Colours of Rum Foursquare 2002 20YO Barbados Rum – Review

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Sep 232024
 

Anyone on the worldwide festival circuit over the last few years knows about the crew that reps the new independent bottler out of Poland called Colours of Rum. Their eye catching shirts matching their brightly labelled rums, the rums themselves, the enthusiasm of Magde Reszke and Dominic Rudnicki (among others) when they talk and strut their stuff…well, it’s not hard to stop by and just hang out for a bit, see what they are selling and check if anything is squirrelled away under the table that might conceivably be shared. It just goes to show how much a good brand ambassador can make a huge difference in the perception of the rum she (or he) is promoting. The way they operate, it’s like they enjoy what they do immensely, an attitude which keeps me coming back to their booth, every time…and that’s priceless.

That said, I don’t want to distract from the fact that when you really get down to it, CoR is not really different from any other good independent bottler. To be sure, they chose cannily and well with their selections, and thus far they have not gone too far into the bushes, and simply concentrated on a few countries’ rums — they always release single casks — which they know are popular and will move: Jamaica and Barbados have the most, and there are also rums from Guyana, Trinidad, Fiji, and Guadeloupe. More are likely to join the stable in the future, and of late they have dipped their toes into blends and finished rums as well.

Let’s narrow our focus, though: the rum we are looking at today is a Barbados rum from Foursquare, from 2002 – and once that date clicks and you realise it’s a single cask and pot still, well, you just know it’s from the same batch of twelve barrels (out of an original twenty) of pot still distillate which Richard Seale sold to Main Rum back in 2002. Other fortunate bottlers of this rare batch of Foursquares (and I like to imagine that vendettas ensued and carpets ran rust-red in Scheer’s offices when the knives came out in the bidding war) include USA’s Holmes Cay, Royal Cane (a brand of Infinity Spirits from Amsterdam), and Nico on FB told me that the SMWS, Silver Seal, Kintra, Ultimatum and L’Esprit all issued single cask expressions from the set. Who snagged the other barrels remains unknown; perhaps we’ll be lucky enough to see them get issued in years to come, though my wallet trembles at the potential cost.

Anyway, what else? Pot still as noted, 49% ABV, 208 bottle outturn. Issued in 2022, so 20 years old, ex bourbon barrels. And that’s about all we get and all we know.

The only other rum from this background which I’ve tried is of course the Holmes Cay expression, and I liked that a lot: it was superb. This one has its differences. Here the nose opens with flowers, sweet bubble gum, candy floss, salt, olive oil, lychees, slightly sweet-sour mangoes. Ginnip, licorice, damp sawdust, cucumbers in vinegar. Noses almost delicately, hardly like a deep and heavy overproofed pot still badass at all. There are light touches of molasses, cinnamon and cardamom, but seemingly restrained from showing off the full panoply of their potential.

As for the palate, well, no surprise, it’s lovely, presenting a crisp, clear, clean, sweet, deep profile from start to finish. Anise, red licorice, leather, smoke, salt, olives, plastic, vanilla, plus candy floss again, and that’s in the first five minutes. Once it opens up, you can sense strong black tea with evaporated milk, and some tart, fruity and somewhat sharp notes – and yet the whole time, the rum remains rather delicate. Other tastes that come and go across the stage are florals, light red pepper notes, cardamom and cedarwood and allspice, moving quietly and without haste to a slow and languorous finish that’s lightly fruity, has some spices, and a few musky notes of anise, cedar, molasses and well cured leather.

The Colours of Rum selection of the same distiller’s distillate suggests a quality similarly at the tope end, compared to those I tasted already. That’s certainly true here – the rum is excellent – but it’s remarkably different. In fact, were I to taste it blind I’d be hard pressed to say (or believe) that this is a kissing cousin of Holmes Cay, and I remember that one very well indeed. To some extent it’s in the same ball park, though this is a couple of points less strong, and the spices in the nose ands palate were somewhat less in evidence.

But with all that, it remains a terrific rum on its own terms, and if the aromas and tastes are a little different, well, so was the barrel, and maybe there were all sorts of other minor variations when it was laid to rest that magnified over the two decades of ageing. On its own terms and without any comparisons, this stands as a testament to Colours’ ability pick a barrel, Foursquare’s pot still chops (should they chose to go further with them), and our own good fortune in being able to try them both.

(#1089)(89/100) ⭐⭐⭐⭐

Other notes

  • Video recap is here.
  • Although initially they wanted to use the same colours for the same rums from the same countries, this “system” never took root and was abandoned early on; so there is no colour scheme to the labels. They’re just bright colours that stand out.
  • Holmes Cay 20 YO goes for US$350.00, last I checked. This one on the Colours of Rum website sells for €195.00. Maciej Kossowski, one of the founders, told me that it was the 3-tier system that was to blame, with multiple parties involved, all with sticky fingers and markups. He doesn’t sell there (too hard a nut to crack for too little gain) but would do what he could to get bottles shipped for individuals if the interest was expressed.

Company bio

The Colours of Rum brand is not the first foray into spirts made by Wealth Solutions, the Polish company founded in 2007 by Masiej Kossowski and his colleague Michal Kowalski. They both hailed from the financial sector, but (possibly as a result of their investment activities and knowledge) they created Wealth Solutions to concentrate on the alcohol market, specifically the investment side of things – not production – and began their work with Bordeaux wines.

Things got interesting in 2012 when they started to go more seriously into distilled spirits: whisky and cognac for the most part, at the top end of the market, and instead of always and only buying and selling, they began bottling their own (for the detail oriented, this included a Karuizawa 1964 48YO, Glenfarclas 1953 58YO, and a trio of Glen Grants 65, 66 and 67 years old). The aha! moment for rum came when Michal Kowalski met with Richard Seale of Foursquare in 2019 and Richard agreed to bottle a “Private Cask Selection” edition of 600 bottles for Wealth Solutions (it was a 12YO), and it sold out so fast that the two founders sensed an untapped market to work with.

This led to the founding of Colours towards the end of 2021 as an independent brand, with the usual concept of bottling single cask rums from different regions. Although initially the idea was to use a colour per country — from the flags of major and well known rum producing nations — there just weren’t enough colours, they soon ran out, and the company switched to just using the colours to make the labels simple and informative.

As of 2024, CoR has bottled 63 expressions, mainly from Barbados, Guyana and Jamaica. The staff of the company have travelled a lot to bring themselves up to speed on the distilleries and to learn about productions techniques. Of late they gained the ability to buy directly from distilleries instead of just through brokers, and that opened new possibilities: for example, in 2024 they launched a series of Hampden DOK expressions aged nine months in various casks (Madeira, Oloroso, PX) and those sold out quickly.

The company markets itself online quite extensively, and is helped by their two best known brand ambassadors — Magda Reszke and Dominik Rudnicki — who also have strong social media profiles, and are, as I noted, very likeable and outgoing people in their own right. So well received has the brand been at various festivals around the world, that a few dedicated bottlings for such expos have been issued: one for Rum Love in Wrocław, another for German Rum Festival

Doorly’s Finest Old Barbados 3YO Rum – Review

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Jul 162024
 

Over the years I’ve somewhat revised my initially indifferent stance towards Doorly’s, which at various times I sniffed at as lacking in seriousness, bereft of real character, a relic of a bygone and more innocent era, or various other rather dismissive comments. To me, Doorly’s always seemed to be a genuflection to the mass market instead of something more exactingly made. The entire line, even with its heritage, paled in taste and significance when rated against the rums that Foursquare became known for: the ECS series, the Velier Collaborations, the pot still aged rums and the occasional Master Distillers releases.

Yet, slowly, quietly, the line got better and began to be more than just a back bar staple that incurious barmen reached for when they needed a cheaper aged Barbados rum. It rose in my estimation over the years. I named the 12YO a key rum of the world, and quite enjoyed the 14YO. But much to my surprise, it was this 3YO which exceeded its expectations so handily that it actually went toe to toe with the 14YO (albeit for different reasons). Now there’s a surprise for you.

Let’s start at the beginning: Doorly’s is the mass market export brand of Foursquare Distillery, which needs no further introduction (and if it does, you’re not really into rum); they had initially acquired the brand in the early 1990s and kept it in place because of its name recognition – it has now grown into one of the most recognizable Barbados brands in the world. The rum is a pot and column still blend, aged three years in ex-Bourbon (older casks), is issued at two strengths, 40% and 47% – this review is based on the stronger one.

Normally a 3YO rum is a cocktail ingredient, and priced to move. Sometimes also called Amber, Gold or Ambre, it’s coloured artificially on occasion, though here, given the pale yellow hue, that’s unlikely and it’s all barrel derived. The initial nose is remarkably crisp, without being sharp or bitchy, which is welcome: it’s buttery, briny and flowery, with coconut shavings and vanilla hogging the scene, accompanied by almonds, coffee grounds, cloves and a touch of black pepper.

On the palate it’s also quite good, firm and well balanced, not at all sharp. It opens with salt butter and Danish cookies, vanilla, hot pastries, licorice, pine tarts, with a gradually discernible background of raisins, citrus, coconut shavings, coffee grounds, charcoal and sour red licorice. It all leads to a decent medium long finish that wraps up the show nicely and sums up the preceding notes without adding new. It’s just…hefty. And quite a tasty dram, let me add.

I would never pick the 40% edition if this was available as an option. The combination of the flavours is all well handled, and there’s a force to it imparted by the higher strength that’s impressive. The other day I tried the Sunshine & Sons Australian rum that was a little over half+- this rum’s age and about the same strength, but had to strain twice as hard to get a fraction of what this rum so effortlessly put out the door without looking like it was even trying. Moreover, it moves between cocktail ingredient and sipper with startling ease – you can use it for either one – and shows that even a 3YO can show flashes of elegance that elevates it over rums years older. This is one hell of a young rum.

(#1081)(84/100) ⭐⭐⭐½

Other notes

Holmes Cay Barbados 2002 20 YO Pot Still Rum – Review

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Apr 192024
 

To hear the social media commentary pouring out of the rumisphere last year, Eric Kaye pulled out some sort of magical rum rabbit from his jock and wowed the rum world with a magnificent one-of-a-kind, once-in-a-decade, 20-YO-rum from Foursquare. And not just any rum, but a pot still rum, which, as any fan or Foursquare junkie knows, is rare as hen’s teeth (the distillery is world famous for its pot-column blends, not single still distillates).

Holmes Cay is the brainchild and 2018 creation of the above-named Mr. Kaye (he was getting out of the music business at the time and looking around for other opportunities), and it’s at the forefront of a trend that hopefully gathers strength: indie bottling in the USA. Personally I’ve never understood why, given the higher startup and PP&E costs, American entrepreneurs go all out into launching distilleries, as opposed to taking advantage of more modest outlays to get an indie bottling operation off the ground. No sourcing materials, no experimentation, no technical expertise, just the selection of widely varying rums from around the world supplied by brokers who are happy to oblige and service a much less crowded market (although the insane permits, licences and bureaucracy remain the same).

Initially, to get things off the ground with a bang, Eric picked a couple of Foursquare barrels from 2005 (this was deliberate), and the speed at which they sold out in the US in 2019 assured him of the viability of the concept: he went all in, started sourcing more and began popping up on the festival circuit quite regularly to both learn and promote. By 2024 there were some 31 different bottlings in the portfolio, encompassing Mhoba in South Africa, Belize, Fiji, Guyana, Jamaica, Mauritius, Australia, Barbados, Trinidad and Reunion, and there’s no end in sight. Not to discount the sterling work Ed Hamilton did with his Hamilton rums from Guyana and Martinique and Jamaica that blaze the trail of indie imports to the US, it is no exaggeration to say Eric’s brand has probably allowed more Americans to buy a wider diversity of rums than just about anyone else around.

