Husk Distillers “Pure Cane 50” Australian Rum – Review

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Oct 142024
 

There are not many distilleries in Australia who are known outside of the region – Bundaberg is probably the most famous, Beenleigh is gaining recognition, and of course there are other small operations which the magnificent Advent Calendar from Mr and Mrs Rum have allowed greater visibility. Killik, Cabarita, Brix, Hoochery, JimmyRum and many others.

One of these, about which I have already written twice, is Husk Farm Distillers; they are one of the older of New Australians, dating back to 2009 when the founder, Paul Messenger, was ensorcelled by Martinique’s agricole rhums and spent the next few years establishing a small distillery in Tumbulgum in northern New South Wales (about 120 km SE of Brisbane) which was named “Husk” when it opened in 2012. Its uniqueness was and remains that it uses its own estate-grown sugar cane to make rum from juice, not molasses, and is an integrated producer unbeholden to any external processing outfit for supplies of cane, syrup, juice or molasses. Initially they used a 1000L Spanish made pot still but as their popularity grew it was replaced with a 6000L Scottish Forsyth hybrid still built in Rothes to Messenger’s specifications.

2021 Edition

What this all leads to then, is something rather unusual, if not outright unique (for Australia) – a pot still distilled cane juice rum, unaged, bottled at 50%. For the geek squad, there are more details below in the Other Notes section, but when one considers how column stills are so common, molasses is used for sheer convenience and ageing is at least for a few years prior to bottling…well, you can understand how interesting this is.

Except that as I have noted before in both the Bam Bam and the “Lost Blend” reviews, there’s a curious lack of agricole-ness to Husk’s rums … and this one does not buck the trend. The nose demonstrates a good initial pot still vibe: varnish, fresh plastic, rubber, some acetones, which is all nice. Gradually, as it opens up one can sense red grapes, overripe apples, raisins, sugar water, a touch of tequila (yes it does), and a light citrus through line. At some point there’s paper, cardboard and the dustiness of old rooms wafting through. Citrus peel, liquid soap and hand lotion…and ashes, with rain drops sizzling on a glowing campfire.

2020 Edition

The palate maintains this intriguing profile, perhaps even more so. Initially the taste is slightly sweet and salt, medicinal, combining light iodine notes with gherkins, ginger, anise and even wasabi, but there is also cinnamon, honey, sugar water, and a moist cheese – let’s settle on brie for now. If you stick with it you may sense a last touch of some pastries, dusty cupboards, before it goes off the reservation with red olives and (I swear I am not making this up) – freshly cut radishes. The finish is relatively tame after all this rather startling smorgasbord of competing aromas and flavours, and plays it pretty much safe – medium long, some sugar water, cucumbers in white vinegar, a few grapes and apples, and that’s pretty much it.

Not sure which year this is from, but it looks current….

Peculiar, to say the least, lacking a whole lot of herbaceousness or grass or “green” notes such as distinguishes most agricole rhums from traditional sources. Initially I thought – and my notes reflected – that the rum lacked character, but that’s not really it. A second, and then a third re-taste made me modify that view, because what it did, and what it does, is upend expectations, especially for a white unaged rum for the style of which i have a sneaking love, and more than a little experience.

The rum is aromatic, tasty, it is at right angles to regular agricoles, and shows that there are still new ways we can experience familiar profiles. Not all the elements mesh completely together and occasionally I feel that the makers tossed everything except the kitchen sink into the mix to see what would come out the other end, not entirely successfully – but in no way is this a fail or something to decry. Overall, as an unaged white rum, as a cane juice product, as a rum, Husk has created a curious amalgam that works, and works well. We owe it to ourselves to try such a rum at least once, if only to admit there are still discoveries to be made along the many varied branches of the great rum tree.

(#1094)(85/100) ⭐⭐⭐½

Other notes

  • Video Recap is here.
  • From Day 2 of the 2023 Australian Advent Calendar
  • The main cane variety used is Q240; selected for its high sugar content and adaptability to the region.Wild yeast from the paddock plays a role in the fermentation process, but additional yeast is added after crushing. Three day fermentation period. The distillate is rested, slowly reduced, and stirred in a stainless-steel tank for a minimum of six months, before bottling. Non-chill filtered. No other ingredients or additives added.
  • Husk Pure Cane has been in production since 2017. The label keeps changing so I’m not sure what the 2023 edition looks like, but in the review are a few examples.

