The Lone Caner

Speaking from my solitary spot in the rumiverse, 2023 was in many ways a year of challenges and changes and oddly enough, also of maintaining the status quo and holding the line. It was an exciting year with many new experiences and many new rums, and while I could not attend quite as many festivals as I might have preferred — or met as many friends, colleagues, aficionados and rum people as I wanted to — in many respects the year was a success on other levels and I really can’t complain except for one thing: I didn’t get to taste enough, or write enough. All this while the rum world was expanding and generating ever more new and fascinating branches and going in some interesting directions.

So here’s my observations on the state of the rumiverse, and my commentary on emerging trends and some interesting issues that popped up over the year.

Personal

For those who know something of my vagabond nomadic existence, the big event of 2023 was that after ten years living and working abroad, I returned with my family to Canada, leaving behind a stash of rums in Europe which — in spite of much begging, pleading, negotiating or even outright conniving — had to stay there because the duties and tax levied on shipping such a huge collection were simply unaffordable. One of these days I’ll figure out what to do with it, I guess.

Happily, the decade away showed me that at least Alberta (if not other provinces) began to get a pretty good rum selection, often from abroad but also from Canadian producers. Admittedly we get only the most occasional Velier rum, and none of the Foursquare ECS series; most of the indies are absent, agricole availability remains weak and juice from the Far East, Taiwan or Australia are wistful daydreams; but enough distillery and independent bottlings are now being seen that one can reasonably pick up a cask strength rum from Canada, Europe, the Caribbean, South America, Japan, and even the odd American edition, with some sleuthing…a high point for me was finding the Japanese Teeda 21 YO, for example.

On the flip side, what with trying to get professional, family and social life back into order, it made writing harder; a lot of that was just finding the time and energy to keep it up. The level of written output maintained for so many years – two reviews a week, essays, opinion pieces, articles and what have you – declined, and so for 2023 I only wrote 86 reviews (vs 88 the year before) even though I travelled less; wrote no published opinions (though quite a few unpublished ones), made no new lists, posted no essays. The Key Rums and Makers series languished somewhat for lack of time to do the deep dives they require: they limped along. And there were at least regular updates to several reference posts which I like keeping an eye on: the Strongest Rums of the World, the Guide to Online Resources and the Annual Global Rumfest Schedule, all of which I think are really useful, and which should not be left to become dated. I remained active on Reddit and posted a few longform comments, but let’s face it — the reduction in output was marked. This was and is frustrating because there are a lot of things I want to research and document more deeply, and the hope is that in 2024 as things settle down I can resume a better output and address these.

Other stuff

Being able to interact with people in an environment where alcohol was not illegal — which is to say, outside of a rum festival environment – was also something I had not realised I missed so much during years of enforced teetotalling. People could actually come over and taste with me. I could attend a tasting, and get a bit of a buzz on, talk to interesting people, meet new ones. The New Renegade tasting run by Jane Nurse at Willow Park was a great evening, and I reconnected with all the fun people at Kensington Wine Market (especially when they had a rum tasting of their own). Mitch Wilson passed through on his world tour, and I attended his Black Tot session in Edmonton; I met Karl Mudzamba of Bira! when he came to Calgary and had an awesome afternoon riffing about the subject with him and some friends. And having Logan, Dwayne, Carter and Neil come over to share their finds and damage my shelf on a weekend afternoon was just a great experience. That said, the store people at major emporia almost totally ignore this category and know little about it, nobody outside the extremely small circle of rumdorks in Western Canada has a clue that there even is such a reviewer as the ‘Caner, and so the obscurity that I began with has come full circle. C’est la vie.

With respect to rum festivals, well, those had to be chosen carefully and it was with real regret that I passed on Paris for their major events in March and October and had to limit things to the TWE and German rum shows, which was a decision driven by their being a week apart so attending both was feasible. They were great though: going on a nighttime rum cruise in Berlin with Matt & Carrie, Mitch, the Colours of Rum crowd, the Rum Explorer and Mrs. Caner was an event of which I will retain fond memories; I met up with Alex of the Rum Barrel, Steve Magarry from Oz, Dawn Davies, Dirk Becker, Pete Holland, the Skylark boys, Kris Van S., the UK rum-loving crowd, and of course the UK rum-making crowd from all those amazing little distilleries up and down the country. Overall, I just had a lot of fun walking around and talking to people.

Unsurprisingly, my new location almost demanded that my focus on which rums to review be shifted again, as they already have several times. My desire to try more rums from Australia was temporarily sated (though I look forward with real eagerness to writing about the 2023 Advent Calendar), and I have a backlog of rums from new distilleries from the UK to write about. I lack access to the best of the newest that’s out there – in that respect Canada has not really changed – but on the flip side this leaves me free to spend some time looking at what Canada itself has to offer. For the most part, my initial forays have proved uninspiring – especially among the white rums – but there are glimmers of light in the darkness. Romero and Ironworks demonstrated real quality, for example, and I know there are others to be found and written about.

Passing 1,000

Another event of some note was, of course, that the ‘Caner finally hit that once-unthinkable milestone of the 1,000th review. You have to understand what that meant to a guy who, when he started, once thought that making it to a hundred was cool beans…and didn’t even think there were a thousand rums to taste (let alone that they could be sourced). I’m not the first to get there – Serge Valentin was and remains way ahead (as I write this in the final days of 2023 he’s closing fast on 2000 rum entries) and I’m of the firm opinion that had Wes Burgin (The Fat Rum Pirate) not taken a leave of absence from the reviewing gig he would have gotten to that stat next since he wrote and posted fast and more often. But you’ll forgive me for being just a little proud of the accomplishment. The enormous catalogue of essay-length reviews, none of which was phoned in or just dashed off, all of which I can stand behind, has proved to be a consumer reference tool as useful in it own way as any book out there; and hardly a week goes by when someone doesn’t ask about a rum from decades ago which now only lurks on those sometimes obscure and forgotten posts. Tasting notes go stale within a few years, but as snapshots of a moment in time the background details and surrounding context do serve a useful function to laypeople now getting involved in the field…and this is why, although I think the Key Rums series is important, my real love is given to the Rumaniacs, started so many years ago in Paris.