All of which led, if you want to mythologise it, to the sourcing of one of the twelve remaining barrels (out of an original twenty) of pot still distillate which Richard Seale sold to Main Rum back in 2002. Competition was fierce — everyone wanted a piece of something like this, no surprises there — and eventually, through threats, tears, bribes, blandishments and a lot of judicious begging (or so the storyteller in me likes to imagine), Eric managed to score one. He dressed it up nice as an exclusive edition, and released somewhat less than 200 bottles – it’s probably still possible to find one here or there, and can go for north of US$350 so it’s not for the light of purse.

Unsurprisingly, given the source distillery’s reputation, it was hailed as unique and all the usual encomiums followed in a rush from all the usual parties. But in truth it’s not the only rum of this provenance that appeared in the 2022-2023 release season – both Colours of Rum (out of Poland) and Royal Cane (a brand of Infinity Spirits from Amsterdam) also put out 20YO 2002 pot still rums from the distillery, albeit with somewhat less fanfare (and of course Habitation Velier did do a couple of its own pot still editions some years ago). But never mind: these days, when this 2002 4S vintage is mentioned, it’s Holmes Cay that gets the kudos and all the press.

And perhaps they should. The damn thing is rare enough and, while it doesn’t really follow Velier’s path of fully tropical ageing — it was aged in Europe — twenty years is twenty years and the final result succeeds like nobody’s business, with 51.1% ABV helping it along to make its presence felt. Consider the way it opens: right from the beginning we are getting cedar shavings, fresh sawdust, that sense of sweet damp woody aromas. The fruits follow: citrus, prunes and apricots and other ripe stoned fruit. There’s a surfeit of kitchen spices lurking inside the bouquet: cinnamon, sandalwood, cardamom, turmeric, fenugreek, rosemary and all sorts of other savoury aromas that defy easy classification. Honestly, if I was asked…if you pressed me… I would have to say what it really reminded me of is an old spice soukh in Saudi or Dubai or Kuwait. It’s that good.

The way it tastes is no slouch either, and presents initially with a nice light series of floral notes. It’s a melange of fruits, leading with watermelon, papaya, then moving to strawberries and sweet Indian mangoes. Some smoky paprika and bell peppers freshly sliced. It has the warm taste of sweet pastries sprinkled with crystal sugar, cinnamon and bubble gum, and the entire time I’m sipping it I’m think appreciatively how well balanced the whole construct is, with no one flavour dominating. The finish closes up shop really well, with a soft swelling intensity — and all I can think as I taste this rum, savour the crisp tang of ripe fruits and spices, is that it’s nothing shy of spectacular.

When I taste rums, I see colours and memories alongside the aromas and tastes. My imagination goes all over the place, the more so with a good rum that shows us something different, something fascinating, something old done in a new way. Perhaps I would not be able to pick this out as a Barbados rum – let alone one from Foursquare – if I tried it blind. But it would stay in the mind, remain a mile marker in my appreciation of the brand, as it has ever since I first came across it. In a way I can’t quite explain, it reminds me of love and tenderness and desire, and a bright image of a soft kiss I want from the woman who inhabits my dreams. Any rum that can evoke such feelings is not merely spectacular, it may be nigh priceless. And while admittedly I’m a certifiable romantic and your own mileage will vary, that’s the way I feel about it and to some extent, why I rate it as I do.

(#1067)(91/100) ⭐⭐⭐⭐½

Other notes

  • For a deeper dive into Holmes Cay and this release, check out Rum Revelations’ article, and their interview, as well as Rumcast’s two episodes, one on the founding of the brand here, and a follow up later (mostly about the Fiji release) here.
  • Looking at various online reviews (and there aren’t a whole lot), I seem to be the one who likes this rum the most. Go figure.

L’Esprit Foursquare 2005 15 YO Barbados Rum – Review

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Mar 032024
 

It’s not entirely clear why the little Brittany-based independent bottler L’ESprit – for which I have retained an enormous fondness over the years – advertises so little and keeps such a low profile. One never sees them at rum festivals, Tristan Prodhomme is practically unknown among the pantheon of small-company personalities, the company is more wedded to whisky than to rum…and yet the rums this one little outfit does release have a really good track record, people do treasure the ones they get and I would always take a second look myself, if one crossed my path: it’s one of the few indies whose wares I actively seek out and keep an eye open for.

L’Esprit has, since its inception, gone through the whole gamut of what’s possible: they have released aged and unaged rums, standard strength or still strength, represented pretty much all the major rum producing countries out there (and a few minor ones), and in a nice touch, sometimes issue the same rum at two different strengths – standard and full proof. Today’s rum comes from Foursquare: it’s the usual pot-column blend characteristic of the famed distillery, distilled in November 2005, bottled in October 2020 (so a neat 15 years old), 60.5% and as far as I know, aged in ex-bourbon barrels.

From those stats you can guess it’s a rum of furious and tasty brutality, and that’s not far off. The nose lunges from the bottle in an initial attack of pungent nutty and fruity notes, very intense. It is, one should note in passing, extremely nice too; it follows up with an uppercut of caramel, salt, acetones and the boiling scent of an “under final touch ups” stage of a new house in the hot summer — acetones, plastic turpentine and floor wax (clearly more pot still in action here). Then it seems to want to calm down and more restrained aromas come through – strawberries, unsweetened chocolate, tinned fruit syrup, dark honey, leather and port infused damp tobacco. That’s quite a lot for any rum to be providing, no matter who makes it.

Clearly slowing down is not in this bottle’s bag of tricks: it continues to go strongly, like a bat out of hell, on this and every subsequent tasting (the glass is with me for the best part of a full day): it’s sweet, dry, aromatic, tasty. Green peas, syrup again, pears, stewed apples, tinned peaches, which is all pretty much what one could expect. But it does have some kinks as well, tastes that are somewhat odd — pleasant enough but almost unfamiliar, the way these components come together. Plastic, kerosene (just a touch), balsamic vinegar, mangoes in a very hot pepper sauce, that kind of thing. The edge and savagery is always just behind the sweet and more aromatic side of the profile, waiting to pounce if you treat it with anything less than respect. It all leads to a medium short finish (which, admittedly, is surprising for something that has to this point been going full steam), with not a whole lot more. Fleshy stoned fruits, some caramel and vanilla, strawberries, and the glue and wax make a short bow before scampering back offstage.

And that’s it. It’s the sort of neat pour that will leave you gasping a bit but also pleased to have been able to finish it. Overall it’s solid, and easily buffs the credentials of both producer and bottler to a brighter gleam. It has a seriously good nose with everything we like included, which is then sanded to a shine and bolted on to an anvil-heavy series of tasting notes that don’t seek to reinvent the wheel (or Foursquare), but simply present the best of which this particular barrel is capable. It’s like Tristan found a barrel he liked so much that it was only by the most supreme effort of will that he didn’t slap an ECS label on it – because that’s the only thing I can compare it to, and that’s what it really is. I call mine “Truculentus”.

(#1061)(86/100) ⭐⭐⭐⭐

Doorly’s “Macaw” Barbados White Rum (Late 2010s)

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Aug 222023
 

Rumaniacs Review #R-157 | #1019

Somehow, in all this time of reviewing rums from around the world, from around Barbados, and from within the Foursquare oeuvre, I never got around to looking at the Doorly’s “Macaw” white rum. Not the new 40% 3YO and its 47% ABV sibling which is in line with the redesigned and now-consistently labelled range as it currently exists (3YO, 5YO, 8YO, XO, 12YO and 14YO, and if this piques your curiosity just head over to Alex’s excellent vertical review of the lot) but the rather older and more venerable one at 40% and a sky blue label. Maybe it’s just in time, because it’s now been quietly discontinued.

Note the care with which I define the rum: in spite of several online references to it, it is not, as sometimes described, a three year old rum, but a blended NAS (no age statement) workhorse of the bar industry that goes back a fair bit. It is a mix of various pot-column distillates some of which (according to Richard Seale, who was as forthcoming as ever) are in the three-years-or-so age range, but often with a jot of something older for oomph.

In a reorganisation of the Doorly’s line a few years ago, the idea was to replace this with a true 3YO and beef up the proof a bit; what ended up happening was that the 40% proved so durable and popular that the 3YO was released in two strengths, the standard and the now main edition, the 47% (no other rum of the line has this double release as far as I know)…and each of those is slightly different from the other one in terms of its blend profile. That, however, left the older Macaw as the rum that got overtaken by the times, as the light, inoffensive white rum style pioneered by the Bat became less popular, and more muscular and distinctive whites began to climb in favour. It’s a rum that if you like it you need not necessarily fear of running out any time soon, as it still remains reasonably available (as of this writing in 2023)…but a stock-up might not be a bad idea.

Colour – White

Strength – 40%

Nose – Quite soft and easy, like a cream soda or rock-shandy soda and a whiff of vanilla. A little strawberry bubble gum. Quite clean, though somewhat alcoholically sharp at the inception. Some mild glue and acetones and white fruits.

Palate – Again, that cream soda like taste, light fruits, cucumbers, melons, papaya and maybe a ripe pear or two. Freshly grated and still damp coconut shavings, vanilla, bananas, an interesting melange of soft and sharp. Could be stronger.

Finish – Faint and short and easy. Mostly vanilla, sugar water and some mild fruitiness.

Thoughts – The Macaw remains what it always was: a mixing white rum from yesteryear that actually shows some character, and a profile more than just stuck in neutral. It shows what could have been done by all those bland and anonymous rum producers who slavishly aped Bacardi in the previous century, had they possessed some courage. I’m not a complete fan of the rum, but when compared against so many bland blends that characterised the period — soulless, tasteless, flavourless, characterless – it bloody well shines in comparison.

(#1019)(76/100) ⭐⭐⭐

Other notes

  • Alex Sandu of the Rum Barrel blog met up with me in Berlin after this year’s rumfest, and we had a private tasting session where he very kindly brought this along.

Doorly’s Fine Old Barbados 14 Year Old Rum – Review

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Feb 172023
 

Last year Chris Seale and I were talking at Paris’s WhiskyLive and he mentioned that he had read some of my earlier work on the Doorly’s line of rums and thought I had been unnecessarily rough on the brand. I responded that this was very true — it’s hardly something I could pretend was not — but it faithfully reflected my feelings and opinions from more than a decade ago and of course, I’ve moved on to developing a real appreciation for Foursquare in the many years between then and now – especially the new Habitation Velier LFT and pot still editions, and the ECS series, to say nothing of the Collaborations. That said, I did remark I just found the Doorly’s brand as a whole too lackluster – most are public-facing and mass-market: the low-cost components of the house. They’re too weak, too easy, to everyman-pleasing; they are therefore not aimed at me but at those who are closer to starting their journey.

While completely acknowledging the house’s impact and importance, especially to the bourbon crossover crowd who I believe to be among the brand’s most fervent admirers (next to the Brits), I think it’s taken the Doorly’s 14 year old 48% pot-column blend (a part of the blend was aged in ex-Madeira, though specific details are lacking) released around 2019, to make me accept that finally there’s one of the line I can get serious about and introduce to my mommy. It presses more buttons than all its siblings – it’s stronger, has a bit more pot-still oomph, more decisive tastes and is to me, at the perfect age for what it is. Close your eyes and you could be drinking any top flight indie bottling.