Husk Distillers “The Lost Blend” Cultivated Australian Rum – Review

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Apr 212022
 

Image (c) Husk Distillers, from their FB Page

In the increasingly crowded Australian spirits marketplace, for a rum maker to stand out means it has to have a unique selling point, some niche aspects of its production that sets it apart in people’s minds from all the other contenders in the marketplace. Killik’s is the one tinkering with the “Jamaican-style” of rum making; Jimmy Rum has its insouciant sense of humour, colourful owner and halcyon location; Beenleigh rests its laurels on being one of the oldest and its origin myth of the shipwrecked pot still; Cabarita Spirits has its vivacious solo proprietress, Brix goes with its yuppie urban vibe, and Bundaberg seems to take a fiendish delight in being equal parts derided and despised the world over. For Husk Distillers though, it’s the focus on producing cane juice based agricole-style rums – this is what they term “cultivated rum” and what they have in fact registered as a trademark with IP Australia.

As was noted in the review of their “Bam Bam” Spiced rum, the company makes a gin called “Ink”, a pair of unaged agricole-style rums at two strengths, a botanical, a spiced, and a few youngish aged rums. In August 2021 they issued “The Lost Blend” virgin-cane aged rum (as opposed to others made with cane having looser morals, one surmises), bringing to mind St Lucia Distillers’ “Forgotten Casks.” Like SLD, Husk had a reason to name this rum “The Lost Blend,” of course: the rum and its name was based on two barrels filled in 2014 and another in 2016 with cane juice distillate run off the 1000-litre hybrid pot-column still – but in the aftermath of the Great Flood in 2017, the hand-written distillation notes that detailed the fermentation histories and distillation cuts for the two 2014 barrels, were destroyed, and so…

These are tragic circumstances for the distillation geek and technical gurus who want the absolute max detail (to say nothing of the distiller who might want to replicate the process). For the casual drinker and interested party, however, there is enough to be going on with: the rums from the two aforementioned years were aged until 2018 in a hot and dry tin shed, before being moved in that year to a cooler barrel warehouse until 2021 when they were slowly married and reduced, to be bottled in August 2021 at 43.5% without any additions, colourings or adulterations – 761 individually numbered bottles form the final release, which is not listed for purchase on the company’s website, because it was offered for sale only to locals at the door, and Husk Rum Club subscribers (as well as on BWS and some local shops).

What’s curious about The Lost Blend is how un-agricole-like it is at all stages of the sipping experience (this is not a criticism, precisely, but it is more than merely an observation). Take for example the nose: it displayed no real herbal grassiness that almost define the cane juice origin style of rum (even the aged ones). It started off with wet cardboard, fresh paint on damp drywall, and some new plastic sheeting. Then it moved on to gingerbread cookies, some plum liqueur, molasses, salt caramel and fudge. A touch of nutty white chocolate, brine, honey and a nice touch of light citrus zest for edge. Nicely warm and quite soft to smell, without any aggro.

If I had to use a single word to describe the palate it might be “spicy” (in multiple ways). And that’s because it was – initial tastes were ginger, cinnamon, anise and vanilla, with a touch of pears, overripe apples, raisins, brown sugar and salted caramel ice cream. There were a few bitter notes of oak and old coffee grounds, but the citrus acidity was long gone here, and overall, even with a short and relatively dry finish that was redolent toffee and unsweetened dark chocolate it presented nicely as a light ‘n’ easy sipper that just wanted to please without going off like a frog in a sock.

Given that the Lost Blend was a rum comprising four- and six-year-old components, it’s almost as surprising to see so much come through the ageing process as what exactly emerged at the other end. I attribute the tastes I discerned to a combination of the subtropical climate and (a guess here) smaller and maybe newer casks that provided those quick and easy notes. What is more baffling is how little evidence there is of the rum actually being from cane juice, because tasted blind (as it was), my scribbled remarks read more like some solid young Latin-style ron than anything else. I did like it more than the spiced Bam Bam, though, and it is well made and works well as a softly tasty warm-weather sundowner: but my advice is to enjoy it for what it is and not to look for serious local terroire or a recognizable agricole-style flavour profile — because that, I’m afraid, just isn’t there.

(#901)(82/100) ⭐⭐⭐½

Other Notes

  • As with all the reviewed Australian rums from the 2021 Aussie Advent Calendar, a very special shout out and pat of the Panama to Mr. And Mrs. Rum, who sent me a complete set free of charge. Thanks, as always.
  • More notes on the company can be found in the Bam Bam Spiced Rum review.