Anyway, as an aside: when I began approaching the milestone I wanted to write about something very special. I sent out an exploratory note to Luca Gargano in Genoa to see if there was anything I could raid his legendary warehouse for, but that got nowhere. And seeing how occasionally, very occasionally, Richard Seale puts out a two- or three-bottle extraordinary release for worthy causes, I seriously considered approaching the man and asking him what could be done…but couldn’t find the courage (or the arrogance to pretend it was a huge deal to anyone except myself). Yet, as luck and a penchant for sniffing around liquor stores would have it, one day I found that amazing Lost Spirits Jamaican rum from 1976 gathering dust (for two freakin’ years!) in an Edmonton shop, and after thinking hard about it for a fortnight, ended up getting the bottle, it became Review #1000, and never regretted that for a moment – it’s now another one of those rums for which I need a special occasion to share with others.

Developments in the Greater Rum World

With respect to the rumiverse generally, here are few observations I made throughout the year.

For one, the number of independent bottlers just keeps increasing every year, and it seems like each turn around the sun brings a new challenger out to the front, in a way that just excites people’s interest and ignites their enthusiasm. In past year we had the Companie, 1423, Nobilis, Bira!, Rom Deluxe, Valinche & Mallet, TBRQ, Dram Mor, Nectar of the Daily Drams, Swell de Spirits, Rum Sponge and others, and I don’t think it’s wrong to say the Polish company Colours of Rum was the one people were looking at in 2023, if the scuttlebutt, social media commentary and sheer visibility factor is taken into account – certainly they seem to be all over the place these days and the rums they select are damned fine. Holmes Cay is also of note: they made waves mostly in the States and now have an increasing presence in Europe as well (especially with that thundering duo of the uber-aged pot still Foursquare rum and the Grand Arome from Savanna they came out with).

Alas, we lost sight of Sangar from Liberia, and I heard Toucan from French Guiana folded its tents which is a shame and a loss for all of us. Mim in Ghana has changed hands I think; fortunately there’s a fair bit of their juice floating around Europe. Nine Leaves in Japan is having some difficulties and I don’t think they’re doing much right now, and Moscoso in Haiti is using others’ facilities to make their klerens. As always we have losses to offset the gains.

Concurrent with all that, are a plethora of new and small distilleries emerging from around the world. In the UK we saw Retribution, Ninefold, Outlier, Dropworks, J. Gow and the Islay Rum Company take on greater visibility (they were founded in previous years and I met many in 2022, but they deserve mention again here). Matugga out of Uganda is going strong in a new direction. Australian distilleries like Killik, Tin Shed, Husk and Beenleigh began to be represented more in the indies’ repertoire, and none too soon, because a raft of others making rums of equal quality is snapping at their heels and I’m convinced we’ll see many more cross our sightline in the years to come (and none too soon). The Asian scene remained quiet and I can’t say I saw much from Sampan, Vientiane or Issan on the festival circuit, but I know they’re all still there so maybe I just attended the wrong festivals and didn’t shop enough.

If I had to single out a single distillery for kudos — outside the indies, the Aussies or the New Brits (and I loved them all) — it’s going to have to be Renaissance out of Taiwan, whose single cask, full-proof, sub-five year old rums were simply astonishing, all of them. Their coming out party was at the TWE Rumshow in July and I consider myself fortunate to not only meet the husband and wife team and their sons (same age as the Little Big Caner) but to attend their masterclass and find out more about what they went through to get to this stage….sort of like toiling for a decade to become an overnight success. I know they brought over their best half-dozen to wow us proles, but nobody can make six rums that good without knowing exactly what they’re doing.

And this brings me to an observation I had first made to myself a year ago, thought was premature to state in 2022, which now seems to be appropriate: young rums we would not have looked at seriously before have started to become really damned good. We are conditioned to look for big numbers and multi-decade old rums and yes, those will always be fine and expensive and command our desire. Yet consider how many rums ten years or younger – even five years and below – have crossed our paths in the last few years and which enthralled, wowed and out-and-out impressed us. Renaissance was one, the Australians and Brits showed us a bunch of others, and even the various blends coming out of more established distilleries around the Caribbean are showing a serious uptick in quality and appreciation. My friends in the whisky world groused many years ago that first the distilleries and blenders made a big thing of “age is everything” until aged stocks ran low at which point they switched the mantra to “age isn’t everything” in their marketing. Perhaps the same thing also happened in rum, but the amount of new distilleries selling really fantastic younger rums to make cash flow suggests that our little corner of the spirits world may simply be better at making such elixirs.

Online Resources

If you were to consider only website-based reviewers you might think the writing gig is one of diminishing interest and output. I have come to the realisation that this is not so, it’s just that the format and platform and methodology has changed. The rum writing and reviewing game is as vibrant as ever, one only has to look elsewhere.

Some years ago I commented on my dissatisfaction with the increasing prevalence of the “short form” review model (you could argue Serge Valentin popularised if not actually created it), whereby quick, tasty little McNuggets of reviews are written, tasting notes are briskly and succinctly provided and a score assigned. I felt – then and to some extent now – that bereft of context and without placing of a rum in its larger universe, with no provision of some historical or other background, such reviews may be quick to write and lend themselves to building a fast library of tasting notes, but are not always as valuable in the long term. However, in all the ensuing years, the trend has continued and it’s time to stop whining and simply accept that this is the way the world now consumes information. And indeed some of these little reviews, which are almost always platform-based on Instagram, TikTok, YouTube or even FB, are pretty good, with the subreddit /r/rum being the best of them all, and Instagram coming right behind it.

It’s not just written micro-reviews either. Other formats are becoming more prevalent. A new short-form video reviewer I like, Arminder Randhawa, started his Instagram feed and YouTube channel “Rum Revival” in 2022; and 2023 is when he really picked up a head of steam and became much more well known. I met him at TWE Rumshow in July and he’s pretty much the same as he is in his videos: fun, pleasant, engaging. In his videos he is crisp, informative and has good editing chops – his presentations really move along and unlike some others, eschew gimmickry, stay resolutely focused and on point which is why he can get away with very short ones.