Consider how it opens: the nose begins with the attack of light skirmishers – varnish, glue and brine, quicky gone, not sharp or aggressive, just making themselves felt. Next comes the light cavalry on the flanks: green apples, grapes, papaya, watermelon, pears, a touch of soursop, and then the heavy infantry masses to take over, and here the more traditional aromas of caramel, vanilla, toffee, blancmange, molasses, supported by the spices of cumin, rosemary, and cinnamon.

Once we start tasting the thing, the palate is where the battle is joined. Flavours vie for dominance – brine and olives and some nail polish duke it out with sweeter fruity notes of ripe red apples, pears and peaches in syrup, and very ripe dark cherries. On the flanks the molasses, toasted coconut and musky port-infused tobacco are having their own separate argument with a miso soup and kimchi, but the key takeaway is that when all is considered together, the whole palate is well-balanced between sweet, salt and sour. And the finish concludes this nicely by closing off the show with a spicy, long, dry, fruity and aromatic exhalation that somehow doesn’t give any side a win but shows off the best part of all of them.

This sounds like a lot, sure, but then, I tend to give Doorly’s more attention than most, precisely because thus far I’ve been less than impressed with the line. When the dust finally settles and the tally is made on the 14 YO, I consider this a very good sipping rum for us proles and the one Doorly’s I have no problem recommending to anyone, without resorting to a lazy and overworked references to bourbon or Pappy that just chases away those who have no interest in either. In fact, what this reminds me of quite closely is the ECS Criterion.

And yet, curiously, although my belief is that the rum is pretty damned fine not everyone agrees or goes that far. The rum garners positive reviews, yes, just not raves of the sort that more exclusive limited editions of the Collaborations or the ECS line get almost routinely (score aggregators cluster most user evaluations of the D14 at around the mid eighties with the others trending higher). Overall I think it’s a good rum, well made, well assembled, succeeding on every level without reaching for the moon, a sipper for every occasion for any income bracket, and frankly, I believe it’s an ECS edition in all but name. I call mine “Misnomer.”

(#973)(84/100)

Velier Foursquare 2005 16 YO Rum “Magnum No.1 – Elliot Erwitt” Series – Review

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Nov 102022
 

The new rums of Velier’s first edition of the Magnum Elliot Erwitt series of rums are only four in number, and it’s too early to tell whether future editions will materialise. Honestly, I don’t see any need to create a new series at all: both the Hampden and Foursquare rums already have well established collaborative series of their own, Saint James could have been folded into the 25th AOC Anniversary bottling and I’m sure a home could have been found for Mount Gay somewhere. The Magnum photographic connection — to rum, Velier or the distilleries — is tenuous at best and even the selected photographer is a relatively obscure choice.

Still, if the intent was to release four rums that stand out in an arresting and visual fashion, then that works, and surely Velier is treading on familiar ground they themselves have helped establish. And there have been one-offs and smaller series before, like the original Damoiseau 1980, or the twin Basseterre rhums, or the two Indian Ocean series releases. Nothing says it needs to be an ongoing multi-year effort like, oh, Rom Deluxe’s “Wild” series. Next year there will likely be yet another one and I do enjoy looking for and at those distinctive designs.

What thoughts like these suggest, however, is a diminishment of the importance of a rum range that retains a quality and consistency level over long periods. The Demeraras, the Caronis, the HV series of rums — even the 70th Anniversary Collection — are all examples of successful and important long term ranges Velier has created. By making a series of short-lived “little” series like Warren Khong, Indian Ocean, Japoniani, Villa Paradisetto (among others), one wonders if there really is an overarching philosophy at work, some kind of through-line that makes each range truly unique in some individual fashion, over and above the arresting designs and colours.

I make this observation because of the four rums in the first collection, the Foursquare is the one that, to me, stood out the least (I tried all four together). The production stats, on paper, are all sterling: pot-column-still blend (the website calls it a “100% pot still pure single blended rum” but that’s a contradiction in terms, and I confirmed it is indeed a blend of the sort Foursquare is known for), distilled in 2005, double aged in ex-bourbon and sherry casks for sixteen years, then released with an outturn of 1200 700ml bottles and 600 1.5L magnums at 61%. A serious, old tropically aged rum. The distillery doesn’t make much that’s older than that.

What it doesn’t do is break new ground in any significant way. The nose is light for the strength, for example, and feels consistent with my memory of other ECS releases. Dusty and somewhat papery at first, before the more usual salt-caramel, vanilla, and aromas of grapes, peaches and ripe apples emerge. There’s a creamy, briny, almost tart laban background, macaroons, some nuttiness, a touch of orange peel and cinnamon, a bit of basil and rosemary herbs. A decent nose, about what is expected.

It tastes about the same. The texture is great, very solid and emphatic, and channels fruitiness well: mostly cherries in syrup (minus the excessive sweet), ripe red grapes and apples and peaches; there’s also brown sugar, vanilla, coconut shavings, some molasses, white chocolate and nuttiness, set off with just the suggestion of citrus. The finish sums all that up, adds little additional complexity and its major claim to fame is that it it is really quite epically long, with notes of unsweetened yoghurt, caramel, vanilla and some indeterminate fruitiness.

Overall, it’s good. That said, it didn’t move me much — what’s missing is something of the exceptionalism, the blazing fire and shoot-the-moon excellence that define Velier’s best collaborations with Foursquare, and that distillery’s own finest ECS editions. This is a hyped limited release with serious artistic pretensions; the profile is consistent, the taste is good, it adheres to most of the markers that we seek in a limited edition Barbados rum…and yet it’s one that doesn’t ring my bells, doesn’t make me sit up in stunned wtf-level amazement and then head straight over to wherever is selling it so I can get me a bottle and consider myself fortunate to pay three figures for the privilege. Barbados rum lovers will not be disappointed, of course (it would have to be a real dog for that), and investors will continue to buy it because of the limited outturn, so it won’t fail in the market. For me though, it’s a pass at the price.

(#949)(84/100) ⭐⭐⭐½

Other Notes

  • From the Velier Mount Gay “Magnum EE” Review: The Magnum series of rums capitalises on the same literary concept as the seven founders of the famed photo agency wanted for their own organisation when they created and titled it in 1947, namely the multiple meanings and connotations of the word — greatness in Latin, toughness in the association with the gun, and celebration in its champagne mode (it’s just a happy coincidence that when discussing the matter they always drank magnums of champagne). Since Luca Gargano is a photo buff himself, I’m sure the references resonated with him. Four photographs made by Elliot Erwitt — an American photographer who was asked by Robert Capa to join the agency in 1954 — grace the four (black) bottles of the first release, but they have no direct relationships with the contents of the bottles in any way, and were likely chosen simply because they were appreciated as works of art.
  • This is particularly the case here, where the label photograph is of the Peace Memorial Park in Hiroshima, taken in 1970. What that has to do with the rum or either of the involved companies, is simple: nothing.
  • Others’ opinions of this rum are almost exactly reversed from the Mount Gay Magnum edition which I liked more. Just about everyone who has written in about it loves this one, while I think it less. Secret Rum Bar rated it 92 points, WhiskyFun gave it 86, while Rum-X has an average of 88 points off of 25 ratings, with several topping 90.

Foursquare “Destino” 2003 14 YO Rum (General Release) – Review

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Oct 172022
 

Foursquare’s Exceptional Cask Series gets the lion’s share of the attention showered on the distillery these days, and the Doorly’s “standard line” gets most of the remainder, yet many deep diving aficionados reserve the real gold for the Foursquare-Velier collaborations. And while some wags humorously remark that the series’ are only excuses for polysyllabic rodomontade, the truth is that the collaborations are really good, just not as visible: they are released less often and with a more limited outturn than the big guns people froth over on social media. So not unnaturally they attract attention mostly at bidding time on online auctions, where they reliably climb in price as the years turn and the stock diminishes.

There currently eight rums in the set, which have been issued since February 2016 (when the famed 2006 10 YO came out): they are, in order of release as of January 2023, the 2016, Triptych, Principia, Destino (whether there’s only one, or two, is examined below), Patrimonio, Plenipotenziario, Sassafras and Racounteur. All are to one extent or another limited bottlings — and while they do not form an avenue to explore more experimental releases (like the pot still or LFT Foursquares in the HV series, for example), they are, in their own way, deemed special.

On the face of it, the Destino really does not appear to be anything out of the ordinary – which is to say, it conforms to the (high) standards Foursquare has set which have now almost become something of their signature. The rum is a pot-column blend, distilled in 2003 and released in December of 2017: between those dates it was aged 12 years in ex-Madeira casks and a further two in ex-Bourbon, and 2,610 of the “standard” general release edition were pushed out the door at a robust 61%, preceded by 600 bottles of the Velier 70th Anniversary edition at the same strength.

What we get was a very strong, very rich and very fruity-winey nose right off the bat. It smells of sweet apple cider, strawberries, gherkins, fermenting plums and prunes, but also sweeter notes of apricots, peaches are noticeable, presenting us with a real fruit salad. A little vanilla and some cream can be sensed, a sort of savoury pastry, but with molasses, caramel, butterscotch all AWOL. Something of a crisply cold fine wine here, joined at the last by charred wood, cloves, soursop, and a vague lemony background.

The citrus takes on a more forward presence when the rum is tasted, with the initial palate possessing all the tart creaminess of a key lime pie, while not forgetting a certain crisp pastry note as well. It’s delicious, really, and hardly seems as strong as it is. Stewed apples, green grapes, white guavas take their turn as the rum opens up: it turns into quite a mashup here, yet it’s all as distinct as adjacent white keys on a piano. With water emerge additional flavours: some freshly baked sourdough bread, vanilla, dates, figs, with sage, cloves, white pepper and cinnamon rounding things out delectably.

The finish is perfectly satisfactory: it’s nice and long and aromatic, yet introduces nothing new: it serves as more of a concluding summation, like the final needed paragraph to one of Proust’s long-winded essays. The rum doesn’t leave you exhausted in quite the same way as that eminent French essayist does, but you are a bit wrung out with its complexities and power when you’re done, though. And the way it winds to a conclusion is like a long exhaled breath of all the good things it encapsulates.

So…with all of the above out of the way, is it special? Several of the ECS releases are of similar provenance and have been rated by myself and others at similar levels of liking, so is there actually a big deal to be made here, and is there a reason for the Destino to be regarded as something more “serious”?

Not really, but that’s because the rum is excellent, and works, on all levels. It noses fine, tastes fine, finishes with a snap and there’s complexity and strength and texture and quality to spare. It does Foursquare no dishonour at all, and burnishes the reputation the house nicely (as if that were needed). The rum, then, is special because we say it is: viewed objectively, it’s simply on a level with the high bar set by the company and is neither a slouch nor a disappointment, “just” a very good rum.

Sometimes I think Richard may have painted himself into a corner with these rums he puts out: they are all of such a calibre that to maintain a rep for high quality means constantly increasing the quality lest the jaded audience get bored. There is a limit to how far that can be done, but let’s hope he hasn’t reached it yet — because know I want more of these.

(#944)(86/100) ⭐⭐⭐⭐

Other Notes

  • There is a “47” and a “17” on the “Teardrops” box’s top left and bottom right tears. They reference the founding of Velier in 1947; and the issuance of the rum and 70th Anniversary of the Company, in 2017. There are total of seventy tears, of course. The numbers are repeated on the back label
  • Wharren Kong the Singaporean artist, designed the Teardrops graphic.
  • The pair was tried side by side three times: once in 2018, again in December 2021 in Berlin (from samples) and again at the 2022 Paris WhiskyLive (from bottles).