Husk Distillers “Bam Bam” Australian Spiced Rum (Batch 8) – Review

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Mar 232022
 

Photo (c) Husk Distillers

Of the New Australian distilleries that have emerged in the last ten years, Husk may be one of the older ones. Its inspiration dates back to 2009 when the founder, Paul Messenger, was vacationing in the Caribbean; while on Martinique, he was blown away by agricole rhums and spent the next few years establishing a small distillery in northern New South Wales (about 120km SE of Brisbane) which was named “Husk” when it opened in 2012. Its uniqueness was and remains that it uses its own estate-grown sugar cane to make rum from juice, not molasses, and is a field-to-bottle integrated producer unbeholden to any external processing outfit for supplies of cane, syrup, juice or molasses. Initially they used a pot still but as their popularity grew it was replaced with a hybrid pot-column still (the old still remains at the entrance to the distillery).

As is standard practice in Australia, while rums wait two years to age before being called “rum”, other spirits are made to fill the gap and provide cash flow – in this case there was a gin called “Ink”, and a set of “Cane Spirits” products which were initially a pair of unaged agricole-style rums at two strengths, plus a botanical and a spiced. These continue to be made and pay the bills but there were and are others: in 2015 a “virgin cane rum,” came out, limited to 300 bottles; in 2016 a 3YO aged rum was released (the “1866 Tumbulgum”); in 2018 a 5 YO (“Triple Oak”) – all were cane juice rums and these days both are hard to find any longer. In 2021 they issued “The Lost Blend” virgin cane aged rum with “subtropical ageing” (coming soon to the review site near you) and in the spiced category, they have periodic releases of the spiced rum we are looking at today, which they call “Bam Bam” (for obscure reasons of their own that may or may not be related to a children’s cartoon, but then, they do say they make better rums than jokes).

The rum clocks in at standard strength (40%) and is, as far as I am aware, a pot still cane juice product, aged for 3 years in oak (not sure what kind or from where it came) and added spices of wattleseed, ginger, orange, cinnamon, golden berry, vanilla and sea salt. I should point out here that all of this was unknown to me when I tasted the sample — the labels on the advent calendar didn’t mention it at all.

So…the nose. Initially redolent of ripe, fleshy fruits — apricots, peaches, bananas, overripe mangoes and dark cherries — into which are mixed crushed walnuts, pistachios and sweet Danish cookies plus a drop or two of vanilla. It’s soft and decidedly sweet with a creamy aroma resembling a lemon meringue pie topped with whipped cream, then dusted with cinnamon…and a twist of ginger off a sushi plate.

The taste maintains that gentle sweetness which so recalled a well done sweet pastry. There was cream cheese, butter, cookies and white chocolate, plus some breakfast-cereal notes and mild chocolate. A few fruits drift in and out the of the profile from time to time, a touch of lime, an apricot, raisins, a ripe apple or two. And with some patience, baking spices like cinnamon and nutmeg are noticeable, but it’s all rather faint and very light, leading to a short and quickly concluded finish with orange peel, vanilla, brown sugar, and that tantalising hint of cake batter that evokes a strong nostalgic memories of fighting with my brother for the privilege of finger-licking the bowl of cake mix after Ma Caner was done with it.

Overall, it’s a peculiar rum because there’s little about it that shouts “rum” at all (on their marketing material they claim the opposite, so your own mileage may vary). My own take is that it’s alcohol, it has some interesting non-rum flavours, it will get you drunk if you take enough of it and it has lovely creamy and cereal-y notes that I like. But overall it’s too thin (a function of the 40%) too easy, the spices kind of overwhelm after a while and it seems like a light rum with little greater purpose in life than to jazz up a mixed drink someplace. That’s not enough to sink it, or refuse it when offered, just not enough for me to run out and get one immediately.

(#893)(80/100) ⭐⭐⭐

Other Notes

  • As with all the Australian rums reviewed as part of the 2021 Aussie Advent Calendar, a very special shout out and a chuck of the chullo to Mr. And Mrs. Rum, who sent me a complete set free of charge. Thanks, as always, to you both.
  • Husk refers to its rums as “agricoles” (see promo poster above) but incorrectly in my view, as this is a term that by convention, common usage and EU regulation refers to cane juice rhums made in specific countries (Madeira, Reunion, Guadeloupe and Martinique). A re-labelling or rebranding might have to be done at some point if the EU market is to be accessed. Personally, I think they should do so anyway. Nothing wrong with “agricole-style” or “cane juice rhum” or some other such variation, and that keeps things neat and tidy (my personal opinion only).
  • Long time readers will know I am not a great fan of spiced or infused rums and this preference (or lack thereof) of mine must be factored into the review. The tastes are as they are, but my interpretation of how they work will be different from that of anther person who likes such products more than I do. Mrs. Caner, by the way, really enjoyed it.