacques Duparquet, created the plantation. Although the famous eruption of the volcano in 1902 decimated the island, Victor Depaz, who survived, reopened for business in 1917 and it’s been operational ever since. The company also makes quite a few other rhums: the Rhum Depaz, a full proof 50% beefcake, the Blue Cane Rhum Agricole as well as an XO and the Cuvee Prestige, to name just a few.

I have never tried as many of their rhums as I would like, and for a company whose rums I enjoy quite a bit, it’s odd I don’t spend more time and money picking up the range (I feel the same way about Bielle and Dillon). I keep adding to my knowledge-base of Depaz’s rhums year in and year out, however, and so far have found little to criticize and much to admire. When even an entry level product of the line is as god as this one is, you know that here there’s a company who’s attending seriously to business, and from whom only better things can be expected as one goes up the line of their products.

(#813)(84/100)


Other notes

  • It goes without saying that this is a cane juice product, AOC compliant, columnar still.
  • Depaz is not an independent family operated establishment any longer, but is part of the Bardinet-La Martiniquaise Group, a major French beverages conglomerate which also owns Saint James and Riviere du Mat.
Jun 222020
 

Clement has a stable line of releases that have remained consistent for a long timethe “Bar and Cocktail” range of mixers and the “Classic” mid-level bottlings of the Ambre, Vieux, Canne Bleu and three blancs (40º, 50º, 55º). There is also the “Prestige” range consisting of the VSOP, 6YO, 10YO, single cask, Cuvée Homère, the XO, and that famed set of really aged millésimes which comprised the original XOthe 1952, 1970 and 1976. And for those with more money than they know what to do with, the Carafe Cristal, ultimate top of the line for the company but out of the reach of most of us proles.

Yet oddly, the trio of The Distiller Edition of their rhums, of which I only ever saw a single example (this one) receives little or no attention at all these days, and has dropped from popular consciousness. It seems to be a small series released around 2007 and sold primarily in Italy, perhaps an unrepeated experiment and included a “Cask Strength” 57.8% edition, and a “Non filtre” 43.5% variation. It suggests a tentative strategy to branch out into craft bottlings that never quite worked out and was then quietly shelved, which may be why it’s not shown on Clement’s website.

Photo courtesy of Sascha Junkert

That said, what are the stats? Of course, this being Clement, it’s from Martinique, AOC-certified, column still, aged in American oak, with 1,650 bottles released at a near standard 43.5% (aside from its blancs, most of the the company ‘s rums are in the mid-forties). The tres vieux appellation tells us it is a minimum of four years old, but my own feeling its that it’s probably grater than five, as I’ve read it was bottled around 2005 or so, which fits in with the somewhat elevated nature of its title and presentation (there’s one reference which says it’s 7-9 years old).

I wouldn’t go so far as to say it’s an awesome undiscovered masterpiece, but it is a cut above the ordinary vieux rhums from Clement which most people have had. It has a dark and sweet nose, redolent of plums and dark red cherries, caramel, vanilla ice cream and a touch of cinnamon dusted mocha. Where’s the herbals? I scribbled in my notes, because those light, white-fruit, grassy notes weren’t really that much in evidence. Mind you, I did also smell olives, brine, flowers and a touch of nutmeg, so it wasn’t as if good stuff wasn’t there.

The palate was about par for the course for a rum bottled at this strength. Initially it felt like it was weak and not enough was going on (as if the profile should have emerged on some kind of schedule), but it was just a slow starter: it gets going with citrus, vanilla, flowers, a lemon meringue pie, plums and blackberry jam. This faded out and is replaced by sugar cane sap, swank and the grassy vegetal notes mixed up with ashes (!!) and burnt sugar. Out of curiosity I added some water , and was rewarded with citrus, lemon-ginger tea, the tartness of ripe gooseberries, pimentos and spanish olives. It took concentration and time to tease them out, but they were, once discerned, quite precise and clear. Still, strong they weren’t (“forceful” would not be an adjective used to describe it) and as expected the finish was easygoing, a bit crisp, with light fruit, fleshy and sweet and juicy, quite ripe, not so much citrus this time. The grassy and herbal notes are very much absent by this stage, replaced by a woody and spicy backnote, medium long and warm

Clement has always been a hard act for me to pin down precisely. Their rhums don’t adhere to any one clear-cut company standardlike, say, Neisson, or Saint James or Damoiseauand it’s like they always try to sneak something in under the radar to test you, to rock the barrel a bit. That means that peculiar attention has to be paid to appreciate themthey do not reward those in a hurry. I make this point because although I usually feel a sense of frustrated impatience with the weak wispiness of standard proofed rums, some surpass this limitation and bat beyond their strength class, and I think this is one of theseup to a point. The Distiller’s Edition 2000 is not at the level of intensity or quality that so marked the haunting memories evoked by the XO, yet I enjoyed it, and could see the outlines of their better and older rhums take shape in its unformed yet tasty profile, and by no means could I write it off as a loss.

(#738)(84/100)


Other notes

  • Over the years, knowing my fondness for stronger rums and the deadening effect these can have on the palate, I have made it a practice to do flights of standard strength first thing in the morning when the palate is fresh and still sensitive to such weaker rums’ profiles.
  • When released, the rhum retailed for about €60, but now in 2020, it goes for more than €300if it can even be found.
  • Post will be updated of Clement gets back to me on the background to these limited edition rhums, and what they were created to achieve.
Jul 072015
 

LaMartiniquaise Rhum 1950-001

Rumaniacs Review 006 | 0406

This brand no longer exists, but the company (La Martiniquaise) formed in 1934, still does. My research turned up not only this photo from the 1940s/1950s edition, but an even older bottle from the 1850s (which sells for four thousand quid on oldliquors.comouch!). Produced by L.M. Charenton le Pont from rhum imported from Martinique, then aged and bottled in France. The Sage said it was a 1950s rhum while others suggest 1940s, I trend to the latter here. 40%

ColourDark amber.

NoseRich, clean, warm. Like a clear, clean cognacnice. Earthy. Cinnamon, cloves, caramel and burnt sugar. A sort of sharp thread of spice runs through this thing, added to honey and syrup over pancakes.

PalateAfter the colour and nose, not quite as heavy as expected to taste. Still, maybe some molasses or syrup crept in here somewhere. Smoke, sawdust, anise, licorice. Cloves and caramel and more licorice emerge with a drop of water. Aside from some raisins, fruity notes surprisingly absent. Some green olives in brine. At the back end, slight bitterness of gone-off caramel, vanilla and charred wood

FinishShortish, warm, smooth. Caramel and vanilla dominate, with smoke and tobacco closing up the shop.

ThoughtsReally like this one. The depth and anise notes remind me of Damoiseau, or Courcelles. It may have been a rhum for the proles back in the day, but its quality is way above that. Wish it was a bit stronger….at 45% or so this thing would have been exceptional.

(85/100)

  • 90 + : exceptional
  • 85-89: excellent, special rums
  • 80-84: quite good
  • 75-79: better than average
  • 70-74: below average
  • < 70 : Avoid

La Martiniquaise