Addendum – The Two Destinos

Are the two expressions of the Destino — the general release “standard” and the Velier 70th Anniversary Richard Seale “Teardrop” edition — different or the same? The question is not a mere academic exercise in anal-retentive pedantry of interest only to rum geeks: serious money is on the line for the “Seale” release. The short answer is no, and the long answers is yes. Sorry.

What happened is that as the Destino barrels were being prepped in 2017, Luca called Richard — some months before formal release — and asked for an “old rum” for the 70th Anniversary collection. Richard, who doesn’t do specials, anniversaries or cliches, initially refused, but after Luca practically broke down in tears (I exaggerate a little for effect), Richard raised his fists to heaven in a “why me?” gesture (I exaggerate a little more), grumbled a bit longer, and then reluctantly suggested that maybe, perhaps, possibly, just this once, it could be arranged to have six hundred bottles of the Destino relabelled and reboxed with the Velier 70th Anniversary colours. This was initially estimated as two casks of the many that were being readied for final blending. Luca agreed because the deadline for his release was tight, and so it was done. The label on the “Teardrops” was prepared on that basis, way in advance of either release.

Except that for one thing, it ended up being three casks, not two, and for another, “Teardrops” was in fact decanted, bottled and released a couple of months earlier than “Standard.” Yet they both came from the same batch of rum laid down in 2003, and aged identically for the same years in ex-bourbon and ex-Madeira … in that sense they are the same. The way they diverge is that three barrels were separated out and aged a couple of months less than the general release. So, according to Richard, who took some time out to patiently explain this to me, “In theory they are ‘different’- like two single casks – but in reality it’s the same batch of rum with the same maturation.”

Observe the ramifications of that almost negligible separation and the special labelling: on Rum Auctioneer, any one of the 600 bottles of “Teardrops” sells for £2000 or more, while one of the 2,610 bottles of the standard goes for £500. People claim “Teardrops” is measurably better because (variously) the box is different, the taste is “recognizably better”, or because the labelling says “selected two of his oldest Rum casks” and “very old ex-Rum casks” and not ex-Madeira and ex-bourbon. Or, perhaps because they are seduced by the Name and the much more limited 600 bottles, and let their enthusiasm get the better of them.

Yes the box is different and the labelling description is not the same: this is as a result of the timing of the box and labels’ printing way in advance of the actual release of the rum, and so some stuff was just guessed, or fluff-words were printed. We saw the same thing with Amrut catalogue-versus-label difference in 2022), but I reiterate: the liquid is all of a piece, and the rums within have the miniscule taste variation attendant on any two barrels, even if laid down the same day and aged the same way. Maybe one day I’ll do a separate review of Teardrops just because of that tiny variation, but for the moment, this one will stand in for both.

 

Foursquare “Premise” 2008 10 YO Rum (ECS Mark VIII) – Review

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May 092022
 

One of the downsides of working and living where I do is that the latest newest releases pass by and can’t be tried in time to catch the initial wave of advertising and consumer interest. Sometimes whole years pass by between the much ballyhooed arrival of some interesting new product and my ability to write the review…by which time not only has the interest flagged but also the supply, and a whole new raft of fresh rums are hogging the limelight. This is particularly thorny with respect to the very limited issues of independent bottlers who do single cask releases, but fortunately is not quite as bad with primary producers who keep their flagships stable for long periods of time.

A well-known company which falls in the middle of the divide between extremely small batches of single barrel rums (of the indies) and much more plentiful globally-available supplies (of the major producers) is Foursquare, specifically their Exceptional Casks Series. These are regular releases of many thousands of bottles…though they are finite, even if some are more plentiful than others. Fortunately they are widely dispersed geographically which is why one does see a small but steady trickle of posts on social media about somebody picking up this or that bottle at what remains a reasonable price for the age and supply.

One of these is the “Premise” which was released along side the “Dominus” and the “2005” in 2018 and had a substantial 30,000-bottle outturn 1 – it was ECS Mark VIII, one of the “red line label” low-alcohol sub-series of the line which include the Port Cask, Zinfadel, Detente, Sagacity, Indelible, etc. I touched on it briefly as one of the eight bottlings which made me see the series as a Key Rum of the World, an opinion which has only solidified over the years. Recently I was able to try it again, and it’s interesting how the summary notes made three and a half years ago remain relevant…there really isn’t much I would change, except perhaps to fill in and expand the details.

It’s a pot/column still aged blend, made up of three years’ ageing in ex-Bourbon casks and seven in sherry casks, released at 46%, and let me tell you, this is one case where the lower strength really is an advantage, because there is a bright sprightliness of a warm spring morning about the nose, redolent of flowers and a basket of freshly picked fruit. There’s the spiciness of cumin, vanilla and masala, mixed up with apricot and green apples (which somehow works real well) plus grapes, olives and a nice brie. A bit salty, a bit tannic, with a touch of the sour bite of gooseberries.

Tastewise, the low ABV remains solid and presents as quite warm and spicy, with a clear fruity backbone upon which are hung a smorgasbord of cooking spices like rosemary, dill and cumin. Also brine, some strong green tea, to which are added some faintly lemony and red wine notes from the sherry, merging well into vanilla, caramel and white nutty chocolate and then smoothly leading into a delicately dry finish, with closing notes of toffee, vanilla, apricots and spices.

“Straight sipper?” asked Ralfy (probably rhetorically). “Absolutely!” And I agree. It’s a great little warm-weather sundowner, and if it treads ground with which we have become familiar, well, remember what it was like four years ago when blended rums this good from major houses in limited release were the exception, not the rule. If I had to chose, I would rate it ahead of the Zin and the Port Cask, but not as exciting and fresh as the superlative Criterion 2(which admittedly, had more sock in its jock, but still…). However, this is semantics: I enjoyed it, and moreover, everyone has their own favourites from the lineup, so mine will be different from yours

Now, it’s long been bruited around that Foursquare, more and better than most, makes rums that particularly appeal whiskey anoraks – the dry, woodsy, fruity core profile makes it a good rum to entice such drinkers (particularly those into Bourbon) away from the Dark Side…and given the popularity of their rums in the US, surely there’s some truth to that. The overused term “gateway rum” is one I don’t like much, but here is a rum that actually does deserve the title. Like others in the red line ECS series, the “Premise” has a very large outturn that allows most who want it to get it; that combines an approachable strength (for the cautious) with an accessible price (for the impecunious); for newcomers it’s soft enough not to intimidate and for aficionados it’s complex enough to appreciate. There’s something for everyone here, all in a single bottle and believe me, that is no small feat for any one rum to achieve.

(#906)(84/100) ⭐⭐⭐½

Other Notes

A “premise” as a noun, is A statement or proposition from which another is inferred or follows as a conclusion, or as a verb, means to base an argument, theory, or undertaking on. The evocative name of the rum was not chosen by accident: back in 2017 when the rum was being finalized, Richard Seale was making a specific point, that a rum could be additive free and unmessed-with and still be a good rum. This was the place he started from, the basis of his work, and although even as late as 2018 it was mostly the UK bloggers who were singing the company’s praises, the conclusion that the Mark VIII left behind was surely a ringing endorsement of the core premise: that confected rums need not be held up as ideals to emulate or be seen as ends in themselves, when so much quality could be achieved by adding nothing at all.

Rom Deluxe RDL #4 (2016) (Barbados, Foursquare 11YO)

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Nov 112021
 

Photo Courtesy Rom Deluxe

Rumaniacs Review #129 | 0863

Rom Deluxe, the Danish company whose very first release and company biography was profiled last week, ended up making a total of seven initial bottlings, all of which were more or less non-commercial, and served primarily to establish the small company’s bona fides around the country. They are long since only to be found either in some collector’s back shelf, unlabelled and perhaps even unremembered, or in Rom Deluxe’s own shelves. As a comment on the many years that Rom Deluxe was only a small hobby outfit, observe that six of these seven bottlings were made in 2016 (the year the company was founded) to 2019 (the year of the “Wild series” first release) after which the ethos of changed to a more commercial mindset; the 7th edition, in 2020, was a special edition for a client, not the market.

In the founding year four bottlings were done, with the second and fourth from Barbados – Foursquare to be exact. This fourth edition was 11 years old (from 2005), and released in early 2017 at cask strength, though the exact outturn is unknown – I’d suggest between two to three hundred bottles.

Colour – Gold

Age – 11 YO

Strength – 58.8%

Nose – Sweet light fruit, raspberries, papayas and the tartness of red currants. Cherries and unripe green pears. Vanilla and the slight lemony tang of cumin (I like that), as well as some hint of licorice. Delicate but emphatic at the same time, yet the heavier notes of a pot still element seem curiously absent.

Palate – Completely solid rum to drink neat; dry and a touch briny and then blends gently into salt caramel ice cream, black bread and herbal cottage cheese (kräuter quark to the Germans). After opening and a few minutes it develops a more fruity character – plums, ripe black cherries – and mixes it up with cinnamon, light molasses and anise. It goes down completely easy.

Finish – Nice and longish, no complaints. The main flavours reprise themselves here: anise, molasses, dark fruits, a bot of salt and some citrus.

Thoughts – Okay it’s a Foursquare, and so a pot-column blend, but perhaps we have all been spoiled by the Exceptionals, because even with the 58.8% strength, it seems more column still than a pot-column mashup, and somehow rather more easy going than it should be. Not too complex, and not too bad — simply decent, just not outstanding or memorable in any serious way.

(82/100)

Other notes

  • Thanks as always go to Nicolai Wachmann, for the sample, and Kim Pedersen of Rom Deluxe for his help with the background details.

Foursquare Triptych Single Blended Rum – Review

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Oct 072021
 

In my more whimsical moments, I like to think Richard Seale was sweating a bit as he prepared the Triptych. Bottled in November 2016 and released in the 2017 season, it came right on the heels of the hugely successful and awe-inducing unicorn of the 2006 10 Year Old which had almost immediately ascended to near cult status and stayed there ever since. How could any follow-up match that? It was like coming up on stage after Mighty Liar just finished belting out “She Want Pan” hoping at least not too suck too bad in comparison. He need not have worried — the Triptych flew off the shelves every bit as fast as its predecessor (much to his relief, I’m sure), though in the years that followed people never quite mentioned it in the same hushed tones, with the same awe, and with the same whimpers of regret, as they did the 2006. Some, yes…but not to the same extent.

That may just be a little unfair though, because the Triptych is an enormously satisfying rum, another one of the limited “Collaboration” series between Foursquare and Velier 3 that are notable for their visually elegant simplistic design, their full proof strength and their polysyllabic titles which may have reached their apogee with the Plenipotenziario (while there’s usually a stated rationale behind the choice, I’ve always suspected were a tongue-in-cheek wink at all of us, a sort of private thing between the two men behind it).

It is also a rum that was made to deliberately showcase other aspects of the way a pot-column blend could be made to shine. Some call it “innovation” but honestly, I think the word is tossed around a bit too cavalierly these days, so let’s just say there’s always another way to blend various aged components, and Foursquare are acknowledged masters of the craft. Most blends are various aged rums, harmoniously mixed together: here, three differently aged elements, or ‘sub-blends’, were joined in a combination – a triptych, get it? – that could be appreciated as balanced synthesis of all.