Older stalwarts like Steve the Barman (on YouTube) remain fixtures on the video scene and almost makes me want to try a spiced rum on occasion (he lives in hope). His philosophy is simply that somebody needs to talk about these bottom feeders as well and so he does it, with a blend of enthusiasm and fast talk that is really fun to watch. He has not changed my mind so far, but then, he doesn’t need to. And a hat tip to Ready Set Rum in the USA who has much fun with his friends and rums as he ever did. All three of these made the Rum Raiders “Five Most Influential Rum YouTube Channels of 2023” list – along with Nia of My Rum Diaries and the duo of Roger and Robert of Just Drinking.

In any event, what I did not see as clearly then but which has slowly come into focus, is that such visual or short form reviews are part of the third internet generation of creative endeavour. This is a generation of creatives which moves a lot faster, attracting a cohort of the consuming audience whose attention span is a lot shorter and probably skews younger. Thousand word essays are passe, reading is so yesterday, and it’s crisp little reviews that make up the bulk of the reviewing ecosystem these days, including the video reviews and podcasts that have become more popular, and this is where I should give a loud shout out to the pair of Will Hoekinga and John Gulla who run that always excellent biweekly podcast The RumCast, which for me is required listening even when I disagree with them. With the exception of Steve and Ralfy who are in the UK, they serve a primarily American audience (and this shows if you know what you’re looking for), but all have a reach far exceeding that and should not be ignored.

A quick roundup of the others around the world: the UK rum reviewing scene has tilted and the three long time resources of Rum Diaries Blog, Rumshop Boy and The Fat Rum Pirate have ceased writing. They remain active on social media and the general rum community but hardly review any longer. Into their place have stepped others. Alex of the Rum Barrel is one of the best: he is a bartender at Trailer Happiness and you sort of wonder where he finds the time to be so prolific; his UK rum distillery tour is an example of the passion and breadth he brings to the subject. Another is Stuart, who runs the Secret Rum Bar and is a short form multi-bottle reviewer in the vein of Single Cask Rum and WhiskyFun. He takes horizontal or vertical tastings as his schtick, and it’s always a good read. Sandor over in Hungary must come in for mention, as he is a long form writer who writes in Hungarian and one of a kind over there, single handedly fighting to get rum some recognition in Eastern Europe. 88 Bamboo represents Asia in fine style and I look forward to the day I can meet their editorial and writing team. Nothing in Australia that I know of (which remains a shame), and Africa and South America remain silent (or at least unknown to me). In the USA, it’s mostly rum clubs (like Austin or Memphis) and reddit contributors with ancillary websites that churn out content these days, and none have made a larger impact outside their region so far as I can tell, though I usually read them all.

The Soapbox Commentary Section

It was with some relief that I observed that to some extent, the vituperation that so characterised 2019-2021 online discourse died down — at least a bit — as COVID receded and the great social movements the world experienced took a break, as they inevitably do – until the next crisis.

But by no means are any of the issues gone: they’re sleeping, not dead and it seems like people just need something to get them fired up when things gets too quiet. Dosing and disclosure remain on the docket and reliably come up for rancorous discussion every few months on some platform or the other. A fair amount of people who regularly dive into this subject cheered when another lawsuit was filed against a multinational for bad label design related to its ageing, without ever bothering to actually check what the laws really require and what will very likely happen (which is nothing).

The Ministry of Rum FB group, one of the largest social media rum clubs, became a cause célèbre for a while. The issues that got people sharpening their digital codpieces were a combination of a change in the ethos of the group (to a less adversarial, more inclusive — but also more dollar-centric and monetised — track), the treatment of existing mods/admins, and the seemingly arbitrary removal or banning of those who posted controversial opinions and commentary, without warning. This flashed in the pan until those who it affected (unsurprisingly, this was mostly the same ones who comment the most about all the usual flashpoints) departed the group en masse and immediately found more congenial FB homes. I genuinely didn’t approve (or see the point) of either side’s high handed actions given how many options each had, but there’s no question that the cesspit that the MoR had become is much less brutal now…at the expense of a certain Darwinian character it once held. Not everyone appreciates the change, probably because there are now limits where before there had been none.

The long standing issue of the Barbados and Jamaica GI remains unresolved, and continues to elevate rhetoric and blood pressures in equal measure, even as the spillover to MF / Plantation continues apace on social media. I find nothing but a raging desire to be right, to shut down dissent, and to target favoured enemies in petty vendettas in most of these posts, and have almost completely disengaged from any discussions on the subject, or even reading them, because how many times do you have to hear “Plantation is sh*t” before you get it? The GI is of great importance and I’m personally behind a strong version endorsed by Foursquare, SNA and Mount Gay (the most recent version of which most commentators have never read), but I argue that the lack of tolerance, the inability to be reasonable, to see points of view other than one’s own, has done more to hurt the case than help it. I simply cannot understand — and will never accept — the constant hate and personal attacks promulgated by a pompous commentariat who have no skin in the game but are somehow okay with telling everyone else what to think and drink (or what not to)¹. And this is why thoughtful people simply sign off from getting involved, which is to everyone’s detriment. Moreover, I am convinced that it’s just a matter of time before one of these flame wars gets physical, and when (not if) it happens, you can be sure that the loudest voices who make the environment so toxic will never take any blame for inciting it. It’s a measure of how deeply this issue and the self-censorship it engenders has become embedded in the rum ecosystem, that I rewrote this one paragraph six times and pruned it savagely (it’s a summary of a much longer unpublished opinion piece), and even now I’m leery about the reaction it will inevitably provoke. But it has to be said and someone has to come straight out and say it – the enmity that people provoke and promote with their intractable trolling does our world no service, because like it or not, Plantation is not going anywhere and the GI is not in our hands…so all that spilled digital ink is accomplishing nothing positive at all. It’s time to take a step back and calm down.

Favourite Reviews / Articles of 2022

As I said, my output decreased somewhat with respect to the essays and commentaries and company biographies but here are some that managed to stand out, even if only in my personal opinion:

• A user on reddit asked about my tasting methods when there are loads of samples to go through, so I wrote him an extended explanatory reply.
• An extended opinion on the background surrounding the Tamosi “Kanaima” rum formed an addendum to the review which I think was a useful correction and counterweight to the vitriol that had attended the release of the rum a few years ago (which many forgot about, but I didn’t). It just goes to show how much savage commentary is driven by feelings, ego and a desire to be heard rather than anything more thoughtful or knowledgeable.
• Only two Key Rums articles went up this year (although there is material for more to come) – the Bacardi “Ocho” and the Plantation OFTD, the latter of which was posted with some trepidation (see Soapbox, above), but which was received reasonably well.
• The Sugar House Overproof rum review was a cheerful look at a masterful unaged rum from one of the New Brits which impressed me to the tune of 90 points. I had similar fun with L’Espirit’s “still strength” unaged MPM rum from Guyana and reread it every now and then for a laugh. Similarly, I enjoyed writing about the Outlier Distillery’s impressive “Hurricane” rum which was bottled at a growly 64% and had taste chops to die for, which was almost matched by the Bundie Overproof.
• A small series of Rumaniacs reviews of older Bacardis is useful for the window they open into the past — R149 – R154
• Review #1,000 must come in for mention here as I spent a lot of time researching it and even more drinking it. It’s one of the most magnificent rums I’ve ever tried, both for taste and for heritage.

Best Rums Tasted During the Year

As before I decided to stick with the Rumcast’s simple categorization (more or less) otherwise this post (already overlong) would become unmanageable. Even within that restriction, it’s really kind of amazing how many fantastic rums crowded into my sightline this year, whether through tastings, festivals, the generosity of friends or simple happenstance (“Oys!! You gotta try dis ting, mon!”). I remain grateful and enriched by the sheer variety I was able to try…which, in 2023, numbered more than 200.

Unaged Rum

• Baie de Tresors “Plein Soleil” 54% (Martinique)
• HSE ‘La Belle Heure Titouan Lamazou’ 2021 50% (Martinique)
• Islay Rum Co Uine Mhor 55% (UK)
• Rom Deluxe TECC 2023 Longpond 85.3% (Denmark/Jamaica)

It’s not that I didn’t try more unaged rums than this small list suggests, it’s just that overall they were good but not always exceptional. I could just as easily have added a Savanna or three, and several more from Australia and the UK. These however, were the ones that stood out to me, and for my money, that HSE was simply the very best of a really strong field with the stunning Islay Rum Distillery Uine Mhor coming a close second. I should have bought myself a bottle, honestly.

Aged Rum (5 years or less)

• JM VSOP 4YO 43% (Martinique)
• Rom Deluxe STCHE 2019 3YO Longpond (Denmark/Jamaica) 69.6%
• Chalong Bay Double Barrel 2YO 47% (Thailand)
• TBRC Black Gate Australian Rum 3YO 57.2% (UK/Australia)
• Hampden DOK 2017 5YO 64.6% (Jamaica)
• Ninefold Distillery Watson’s Reserve 3YO No.1 59% (UK)
• Renaissance Rums, Taiwan

Australia, Martinique, Jamaica, UK, Thailand, Taiwan…how to chose from such a cornucopia? I almost hate to narrow things down to just one, because all entrants were uniformly lovely and showcased so much variety. But this year, I want to give the blue ribbon to Renaissance for sheer overall excellence, even if the others were right there alongside it.

Aged rum (Over 5 years)

• Rum Club No. 40 Beenleigh 2007 64.8% (Germany/Australia)
• Appleton Hearts 3rd Edition 1993 63%(Jamaica)
• Foursquare-Velier Raconteur 61% (Barbados)
• TBRC Mount Uncle 12 YO Rum 64.9% (Australia)
• Homes Cay Barbados 2002 20YO Pot still 51.1% (USA/Barbados)
• The Last Drop Distillers 1976 44YO Rum 68.5% (UK/Jamaica)
• Havana Club 11YO 50% (TWE Special Release)(Cuba)

It almost seems like blasphemy to pass by a magnificent Mount Uncle rum, a 20 YO Foursquare pot still, or one of the Appleton Hearts, yet I think from my own review notes, I have to award my best aged rum to the Last Drop 1976. For those who want to have a nomination and award given to something they might actually get to try one day, I’m going to have to say Raconteur was surely a well deserved #2, though I emphasise how strong the entire field is, and that none would be a fail under any circumstances.

“New to me” rum

• Mandakini Malabari Vaatte Unaged Sugar Cane Spirit (Canada)
• Camikara 12 YO Cane Juice Rum (India)
• Romero Sherry Aged 4YO Cask Strength Rum (Canada)
• Rom Deluxe Ghana 2020 2YO 67.1%(Ghana/Denmark)
• J. Gow Wild Yeast Series “Kveik” 2022 62% (UK)
• Drop Works “Funk Drop” High Ester Rum 63% (UK)
• Outlier Hurricane Overproof Manx Rum 64% (UK)
• Luisita Single Barrel 59.2% (Philippines)
• Cargo Cult 54.5% Navy Strength (SPD/Australia)
• Ironworks Amber Rum 42% (Canada)

Honestly, my love is given to this section because this is where rums that don’t always score well — some do, some don’t — but which have a certain something to them, get to shine and show their chops and be recognized. This year India (or Indian style) had a moment, the New Brits were kicking ass and taking names, and the Philippines’ Luisita deserves serious praise for getting out from under the shadow of Don Papa and somewhat redeeming the honour of the Philippines. Yet, I want to acknowledge Canada’s Romero Distilling’s full proof sherry cask rum, which was by far the best Canadian rum I’ve had thus far and gives me hope that this non traditional region of rum making will rise up and be counted in the years to come.

Most Surprising Rum, aka “AITA for liking it?” Award

• Romero Sherry Aged 4YO (Canada)
• Doorly’s 3YO 47% (Barbados)
• Cargo Cult 54.5% Navy Strength (SPD/Australia)
• Havana Club 11YO (TWE)(Cuba)
• Bundaberg Overproof Extra Bold 57.7% (Australia)

Here’s a section that keeps me honest, because they are rums where I had to exercise serious effort not to prejudge. Romero’s Amber and Dark rums did not impress which made their Cask Strength rum so much more impressive; everyone hates on Bundie (not the least in Australia) yet their overproof presented as not half bad. I walked into Cargo Cult not expecting a whole lot and walked back out again really impressed and listening to Steve Magarry snicker. And of course people do know of my general indifference to Doorly’s…so how amazing is it that I really enjoyed not one of their really old expressions but their barely-out-of-diapers 3YO? In this category, I just have to give it to Havana Club though, because normally I’m not a great fan of the Latin / Cuban rum style: however, their 11YO was so solid and well assembled, pipped the 15 YO so easily (which I didn’t think that was possible), that I could not ignore it. What a lovely dram indeed.