These three pieces were [1] a 2004 pot-column blend matured in ex-Bourbon casks [2] a 2005 pot-column blend aged in ex-Madeira and [3] a 2007 pot-column blend matured in brand new (‘virgin’) oak casks. The actual duration of ageing of each before they were blended and then transferred to the final casks for completion of the blending and ageing process, is not known, though Steve James, who has what is probably the most comprehensive background notes on the Triptych, notes that the component aged in virgin oak was aged for six years before transfer (six months is more common due to the active nature of the wood, which in this instance also necessitated a larger proportion of pot still distillate of the blend in these casks).

Clearly this made for a very complex blend of disparate profiles, any one of which could unbalance the whole: the musky, darker notes of the bourbon, the dry sweet acidity of Madeira and the aggressive woody characteristic of new oak casks. At the risk of a spoiler, the rum mostly sailed past these concerns. Nosing it experimentally at first, I was struck by how delicately perfumed it was, quite dry, rather mildly fruity and much more restrained than the solid weight of the Principia that lurked in the glass alongside – this was probably a consequence of the lesser-but-still-solid proof point of 56% ABV. The fruits stayed in the background for most of the experience, and the dominant aspect of the nose was a remarkably restrained woodiness – mild pencil shavings, vanilla, musty books, old cardboard, charcoal, and damp mossy forest floors in the morning. There were also hints of crushed walnuts, almonds and spices like marsala, cumin and rosemary, plus coconut shavings, flambeed bananas and overripe peaches, but these stayed well back throughout.

The rum came into its own on the palate, where even with its relatively few core flavours, it surged to the front with an assurance that proved you don’t need a 99-piece orchestra to play Vivaldi. The rum was thick, rich and – dare we say it? – elegant: it tasted of blood oranges, coconut milk, honey, vanilla and cinnamon on the one hand, and brine, floor polish, cigarette ash (yes, I know how that sounds) on the other, and in the middle there was some sweet sour elements of sauerkraut, licorice, pickles and almonds, all tied together in a bow by a sort of lingering fruitiness difficult to nail down precisely. If the rum had any weakness it might be that the dry finish is relatively lackluster when compared against the complexity of what had preceded it: mostly vanilla, oak, brine, nuts, anise, and little fruit to balance it off.

Clearly the makers, with three aged blends being themselves blended, had to chose between various competing priorities, and balance a lot of different aspects: the various woods and their influence; the presence and absence of salt or sweet or sour or acidity; more strength versus less; the effect of the tannins working with subtler aromatics and esters. That such a tasty rum emerged from all of that is something of a minor miracle, though for my money I felt that the slightly lesser strength made it less indistinct than the stronger and more precisely dialled in coordinates of the 2006 and Principia (which were my comparators along with the Criterion, the 2004 and the Zinfadel).

Perhaps it was too much to hope that the lightning could be trapped in a bottle in quite the same way a second time. The UK bloggers who are so into Foursquare bottlings all claim the thing is as great as the 2006, “just different” but I only agree with the second part of that assessment – it’s different yes, and really good, but nope, not as great. And the subsequent sales values are telling: as of 2021 the 2006 usually auctions for four figures (outdone only by the Velier 70th Destino which is regularly and reliably approaching two thousand pounds) while the Triptych still goes for around two to three hundred.

All that said, I must admit that in the main, I can’t help but admire the Triptych. It’s no small feat to have blended it. To take several ex-bourbon blends and put those together, or to marry a few aged and unaged components, is one thing. To find a way to merge three distinctly separate and differently-aged pot-column blends, to age that and come out the other end with this rum, is quite another. So much could have gone wrong, and so much didn’t — it’s a testament to the hard work and talent of Richard Seale and his team at Foursquare.

(#856)(87/100)

Other Notes

  • Outturn is 5400 bottles. Based on the youngest aged portion of the blend you could say it’s a 9 YO rum, though the label makes no such statement
  • Given that it came out several years back, clearly others have by now reviewed the rum: Rum Diaries Blog gave it its full throated endorsement and is, as noted, the most deeply informative article available; The Fat Rum Pirate’s 4½-star review is very good; Single Cask Rum was more dismissive with a 78/100 score, and good background notes – I particularly liked his point about the pre-sales hype coming from the perception that it was a Foursquare/Velier product (based on the label) when in fact this was not the case (it was entirely Foursquare’s work). The Rum Shop Boy loved it to the tune of 97 points, while Rum Revelations awarded 94 in a comparative tasting and Serge gave what for him is a seriously good rating of 90.
  • I do indeed have a bottle of the Triptych, but the review was done from a sample provided by Marco Freyr. Big hat tip, mein freund….

Historical Note

I’ve remarked on this before, most recently in the opinion piece on flipping, but a recap is in order: when the 2006 ten year old was released in 2016, it flew off the shelves so fast that it became a sort of rueful joke that all online establishments sold out five minutes before the damn things went on sale.

This situation angered a lot of people, because not only did it seem as if speculators or hoarders were buying however much they wanted (and indeed, being allowed to, thereby reducing what was available for people who genuinely wanted to drink the things and share the experience) but almost immediately bottles turned up on the FB trading clubs at highly inflated prices — this was before they were mostly closed down and the action shifted to the emergent auction sites like Rum Auctioneer.

This was seen as a piss-poor allocation and sales issue and some very annoyed posts were aimed at Velier and Foursquare. By the time the Triptych came out, not only were twice as many bottles released, but Richard and Luca came up with a better method of allocation that was the forerunner of the current systems now in play for many of their limited releases. And that’s on top of Richard’s own personal muling services around the festival circuit, to make sure the uber-fans got at least a sample, if not a whole bottle (which always impressed me mightily, since I don’t know any other producer who would do such a thing).

 

Key Rums of the World – Doorly’s 12 YO (Barbados)

 2 Responses »
May 312021
 

In my own rather middling 2017 review of the Doorly’s 12 I remarked “It’s a well-made, serviceable, standard-proof rum for those who have never gone further (and don’t want to)…and remains a rum of enduring popularity.” Rereading that review, re-tasting the rum, and thinking about all the developments in the rumworld between then and now, I would not change the review – but must concede that it works precisely because of those things that at the time I sniffed at, and retains its widespread appeal to both new drinkers and old in a way that cannot easily be discounted.

We’re living in a rumstorm of Foursquare. I’ve never seen anything like it in all the time I’ve been writing about the subject. Just about every single day, someone writes on social media about picking up this or that Exceptional Cask bottling or one of the Habitation Velier collaborations, gets a flurry of likes and comments, and the next day there’s another one. New releases are now online events in themselves, and while few now recall how startling this seemed just a few years ago, it’s almost a accepted wisdom nowadays that when they go on sale they sell out five minutes before the shop pulls the trigger.

All of this has turned the Face of Foursquare, Richard Seale, into the nearest thing the rum world has to a rock star (minus the leather pants). His ongoing online engagement, his irascible turn of phrase, his near-legendary inability to crack a smile, his take-no-prisoners approach to discussions, his highly vocal opinions, his fierce advocacy for protected status of Barbados rum, the quality of the rums he’s putting out the door, his amazing generosity in handing them out at festivals, the commitment to keeping his rums affordable — all these things have elevated him into the “must-meet” stratosphere of any rum festival he chooses to attend. And have brought his rums to the attention of an incredibly wide audience, including those of whisky aficionados — Fred Minnick famously referred to Foursquare’s rums in the aggregate as the “Pappy of Rum” in 2017, and Matt Pietrek’s review of the rise of Foursquare in a Punch article in 2018 made a similar reference.

Such publicity and the ongoing releases of cask strength rums in the Exceptional Cask Series (Key Rums in their own right) and the Collaborations leaves faithful old standbys in something of a limbo (much like the El Dorado 21 was), even occasionally dismissed. They are issued at close to standard strength and lack a clear signature kind of taste such as distinguishes Demeraras or Jamaicans, the sort of profile that allows even a novice drinker to take it blind and bugle “Bajan!” without hesitation. That is both the draw and the drawback of the Doorly’s line and the Rum 66, and the R.L. Seale 10 year old, though I contend that this should in no way stand in the way of appreciating them, not just because of their un-added-to nature and their age, but because on a price to quality ratio they’re great buys. People have been bugling the praises of the Doorly’s rums of all ages on both sides of the Atlantic for decades, and with good reason.

In spite of their being eclipsed by the new hot-snot Foursquare ECS and collaboration rums everyone froths over, in the last years I’ve deliberately sought out these standard, aged Bajans – multiple times – just to get a grip on what makes them so unkillable…because, like the El Dorados and low-rent Appletons, they sell gangbusters year in and year out, always come up for mention sooner or later and everyone has either tried one, recommended one, been recommended one or reviewed one. I mean, everyone. Perhaps the key to their appeal is that In their own quiet way, they define not so much Barbados (although they do), but a single operation, Foursquare. The Doorly’s 12, is, in my opinion, one of the foundation stones of much that came to prominence in the last years – a blend of column and pot still distillate some of which was aged separately in Madeira casks, tropical ageing for the full 12 years, yet not torqued up to full proof, just serenely and calmly itself, at living room strength.

Consider the nose, for example. Not a whole lot of exceptional going on there, but what there is is clear, crisp and exquisitely balanced – it has an initial nutty, creamy and salt caramel attack, a touch briny and, set off with some molasses and vanilla. There’s a lightly citrus and fruity component coiling behind it all, made up of both sharper and sweeter elements (though it should be noted that the rum noses rather dry and not really sweet) like orange peel, bananas and raisins. But this is an hour of effort speaking – for the most part, the average Joe will enjoy the vanilla, caramel and fruitiness and be happy with the no-nonsense approach.

The palate is where the rum falters somewhat, because the 40% ABV isn’t quite enough to showcase the varied elements (note that the rum is sold at 43% in Europe and other areas). It has quite a bit of caramel ice cream, vanilla, white chocolate, crushed walnuts and light molasses. With more time and concentration, one can tease out the soft flavours of flambeed bananas, papaya, toffee, offset by spicy oak and citrus peel notes. There’s even a touch of olives and brine and strawberries. But it’s weak tea compared to the firmness of slightly stronger rums: 43% would be – and is – an improvement (I’ve tried both variations) and 46% might just be perfect; and the indeterminate finish – oak, vanilla, toffee, cinnamon and almost vaporized fruits – is too short and effervescent to leave a real impression.

Tasting notes such as these describe why I’m not entirely won over by the “standard” lines of rum made in Barbados, which are aimed at a broad audience. Even in my earlier years of writing, I was ambivalent about them. My tastes developed towards more clear-cut rums displaying more defined and unique profiles. The Doorly’s 12 YO to me is not so much indifferent (because it’s not), as undifferentiated (because it is). It’s very well made, tastes nice, has wide applicability, can be gifted and recommended without fear or favour, and you can tell it has age and solid production chops – I’d never dream of trying to dent its reputation on those aspects. What it lacks is a certain element of real individuality. But I repeat that this is just a personal preference, an aspect of my own private proclivities (of all the writers I know, only one or two others share this opinion) — it has nothing to do with the wider world and its generally positive relationship to the Doorly’s line in general and the 12 YO specifically. And now, after so many years of going back and forth among the various Barbados rums made by the various makers on the island, it’s time to cave, concede these are not flaws as I did before, but real strengths…and admit it to the canon.

Because, all the waffling aside, it’s almost the perfect rum for any enthusiastic amateur with some rum knowledge with which to wet his whistle. Yes the 14 YO is stronger and the 5 YO is cheaper, but this one is Goldilocks’s little bear, strikes a perfect middle, perfect for a beginner to start their journey away from sweetened rums so many still regard as “premium.” It’s really affordable and of good quality for those who don’t taste a hundred-plus rums a year and have a slender budget with which to make careful purchases. It pleases reasonably on all levels. It almost always figures on a list of “what to start with” for the newcomers. It’s unadulterated and its age statement is real. In fine, it’s one of the best midrange rums — on price, on age, on quality — ever made, by anyone.