(Really) Honourable mentions

• Isautier Agent Double 01 and 02 (Reunion)
• Foursquare Touchstone (Barbados)
• The New Renegade Pre-cask / Aged Series (Grenada)
• The new ED cask strength series 2009 (PM and ENM)(Guyana)
• Naga Rums (Indonesia)
• Ninefold Distillery’s rums from the UK
• Worthy Park 2015-2020 5 YO Canadian Only Edition 68% (Jamaica)
• English Harbour High Congener Series 2014 6 YO 63.8% (Antigua)

These not-quite-there-by-a-nose rums are those that scored just a smidgen below the threshold I would use to bring anything into these categories, but were somehow good enough, memorable enough, that I want to call some attention to them irrespective. Isautier’s duo of cane juice and molasses based rums ensorcelled me, and the Naga rums from Indonesia weren’t of the best but unique and special even so. Ninefold just keeps on getting better every damned year and it’s tough to pick a fave so I chose the lot. Touchstone from Foursquare was really quite lovely (as most of the ECS range is), and I remain chuffed by what El Dorado has done after giving up on the Rares, and folding its limited edition aged caskers into the regular portfolio. Worthy Park and English Harbour are perennially high quality hooches, with some exceptional outturns found this year. Here though, the pride of place must go to Renegade’s precask line and also their young aged rums, most particularly the Pearls, which really was a sublime little rumlet, for something so young.

Overall best

• Renaissance Fino 87 points (Taiwan)
• Ron Artesenal 1994 67.7% 26YO (Denmark/Jamaica)
• Cadenhead Dated Distillation 2001 19 YO “TDL” 55% (UK/Trinidad)
• The Last Drop Distillers 1976 44YO 68.5% (UK/Jamaica)
• Killik Handcrafted Pure Pot still Rum 62% (Australia)
• Black Tot 50th Anniv 54.5% (UK, Caribbean blend)

I doubt it’s a secret that of all the rums I tried this year, that Last Drops 1976 took home the crown, and right behind it came the Cadenhead TDL 19YO which I still suspect has a smidgen of Caroni in it (unproven, but…). So that’s number 1 and 2, yet they are so unavailable it almost seems like a cheat to name them to the pantheon at all, because, what’s the point for regular rum folks? With that in mind, I reread my notes, rechecked my scores, revisited my memories, and decided that among all these really fantastic rums, this year I have to declare a tie between the Killik Handcrafted and the Black Tot 50th Anniversary because they were both original, stunning, tasty and unique rums that took rums to another level. But again, I cannot emphasise enough that any of the rums on this list is worth looking for and trying, if you can. I hope you do.

So, once again, there you have an example of my inability to make a top three listing that summarises an entire year of writing, thinking, tasting and reviewing. I hope you find it useful and enjoy your drinking, because I certainly did, and with that, I close this overlong annual review, except for one last section which I too often leave out.

Acknowledgments

No such wrap up would be complete without some words of appreciation, since the effort is never entirely solo and many people are involved in what I do. First and foremost, Mrs. Caner who has and always has had, my back, and in turn, my love. She allows me the time to think and write, and acts as a valued counsellor, especially when I’m angry. She sniffs and mutters dark imprecations about the Prada purses she isn’t getting because of my mad pursuit of the next rum, the next festival, the next meet-up…but I know she supports me in all I do, and once in a while might be persuaded to give a grudging compliment, especially if she gets to stow away on a trip to Paris in exchange.

Gregers in Denmark, thanks for all your help, and your friendship; Matt, our back and forth commentary always enriches the narrative. To Steve Magarry who once endured me babbling away for two hours in a Moroccan cafe on a Sunday morning before escaping on a flight back home, to Mr & Mrs Rum who put together those advent calendars that introduced us all to Oz, and the entire Australian and New Zealand rum community who have been so helpful and generous with your time – I’m deeply grateful to you all. Dawn Davies, you’re great, appreciate everything – still owe you a dinner sometime. Steve the Barman, Keegan, Jazz and Indy, well, what can I say, it’s always fun to hang out with you dodgy lot. For the Canadians, my appreciation goes to Dwayne in Sask (originator of the famed Conjecture), Karl of Bira! in BC, Logan, Carter, and Neil in Calgary, the KWM folks — Shawn, Curt, Andrew — who always squirrel away some of the good stuff, or find me the last seat in a tasting; and Robin in TO as always. Tips of the trilby must also go to all those people who lend quiet assistance or act as sounding boards, without recompense or mention: CityBarman, John Go, Richard Seale, Sean Caleb, Christelle Harris, Will and John of Rumcast and many more.

This is a lot, but yet, and yet…one more specific person deserves mention and must not only be thanked, but saluted: the badass, cocktail-sipping Teutonic marvel with more pizzazz then the Energizer Bunny, able to leap pallets of rums and cringing reviewers in a single bound, the indomitable, pragmatic, helpful and supportive, one and only Grandma Caner. If Mrs. Caner gave moral and personal support, Grandma Caner was the one who enabled the infrastructure. For the decade I was in the Middle East, the woman patiently gave up her basement to my rum purchases, rented storage, unpacked boxes, cleared my extravagant buys through customs or the post office, and sometimes fetched them home in her bicycle panier – in summer or winter, rain, snow or shine like a one-grandma Pony Express. Her small apartment was the site of the famed Caner Afterparties, and she took time and money to help me maintain a foothold on the rum scene wherever it was happening. She gets too little thanks in these pages, but she’s amazing, the greatest Mom I know, and there’s a bunch of people who’ve met her over the years who think the same.

And lastly, my personal thanks and heartfelt appreciation goes to all the very many rum loving individuals who read my work, occasionally leave a comment, and in all ways provide impetus for the project to continue. It would not be the same without all of you. Thanks again, and have a great 2024!

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Although 2020 and 2021 were deserts of activities and opportunities to meet, share, drink, talk and socialise, the rumworld never really stopped ticking over, and while RumCask’s annual three-rum top of the year invitational roundup took a nosedive, many of us kept churning out product and adding to the literature, tasting new rums, and keeping the flag of geekdom fluttering. In late 2021 some rum expos timidly cracked their doors, and 2022 was when the world finally opened up and the entrances were flung wide for a resumption of the festival season.