By that standard, there aren’t many rums that can exceed it. And therefore I do believe that it deserves a place on anyone’s shelf, either as a marker for one’s appreciation of well made rums that don’t ascend to the stratosphere, or a stopping point beyond which it’s tough to go without shelling out a lot more money. How can that combination be beat? Short answer, it’s almost impossible.

(#825)(82/100)

Other notes

  • The rum re-reviewed here was the 40% version which I own. I have added more notes to it from subsequent informal tastings at rumfests in both Paris and Berlin in 2019. The 43% edition is slightly better, but it was not what this essay is based on (though it would not change the sentiments expressed).

SMWS R6.1 Barbados 2002 14 Year Old Rum (“Spice At The Races”) – Review

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Feb 252021
 

Back in 2013 when I wrote about the Scotch Malt Whisky Association’s release R3.4 Barbados 2002 10YO “Makes You Strong Like Lion”, several people went on FB and passed the word around that it wasn’t a Foursquare rum, which was hardly needed since I noted in the review that it was from WIRD, and the (mythical) Rockley Still. Four years later the SMWS did however, decide that the famed Barbados company shouldn’t be left out and bottled an aged rum from Foursquare (the first of two), named it R6.1, and gave it one of their usual amusing titles of “Spice At The Races.” One wonders when they’re going to try for a Mount Gay distillate, though I’m not holding my breath.

Now, for years, every rum geek in the observable rumiverse (bar a few of my acquaintances who don’t drink kool aid) has formed up behind the oft-repeated idea that there is no way a continentally aged rum is the equal of one left to sleep in its island or country of origin. I’ve always taken that statement with a pinch of salt, for two reasons: one, its adherents always talk about taste and age, yet it’s actually touted for social and economic reasons, which is a point often lost in the shuffle; and two, I’ve simply had too many aged rums that ripened in both places for me to be so dogmatic in my assertions, and I’ve seen as many failures as successes in both. Ultimately, it’s the taste that counts no matter where it’s bottled.

This pale yellow rum cost around £75 when initially released, was 57.3% and with a 210 bottle outurn, aged for a solid 14 years old (yes, in Europe) , illustrates the problem with making such sweeping “four legs good, two legs bad” generalizations, because it’s a really a fine rum in its own peculiar way, and one I enjoyed a lot.

Consider first the nose, which opens with the firm assertiveness of my primary school teacher wielding her cane. It smells of sawdust, dusty cardboard, glue, has an odd medicinal touch to it, and also a nice smoky-sweet sort of background. Then the fruits begin their march in: orange peel, strawberries, bananas, pineapple, some light cherries and peaches. The citrus line, augmented with other sharper aromas of persimmons and ginnips provide a lovely through-line, and the smokiness and leather lend an intriguing edge.

The taste is admittedly odd at the inception; my first notes speak of a pair of old, well used, polished, leather shoes (with socks still in ‘em). This is not actually a bad thing, since it is balanced off by ginger, mauby and some rich fruit notes – apples, guavas, almost ripe yellow Thai mangoes – and these make it both tart and delicately sweet, gathering force until it becomes almost creamy at the back end, with a sort of caramel, port, molasses and vanilla taste to it. This is one of these cases where the finish lingers and doesn’t do a vanishing act on you: it’s slightly acidic and tart, with vanilla, oak, smoke, unsweetened yoghurt and a touch of delicate florals and fruits. Nice.

So, a couple of points. Marco Freyr of Barrel-Aged-Mind, who was sampling it with me, and who has an encyclopaedic knowledge of the various Bajan rum profiles, wondered if it was even a Foursquare at all (I chose to disagree, and accept the rum as stated). Also, It’s unclear from the labelling whether it’s a pure pot still distillate, or – more consistent with Foursuare’s own releases – a blend of pot and column. Rum Auctioneer classed it as a pot-column blend. The bottle remains silent. The Rum Shop Boy, one of the few who’s reviewed it, noted it as pot still only in one part of his review, and a blend further down (and didn’t care much for it, as a matter of interest). However, he further noted in an earlier Kintra Foursquare review some months before, that Mr. Seale had confirmed some 2002 pot still 4S rum had indeed been sold that year. My own initial take was that it was a blend, as I felt it lacked the sort of distinctiveness a pot still distillate would impart and I didn’t think Mr. Seale shipped his pot still juice over to Europe. However, Simon’s quote from him, and Seale’s subsequent note on FB put he matter to rest – he confirmed it was a pot still spirit.

All that aside, it was a really good rum, one which shows that when they want to, the SMWS can pick rums with the best of them, especially with more familiar and more famous distilleries – that said, their track record with less known and less popular marks is a bit more hit and miss. If various laws and regulations being pursued stop indies from getting continentally aged juice in the years to come (though this is unlikely given the extent of Scheer’s stocks), I think the Society can still rest comfortably on its laurels after having issued a rum as fine as this one, young as it may be in tropical years.

(#804)(86/100)

Other notes

  • Rum Shop Boy scored the rum 67/100, so about 83 points by my scale and 3½ out of 5 on Wes’s. Like Marco, he commented on how different it was from the Foursquare rums he knew, and rated it “disappointing”.
  • Angus over at WhiskyFun liked it much more and scored it 87, rolling out the tongue-in-cheek “dangerously quaffable” line, and meaning it.
  • Ben’s Whisky Blog (near bottom of page) rates it a “Buy” with no score
  • Post details regarding source still is updated based on a conversation on FB the same day I put it up. It could indeed be a pot still rum, but the jury remains out.

Veritas White Blended Rum (Foursquare/Hampden) – Review

 1 Response »
Dec 092020
 

In commenting on the two-country blend of the Veneragua, Dwayne Stewart, a long time correspondent of mine, asked rather tartly whether another such blend by the Compagnie could be named Jamados. It was a funny, if apropos remark, and then my thought went in another direction, and I commented that “I think [such a] blend’s finer aspects will be lost on [most]. They could dissect the Veritas down to the ground, but not this one.”

It’s a measure of the rise of Barbados and the New Jamaicans that nobody reading that will ask what I’m talking about or what “Veritas” is. Three near-hallowed points of the rumcompass intersected to make it: Barbados’s renowned Foursquare distillery, which provided a blend of unaged Coffey still and 2 YO pot still rums for their part; and Hampden out of Jamaica chipped in with some unaged OWH pot still juice to provide some kick. Since those two distilleries were involved, it will come as even less of a surprise that Luca Gargano who is associated privately and commercially with both, probably had a hand with the conceptual thinking behind it, and Velier, his company, is the European importer.

To be honest, I’ve never been entirely won over by multi-country blends which seek to bring out the best of more than one terroire by mixing things up. Ocean’s rum took that to extremes and fell rather flat (I thought), the Compagnie des Indes’s blends are not always to my taste (though they sell gangbusters), the SBS Brazil-Barbados was meh – my feeling is that blends work better when they concentrate on one aspect of their home, not try to have several international citizens cohabitate under one cork. Veritas – it is known as Probitas in the USA for copyright / trademark reasons – may just be an exception that proves the rule (and true Navy rums are another).

Because, nosing it, it is clear that it is quite an interesting rum, even though it’s not really made for the sipping cognoscenti but for the cocktail crowd. The Hampden aromas of pot still funk dominate the initial nose — with glue, furniture polish, wax, acetone and ummm, oversweet garbage (which is not as bad as it sounds believe me) — it’s just that they don’t hit you over the head, and remain nicely restrained. They give way to crackers, cereals and a fruity mix of pineapples, strawberries, bubble gum, and then, like a violent storm passing by, the whole thing relaxes into vanilla, creme brulee, caramel, lemon meringue pie and some nice pine tarts.

The balance on the tongue underscores this zen of these six different aspects: aged and unaged, pot and column, Barbados and Jamaican, and the flavours come like that gent in Hemingway’s The Sun Also Rises went broke: gradually, then suddenly, all at once. It’s sweet with funk and fruits and bubble gum, has a crisp sort of snap to it, not too much, and moves around the tasting wheel from creamy tartness of yoghurt, salara and sweet pastries, to a delicate citrus line of lemon peel, and then to caramel and vanilla, coconut shavings, bananas. The finish is a bit short and in contrast to the assertive scents and tastes, somewhat weak (ginger, tart fruits, some vanilla), but I think that’s okay: the rum is assembled to be a serious – even premium – cocktail mix, to make a bitchin’ daiquiri. It’s not for the sipper, though for my money, it does pretty okay there too.

In fine, it’s a really good “in the middle” rum, one of the better ones I’ve had. The strength of 47% is near perfect for what it is: stronger might have been too sharp and overpowering, while a weaker proof would have allowed the notes to dissipate too quickly. It’s hard to miss the Jamaican influence, and indeed it is a low-ester rum as dampened down by the Bajan component at the back end, and it works well for that.

When it really comes down to it, the only thing I didn’t care for is the name. It’s not that I wanted to see “Jamados” or “Bamaica” on a label (one shudders at the mere idea) but I thought “Veritas” was just being a little too hamfisted with respect to taking a jab at Plantation in the ongoing feud with Maison Ferrand (the statement of “unsullied by sophistic dosage” pointed there). As it turned out, my opinion was not entirely justified, as Richard Seale noted in a comment to to me that… “It was intended to reflect the simple nature of the rum – free of (added) colour, sugar or anything else including at that time even addition from wood. The original idea was for it to be 100% unaged. In the end, when I swapped in aged pot for unaged, it was just markedly better and just ‘worked’ for me in the way the 100% unaged did not.” So for sure there was more than I thought at the back of this title.

Still – “Truth” is what the word translates into, just as the US name “Probitas” signifies honesty, and uprightness. And the truth is that the distilleries involved in the making of this bartender’s delight are so famed for these standards that they don’t need to even make a point of it any longer – their own names echo with the stern eloquence of their quality already. The rum exists. It’s good, it speaks for itself, it’s popular. And that’s really all it needs to do. Everything else follows from there.

(#784)(84/100)

Other notes

  • Part of the blend is lightly aged, hence the colour. I’m okay with calling it a white.
  • The barrel-and-shield on the label represents the organization known as “The Guardians of Rum” which is a loose confederation of producers and influencers who promote honesty in production, labelling and disclosure of and about rums.

The Real McCoy 10 Year Old Rum – Review

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May 242020
 

No one these days needs any introduction to the Real McCoy series of rums, which Bailey Pryor released in 2013 in conjunction with Foursquare Distillery (another name requiring no elaboration). He was inspired, so the founder’s myth goes, to try his hand at rum after making a documentary on the Prohibition rum runner of yore for whom the phrase “The Real McCoy” is named, since said gent gave pure value for money and didn’t try to gyp his customers. You could almost say that this is the first instance of a Barbados rum being given a name that supposedly touts its attributes, which is now ascending to the heights of polysyllabically pretentious ridiculousness…but never mind.

Although Mr. Pryor initially released a 3YO and a 5YO and a 12 YO McCoy rum, somehow the gap-filler of an 8 or 10 year old was not addressed until relatively recently when the 10 year old started to go on sale in the USA (around 2017), issued as a limited edition of 3000 bottles. It was a blend of pot and column still Foursquare distillates aged for between 10-12 years in charred ex-bourbon and virgin oak (the proportions of pot:column and 10:12 years remain unknown, though it’s noted that a rather larger pot still component is present) and bottled at 46%.