The COVID period, for all its many tragedies and frustrations, was really quite productive for many – certainly it was one of the most intense periods of concentrated writing in my life. Essays, opinions, reviews, Key Rums articles and producers bios all flowed without pause, and when in 2022 all that output was added the ability to travel and access rum shows and my personal stash, well, there was a lot of material to be going on with for this year.

Highlights

2022 held many interesting experiences for the ‘Caner, following along from the rebuilding of the site after its crash in 2021 – though it’s never really recovered the hit level it enjoyed before that. I wrote 88 full length reviews including four new Key Rums, four major essays, three in-depth opinion pieces, three Makers profiles, yet another list of 21 great white rums, and did a long, rambling interview with Le Blog a Roger via email. And that’s not counting updates to the Guide to Online Resources, the Strongest Rums of the World post (which I keep an eye on because more strong stuff keeps getting made) or the 2022 and 2023 Rum Festival Calendars which I see as a curated resource to help all us citizens of the larger rumiverse make our travel plans (this is the one post where I have no qualms about being approached by commercial interests to list their event).

To my delight, finally, after whining about it for years, I got a serious sample set of Australian rums courtesy of Mr and Mrs Rum in Oz who sent me the 2021 advent calendar, which allowed me to get a sense of what was going on Down Under – the quality of what they are making over there is really quite fantastic and my only regret is they did not have the opportunity to make another one for 2022. I hope that names like Killik, Winding Road, JimmyRum, Kalki Moon, Tin Shed, Black Gate, Riverbourne and others will one day become as well known as the great distilleries of the West Indies, because what they’re making sure bears watching. The best part of the experience (aside from tasting the rums, of course), was simply being in touch with a bunch of really pleasant, committed, talented and skilled distillers, many of whom poured their savings and their lives into these small companies – they were happy to help, provided background, offered samples, and I bet that if I were to turn up unannounced at their doorstep, they’d give me three hots and a cot right next to the pot still and a special unaged white rum to cuddle up next to.

Activity in rums from niche companies in SE Asia, Africa and small islands like Cabo Verde was not as dynamic as 2019 had led me to believe they would be, so I did not see much from Mia, Chalong Bay, Issan, Vientiane, Laodi, Samai, M&G, Barbosa, Vulcao and others as I might have had they been exporting and showing up at festivals. Yet I’m sure they’ll turn up again in 2023, and it’s something on my list to keep an eye on. Balanced against that I was able to pick up a decent set of rums from Madeira, which I think may be poised to become a really big thing if the markets open up for them and a few voices make more noise about how good they are. Like Australia, it may just be a matter of them finding their legs and one producer coming up with something that gets huge audiences east and west, north and south that reflects on all of them.

And of course I developed a strong interest on Japanese shochus, specifically the variant made from unrefined brown sugar, akin to Mexican panela used in charandas or the jaggery which the Indian rum makers use for some of their products. This led to more research, new friends – authors and podcasters Chris Lyman and Stephen Pellegrini were amazingly friendly and generous with their time, for example – and yet another branch of the Great Rum Tree to clamber around.

In late 2021 / early 2022 COVID receded and vaccinations were had, so I was able to come to Germany and start tasting a raft of bottles and samples that had been gathering there for over two years (and that’s a lot). Seeing the sprightly Grandma Caner and making a long-delayed trip to Flensburg were high points, and I would strongly recommend that anyone with an interest in rum go do the museum and the Sugar Mile in that small northern town. There’s a ton of old rum history in Eastern Europe we never hear about, and as I remarked to Sandor, who runs that interesting Hungarian site Rum Ambassador, we could all do to hear more about the stuff from there – sure it’s looked down upon as a verschnitt or a spirit drink or a room (which is to say, not “real”), but the base of these drinks was rum and sometimes we have to relax the standards a bit to understand more about our favourite tipple’s long history.

And, of course, there were the rum festivals, which opened with a bang in 2022. If it was up to me I would have done Miami, Paris (twice), Bordeaux, Berlin, Nordic and London (twice) and maybe even more, but the job, the purse and Mrs Caner stridently objected to such wanton profligacy in spite of my tearfully operatic protestations. As it turned out, I was able to attend the very well organised first TWE Rum Show in July, as well as Paris’s WhiskyLive in September and was fortunate enough to be accredited with a press pass to both (which did not allow me free entry to anything but the trade session, I hasten to add, though I did get a cool lanyard and badge to make me feel important; master classes and VIP tastings remained on my dime).

To say I enjoyed my time at these two would be an understatement. Meeting old friends and making a few new ones after such a long time in Solitary was enervating. I caught up with Christelle Harris and her uncle from Hampden, Benoit Bail-Danel, Jerry Gitany, Mitch Wilson, all my buddies from Skylark (Chet, Jazz and Indy who have now turned into firm friends whose fridges and rum stashes I can raid at will), the guys from J. Gow, Sugar House, Ninefold and Islay Rum Company, Daniele Biondi of Velier, Kris Von Stedingk, Alex Sandu, Ian Burrell, Sly Augustin (at last), Oliver Gerhardt of Rum-X, Robert of WhiskyDigest (best rum reviewer on Instagram by a mile), Dawn Davies of TWE (who sneaked me gratis into a few under-represented masterclasses and spotted me a few bottles I had begged for, for which I owe her big time). I had too little time with Richard Seale (we have a long-outstanding dinner and drinks discussion between us, but were both too busy), Laurent Cuvier of the French site Man With A Stroller, or Serge Valentin, who I had last met in 2014 at the formation of the Rumaniacs but who remembered me kindly; I missed Luca Gargano of Velier in Paris (I doubt I would have had any chance to actually talk to the man, but it would have been nice to say hello). And no such listing of personages could be complete without mentioning the great time I had cracking up with that certifiable kiwi, Richard Nicholson, who puttered around Europe for a year straight, in an old beat-up, farting, flower-power era VW van and attended every (and I mean every) rum show in sight, paying his way by renting out his services as the festival circuit’s most geriatric and cheerful booth attendant. And you ask why I like rum, the rum world and its denizens?

Favourite Reviews / Articles of 2022

Going strictly by the year’s writing, excluding all the content from 2020 and 2021 (some of which was stuff I remain quite pleased with), here are those pieces I think are worth an occasional reread.

• Other Sugar Cane Spirits – Kokuto Shochu. Shochu is made from a wide variety of materials, but it was the sugar cane varietal I focused on in this long piece about an almost unknown quasi-rum from Japan. I followed it up with reviews of the Nagakumo Ichiban Bashi Kokuto Shochu, and Tomoet Moi Kokuto Shochu, which hopefully won’t be the last.
• The Australian Rum Series Recap. Granted a score or so of rum reviews from about a dozen distilleries is hardly enough to make any sweeping statements or trend analyses for an entire country with maybe ten times that many distilleries making hooch, yet I feel that even within that limited scope certain remarks could be made, and in it, I summarised my findings from all the rums from the 2021 advent calendar I had tried and keep my fingers crossed there will be another one in my future.
• The 2022 Spirits Business Rum & Cachaca Masters Opinion. In this post, which I believe remains applicable to pretty much all spirits judging competitions, I take aim at its many weaknesses, and express my dissatisfaction with the way the entire thing was handled. At the end, one major conclusion I come to, which has become stronger and stronger of late, that there has to be a consistent categorization model for all rums of all kinds, used by and agreed to, by everyone. This is unglamorous, unsexy and doesn’t fill many column inches or blog posts — and is too often seen as a GI thing, which it only partially is — but I think it will remain one of the most important unsolved issues of the rumworld in the foreseeable future.
• Key Rums of the World: St. Lucia Distillers Original Chairman’s Reserve. I always knew a rum from this somewhat underrated distillery had to be in the pantheon; I was just hampered by the cessation of the 1931 series after Rev 6, and my being stuck without a sample of the current original. Finally, this year, I managed to get the job done and really took my time crafting something I hope remains useful.
• A Guide to Online Resources. This post is one that keeps getting updating to stay current and while not often in the “top ten viewed posts of today” (the honour for that goes the Mohan Meakin bio, Strongest Rums of the world and Rum Fest Schedule), it’s one of the most useful posts on the site. I share it to the curious and the searching at least once a week.
• Key Rums of the World – Velier’s Haitian Clairins. It pains me to exclude so many other other Haitian clairins (including the well regarded Benevolence); yet I had to acknowledge the impact the five Velier-distributed rhums have had on the world of spirits, and this was my way of not chosing any one of them. A lot of text got left on the cutting room floor as well, yet even so, with history, commentary, tasting notes, opinions, hints and background, this article clocks in at nearly 3000 words. The whole thing speaks to my fascination with, my respect for, and my liking of, these indigenous artisanal rhums…and also my uneasiness about aspects of their promotion.
• Rhum Jacsi (Martinique) from the 1950s. Okay, have to be honest, this one is all about the history, not anything else. I found the backstory fascinating because it demonstrates something of how appreciation for rum and rhum and the varieties developed over a century in Europe.
• Review of Saint James “Bio” 2020 Rhum Blanc Agricole. Here it’s the writing I enjoyed. I don’t always or often feel energised, but after coming up with that joyous opening paragraph, I couldn’t stop and laughed my way through the rest of the review. Who says reviews have to be brief tasting notes and bland factual observations only?
• A User’s Guide to attending a Rum Festival. You can tell I was happy to be out and about the world again this year, and in that cheerful frame of mind, seeing the occasional questions on reddit, I wrote this lighthearted (but hopefully useful) novice’s guide to the perplexed, about what a rum festival is all about and how to survive one.
• Review of S.B.S. Antigua 2015 7 YO High Congener Rum. Hands down my favourite review of the year, because it channels how and where I tried it and who was there, with a sort of heedless abandon (trust me, I kept the embellishments to a minimum – it really was like that). Plus, it was a ballin’ rum, really. Occasion, location, rum and people all meshed into something raunchy, raucous and special, and I loved every minute of it.
• Creating the Ultimate Rum database Part I and Part II. This very long post is really about the Rum-X app: in writing it and delving into the history, I was struck once again how even here, the issue of categorization seeps subtly through the narrative. But that said, for historical background and a bio of a really useful tasting app and its founder that just so happens to double as a rum database is helpful in understanding the issues rum aficionados have faced in trying to make any kind of definitive list of all rums.
• Key Rums of the world – Ron Zacapa 23. Sooner or later I had to come here and make a case why this damned rum is so pervasive, so popular, so hated, such a constant feature in all people’s rum bios…and a Key Rum. Everyone tries it at one point in their journey. Some stay there, some move on. This article attempts to present the facts, explain the hype, and what it means to try it.
• Yet Another 21 Great white Rums. The third list of its kind. It’s not intentional – I just keep finding more of these delicious badasses, and feel they are often written off with some disdain by too many — especially by whisky drinkers who have no Zero-YO equivalents, look for big numbers, ask for bourbon lookalikes and don’t get how amazing these rums are.
• Company Bio of Amrut Distillers. Much more well renowned around the world for their whiskies, Amrut isn’t a big player in the Indian rumspace — let alone that of the rest of the world — when compared to Mohan Meakin’s Old Monk or United Distillers’ McDowell’s. Yet the story is interesting and tells us something of what it is and was like in the subcontinent, and the challenges faced by companies who wanted to do more, grow bigger and do it all at scale. Everyone knows something of the Caribbean distilleries and estates – the Asian companies are no less important, or fascinating, even if we have yet to see world-beating rums from any of them.

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Favourite Rums of the Year

And this leads me to the final section of this ode to 2022, the rums I enjoyed most in 2022, the first list of this kind since the one I made to remember 2019, for the boys at the RumCask, who had asked for a couple of drams, and got a firehose instead. It should be noted that not all these rums were released in the year: but many were, and it’s important to both make the distinction and try one’s best to be representative of current releases, otherwise the value of the retrospective diminishes to the user. One is, after all, implicitly suggesting these rums are simultaneously available, of decently recent vintage and worthy of a buy: talking about an overpriced, barely-available rum from five years back is hardly likely to engender enthusiasm or make much sense.

In what may be seen as an odd move, I’ve taken most of the listing structure of The Rumcast (Will Hoekenga and John Gulla’s love child), whose podcast episode #70 listed many of their own picks in a categorization that is relatively brief, but workable (there’s no really good way to do this so it’s all up to the individual – see The Rum Barrel and Secret Rum Bar for alternative takes on the matter). I’ve ignored a couple, and changed the format some and my context is there for each.