You’d think that with that kind of mix-and-match combination of several elements – char, age, oak casks, stills – you’re in for a flavour rollercoaster, but you’re not, not really. The nose was simply….less (and that’s not because of the 46%, as I was trying it with a set of equal-or-lesser-proofed rums). Basically, there was too much bitter woody smells in the mix, which elbowed out – or at least dominated – the softer aromas for which Barbados is better known. So while I could sense some vanilla, fleshy fruits (ripe mangoes, cherries, papaya), bananas, honey and some light cumin, the real problem was how little of that managed to crawl out from the rock of the woody foreground.

On the palate, the slightly higher strength worked, up to a point. It’s a lot better than 40%, and allowed a certain heft and firmness to brush across the tongue. This then enhanced a melded mishmash of fruits – watermelon, bananas, papaya – plus cocoa butter, coconut shavings in a Bounty chocolate bar, honey and a pinch of salt and vanilla, all of which got shouldered aside by the tannic woodiness. I suspect the virgin oak is responsible for that surfeit, and it made the rum sharper and crisper than those McCoy and Foursquare rums we’re used to, not entirely to the rum’s advantage. The finish summed of most of this – it was dry, rather rough, sharp, and pretty much gave caramel, vanilla, light fruits, and some last tannins which were by now starting to fade. (Subsequent sips and a re-checks over the next few days don’t appreciably change these notes).

Well, frankly, this is not a rum that turns my crank. While respecting the proficiency and heritage of their long history of rum production, I’ve not cared overmuch for Barbados rums as a whole – too many are just “okay,” lacking unique individuality in too many instances, and it takes a rum like the Plenipotenziario or the 2006 10 Year Old or the Criterion or the Mount Gay Cask Strength to excite my interest…which isn’t much given how many rums are made on the island.

There’s also the odd fixation with blends that remains puzzling to me since it would seem that in today’s climate of rum appreciation, more aged 100% pot still rums from Fousquare or Mount Gay or WIRD would lend lustre to the island and enhance its variety and terroire to a greater extent than a series of recurring and juggled-tweaked blends would — because right now it’s just the skill and rep of the master blenders that keeps bored yawns of “I’ve had this before” at bay (this is a cruel but true observation about human nature). Fortunately, there are indicators that this is changing – Mount Gay has pot still rum on its current lineup, Foursquare and WIRD both have some on the to-do list, and the Habitation Velier Foursquare pot still rum showed off the potential, so this sub-category is not being ignored completely.

But for now, this rum doesn’t really work for me. It’s a lesser son of greater sires, a minor Foursquare rum in all ways that matter – nose, taste, finish, the works. It’s one of the few instances where, for all its greater-than-usual pot still makeup and ten years of ageing, I have to ask in some puzzlement What were they thinking? And if I were to give it one of those facile latin names that seem to be gaining traction these days, I’d call it Tantum Odiosis, because that’s really all it is. Now that’s a veritas for you.

(#729)(79/100)

1985 Distilled Old Barbados Rum (Alleyne Arthur / Foursquare) – Review

 1 Response »
Oct 222019
 

This is a rum that has become a grail for many: it just does not seem to be easily available, the price keeps going up (it’s listed around €300 in some online shops and I’ve seen it auctioned for twice that amount), and of course (drum roll, please) it’s released by Richard Seale. Put this all together and you can see why it is pursued with such slack-jawed drooling relentlessness by all those who worship at the shrine of Foursquare and know all the releases by their date of birth and first names.

But what is it? Well, to go by the label, it’s the result of a selection of some of the 1985 rum barrels belonging to the Alleyne Arthur reserves; and for the curious, Alleyne, Arthur & Hunte were also once merchant bottlers in Barbados (they made the original Old Brigand and the Special Barbados Rum); they acquired Doorly’s in the 1970s and were themselves taken over by Foursquare in 1993. Now, in 1995 the source rum – a pot and column still blend – which had been aged for ten years by that point, was vatted, and three barrels were left over from that exercise. These three barrels were aged for a further six years (Richard said that “they sat for a bit – [three barrels were] small enough to forget about”) and finally decanted in 2001, into about 400 bottles – at the time the idea was to create a premium release, but they just stood there gathering dust “for no more reason than we never came up with the premium packaging.” Finally, after seeing Velier’s releases, Richard realized that premium labelling and dressing up was not really required, that simplicity was its own cachet, and the audience preferred a simple bottle and clear explanation…and in 2015, the 16 year old rum hit the market at last.

Strictly speaking, this is a rum that could easily be mistaken for an earlier Exceptional Casks release (say, the 1998, or the 2004). The nose, warm and firm, is well tamed and really well rounded. It smells of molasses, nuts and ripe orange peel. There are also flambeed bananas, Irish coffee, apricots, some smoke and a trace of wet wood coiling around in the background, but at 43% it is well tamed and quite easy, a real sipping drink with no qualifications.

The nose is fine, but this is one of those occasions when the palate does more. It’s as dry and silky rough as a cat’s raspy tongue, not sweet, just firm, with just enough edge to make you think of a tux-sporting East-end hood. The acidic and tart notes are held way back with softer and muskier tastes up front: oatmeal chocolate-chip cookies, biscuits, cereal, and crushed walnuts. Again the sweet is kept under control, and spices like cumin and massala are hinted at, together with candied oranges, rosemary and a trace of fennel. The finish is also quite good, surprisingly durable for a rum bottled at such a tame strength, and again I am reminded of the Mark 1 or Mark II as a comparator.

So definitely a rum to try if you can get a hold of it. It opens a window on to the profile of rums made in Barbados in the 1980s before the rum renaissance, by a company no longer in existence and continued by their successors and inheritors. When we discussed it, Richard remarked that he could never quite recreate it, because he didn’t know what was in the blend – it was leftovers from the vatting, the “recipe” never written down, created by a now-retired blender. And while he undoubtedly regrets that, his eyes are set on the horizon, to all the new rums he is working on creating now and in the future, and all those who love Barbados rums will undoubtedly follow him there. But for those lucky enough to get a bottle, a sample, or a sip of the 1985, I’m sure a fond memory will be spared for this one-of-a kind bottling too. However recent, it is still a part of history trapped in a bottle, and should perhaps be tried for that reason alone, quite aside from its tasty, languid and easygoing charms.

(#668)(84/100)

Compagnie des Indes Barbados 1999 16 YO Rum (Foursquare) – Review

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Jul 282019
 

If the proposed new GI for Barbados goes into force, it’s likely that rums such as this one will have to be relabelled, because the ageing will have to be done in Barbados, and it’s debatable whether a third party could be permitted to say it was a Foursquare rum(see other notes, below). Still, even if that happens, that’s not a particularly serious problem on either count given the appreciation most have for tropical ageing these days; and one only has to see any independent bottler saying “Secret Distillery” on a label, for the rum pundits to work themselves up into a lather racing to see who can identify the distillery first, by taste alone. It’s kind of fun, to be honest.

Be that as it may, we do in fact have this rum here now, from Barbados and from Foursquare, so it comes from Europe where it was at least partially aged (which strongly implies Main Rum, since [a] Scheer itself doesn’t do ageing and [b] Foursquare has had a long relationship with them), a near-brutal 62% ABV, and a 225-bottle outturn from a single barrel #FS9 (my sample was mislabelled, noting 186 bottles). Unlike the TCRL line of rums from la Maison du Whisky, Compagnie des Indes do not show proportion of ageing done in different climes, which is the case here: 8 years tropical in Barbados, and 8 years continental in Liverpool; distilled April 1999 and bottled June 2016…a whisker under seventeen years of age, and a nice amber hue. About the only thing we don’t know whether it is pot or column still, although based on taste, I would suggest column as a purely personal opinion (and Richard Seale later confirmed that).

I don’t have any other observations to make, so let’s jump right in without further ado. Nose first – in a word, luscious. Although there are some salty hints to begin with, the overwhelming initial smells are of ripe black grapes, prunes, honey, and plums, with some flambeed bananas and brown sugar coming up right behind. The heat and bite of a 62% strength is very well controlled, and it presents as firm and strong without any bitchiness. After leaving it to open a few minutes, there are some fainter aromas of red/black olives, not too salty, as well as the bitter astringency of very strong black tea, and oak, mellowed by the softness of a musky caramel and vanilla, plus a sprinkling of herbs and maybe cinnamon. So quite a bit going on in there, and well worth taking one’s time with and not rushing to taste.

Once one does sample, it immediately shows itself as dry, intense and rich. The flavours just seem to trip over themselves trying to get noticed: honey, fruits, black tea, plus dark rye bread and cream cheese, but also the delightful sweetness of strawberries, peaches and whipped cream, a nice combination. It’s sharper and rougher than the nose, not all the jagged edges of youth have been entirely sanded off, but a few drops of water sort that right out. Then it mellows out, allowing other flavours emerge – vanilla, cinnamon, prunes, providing an additional level of fruit that is quite pleasing. It ends with a dry, hot finish redolent of fruits and vanilla and honey (rather less cream here) that may be the weak point of the entire experience, because the integration of the complex profile falters somewhat and doesn’t quite ignite the jock as joyously as the nose and initial taste had done (for me, anyway – your mileage my vary).

Never mind, though. To be honest, even if bottled from a broker’s stocks by a third party independent, even if the Compagnie des Indes has a great rep for selecting good barrels, the truth is that I don’t see how this could not be seen as another feather in Foursquare’s cap…though perhaps not as long or brightly coloured as some of the others The rum is well made, well distilled, well aged, well balanced, quite complex and a rough’n’tough-but-decent sip that may take some dialling down, yet overall a great advertisement from the distillery and island of origin. This is not to take any kudos away from Florent Beuchet, of course – I think his nose for a good rum doesn’t sneeze, and always sniffs out something interesting, even special – and here, both Foursquare and the Compagnie can walk away, leaving this bottle on the table, (me probably snoring underneath it, ha ha) tolerably satisfied that they made something pretty damned fine. And if you can get one, I honestly think you’d agree too.

(#646)(85/100)

Other Notes

I requested further information from Foursquare, and Mr. Seale’s response was detailed enough for me to quote it in full here:

“This rum is 8 yrs at Foursquare and 8 years in Liverpool. It is all column. We did unaged in the past and there are exceptions today where we ship unaged – but not for further aging.

The issue with the GI is complex and its a separate issue to the distillery name issue. I have taken the position that Foursquare should be named on the label. This has resulted in misuse of my trademark (not with malice) and I am trying to work with everyone to have our name present without misusing our trademark. Other distilleries have taken the easier (and perhaps wiser route) of simply prohibiting their name in any form – hence “secret distillery”.

As far as the GI goes, Barbados is a work in progress but Jamaica will only allow certification of age in Jamaica. The practical outcome of this would be a product like this could not say “16 years” and bear the Geographical certification. That is surely correct. How can something not aged in Jamaica be given a geographical certification.

That is not to say a product like this could not exist – as Lance says, it will be about labeling. The EU expressly provides for GIs and it expressly provides a work around. By Article 14, there is whisky aged in France, declared as a product of France that was distilled in Scotland.

The biggest threat to IBs like the excellent Compagnie des Indes is not GIs but availability of rum. If all small independent distillers fell into the hands of global corporations, bulk would dry up. Moving (age driven) value from Europe to the Caribbean is not a threat to rum from IBs, it is the only way to sustain it.”