• Unaged rum
  • Saint James Brut de Colonne 74.2% “Bio”
  • Winding Road Agricole Blanc 48% / Coastal Cane 46% AUS
  • Killik Silver Overproof 59% AUS
  • Pere Labat 70.7 Brut de Colonne
  • Renegade Cane Rum 1st Release “Pearls” 50%
  • St Nicolas Abbey 60% Unaged Overproof
  • Habitation Velier Foursquare LFT 62% White

The white rum category continued to be the nexus point for some amazing innovation. There are several relatively small batch “Bio” rhums from the French islands, so this is surely a coming thing; I enjoyed the distinct differences of Renegade’s pre-cask whites and Saint Nick’s overproof was a quiet little stunner, as were the Australian cane spirits and agricoles. But for originality, and really freakin’ great tastes, Foursquare could not be beaten this year. As Richard observed to me in Paris, “It’s good to have the Habitation Velier label to bottle these more experimental rums under; we’re not ready to bring it out as a completely commercial product, but this allows us to gauge consumer sentiment.” This consumer agreed, and wanted more.

• Aged rum (5 years or less)
  • Black Gate Distillery Dark Overproof 3 YO AUS
  • Sugar House Blood Tub Rum 56.4% UK
  • Papa Rouyo 120 days (66.5%) / 450 days (64%)
  • Chalong Bay “Antipodes” LMDW 20 months 62%
  • Renaissance Distillery FINO cask 3YO

Aside from old stalwarts from all the usual houses, it’s not often I buy or manage to taste really young rums – the trend is towards older rums or NAS blends or unaged whites these days. Yet they continue to be made, often by new companies yet to find their niche. Sugar House was startlingly original, and Papa Rouyo was the equivalent of many a sterling Guadeloupe rhum: I considered both of these for the top slot. I also liked Chalong Bay a lot; and Renaissance is on its own plane of existence sometimes. It was Black Gate Distillery’s Dark Overproof from Australia that was the standout this year for me – for originality, taste, strength and overall quality. It must be noted, however, that all the others were really strong too, and it’s entirely a matter of personal opinion that Black Gate pipped the others, which were and remain worthy contenders.

• Aged rum (Over 5 years)
  • 4S Sovereignty, which I thought edged out the Isonomy
  • Hampden “Pagos”
  • Rum Artesenal Clarendon EMP 1995-2021 67.2%
  • Nine Leaves Encrypted IV
  • SBS Antigua 2015 7 YO High Congener 64.9%
  • J Bally 12 YO 45%
  • Damoiseau Millesime 2009 66.9%
  • Velier Saint James 15YO Magnum Collection

2022 had eight rums aged more than five years which were so startlingly good that to pick just one was near impossible. Foursquare’s Sovereignty, Hampden’s Sherry-aged “Pagos”, Nine Leaves’ ever-better Encrypted IV, the Damoiseau, the Bally, that frikken’ awesome Saint James 15YO from the Magnum series… At the end of it all, I threw away the scoring and simply had to acknowledge that the SBS Antigua, like Velier’s “Catch of the Day” is an Antiguan masterpiece and concede it deserves its place on the podium. If you forced me, if you pressed, I’d have to give a strong second place finish to Saint James and Rum Artesenal right behind that.

• “New to me” rum
  • HV Amrut 2015 7YO Indian Rum 62.8%
  • Killik Silver Overproof 59% (again)
  • Tomoet Moi Kokuto Shochu 40%
  • Sugar House Overproof 62.6%
  • Renaissance Distillery FINO cask 3YO (again)

One of the reasons to go to rum festivals is to try new things, whether innovations from old companies, or new companies doing their own thing. This year I picked one from each of the major subdivisions of my thinking: one from Japan (a shochu), one from the Australians, one of the new Scottish rum distilleries and one from Taiwan. I could have picked more, but these were the ones that channelled some form of serious and distinct originality which tweaked the format in a new direction. Does it come as any surprise that my enthusiasm for the pot still, jaggery-sourced Indian rum from Amrut bottled by Habitation Velier led the pack? I wrote with some wonder, that it’s “familiar enough to enjoy, strange enough to enthrall, flavourful enough to remember (and then some). Taste, complexity, balance, assembly, they’re all quite top notch.” I still think that way about it.

• Most surprising rum
  • Bristol Spirits 2022 DR & Venezuela rums
  • Killik Handcrafted Silver Overproof (yes, again)
  • Aisling Distillery ex-Shiraz pot still

These days, the breadth of experience and the sheer number of rums I have in my physical and mental library makes it difficult for anything to surprise me…or so I thought. Bristol Spirits showed me I still had stuff to learn. Because, although normally I don’t care much for Spanish Heritage style rums as a whole – the soft, column-still low-strength barrel-aged easy drinkers don’t present much of a challenge or anything that’s significantly different from one year to another – these two rums from the 2022 rollout really impressed me. They were simply better in almost every way than the occasionally boring rums from either location I’ve tried before. Whether that’s because they tweaked the fermentation, added a pot still, did some extra boosting under the hood, who knows? The results speak for themselves.

Honourable mention, however, has to go to two of the more original Australian rums I tried: from Aisling Distillery, who made an agricole with a terroire profile that cause quantum states to vibrate with new frequencies, and Killik’s channelling of the Jamaican style to a completely different level. I hear the latter is exploring opportunities in western markets: when you see it, make sure you try it.

 

• Overall Favourite Rum Of The Year – based on novelty, strength, taste, uniqueness and the introduction of something new – and these are important, because this year we have a really strong field on so many different levels — I’ll have to say the Habitation Velier Amrut ticks slightly more boxes for me than the Foursquare LFT or the Australians and the Magnums, though it’s close, very close. Strong runners up are the Black Gate Dark and Velier Saint James Magnum (or the Mount Gay) and of course, that insanely wonderful Foursquare.

And so, there you have it. An entire year’s worth of experiences and tasting and thinking, distilled into just shy of 4,000 words. It doesn’t cover the actual wealth of rums I tried, or every single experience I had, but it gives you a flavour of how great this year was.

See you next year, then, when the advance towards Review #1000 kicks off. You can be sure there will be an even longer retrospective for that one.

Happy New Year!

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