Foursquare “Zinfadel” (ECS Mark IV) 11 Year Old Rum – Review

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Oct 072018
 

It’s odd that the fourth Exceptional Cask Series rum issued by Foursquare out of Barbados was issued at such a low proof. The “1998” and “Port Cask” Marks I and II were both released at 40%, but the very good “2004” Mark III went higher, much higher (59%) and carved itself a solid niche all its own – in contrast to the emerging ABV-creep, the Zinfadel dialled itself down to a relatively mild 43%. Perhaps, since both came out in 2015 it was felt to be a smart move to have one rated G just to offset the R-rated predator that was the “2004”, or to appease the importers who made Foursquare issue the first two Marks at 40%. Which would make sense, though for my money it remains an incrementally lesser offering from the House of Seale’s ECS, (an opinion I hold largely because of the great stuff that emerged after this one).

The Zinfadel 11 Year Old is a blend of batches of rums: one was aged for five years in bourbon casks and then another six in zinfadel barrels, and then married with another batch that had spent the full eleven years in bourbon casks. Unusual for the time (2015), Richard Seale went around in person to the various international rumfests, masterclasses and private tastings, and started his engagement on social media (he does this more than any other primary producer I’m aware of), trumpeting the fact that nothing was added, the rums weren’t filtered and the casks were dry, dry, dammit – not wet or with residual wine sloshing around (an old trick to flavour rum more definitively).

Well, Zinfadel is a sweet wine, and its influence was sure to be noticeable, whether the barrels are wet or dry or damp – the real question was whether that influence created a profile that worked, or was too dominated by one or other component of the assembly. Nosing it for the first time suggested it was a bit of both though leaning more to the former – it was lighter than the Real McCoy 12 Year Old I was trying alongside it (that one was 46%, versus 43% for the Zin which may have accounted for that), with delicate wine notes, vanilla and white toblerone gradually overtaken by some rotting bananas and fruits just starting to go. I liked its attendant creamy aroma, of yoghurt and sour cream and a white mocha, which grew tarter and fruitier over time – green grapes, raisins, dark bread, plus some spices, mostly ginger, cloves and cardamom

Tasting revealed somewhat less clothing in the suitcase, though it was quite a decent rum to sip (mixing it is totally unnecessary) – it was a little sharp before settling down into a relative smooth experience, and tasted primarily of white and watery fruits (pears, watermelon, white gavas), cereals, coconut shavings, sweet wine, and had a sly hint of tart red fruiness that was almost, but not quite sour, behind it all – red currants, cranberries, grapes. It was quite light and easy and escaped being an alcohol-flavoured water in fine style – not bad for something at close to standard strength, and the touch of sweet fruitiness imparted by the Zin barrels was in no way overdone. Even the finish was quite pleasant, being warm, relatively soft, and closing off the show with some tart fruitiness, coconut shavings, vanilla, milk chocolate, salted caramel, french bread (!!) and touch of thyme.

Overall, quite an impressive dram for something so relatively staid in its strength. The nose is really the best part of it, though it does promise quite a bit more than the taste eventually delivers. With the light tastiness of the three parts – aroma, palate and finish – it’s easy to see why it remains a fan favourite. And while it’s not one of my favourites of the Exceptional Cask Series (so far the Criterion holds that honour for me), it beat out the Real McCoy 12 YO handily, is within spitting distance of the 2004, and is a worthy addition to the canon of the Exceptionals. I’d buy it again…and the nice things is, three years after its release, I still can.

(#556)(83/100)

Foursquare 2004 (ECS Mark III) 11 Year Old Rum – Review

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Oct 042018
 

Following on from the 2008-issued, dropped-out-of-sight, no-we-didn’t-see-it Exceptional Cask Series Mark I, Foursquare issued the 9 year old Port Cask Finish ECS Mark II in 2014 (and in a neat piece of humorous irony, it didn’t mention Mark-anything on the label, and wasn’t really a finished rum). And in 2015 the game changed with the solid triumph of the 2004 Mark III.

The wholly-Bourbon-cask-aged Mark I 10 YO “1998” was, in my opinion, a toe in the water, issued at a meek 40% and seemed like a way to test whether a different blending philosophy could be used to move away from the RL Seale’s 10 YO, Rum 66, Doorly’s XO and 12 YO rums without replacing them entirely. The Port Cask Finish released six years later in 2014 wasn’t getting too adventurous with its strength either, but it did show where Foursquare’s thinking was heading: a pot/column blend aged three years in bourbon barrels, six in port barrels. As I recall from the year it came out, it made a modest kind of splash – “an interesting new direction for Foursquare” went one supercilious FB comment – but the madness of today’s sell-out-before-they-go-on-sale had to wait a little longer to gain real traction.

By 2015, Foursquare’s strategy clicked into place with the introduction of not one but two new rums, the milquetoast 43% Zinfadel Mark IV for the sweet-toothed and general soft-rum-loving audience, and something more feral for the fanboys – the 2004 11 YO Mark III, a straight-up bourbon-cask-aged rum, also a pot/column blend, unleashed at a muscular 59%.

That strength provided the 2004 with a crisp snap on the nose that was quite a step up from anything from the company I had tried before. It was fruity, precise and forcefully clean in a way that clearly demonstrated that a higher proof was not a disqualifier for greater audience appreciation. It smelled of wine, grapes, red grapefruit and mixed that up with scents of sourdough bread, unsweetened yoghurt and bananas. As if that wasn’t enough, after standing for a while, it exuded aromas of coconut shavings, irish coffee, vanilla, cumin and cardamom that invited further nosing just to wring the last oodles of scent from the glass.

Sometimes a proof point closing in on 60% makes for a sharp and searing experience when tasted – not here. With some smooth blending skill, it remained warm-verging-on-hot, going down without bitchiness or spite. It tasted smoothly of vanilla and coconut milk and yoghurt drizzled over with caramel and melted salt butter. It developed a smorgasbord of fruits – red grapes, red currants, cranberry juice – with further oak and kitchen spices like cumin and coriander bringing up the rear. There was even some brine and red olives making themselves quietly known in the background (the brine came forward over time), and while the finish wasn’t all that long, it provided a clear finish of oak, vanilla, olives, brine, toffee, and nougat, and was in no way a let down from what had come before, and I enjoyed this one a lot

The day I tried it, this rum was in some really good Bajan company, lemme tell you, and it held its own in fine style – so yes, that’s an unambiguous endorsement. Overall, the 2004 was a solid, well-constructed rum with a panoply of tastes that could hardly be faulted. It was way ahead of anything Foursquare had made before, instantly pushed the “standard” 4S/Seale/Doorly lines into second-tier status, and to my mind did more than any other single rum to mark Foursquare’s future ascendance and reputation on the Bajan rum scene. It pointed the way to the superlative 2006 10 Year Old, the excellence of the Criterion Mark V, and all the other Exceptional Casks to come, like the 2005, the Dominus and the Premise.

Best of all, continuing a philosophy Foursquare have adhered to ever since for the Exceptionals, it wasn’t priced out of sight — and those who saw it for what it was and managed to buy a bottle or a case, had very little to complain about, because the rum was and remains on the short list of Foursquare’s real good ‘uns. Their best rums, whether made alone or with the Habitation, mix controlled passion and cheerful excess, uninterested in any kind of subtle statements, and you know what? — with this one, Richard may even have cracked a smile as he made it.

(555)(85/100)

Other Notes

The week after this review went up in October 2018, I named the entire 8-rum series of the Exceptionals to that point, as “one” Key Rum of the World. The tag still fits, with all the subsequent releases merely adding to the rep of the line.

Doorly’s 12 Year Old Barbados Rum – Review

 2 Responses »
Dec 212017
 

#472

The question that arises in my mind when I try something from Foursquare at standard strength is whether it would be better stronger, or whether it succeeds on its own merits as it stands. Long time readers of this site (both of you, ha ha) will know of my indifference to the Doorly’s XO, the R.L. Seale’s 10 YO and the Rum 66 12 Year Old, but ever since Alex over at Master Quill glowingly endorsed the Doorly’s 12 YO (and noted he didn’t buy the XO because of my review), I’ve been curious how it would fare – especially when compared with the Exceptional Cask series like the Zinfadel, Port and Criterion, let alone those amazing Habitation Velier collaborations.

The Doorly’s brand was acquired by Foursquare in 1993, and it’s possible that the emergence of the El Dorado 15 YO the year before (it was one of the first aged premium rum brands regularly and plentifully issued by a major house) might have had something to do with that; and much of Mr. Seale’s blending philosophy and barrel strategy made famous by Foursquare’s more recent rums is still demonstrated in the Doorly’s lineup, though I feel it’s currently being overshadowed by the Exceptionals, relegating it to something of an also-ran in a connoisseur’s cabinet. It’s a blend of pot and column still rum, some 90% of which was aged in ex-bourbon barrels, and 10% in Madeira casks (12 years in each). The final result is married for a short time (no details on how long) and then bottled.

I think that a lot of how you approach this rum and finally rate it will depend on where you stand regarding rums as a whole, and where you are in your personal journey. You like the Jamaican and Guyanese, or high power whites, or 55% agricoles? This might strike you as subtler, quieter, perhaps even bland. Prefer cask strength rums made by the indies, or Foursquare themselves? This one is likely to leave you frustrated at the untapped potential that never quite emerges. On the other hand, if growling ABV monsters and fierce pungency are not your thing, it would probably appeal in spades, be deemed a damned fine rum — and indeed, it is well regarded and held in high esteem by many, as a result of dialling into precisely those coordinates.

Well, let’s taste it and find out, then. Nose first: it was a clear, quiet smelling experience, a stripped-down blunted Swiss army knife of almost-sharp twittering flavours led by a buttery salt caramel, burnt sugar, a bit of soft citrus (oranges rather than lemons), unripe cherries, pomegranate, cinnamon and nutmeg. What sharpness there was seemed to be more imparted by the wood, as it listed towards some oak influence, and maybe vanilla. Overall aromas were well integrated, and while for me it presented some of the same issues as the XO — too thin, too faint, too delicate — it wasn’t totally derailed by them either.

Having observed a frailty of the nose, I was prepared for something similar on the palate. Sampling it confirmed the matter: it remained weak and that seriously impaired the delivery of both texture and taste. Yet hang on, hold up a minute…it was reasonably complex and tasty too. It led off with clear caramel notes, vanilla, some brine, faint molasses, an olive or two. Also chocolate, bananas, indeterminate fruits, creamy salted butter, toffee, some oakiness for bite and finally the nutmeg and cinnamon returned for a quick twirl on the dance floor. So that part was pretty good. However, I was utterly unenthused by the quick finish, which seemed to be as wispy as a debutante’s handkerchief and provided nothing of consequence – oak, leather, a little tobacco and straw, more caramel and a vague winy note that intrigued but was gone way too quick. Sorry, but that finish was a big yawn-through….I blinked and it was gone.

Everything about the rum seems to showcase the dialled-down approach that was in vogue ten years ago but has now been overtaken by events and developments in the larger rumworld. That it’s a well-made, serviceable, standard-proof rum for those who have never gone further (and don’t want to), I concede, no issues. It’s 12 years old, it has some subtleties and interesting tastes (the taste is quite good), goes well in a cocktail or solo, piques the interest and the palate nicely. What it lacks is panache, style, heft, clarity, intensity….it misses the mark on real character. It remains a rum of enduring popularity, of course, but leaves a deep core rum fun wondering wistfully what it might have been. And then turning to the Criterion to find out.

(81/100)

Other notes

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